BEATLES 13-CD-Box BEATLES in MONO
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Songs of the Century
Songs of the Century T. Austin Graham hat is the time, the season, the historical context of a popular song? When is it most present in the world, best able Wto reflect, participate in, or construct some larger social reality? This essay will consider a few possible answers, exploring the ways that a song can exist in something as brief as a passing moment and as broad as a century. It will also suggest that when we hear those songs whose times have been the longest, we might not be hearing “songs” at all. Most people are likely to have an intuitive sense for how a song can contract and swell in history, suited to a certain context but capable of finding any number of others. Consider, for example, the various uses to which Joan Didion is able to put music in her generation-defining essay “Slouching Towards Bethlehem,” a meditation on drifting youth and looming apocalypse in the days of the Haight-Ashbury counterculture. Songs create a powerful sense of time and place throughout the piece, with Didion nodding to the Grateful Dead, Jefferson Airplane, Quick- silver Messenger Service, and “No Milk Today” by Herman’s Hermits, “a song I heard every morning in the cold late spring of 1967 on KRFC, the Flower Power Station, San Francisco.”1 But the music that speaks most directly and reverberates most widely in the essay is “For What It’s Worth,” the Buffalo Springfield single whose chiming guitar fifths and famous chorus—“Stop, hey, what’s that sound / Everybody look what’s going down”—make it instantly recognizable nearly five decades later.2 To listen to “For What It’s Worth” on Didion’s pages is to hear a song that exists in many registers and seems able to suffuse everything, from a snatch of conversation, to a set of political convictions, to nothing less than “The ’60s” itself. -
The Coasters on Atco and King by Claus Röhnisch
Those Hoodlum Friends – The Coasters: Supplement The Coasters on Atco and King by Claus Röhnisch Special supplement to Those Hoodlum Friends – edited by Claus Röhnisch http://www.angelfire.com/mn/coasters/supplement.pdf see Those Hoodlum Friends at http://www.angelfire.com/mn/coasters/ThoseHoodlumFriends.pdf The classic Coasters: Billy Guy, Carl Gardner, Will “Dub” Jones, Cornell Gunter, and guitarist Adolph Jacobs (in late 1958). The Coasters on Atco and King 1 Those Hoodlum Friends – The Coasters: Supplement The Coasters in 2008: Ronnie Bright, Carl Gardner Jr, J.W. Lance, and Alvin Morse (with guitarist Thomas “Curley” Palmer). (photo: Denny Culbert, 2theAdvocate.com, Louisiana) The Coasters receiving their two Golden Records for the double-hit "Searchin´" / "Young Blood" on the Steve Allen TV-show on August 25, 1957. Gardner, Guy, Nunn, Allen, Hughes, and seated Jacobs. (from Cash Box magazine, September 14, 1957 issue). 2 The Coasters on Atco and King Those Hoodlum Friends – The Coasters: Supplement THE COASTERS on Atco and King The Coasters’ Atco recordings – Sessionography, featuring: “There’s A Riot Goin’ On: The Coasters On Atco” – Rhino Handmade 4-set CD RHM2 7740 (December 12, 2007) The Coasters’ recording line-ups are listed as headings. Carl Gardner, lead vocal unless otherwise indicated. The Coasters’ stage guitarists Adolph Jacobs, Albert “Sonny” Forriest, and Thomas “Curley” Palmer also worked in the studios with the vocal group (as shown on personnel listings). Recording location is valid until new location is listed. All unmarked labels are Atco. Only US original issues are listed – singles, EPs and LPs, and when originally not issued on any US single or LP, the first album issue (LP/CD). -
Pdf/Beatles Chronology Timeline
