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NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6
ada–music.com @ada_music NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6 2021 ISSUE 19 September 3 ORDERS DUE JULY 30 SENJUTSU LIMITED EDITION SUPER DELUXE BOX SET Release Date: September 3, 2021 INCLUDES n Standard 2CD Digipak with 28-page booklet n Blu-Ray Digipak • “The Writing On The Wall” • Making Of “The Writing On The Wall” • Special Notes from Bruce Dickinson • 20-page booklet n 3 Illustrated Art Cards n 3D Senjutsu Eddie Lenticular n Origami Sheet with accompanying instructions to produce an Origami version of Eddie’s Helmet, all presented in an artworked envelope n Movie-style Poster of “The Writing On The Wall” n All housed in Custom Box made of durable board coated with a gloss lamination TRACKLIST CD 1 1. Senjutsu (8:20) 2. Stratego (4:59) 3. The Writing On The Wall (6:23) 4. Lost In A Lost World (9:31) 5. Days Of Future Past (4:03) 6. The Time Machine (7:09) CD 2 7. Darkest Hour (7:20) 8. Death of The Celts (10:20) 9. The Parchment (12:39) 10. Hell On Earth (11:19) BLU-RAY • “The Writing On The Wall” Video • “The Writing On The Wall” The Making Of • Special notes from Bruce Dickinson LIMITED EDITION SUPER DELUXE BOX SET List Price: $125.98 | Release Date: 9/3/21 | Discount: 3% Discount (through 9/3/21) Packaging: Super Deluxe Box | UPC: 4050538698114 Returnable: YES | Box Lot: TBD | Units Per Set: TBD | File Under: Rock SENJUTSU Release Date: September 3, 2021 H IRON MAIDEN Take Inspiration From The East For Their 17th Studio Album, SENJUTSU H Brand new double album shows band maintain -
Songs of the Century
Songs of the Century T. Austin Graham hat is the time, the season, the historical context of a popular song? When is it most present in the world, best able Wto reflect, participate in, or construct some larger social reality? This essay will consider a few possible answers, exploring the ways that a song can exist in something as brief as a passing moment and as broad as a century. It will also suggest that when we hear those songs whose times have been the longest, we might not be hearing “songs” at all. Most people are likely to have an intuitive sense for how a song can contract and swell in history, suited to a certain context but capable of finding any number of others. Consider, for example, the various uses to which Joan Didion is able to put music in her generation-defining essay “Slouching Towards Bethlehem,” a meditation on drifting youth and looming apocalypse in the days of the Haight-Ashbury counterculture. Songs create a powerful sense of time and place throughout the piece, with Didion nodding to the Grateful Dead, Jefferson Airplane, Quick- silver Messenger Service, and “No Milk Today” by Herman’s Hermits, “a song I heard every morning in the cold late spring of 1967 on KRFC, the Flower Power Station, San Francisco.”1 But the music that speaks most directly and reverberates most widely in the essay is “For What It’s Worth,” the Buffalo Springfield single whose chiming guitar fifths and famous chorus—“Stop, hey, what’s that sound / Everybody look what’s going down”—make it instantly recognizable nearly five decades later.2 To listen to “For What It’s Worth” on Didion’s pages is to hear a song that exists in many registers and seems able to suffuse everything, from a snatch of conversation, to a set of political convictions, to nothing less than “The ’60s” itself. -
Arbiter, September 12 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 9-12-2002 Arbiter, September 12 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Local band goes from backyard to big gigs Volleyball teemlooks to Page 9 improve last year's record Page 6 • Boise State University •• ._u_~ ~~-..__ ....~,~ '"~_~~ __..,, ....__._.~~ .__ ._~.. _~.__ ~~......_."_ ...._ .. _._ . __.,,'~._.•.. ~~e... Thursday, Sept8mber 12, 2002 otter www.arbiteronline.com . "~"---'-'" Vol. 16 Issuo t- Eirst Copy Free ASBSU wants part in selection process Student leaders involvement in the selection "The board hasn't final- Foundation unchecked- fear shut out, process. ized anything yet, but we are provost at Virginia whom they would pick as - ASBSU President Chris power, placed a heavy Commonwealth University, looking as a smaller screen- emphasis on athletics and the next president. Thirty- State Board says Mathias has been lobbying to ing committee." Stivers said. was eventually selected for one chose Cox, and only two see four student positions on hired his personal friend, the position. committee not Stivers also said SBE plans Tom McGregor, as Dean of chose Ruch. the search commIttee. to provide for student and However, Ruch was not Respondents were also finalized According to ASBSU the College of Technology. -
