Swami Vivekananda Concentrate on the Four Aspects O F M E a N I N G F U L L I F E
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SD Burman Booklet
SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. -
Majrooh: the Poet Who Captured the Times
Majrooh: The poet who captured the times. The Hindu Business Line, March 18, 2021 https://www.thehindubusinessline.com/blink/watch/majrooh-sultanpuri-wrote-songs- for-more-than-250-films-in-his-five-decade-long-stint-in-bollywood/article34099511.ece Few people would have heard what can possibly be classified as the first pseudo-rap song in Hindi films- the song “Dekhiye, Sahibo, Who koi, Aur thi”, from the 1966 musical suspense thriller “Teesri Manzil”. All the other songs of this film are heard on the radio even now. All, except this one. And yet, this is an amazingly creative composition with words and phrases sung in a staccato fashion, which could easily pass for what later became the rap style. The song, sung brilliantly by Rafi and Asha and composed by R.D. Burman was written by the eminently versatile Majrooh Sultanpuri. R.D.Burman was a young, unknown composer then. Majrooh of course knew him well as S.D. Burman’s son and assistant. After all Majrooh had worked with S.D. Burman in many of Dev Anand films from the 1950s and the duo had given us hit songs like “Hum hain Rahi pyaar ke hum se kuch na boliye” and “Chal ri sajni ab kya soche” among many others. The story goes that Majrooh recommended him to Shammi Kapoor who was very picky about his songs. Shammi Kappor agreed to listen to this young upstart. The first composition that R.D. Burman played was the one which ultimately became “Deewana mujh sa nahin”- Kapoor immediately recognized it as based on a Nepali folk song which he had heard in Darjeeling! And the rest was history- Teesri Manzil was Burman’s first major hit. -
Winner List – February 2020
3 Bill Payment Rs 250 BMS Voucher - Winner list – February 2020 FULL NAME RAJNISH KUMAR MAURYA PATTABHI SHEKAM SEKAR SURESH VSNM JAYANTI GANAPATHI SUBRAMANIAN CHANDRASEKARAN DIGAMBER PRASAD GAIROLA HEMANTH KUMAR JASMEET ARORA AZIBULLAH ANSARI PARUL SARITA KHUDA BAKHSH PATHAN ABHISHEK KOTHARI UTTAM SINGH KHUZAIMA SHABBIR HUSAIN RAMESH CHAND BAJAJ RAVINDRA C RANE PRATIK KUMAR SURESH AGRAWAL SOMNATH MUKHERJEE MANISH KUMAR SHARMA CHINTHALAPUDI HARIKRISHNA KANAKAM PRANITHA SHYAM NARAYAN YADAV ISMAIL GULAM SALEJEE JT1 MOHZAD F DUBASH JT1 SHAIKH ABDUL RAZZAQ MOHAMMAD KHALED SANTOSH VISHNU YADAV GAUTAMKUMAR VISHANJI CHHEDA KRISHNAMURTHY INGUVA KANDHAKATLA SANDHYA RATHNA G SEKAR RAMAMOHAN REDDY BHEMIREDDY PEEYUSH KHANDURIE HIRANMOY MAZUMDAR DHARAMVEER SINGH JASWANT SINGH ABHISHEK MITTAL MENDAPARA DINESHBHAI JERAMBHAI ROCHELLE ANDREA RODRIGUES HOZEFABHAI SEHRAWALA HASRATUL BEGUM SACHIN KISAN SALUNKHE DIANNE CATHERINE HOOPER SHAILENDRA SINGH NAGARJUNA N JAGPREET KAUR V GOVINDAN GOBINATH GHANSHYAM KUMAWAT PRAMOD KUMAR MOHAMMAD ZAHEER MANSOORI SAMIR KUMAR PODDAR MOHD FAZIL SATPUTE SANJAY G SHANKAR KUMAR N PRADEEP H MAHADIK RISHI GUPTA DEEPAK AHLAWAT BALASUBRAMANYA S AKSHAY AGARWAL MANSOOR KATTOOKARAN ABDUL MANAF MURUGA R FARHAD VORA JAYANT KUMAR SUDIPTA MODAK SHABD SWAROOP KHANNA IVAN PAUL HANSRAJ BRIJVALLABH MAURYA NAINAMOHAMMED S ARSHVI ARVINDBHAI DHAMECHA SOURAV KUMAR PUSHKAR JAIN KOUSHIK BANDYOPADHYAY DEEPAK DEVENDRA TUKARAM PAWAR SUNIL K MUTTA MADHURA SUNIL PANTH PATEL MANTHAN JIVAN DATTATRAY PATHAK BHAVESH SHAH SHAILENDRA KUMAR TIWARI HIRAL BHADRESH -
Why I Love KISHORE KUMAR: The