INDEX 1-CHRONOLOGY TIMELINE - 1926 to 2016. 2-THE BEATLES DISCOGRAPHY. P-66 3-SINGLES. P-68 4-MUSIC VIDEOS & FILMS P-71 5-ALBUMS, (Only Their First Release Dates). P-72 6-ALL BEATLES SONGS, (in Alphabetical Order). P-84 7-REFERENCES and Conclusion. P-98 1 ==================================== 1-CHRONOLOGY TIMELINE OF, Events, Shows, Concerts, Albums & Songs Recorded and Release dates. ==================================== 1926-01-03- George Martin Producer of the Beatles was Born. George Martin died in his sleep on the night of 8 March 2016 at his home inWiltshire, England, at the age of 90. ==================================================================== 1934-09-19- Brian Epstein, The Beatles' manager, was born on Rodney Street, in Liverpool. Epstein died of an overdose of Carbitral, a form of barbiturate or sleeping pill, in his locked bedroom, on 27 August 1967. ==================================================================== 1940-07-07- Richard Starkey was born in family home, 9 Madyrn Street, Dingle, in Liverpool, known as Ringo Starr Drummer of the Beatles. Maried his first wife Maureen Cox in 1965 Starr proposed marriage at the Ad-Lib Club in London, on 20 January 1965. They married at the Caxton Hall Register Office, London, in 1965, and divorced in 1975. Starr met actress Barbara Bach, they were married on 27 April 1981. 1940-10-09- JohnWinston Lennon was born to Julia and Fred Lennon at Oxford Maternity Hospital in Liverpool., known as John Lennon of the Beatles. Lennon and Cynthia Powell (1939– 2015) met in 1957 as fellow students at the Liverpool College of Art. The couple were married on 23 August 1962. Their divorce was settled out of court in November 1968. -
Beatles Recording Variations
The Usenet Guide to Beatles Recording Variations by Joseph Brennan: [email protected] 435 South Ridgewood Road, South Orange NJ 07079 Current version revised by Frank Daniels: [email protected] www.friktech.com/btls/btls2.htm © 1993,1994,1995,1996,1997,1998,1999,2000,2002 Joseph Brennan Portions © 2010, 2014 by Frank Daniels; version 3 © 2014, 2019, 2021 by Joseph Brennan & Frank Daniels. Introduction • What is Usenet? • Introduction: What's a Variation, and Why Do We Care? • Frank’s Intro • Credits • Notes on US Record Releases • Notes on CD Releases • The Films and the Videos • Format of entries Variations and Conclusions • 1958 to 1961 (including recordings with Tony Sheridan) • 1962 • 1963 (Please Please Me, With the Beatles) • 1964 (A Hard Day's Night, Beatles for Sale) • 1965 (Help!, Rubber Soul) • 1966 (Revolver) • 1967 (Sgt Pepper’s Lonely Hearts Club Band, Magical Mystery Tour & Yellow Submarine) • 1968 (The Beatles and Yellow Submarine) • 1969 and 1970 (Abbey Road, Let It Be) • 1994 and 1995 (Anthology) • The Yellow Submarine Songtrack (1999) • British and German Discographies • Love (2006) and The Mono and Stereo Remasters (2009) • Song Index While researching recording variations, we ended up making lists of the Beatles original vinyl releases in the United Kingdom, the United States, and Germany. Please see Frank Daniels's Across the Universe pages on worldwide releases. The releases of the Beatles' Hamburg Recordings (from 1961 and 1962) are so confusing that there is a special introduction to those eight songs in the Guide. For links and stuff, please go see The Internet Beatles Album. What is Usenet? Usenet is a worldwide Internet, threaded discussion system that operates via news servers all around the world. -
Mono Vs Stereo Recording
Mono Vs Stereo Recording cedula.veryFetterless harassedly. Chandler Filmore flunk remainsprepossessingly. bronchoscopic Irrebuttable after Shaughn Isador stray totalling invectively, taciturnly he orfresco underpin his chromas any Dsp systems are stereo vs When should you choose a mono track vs a stereo track? Stereo stands for stereophonic sound. The further a sound travels, the quieter it becomes. These microphones are more expensive for reproductions and recordings. By checking your mix in mono, you can avoid phase issues that might hurt you in the future. From referrals or mono vs a typical threshold, a transition from the right speaker and then you can find no brainer that licenses the other songs. DAWs make it so easy. Great home recording starts with a great home recording studio. This can carry a mono vs stereo