Reference List from Year 2000
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Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
Professional TV Broadcast Antennas UHF Band IV/V 470 - 862 Mhz (Analogue TV) As It Stands Per January 2020
References Professional TV Broadcast Antennas UHF Band IV/V 470 - 862 MHz (Analogue TV) KATHREIN Broadcast GmbH Ing.-Anton-Kathrein-Str. 1-7, 83101 Rohrdorf, Germany Telephone +49 8031 6193 100, E-mail: [email protected] www.kathrein-bca.com References Professional TV Broadcast Antennas UHF Band IV/V 470 - 862 MHz (Analogue TV) as it stands per January 2020 Country Station Country Station Country Station Albania Tirana Brazil Anhanguera Canada Vaughan 1, ON Araraquara Vaughan 2, ON Algeria Akfadou Belo Horizonte Victoria Algier Cabo Branco Wawa Morro di Pena Wharncliffe Angola Luanda 1 Sao Paulo Windsor Luanda 2 Luanda 3 Bulgaria Petrohan Chile Santiago de Chile Argentina Antina Cambodia Bantea Meanchey China Beijing Buenos Aires Kampong Thom Beijing Buenos Aires Koh Kong Canton Mondulkiri Dongguan Australia Gosford Phnom Penh 1 Guangsong Phnom Penh 2 Guangzhou Austria Dobratsch Henan TV Tower 1 Dünserberg Cameroon Ekondo Titi Henan TV Tower 2 Freinberg Huiyang Gaisberg Canada Abbotsford, BC Jedong Galgenberg Alanwater Jiangmen Goldeck Barrie Maoming Hauser-Kaibling Barry's Bay Ningxia Hirschenstein Baton Windsor Shantou Hohe Salve Brethour Shenyang Jauerling Calgary Shenzhen 1 Katrin Charlottetown Shenzhen 2 Kitzbühler Horn Chilliwack, BC Shijiazhuang Koralpe Duck Lake Swatow Linz Edmonton Tianjin Mattersburg-Heub. Evansville Yin Chuan Mugl Evanturel Zhuhai Neumarkt-Kulmera. Fort Erie Patscherkofel Grand Fonds Cyprus Selvilitepe Pfänder Gravelbourg Saalfelden Harris Township Czech Republic Brno-Hady Schöckl 1 Hawk Junction Brno-Kojal Schöckl 2 Kenogami Lake Bukova Hora Sonnwendstein 1 Lac Ste Therese Hradec Kralove Sonnwendstein 2 Longlac Klatovy Steyr Manotick Olomouc-Radikov Wachberg Mount Royal Pilsen Zugspitze Orilllia Prag-Cukrak Osnaburgh Pribram Barbados Sturges Ottawa Radikov Parry Sound Rychnov Belgium Brüssel 1 Pays Plat Susice Brüssel 2 Penetanguis Svitavy Brüssel-Everberg Peterborough 1 Tabor Brüssel-Financiet. -
ASSITEJ International Award for Artistic Excellence – the Honorary President’S Award
ASSITEJ International Award for Artistic Excellence – the Honorary President’s Award The ASSITEJ Honorary Presidents’ Award is given every three years for noteworthy achievement in the field of theater for children and young Theatre is the art of the moment. This is true to all of people, and is the most who works with theatre – it might be obvious, but it is prestigious award given by the still true. organization. The award is given to an We might use working books, notes, DVDs to record individual or to a company our performances and our work – it is still in the working in the field of theater for moment – in the meeting between stage and children and young people, audience theatre is created and experienced. When nominated by their national it comes to theatre for children and youth this magic ASSITEJ Center, and based on innovative work done in the three moment, this fantastic instant, should also be in the years prior to the application eye-level of the children. A moment when the eyes of deadline. The committee the actors meet the eyes of the children. adjudicating the award will give special priority to emerging Nevertheless – also to theatre and theatre artists, new and exciting companies, although established paractitioners – history is important. We need to individuals or theaters that begin record, categorize and archive our activities. We working in a new and innovative need to remember what has been in order to create way will also be considered. the future. We need a common memory… For an international organization the collective memories Awardees and stories are vital for tomorrow's direction. -