Hinduism [Sanatanism previously] by far is the oldest religion in the world. Kishore Kumar Ganguly hails from a Hindu family and a grade one Brahmin by birth. He performed son Amit’s THREAD CEREMONY with utmost sincerety and submission alongwith eldies Ashoke Kumar and Anup Kumar in Bombay. But when it came to devotion, he harboured humanism over religion and communal bias, loved to remain as son of the soil. A reflection of this can be seen in the musical play released in 1986 - RAKHAAL CHANDRA MATAAL [The drunken shepherd]. Kishoreda had obviously drawn the character Duley Baagdi (Rakhaal’s father) from none other than Sarat Chandra Chatterjee who was actually housed in between Baagdi-para and Roopnarayan River (now shrunk) in Deulti, Howrah district_my ancestral village where dear father breathed his last on 22nd August 1995 (“Mere liye na aansoo bahana…”/No.1043 D/RUKHSAT/was being aired by DOORDARSHAN that afternoon and it is not a nutcracker tale but a fact I’ve just typed). The West Bengal Govt. has declared the unique structure as a Heritage building on the 23rd of January 2008, the auspicious date Netaji was born. It shall be a sin if I let go my list without two rare, unreleased Bhazans: “Jamuna ke teer Raadhe chori chori jaaye, sun bansi Kaanha ki raha nehin jaaye/No.1097/Nerurkar only/JAMUNA KE TEER/ & “Baaje baaje, baaje re kahin bansooriyaan”/No.1080 & 1111/Nerurkar & Dhiman/SUHANA GEET/. Critics cooked up stories about you but honestly sir, could you cook? > THE EIGHTH & the pair of offbeat reasons I love K: (i) He loved to bite into the gourmatic Mutton of the Biryani plate (only to be relished of late)-my culinary daydream! Kishoreda might have fallen in love with the line- ‘I am pleased to meet you; I have meat to please you.’ 'Flavour'-gusted, I’ve titled the dish KISHORE CARNIVAL. -
Magazine-2-3 Final.Qxd (Page 3)
SUNDAY, JANUARY 31, 2021 (PAGE 3) SACRED SPACE FORBEARANCE helps face difficulties How to be a failure? Akhtar Ul-nisa it to grow strong and pure we need to be regular in our spiritual practices and assert our Ankush Sharma stories", nobody gives a damn to the "failure stories". But it Forbearance is the ability to respond to a independence from the desire in the mind. It needs must not be ignored that the failed people have faced multi- situation of failure, disappointment, pain patience, presence, grace and focus. Failure! Yes, you have read right. This write-up will surf dimensional hurdles in their struggle and are more experi- you through the various paths leading to the failure. It may enced compared to the toppers especially those who got suc- or conflict with understanding and Significance of forbearance seem absurd but believe me, it would make sense in a few cess early. It is not to say that the toppers are not insightful minutes read. In fact, it has something crucial to offer to rather what I mean is that some people have inbuilt brilliance The quality of forbearance is of the highest importance composure. those who are aspiring to achieve success in their lives. or a good schooling background which might not be every- to every human being. Forbearance and nonviolence are It is bearing the physical, mental and emotional pain Success may have different meanings to different people but one's case. So, it's the failed people who can actually eluci- manifestation of inner strength. Reactivity and retaliation with strong and steady faith without lamenting or worry- the paths leading there have a common and a simple princi- date the worst struggle scenarios and impediments allowing make us to lose precious energy, forbearance on the other ing. -
Anthems of Resistance