recording in a color temperature if this site you are mixed in the ultimate goal is? Stereo mixes of The Beatles catalogue. It does seem more pleasing to listen to. Mono or monophonic describes a system where all the audio signals are mixed together and routed through a single audio channel. Jazz lps sound much better than their mono counterparts. Press J to jump to the feed. If you were a casual consumer of music and wanted to play an album at home, it was vinyl or practically nothing else. Mono is better for close and personal vocals, and stereo recording is better if you want the sound to spread, however, in this day and age, you can get that type of feeling using effects like reverb and delay. -
The Masters of the Beatles Remasters by Jim Boulden CNN LONDON
The masters of the Beatles remasters By Jim Boulden CNN LONDON, England (CNN) – They were entrusted with gold. When the Beatles’ longtime record label, EMI, decided to remaster the Beatles’ music, they gave the raw material to a handful of men. Among them were EMI engineers Allan Rouse, the project coordinator, and Sean Magee. Rouse, in particular, was familiar with the tapes. He was the person who’d copied them from their original analog form to digital as a safety backup in 1991. He’s since worked on the Beatles’ projects “Live at the BBC,” “The Beatles Anthology” and “Let It Be … Naked.” CNN’s Jim Boulden was given the chance to sit down with Rouse and Magee. The following is an edited version of the interview. CNN: Why was this project taken, and why so long? Rouse: It was started four and a half years ago, and it has taken over that period of time about a year to do the whole thing. On average, about two weeks per album. CNN: What does this allow you to do that you couldn’t have done to these songs before? Rouse: When they were originally transferred to CD in 1986, digital technology was in its infancy and the gap of 22 years has allowed for a great increase in that technology. So the transfers are far superior now, and that was before we actually did any work to them. In addition to that, we had decided that we wanted to remove or improve technical faults within the recordings that could have been a bad edit, a dropout, vocal sibilance, vocal pops. -
Acoustic Sounds Winter Catalog Update
VOL. 8.8 VOL. 2014 WINTER ACOUSTICSOUNDS.COM ACOUSTIC SOUNDS, INC. VOLUME 8.8 The world’s largest selection of audiophile recordings Published 11/14 THE BEATLES IN MONO BOX SET AAPL 379916 • $336.98 The Beatles get back to mono in a limited edition 14 LP box set! 180-gram LPs pressed in Germany by Optimal Media. Newly remastered for vinyl from the analogue tapes by Sean Magee and Steve Berkowitz. The release includes all nine original mono mixed U.K. albums plus the original American- Cut to lacquer on a VMS80 lathe compiled mono Magical Mystery Tour and the Mono Masters, a three LP collection of Exclusive 12” 108-page hardbound book non-album tracks also compiled and mastered from the original analogue tapes. with rare studio photos! All individual albums available. See acousticsounds.com for details. FOUR MORE FROM THE FAB FOUR New LP Reissues - Including QRP Pressings! The below four Beatles LPs will be pressed in two separate runs. First up are 10,000 European-pressed copies. After those are sold through, the label will then release the Quality Record Pressings-pressed copies. All four albums are 180-gram double LPs! The Beatles 1967-1970 The Beatles 1962-1966 1 Love ACAP 48448 $35.98 ACAP 48455 $35.98 ACAP 60079 $35.98 ACAP 48509 $48.98 (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) ACAP 484480 $35.98 ACAP 484550 $35.98 ACAP 600790 $35.98 ACAP ACAP 485090 $48.98 (European-pressed version; (European-pressed -
Acoustic Sounds Catalog Update