Copyright by Hyunjung Lee 2008
Copyright by Hyunjung Lee 2008 The Dissertation Committee for Hyunjung Lee Certifies that this is the approved version of the following dissertation: Global Fetishism: Dynamics of Transnational Performances in Contemporary South Korea Committee: Elizabeth Richmond-Garza, Supervisor Sung-sheng Yvonne Chang Robert M. Oppenheim Stacy Wolf Alexandra K. Wettlaufer Global Fetishism: Dynamics of Transnational Performances in Contemporary South Korea by Hyunjung Lee, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements This project would not have been possible without the help, care, and input of several individuals. I owe a debt of gratitude, especially, to my supervisor Dr. Elizabeth Richmond-Garza whose guidance, understanding, and strenuous support helped me work through my dissertation smoothly: she made the writing process enjoyable, always keeping my reasoning on the right track. I am also very thankful to my committee members and their generous intellectual support: Dr. Sung-sheng Yvonne Chang for sharing her insights on the importance of inter-Asian relationships and theoretical positioning; Dr. Alex Wettlaufer for her warm encouragement and insightful comments; Dr. Robert Oppenheim for our stimulating conversations about the Korean social scenes; and Dr. Stacy Wolf for inspiring me to approach theatre and performance as something alive and constantly moving. I am very fortunate to have a valuable network of friends who helped me through my dissertation process. To Kay Robin Alexander for her careful editing of my manuscript. -
Deutsches Musicalarchiv: Sammlung Klaus Baberg, SMA 0002 Stand: 19.09.2017
Albert-Ludwigs-Universität Freiburg, Zentrum für Populäre Kultur und Musik Titelblat Deutsches Musicalarchiv: Sammlung Klaus Baberg, SMA 0002 Stand: 19.09.2017 Deutsches Musicalarchiv: Sammlung Klaus Baberg SMA 0002 Umfang: 5 kleine, 7 große Archivboxen; eine Archivbox in Übergröße; ca. 15 Regalmeter mit Programmheften, Leitz-Ordnern und Einzelmappen; ca. 8 Regalmeter mit Tonträgern. Inhalt: Material zu Musicalaufführungen, v. a. deutschsprachige, der 1970er- bis 2010er Jahre: gut 1000 Programmhefte, Werbeflyer und Presseberichte, 1117 Plakate, rund 200 Fachbücher, Musik- und Filmaufnahmen (362 CDs, 13 DVDs, 26 + 89 Tonkasseten, 32 Videokasseten, 409 Langspielplaten, 23 Singles), Texthefte, Fotos, PR-Material, einzelne Fachzeitschriften. Herkunft: Klaus Baberg hate seine ersten Berührungen mit dem Musical durch die Opereten- und Musical- Fernsehfilme in den 1960er Jahren. Seit 1979 sammelte er intensiv Programmhefte und Programme von Musicals. Verschiedene Exponate aus seiner Sammlung waren auf Ausstellungen zu sehen. Klaus Baberg ist Vorstandsmitglied im 2011 gegründeten Förderverein des Deutschen Musicalarchivs „Freunde und Förderer des Deutschen Musicalarchivs e.V.“ Baberg ist seit 1980 bei der Sparkasse Iserlohn beschäftigt. Hinweis: Der größte Teil der Bestände ist in diesem Dokument erschlossen. Die Bücher und das Notenmaterial der Sammlung sind im Bibliothekskatalog des ZPKM nachgewiesen (Recherche: Eingabe "abl: sbab" in den Suchschlitz). Die Musicalplakate der Sammlung Baberg wurden separiert und werden mit anderen Graphiken aufbewart. -
Titel Kino 3/2003