A Celebration of Progressive Urdu Poetry Anthems of Resistance So what if my pen has been snatched away from me I hav dipped my fingers in the blood of my heart So what if my mouth has been sealed, I have turned Every link of my chain in to a speaking tonge Ali Husain Mir & Raza Mir 1 Anthems of Resistance A Celebration of Progressive Urdu Poetry Ali Husain Mir & Raza Mir IndiaInk 2 Brahma’s Dream ROLI BOOKS © Ali Husain Mir and Raza Mir, 2006 First published in 2006 IndiaInk An imprint of Roli Books Pvt. Ltd. M-75, G.K. II Market New Delhi 110 048 Phones: ++91 (011) 2921 2271, 2921 2782 2921 0886, Fax: ++91 (011) 2921 7185 E-mail: [email protected]; Website: rolibooks.com Also at Varanasi, Bangalore, Jaipur Cover : Arati Subramanyam Layout : Narendra Shahi ISBN: 81-86939-26-1 Rs. 295 Typeset in CentSchbook BT by Roli Books Pvt. Ltd. and printed at Syndicate Binders, New Delhi 3 CONTENTS Acknowledgements A Note on Translation and Transliteration Preface 1 Over Chinese Food: The Progressive Writers’ Association 2 Urdu Poetry and the Progressive Aesthetic 3 Saare Jahaan Se Achcha: Progressive Poets and the Problematic of Nationalism 4 From Home to the World: The Internationalist Ethos 5 Dream and Nightmare: The Flirtation with Modernity 6 Progressive Poetry and Film Lyrics 7 Voh Yaar Hai Jo Khushboo Ki Taraah, Jis Ki Zubaañ Urdu Ki Taraah 8 An Exemplary Progressive: The Aesthetic Experiment of Sahir Ludhianvi 9 Javed Akhtar’s Quiver of Progressive Arrows: A Legacy Survives 10 New Standard Bearers of Progressive Urdu Poetry: The Feminist Poets 11 A Requiem .. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2012 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2012 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles: Cardboard Player Vasant Desai, Bollywood Mine, Ravi Shankar 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year, pay the full membership fee and get a digital copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues on two data DVD’s. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. In fact, Jaikishan was mostly the point of contact for producers, directors and actors to incorporate their requests due to his friendly nature. Of course, both were great human beings, and were incredibly simple in spite of fame and richness. -
Carvaan Mini 2,0 Songlist
SONGS LIST 01. Chura Liya Hai Tumne Jo Dil Ko 11. Badan Pe Sitare Lapete Huye 21. Mere Khwabon Mein 31. O Saathi Re 41. Aaj Mausam Bada Beimaan Hai 51. Hum Dono Do Premi 61. Kuchh To Log Kahenge 71. Taarif Karoon Kya Uski 81. Mere Dil Mein Aaj Kya Hai 91. Tune O Rangeele 101. Aaj Rapat Jaayen To 111. Jeena Yahan Marna Yahan Film: Yaadon Ki Baaraat Film: Prince Film: Dilwale Dulhania Le Jayenge Film: Muqaddar Ka Sikandar Film: Loafer Film: Ajanabee Film: Amar Prem Film: Kashmir Ki Kali Film: Daag Film: Kudrat Film: Namak Halaal Film: Mera Naam Joker Artistes: Mohammed Rafi, Asha Bhosle Artiste: Mohammed Rafi Artiste: Lata Mangeshkar Artiste: Kishore Kumar Artiste: Mohammed Rafi Artistes: Kishore Kumar, Lata Mangeshkar Artiste: Kishore Kumar Artiste: Mohammed Rafi Artiste: Kishore Kumar Artiste: Lata Mangeshkar Artistes: Kishore Kumar, Asha Bhosle Artiste: Mukesh Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri Lyricist: Anand Bakshi Lyricist: Anjaan Lyricist: Anand Bakshi Lyricist: Anand Bakshi Lyricist: Anand Bakshi Lyricist: S.H.Bihari Lyricist: Sahir Ludhianvi Lyricist: Majrooh Sultanpuri Lyricist: Anjaan Lyricist: Shaili Shailendra Music Director: R.D. Burman Music Directors: Shankar - Jaikishan Music Directors: Jatin-Lalit Music Directors: Kalyanji - Anandji Music Directors: Laxmikant - Pyarelal Music Director: R.D. Burman Music Director: R.D. Burman Music Director: O.P. Nayyar Music Directors: Laxmikant - Pyarelal Music Director: R.D. Burman Music Director: Bappi Lahiri Music Directors: Shankar - Jaikishan 02. O Mere Dil Ke Chain 12. Ek Ajnabee Haseena Se 22. Pyar Diwana Hota Hai 32. Chaudhvin Ka Chand Ho 42. Gaata Rahe Mera Dil 52. Phoolon Ke Rang Se 62. -