Analogue Productions and Quality Record Pressings are proud to announce the newest incarnation of titles to be pressed at 45 RPM on 200-gram vinyl. Ladies and gentlemen: The Doors! Additionally, these will also be available on Multichannel Hybrid SACD. The Doors Strange Days Waiting For The Sun Soft Parade Morrison Hotel L.A. Woman AAPP 74007-45 AAPP 74014-45 AAPP 74024-45 AAPP 75005-45 AAPP 75007-45 AAPP 75011-45 $50.00 $50.00 $50.00 $50.00 $50.00 $50.00 (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) Multichannel Hybrid Multichannel Hybrid Multichannel Hybrid No SACD available No SACD available Multichannel Hybrid SACD SACD SACD for this title for this title SACD CAPP 74007 SA CAPP 74014 SA CAPP 74024 SA CAPP 75011 SA $30.00 $30.00 $30.00 $30.00 Cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy. Sax and Doors producer/engineer Bruce Botnick went through a meticulous setup to guarantee a positively stunning reissue series. This is an all-tubes process. These masters were recorded on tube equipment and the tape machine used for transfer for these releases is a tube machine, as is the cutting system. Tubes, baby! A truly authentic reissue project. Also available: Mr. Mojo Risin’: The Doors By The Doors The Story Of L.A. Woman The Doors by The Doors – a Featuring exclusive interviews with Ray huge, gorgeous volume in which Manzarek, John Densmore, Robby Krieger the band tells its own story – is colleagues and collaborators, exclusive per- now available. -
Kearney W. Barton Collection of Northwest Sound Recordings, 1950-2000
Kearney W. Barton collection of Northwest sound recordings, 1950-2000 Overview of the Collection Rce Title Kearney W. Barton collection of Northwest sound recordings Dates 1950-2000 (inclusive) 1950 2000 Quantity approximately 11,100 items, (over 6000 audio reels, 3000 documents, 1000 audiocassettes, 500 compact discs, and 600 phonograph records) Collection Number 2010012 Summary The Kearney W. Barton collection of Northwest sound recordings primarily consists of original recordings engineered and/or produced by Barton at Audio Recording, Inc., his own recording studio, which operated out of various locations in Seattle, Washington from 1961 through the late 2000s. The bulk of the collection is comprised of music recordings, but also contains a smaller percentage of spoken word recordings, as well as radio advertisements (many of which also incorporate music). Specific audio formats represented in the collection include: open reel analog tape, compact cassettes, analog sound discs (7 inch, 10 inch, 12 inch, and 16 inch), magnetic wire records, and compact discs. The collection also contains a small amount of manuscript material, which mainly consists of technical notes that were found with some recordings and very limited correspondence (chiefly from lawyers). In some instances, notes included on original containers also have been preserved when material has been rehoused. Repository University of Washington Ethnomusicology Archives University of Washington Ethnomusicology Archives Box 353450 Seattle, WA 98195-3450 Telephone: 206-543-0974 [email protected] Access Restrictions Access to original items restricted. Some items may be available as service copies. Other items which need preservation work may require advance notification for use. Refer to item descriptions in the finding aid for more information. -
Format Artist Titel Info LP 13TH FLOOR ELEVATORS MUSIC OF
Format Artist Titel Info 3 DoLPs + 2 normale LPs alle auf 180g Vinyl / A 48 page new edition of Paul Drummond's book Sign of the Three Eyed Men in twelve inch format / Three exclusive 3D lenticular prints of the key album's artworks / An 10 inch EP containing the rare Bob LP 13TH FLOOR ELEVATORS MUSIC OF THE SPHERES Sullivan mixes from The Psychedelic Sounds of... 12" ABBA VOULEZ VOUZ 180g GB-7"_ Alt-J Matilda / Fitzpleasure (RSD) GB-12" Animal Collective Transverse Temporal Gyrus (RSD) 12" ARCADE FIRE SPRAWL II / READY TO START REMIXES GB-7"_ Arctic Monkeys R U Mine? (RSD) Limited fold out package with drop card for downloading exclusive material! The DROKK Special edition CD comes in unique Arigato interlocking packaging, containing all nineteen tracks plus Drokk-card with download code to unreleased music inspired by CD BARROW, GEOFF / SALISBURY, BEN DROKK - SPECIAL EDITION Mega-City One. This version is limited to 1000 CD's worldwide! 