ASUI Board Chair Spends Unauthorized Funds Mike Mcnulty the Student Elections
lVews. ~ Sports ~ DIVERSIONS - UI graduate student German tandem defines :. receives outstanding running success for the 4'+r, ro. 'o '; student award. VIIndah. 9p c~ O~ See page 4. See page 11. r+ ~r ,t(;f)(l!ls .r<'r tltIjj THE UNIVERSITY DF IDAHQ Frida, Se tember 8, 1995 ASUI —Moscow, Idaho Volume 971V0. S Stop the smoke ASUI Board Chair spends unauthorized funds Mike McNulty the student elections. The money for comment. Staff comes primarily from student fees ASUI Senator Clint Cook, who which supports ASUI's near $1 mil- resigned from office last week, said t was a flagrant misuse of lion annual budget. he was at the dinner which was a the students'noney," ASUI ASUI Senator Christs Manis said "reward" for board members who put President Wilson said Sean "it's a shame" the student legislature in over 20 hours of unpaid work dur- about a chairperson's decision to is often slowed down by minor ing the spring election. He said spend an unauthorized amount of details. Shaltry was just appointed to her cash on an dinner last expensive "We'e just tired of knit-picking," position and was unfamiliar with cer- semester. said Manis. "It's hard to keep things tain procedures. Angie Shaltry, chairperson for the moving when we have to deal with "No one told her the rules," said Student Issues Board, was authorized this.'" things like Cook. "Angie thought the money was to buy dinner for board members after President Wilson said he found out available to be spent." the spring election with a UI depart- stu- about the dinner party after most Cook said everything was "straight- mental purchase order issued by vacation dents had left for summer ened out" and the situation has been ASUI Business Adviser Sandra Gray. -
The Genesis Discography
TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Still Lost Inside the Velvet Trail: March New Album Reviews Pt. 2
Still Lost Inside The Velvet Trail: March New Album Reviews Pt. 2. Music | Bittles‘ Magazine Have you heard the new Madonna record yet? Terrible! The entire time I was listening to it the only thing I could think was »That poor woman!«. Whoever advised her that songs like Bitch I’m Madonna were a good idea deserves to be locked in a room with Mark Ronson for an entire day. Luckily there is some fantastic new music out there which more than makes up for the inane racket created by the Peter Pan of pop. By JOHN BITTLES For example we have Vessels, Fort Romeau, Phildel, Mu-Ziq, SCNTST, Mike Simonetti and more bringing out albums which ably counteract all the shit you find in the charts. You might also notice that this week begins a brand new trend where I give each album a rating out of ten. The powers that be were against it, and have made numerous attempts on my life, but until I get bored of it, this new regime is here to stay. So, put on your cowboy hat, ensure your whiskers are well groomed, that the cat is fed, and let us begin… This week we’ll start with an album which has been rocking my stereo ever since it came into my life. Dilate by former math rockers Vessels sees the Leeds-based four piece move away from the post rock of their previous output and into the world of groove-some techno and late night electronica. This is so good one listen can give you an erection for a week (not clinically proven). -
– Agenge D'épopées Musicales –
– AGENGE D’ÉPOPÉES MUSICALES – L’AGENCE SUPER! est une agence artistique créée en 2006 par Julien Catala, à la fois défricheuse de talent, producteur de concerts et festivals, tourneur, programmateur d’événements, agitateur… Représentant aujourd’hui plus de 300 artistes internationaux entre têtes d’affiches confirmées (The XX, Nicolas Jaar, Bon Iver, Cigarettes After Sex, Polo & Pan…) et jeunes loups de l’avant garde musicale internationale (Alex Cameron, Shame, Bicep, Tom Misch … ), SUPER! est devenu en quelques années un véritable “label”, symbole de la musique live indépendante mondiale. PLUS DE SUPER! est aussi producteur du Pitchfork Music Festival Paris 16 000 LIKES qui se déroule depuis 2011 à la Grande Halle