EXPORT-UNION OF GERMAN CINEMA 3/2003 AT LOCARNO MEIN NAME IST BACH & DAS WUNDER VON BERN Piazza Grande AT VENICE ROSENSTRASSE in Competition AT SAN SEBASTIAN SCHUSSANGST & SUPERTEX in Competition FOCUS ON Film Music in Germany Kino Martin Feifel, Katja Riemann (photo © Studio Hamburg) Martin Feifel, Katja GERMAN CINEMA KINO3/2003 4 focus on film music in germany DON’T SHOOT THE PIANO PLAYER 14 directors’ portraits THE SUN IS AS MUCH MINE AS THE NIGHT A portrait of Fatih Akin 15 TURNING GENRE CINEMA UPSIDE DOWN A portrait of Nina Grosse 18 producer’s portrait LOOKING FOR A VISION A portrait of Bavaria Filmverleih- & Produktions GmbH 20 actress’ portrait BREAKING THE SPELL A portrait of Hannelore Elsner 22 KINO news in production 28 ABOUT A GIRL Catharina Deus 28 AGNES UND SEINE BRUEDER Oskar Roehler 29 DER CLOWN Sebastian Vigg 30 C(R)OOK Pepe Danquart 30 ERBSEN AUF HALB 6 Lars Buechel 31 LATTENKNALLER Sherry Hormann 32 MAEDCHEN MAEDCHEN II Peter Gersina 32 MARSEILLE Angela Schanelec 33 SAMS IN GEFAHR Ben Verbong 34 SOMMERBLITZE Nicos Ligouris 34 (T)RAUMSCHIFF SURPRISE – PERIODE 1 Michael "Bully" Herbig 35 DER UNTERGANG – HITLER UND DAS ENDE DES DRITTEN REICHES Oliver Hirschbiegel the 100 most significant german films (part 10) 40 WESTFRONT 1918 THE WESTERN FRONT 1918 Georg Wilhelm Pabst 41 DIE DREIGROSCHENOPER THE THREEPENNY OPERA Georg Wilhelm Pabst 42 ANGST ESSEN SEELE AUF FEAR EATS THE SOUL Rainer Werner Fassbinder 43 DER VERLORENE THE LOST ONE Peter Lorre new german films 44 V Don Schubert 45 7 BRUEDER 7 BROTHERS Sebastian Winkels -
Professional FM Broadcast Antennas 87.5 - 108 Mhz
References Professional FM Broadcast Antennas 87.5 - 108 MHz KATHREIN Broadcast GmbH Ing.-Anton-Kathrein-Str. 1-7, 83101 Rohrdorf, Germany Telephone +49 8031 6193 100, E-mail: [email protected] www.kathrein-bca.com References Professional FM Broadcast Antennas 87.5 - 108 MHz as it stands per Februray 2021 Country Station Country Station Country Station Afghanistan Andkhoy Algeria Nador Austria Gaisberg Annar Dareh Regane Pyramidenkogel Aybak Sbaa Mokrane Bagram Skikda Azerbaijan Baku 1 Baharak Tazrouk Baku 2 Bala Murghab Tessala Baranabad Thar Bahrain N.N. 1 Chaghcharan Tiaret N.N. 2 Dowlatabad Timiaouine N.N., Mobile FM Farah Tin Zaoutine Feyzabad Belgium Anderlues Herat Argentina Buenos Aires Anlier Kholm Brussegem Kishim Austria Brückl-Lippekogel Brüssel - Hilton Konduz Dobratsch Brüssel 1 La'l Va Sar Jangal Gaisberg Brüssel 2 Mazar-e-Sharif Gaming Brussels RAC Meymaneh Goldeck 1 Diginet Owbeh Goldeck 2 Durbury Pole-e-Khumri Guttaring-Mariahilf Egem Qal'E-now Hauser-Kaibling Genk Sherberghan Hirschenstein 1 Leglise Shindand Hirschenstein 2 N.N. 1 Taloqan Hohe Salve N.N. 2 Tojg Jauerling N.N. 3 Kahlenberg Ougrée Albania Ardenica Kanzelhöhe Radio RTL Durres Kitzbühel RTL Korca Kitzbühler Horn Schoten I Mile Lichtenberg Schoten II Mile Lienz Sint Pieters Leeuw Zvernec Lobming Tournai Dajti Mountain Mugel Veltem Nebelstein Wavre 1 Algeria Abalessa Neukirchen 1 Wavre 2 Adrar Neukirchen 2 Wavre 3 Aflou Patscherkofel 1 Wavre 4 Ain Sour Patscherkofel 2 Akfadou Patscherkofel 3 Benin Malanville Arikin Patscherkofel 4 Bordj Badji Patscherkofel 5 Brazil Aracaju Bouzareah Pfänder Foz do Iguacu Chrea Pyramidenkogel 1 Iguacu Deb Deb Pyramidenkogel 2 N.N. -
Begleitmaterial Linie 1
Begleitmaterial zu Linie 1 Musikalische Revue von Volker Ludwig und Birger Heymann FREISPIEL – Theater mit Jugendlichen und Erwachsenen Empfohlen für alle ab 12 Jahren Premiere in den Kammerspielen am 25. April 2011 um 19.30 Uhr u\hof: Theater für junges Publikum am Landestheater Linz Redaktion: Anke Held Inhaltsverzeichnis Zum Stück und zur Inszenierung ª FREISPIEL – Theater mit Jugendlichen und Erwachsenen – ein langer Weg ª Besetzung ª Informationen über das Stück Linie 1 und dessen Handlung ª Informationen über den Autor und den Komponisten von Linie 1 ª Das Regieteam ª Ein Interview mit dem Regisseur ª Informationen zur Ausstattung und zu den Kostümen ª Die SchauspielerInnen ª Das Premierenklassenprojekt Theaterpädagogisches ª Fragen zur Vor- bzw. Nachbereitung des Stückes ª Ein Theaterprojekt der anderen Art ª Standbilder ª Improvisationen ª Diskussion Literatur- und Filmempfehlungen Zum Stück und zur Inszenierung FREISPIEL Theater mit Jugendlichen und Erwachsenen – ein langer Weg Die Spielclubarbeit