7'' Vinyl Single, Limited Edition. This is Bat's cover of Depeche Mode's Strangelove (originally for the Gucci TV ad campaign) 7" BAT FOR LASHES STRANGELOVE (DEPECHE MODE COVER) backed with an etching of Bat on Side B GB-12" Battles Dross Glop 4 7" BEACH HOUSE LAZULI Box-set of four 7" picture sleeve singles in heavy flip-top box, includes RSD branded adapter and poster, all tracks are newly 4 x 7" BEATLES, THE 1'S SINGLES COLLECTION BOX remastered and are appearing on vinyl for the first time GB-7"_ Beth Jeans Houghton & Hooves Of Destiny Atlas (LTD Picture Disc) RSD GB-7"_ Big Deal vs S.C.U.M. -
Acoustic Sounds Catalog Update
STEREO BOX SET NOV. 2012 AEMI 33809 • $349.00 (Price good until Dec. 31, 2012) 16 discs Sourced from the original master tapes and cut at Abbey Road Studios Pressed on 180-gram vinyl; the Beatles’ studio albums North American LP debut in stereo Optimum audiophile-quality sound from a first-rate team of producers and engineers The BEATLES ON VINYL - DONE RIGHT! • All of the albums return to their ORIGINAL glory and details right down to the • Magical Mystery Tour, Sgt. Pepper’s Lonely Hearts Club Band, the White Album album poster in The Beatles/White Album and the Sgt. Pepper cutouts. Includes and Past Masters packaged in gatefold jackets. extras such as the pink, white and red inner sleeve that came with Sgt. Pepper’s Lonely Hearts Club Band, the 24-page booklet that came with Magical Mystery Tour • The lineup: Please Please Me, With The Beatles, Hard Day’s Night, Beatles For and the poster and portrait cards that came with the White Album. Sale, Help, Rubber Soul, Revolver, St. Pepper’s Lonely Hearts Club Band, Magical Mystery Tour, The Beatles (White Album, two discs), Yellow Submarine, Let It Be, • The box set edition is limited to 50,000 copies worldwide, plus it includes a Abbey Road, Past Masters (two discs). 252-page hard-bound coffee table book by the award-winnning BBC radio producer Kevin Howlett. It also features in introduction by Sir George Martin, previously un- • Available for the first time on 180-gram vinyl; unsurpassed clarity of sound. seen photos and Abbey Road Studios memorabilia. -
John Stevens Discography Part 3
John Stevens discography part 3: 1975 to 1984 _________________________________________________________________________________________________ Spontaneous Music Orchestra – ‘Plus Equals’ (lp/cd) Spontaneous Music Ensemble: John Stevens (perc/cor), Evan Parker (ss), Trevor Watts (ss), Ian Brighton (elg), Roger Smith (g), Nigel Coombes (vln), Lindsay Cooper (clo), Jane Robertson (clo), Colin Wood (clo), Marcio Mattos (b); augmented by the following workshp musicians to form the Spontaneous Music Orchestra: Martin Mayes (frh), Robert Calvert (sopranino sax), Bob Turner (ss), Dave Decobain (as), Ye Min (as), Herman Hauge (as), Chris Turner (hca), Peter Drew (p), Robert Carter (vln), Stephen Luscomb (vln), Angus Fraser (b). Rec. live by Martin Davidson at St. John’s, Smith Square, London, Sat 25 January 1975. Plus equals (Stevens) 40’25 (total) A Records A 003 (lp), Emanem 4062 (cd) - Search + reflect 5’42 - - - Sustained plus 23’11 - - - Free improvisation 11’32 - - 2 x 15ips st. Dolby B reels: NSA C577/52–53 + 2 x 15ips Dolby A masters: NSA C577/54–55 (1CDR0002096-2097). This recording was originally released on LP under the title “SME + = SMO”, with slightly different suite subtitles. The CD reissue added material from a concert on 24th January 1974. Notes by Martin Davidson. _________________________________________________________________________________________________ Trevor Watts’ Amalgam – ‘Jazz in Britain’ broadcast Trevor Watts (as/ss?), Stan Tracey (p), Pete Cowling (bg), John Stevens (d), + 1 other. Rec. by BBC Radio, February 19th, 1975; tr: BBC Radio 3, ‘Jazz in Britain’, Mon June 2nd, 1975. Another time (Watts) 7’18 Lemming point (P. Cowling) 8’28 Suzie Jay (Watts) 5’07 Turn (Watts) 6’11 Programme presented by Ken Hyder.