Legend Playlist Copy
Songlist visit www.saregama.com/carvaanmini to download the entire songlist 01. Chura Liya Hai Tumne Jo Dil Ko 08. O Haseena Zulfonwale Jane Jahan 15. Aaiye Meharban 22. Pyar Diwana Hota Hai 29. Khoya Khoya Chand Khula Aasman 36. Mere Sapnon Ki Rani 43. Tere Bina Jiya Jaye Na 50. Roop Tera Mastana Film: Yaadon Ki Baaraat Film: Teesri Manzil Film: Howrah Bridge Film: Kati Patang Film: Kala Bazar Film: Aradhana Film: Ghar Film: Aradhana Artistes: Mohammed Rafi & Asha Bhosle Artistes: Mohammed Rafi & Asha Bhosle Artiste: Asha Bhosle Artiste: Kishore Kumar Artiste: Mohammed Rafi Artiste: Kishore Kumar Artiste: Lata Mangeshkar Artiste: Kishore Kumar Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri Lyricist: Qamar Jalalabadi Lyricist: Anand Bakshi Lyricist: Shailendra Lyricist: Anand Bakshi Lyricist: Gulzar Lyricist: Anand Bakshi Music Director: R.D. Burman Music Director: R.D. Burman Music Director: O.P. Nayyar Music Director: R.D. Burman Music Director: S.D. Burman Music Director: S.D. Burman Music Director: R.D. Burman Music Director: S.D. Burman 02. O Mere Dil Ke Chain 09. Bheegi Bheegi Raaton Mein 16. Chand Mera Dil Chandni Ho Tum 23. Are Jane Kaise Kab Kahan Iqrar 30. Aap Ki Ankhon Mein Kuch 37. Aate Jate Khoobsurat Awara 44. Chingari Koi Bhadke 51. Hum Dono Do Premi Film: Mere Jeevan Saathi Film: Ajanabee Film: Hum Kisise Kum Naheen Film: Shakti Film: Ghar Film: Anurodh Film: Amar Prem Film: Ajanabee Artiste: Kishore Kumar Artistes: Kishore Kumar & Lata Mangeshkar Artiste: Mohammed Rafi Artistes: Kishore Kumar & Lata Mangeshkar Artistes: Kishore Kumar & Lata Mangeshkar Artiste: Kishore Kumar Artiste: Kishore Kumar Artistes: Kishore Kumar & Lata Mangeshkar Lyricist: Majrooh Sultanpuri Lyricist: Anand Bakshi Lyricist: Majrooh Sultanpuri Lyricist: Anand Bakshi Lyricist: Gulzar Lyricist: Anand Bakshi Lyricist: Anand Bakshi Lyricist: Anand Bakshi Music Director: R.D. -
Shailendra –The People's Poet
Shailendra –The People’s Poet Born in Rawalpindi on 30th August 1923, Shailendra spent his childhood in Mathura where he had his early education, topping the school. Poetry was his first love but family situation forced him to take up the job of a railway mechanic. He was transferred to Bombay in 1947. The stereotype aspect of the job was totally out of line with his nature…he spent most of his duty hours writing poetry than toiling in the workshop. Shailendra took part in the Freedom struggle in his own style. He wrote fiery poems which would ignite the masses. At a poetry soiree organised by Progressive Writers’ Forum, a young man introduced himself to Shailendra as Prithviraj Kapoor’s son and asked him to write a song for his film Aag. Shailendra had just recited Jalta Hai Punjab which matched the film’s theme of Partition. However, Shailendra refused to sell his poetry. A few months later, an emergency led him to Raj sahib for a loan of Rs. 500. Raj sahib instantly gave him the money. After a few months, when he went to return the money, Raj Sahib refused and instead asked him to write for Barsaat. Shailendra wrote the title song -Barsaat mein tumse mile hum. This was also the debut film for Shankar-Jaikishan. This team then went on to create musical history. Though Shailendra had best association with Shankar-Jaikishan, he shared an equally good rapport with other musical giants like Salil Chowdhry, S.N.Tripathi, S.D. Barman, Pt Ravi Shankar and Anil Biswas.