am u\hof: ist seit Begründung dieser Sparte ein fixer Bestandteil des theaterpädagogischen Angebots. Unter der Leitung von professionellen Theater- macherInnen haben in den vergangenen zwölf Jahren zahlreiche Jugendliche und Erwachsene die Bühnenbretter erobert. Sehr engagierte und interessante Projekte sind so am Landestheater zu erleben gewesen. Hintergrundgedanke dieser Inszenierungen war und ist immer, Amateuren, egal ob jugendlich oder erwachsen, Theater auf eine andere Art erlebbar zu machen als nur aus der Sicht des Publikums. Eine Produktion zu erarbeiten und gemeinsam mit anderen auf der Bühne zu stehen, bedeutet immer einen umfangreichen Erfahrungs- prozess für alle Beteiligten. Soziale und kommunikative Fähigkeiten werden weiter entwickelt, die Selbst- und die Fremdwahrnehmung werden geschärft. -
UHF References Stand February 2021
References Professional TV Broadcast Antennas UHF Band IV/V 470 - 862 MHz (Analogue TV) KATHREIN Broadcast GmbH Ing.-Anton-Kathrein-Str. 1-7, 83101 Rohrdorf, Germany Telephone +49 8031 6193 100, E-mail: [email protected] www.kathrein-bca.com References Professional TV Broadcast Antennas UHF Band IV/V 470 - 862 MHz (Analogue TV) as it stands per February 2021 Country Station Country Station Country Station Albania Tirana Brazil Anhanguera Canada Vaughan 1, ON Araraquara Vaughan 2, ON Algeria Akfadou Belo Horizonte Victoria Algier Cabo Branco Wawa Morro di Pena Wharncliffe Angola Luanda 1 Sao Paulo Windsor Luanda 2 Luanda 3 Bulgaria Petrohan Chile Santiago de Chile Argentina Antina Cambodia Bantea Meanchey China Beijing Buenos Aires Kampong Thom Beijing Buenos Aires Koh Kong Canton Mondulkiri Dongguan Australia Gosford Phnom Penh 1 Guangsong Phnom Penh 2 Guangzhou Austria Dobratsch Henan TV Tower 1 Dünserberg Cameroon Ekondo Titi Henan TV Tower 2 Freinberg Huiyang Gaisberg Canada Abbotsford, BC Jedong Galgenberg Alanwater Jiangmen Goldeck Barrie Maoming Hauser-Kaibling Barry's Bay Ningxia Hirschenstein Baton Windsor Shantou Hohe Salve Brethour Shenyang Jauerling Calgary Shenzhen 1 Katrin Charlottetown Shenzhen 2 Kitzbühler Horn Chilliwack, BC Shijiazhuang Koralpe Duck Lake Swatow Linz Edmonton Tianjin Mattersburg-Heub. Evansville Yin Chuan Mugl Evanturel Zhuhai Neumarkt-Kulmera. Fort Erie Patscherkofel Grand Fonds Cyprus Selvilitepe Pfänder Gravelbourg Saalfelden Harris Township Czech Republic Brno-Hady Schöckl 1 Hawk Junction Brno-Kojal Schöckl 2 Kenogami Lake Bukova Hora Sonnwendstein 1 Lac Ste Therese Hradec Kralove Sonnwendstein 2 Longlac Klatovy Steyr Manotick Olomouc-Radikov Wachberg Mount Royal Pilsen Zugspitze Orilllia Prag-Cukrak Osnaburgh Pribram Barbados Sturges Ottawa Radikov Parry Sound Rychnov Belgium Brüssel 1 Pays Plat Susice Brüssel 2 Penetanguis Svitavy Brüssel-Everberg Peterborough 1 Tabor Brüssel-Financiet. -
TELLING TIME: Reflections on a Life in Music Stanley Walden
TELLING TIME: Reflections on a Life in Music Stanley Walden For Rhonda TABLE OF CONTENTS Preface i Introduction iii Chapter 1 1967-69: The Road to Calcutta! 1 Chapter 2 1932-39: Another Brooklyn Story 8 Chapter 3 1940-50: Schools and Friends. And Others. 11 Chapter 4 1950-55: College: Becoming a Musician 27 Chapter 5 1955-57: The Draft, and a Proposal 39 Chapter 6 1957-68: New York: Two Kids with Two Kids 56 Chapter 7 1968-70: Oh! Calcutta! 73 Chapter 8 1970-71: First Work with Tabori--Pinkville 81 Chapter 9 1972-89: Hin und Her (Back and Forth) 85 Chapter 10 1989-2003: HdK Berlin, Munich, Vienna 114 Chapter 11 2003-2012: Retirement: Palm Springs 126 Chapter 12 2012-2014: 60 Years--Final Curtain & Encore 132 Chapter 13 2014-16: The Goldberg Variations 136 Chapter 14 2015-16: 55 Years--Another Final Curtain 138 Chapter 15 Reflections 140 Appendices 1 Sons 143 2 Musings and Jottings by Bobbie Walden as she 145 approached her death 3 Close (and Closer) Calls 151 4 Thoughts on Improvisation 155 5 Some Observations by an American Acting in the 159 German Theater (1984) Index 164 i Preface: Talking to the Wrong End of the Dog When I met Stanley Walden, I didn’t know much about music. Now, three years later, I know a little more about music, but only a little. My mother warned me that I’d regret quitting piano lessons when I was nine, and sure enough, I do. What I do know a lot more about now than before I met Stan Walden, though, is musicians. -
Bachelor of Arts (Hons) Italian (Effective from Academic Year 2019
Bachelor of Arts (Hons) Italian (Effective from Academic Year 2019-20) Revised Syllabus as approved by Academic Council Date: No: Executive Council Date: No: Applicable for students registered with Regular Colleges, Non Collegiate Women’s Education Board and School of Open Learning 1 List of Contents Page No. Preamble 1. Introduction to Programme 04 2. Learning Outcome-based Curriculum Framework in Programme B.A. (Hons) Italian 2.1. Nature and Extent of the Programme in B.A. (Hons) Italian 04 2.2. Aims of Bachelor Degree Programme in B.A. (Hons) Italian 04 3. Graduate Attributes in B.A. (Hons) Italian 05 4. Qualification Descriptors for Graduates B.A. (Hons) Italian 07 5. Programme Learning Outcomes for in B.A. (Hons) Italian 08 6. Structure of B.A. (Hons) Italian 6.1. Credit Distribution for B.A. (Hons) Italian 08 6.2. Semester-wise Distribution of Courses. 09 7. Courses for Programme B.A. (Hons) Italian 7.1. Course Learning Objective 7.2. Course Learning Outcomes 7.3. Course Teaching-Learning Process 7.4. Assessment Methods 8. Keywords 2 Preamble The objective of any programme at Higher Education Institute is to prepare their students for the society at large. The University of Delhi envisions all its programmes in the best interest of their students and in this endeavour it offers a new vision to all its Under- Graduate courses. It imbibes a Learning Outcome-based Curriculum Framework (LOCF) for all its Under Graduate programmes. The LOCF approach is envisioned to provide a focused, outcome-based syllabus at the undergraduate level with an agenda to structure the teaching-learning experiences in a more student-centric manner. -
Inline Code Matcher Qualitätskontrollsystem
MMMBETRIEBSANLEITUNGBETRIEBSANLEITUNGMMMI Inline Code Matcher Qualitätskontrollsystem Beschriebenes Produkt Inline Code Matcher Hersteller SICK AG Erwin-Sick-Straße 1 · 79183 Waldkirch · Deutschland www.sick.com Fertigungsstandort SICK AG Gisela-Sick-Straße 1 · 79276 Reute · Deutschland Rechtliche Hinweise Dieses Werk ist urheberrechtlich geschützt. Die dadurch begründeten Rechte bleiben bei der Firma SICK AG. Die Vervielfältigung des Werks oder von Teilen dieses Werks ist nur in den Grenzen der gesetzlichen Bestimmungen des Urheberrechtsgesetzes zulässig. Jede Änderung, Kürzung oder Übersetzung des Werks ohne ausdrückliche schriftliche Zustimmung der Firma SICK AG ist untersagt. Die in diesem Dokument genannten Marken sind Eigentum ihrer jeweiligen Inhaber. © SICK. Alle Rechte vorbehalten. Originaldokument Dieses Dokument ist eine Originaldokument der SICK AG. 2 BETRIEBSANLEITUNG | Inline Code Matcher 8020287/ZYW0/V1-1/2018-05|SICK Irrtümer und Änderungen vorbehalten INHALT Inhalt 1 Zu diesem Dokument................................................................................ 5 1.1 Haftungsbeschränkung...................................................................................5 1.2 Zweck des Dokuments....................................................................................5 1.3 Zielgruppen......................................................................................................5 1.4 Weiterführende Information ...........................................................................5 1.5 Mitgeltende