de la Villette, coproducteur du Festival Cabourg Mon Amour en juin sur la côte normande et coproducteur de Biarritz En Eté! dont la première édition aura lieu en juillet 2018. PLUS DE 11 000 FOLLOWERS Au fil des années, SUPER! a également développé une activité de production évènementielle en travaillant avec des marques et médias comme Red Bull, Converse, Chanel, Society et de direction artistique avec le festival Villette Sonique, les Inrocks ou encore la Fondation Louis Vuitton. Enfin, SUPER! PLUS DE dirige la salle de concert Le Trabendo, lieu parisien des 3 000 FOLLOWERS musiques actuelles et émergentes, situé dans le Parc de la Villette. Défricheur des nouvelles tendances musicales : rock, folk, pop et électronique, SUPER! incarne un projet WWW.SUPERMONAMOUR.COM artistique fort, radar de l’innovation musicale internationale. -
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4. -
The Classic Rock String Quartet the Genesis Chamber Suite Mp3, Flac, Wma
The Classic Rock String Quartet The Genesis Chamber Suite mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Genesis Chamber Suite Country: UK Released: 2003 MP3 version RAR size: 1744 mb FLAC version RAR size: 1697 mb WMA version RAR size: 1823 mb Rating: 4.5 Votes: 302 Other Formats: DXD MMF ADX MP1 MP2 WMA RA Tracklist Hide Credits Looking For Someone 1 5:24 Written-By – Anthony Phillips, Mike Rutherford, Peter Gabriel, Tony Banks White Mountain 2 4:55 Written-By – Anthony Phillips, Mike Rutherford, Peter Gabriel, Tony Banks Musical Box (Abridged) 3 5:36 Written-By – Mike Rutherford, Peter Gabriel, Phil Collins, Steve Hackett, Tony Banks Supper's Ready (Abridged) 4 3:59 Written-By – Mike Rutherford, Peter Gabriel, Phil Collins, Steve Hackett, Tony Banks Ripples 5 4:18 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Entangled 6 4:17 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Mad Man Moon 7 5:00 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Afterglow 8 3:32 Written-By – Tony Banks One For The Vine 9 4:56 Written-By – Tony Banks Follow You Follow Me 10 3:53 Written-By – Mike Rutherford, Phil Collins, Tony Banks The Lady Lies 11 3:53 Written-By – Tony Banks Please Don't Ask 12 4:02 Written-By – Phil Collins Los Endos 13 4:48 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Notes Dolby Digital 5.1 & DTS Barcode and Other Identifiers Barcode: 5060071500897 Related Music albums to The Genesis Chamber Suite by The Classic Rock String Quartet The Phil Collins Big Band - The Phil Collins Big Band Big Hits Sampler Genesis - .. -
2.+ENG Dossierprensa2018.Pdf
1 THE FESTIVAL 3 LINEUP 5 PLACES 11 ORGANIZATION AND PARTNERS 12 TICKETS 14 GRAPHIC CAMPAIGN 15 PRESS QUOTES 16 CONTACT 17 2 THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last years, the festival has had the most diverse range of artists. Some of those who have been on stage are Radiohead, Pixies, Arcade Fire, PJ Harvey, The National, Nine Inch Nails, Kendrick Lamar, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, Brian Wilson, Pulp, Patti Smith, Nick Cave, Cat Power, Public Enemy, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tindersticks, Queens of the Stone Age, She- llac, Dinosaur Jr., New Order, Fuck Buttons, Swans, The Cure, Bon Iver, The xx, Iggy & The Stooges, De La Soul, Marianne Faithfull, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol and Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have projected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same qua- lity of organization of past years, without resorting to more commercial bands. -
Music, Music and More Music... Come on Let's Go
DRINKS Two Gallants Ron Sexsmith Julia Holter The Mountain Goats With friends Dictionary Pudding San Francisco Bay Area’s cult Ontario based singer-songwriter Los Angeles-based composer/ North Carolina indie-folk three New joint solo project from Welsh guitar-drum indie-rock duo Two Ron Sexsmith returns with a new multi-instrumentalist Julia Holter piece The Mountain Goats (Merge indie-pop darling Cate Le Bon and Gallants return with their latest album – Carousel One, a warm, blurs the boundaries between indie Records) return to Brighton with music, modern composition, and psychedelic rock musician of White album ‘We Are Undone’. “This deeply involving set of songs that new album Beat The Champ. “The electronic music in her own work as Fence, Tim Presley. DRINKS debut music is fantastically rangy, with stark, dark piece of Americana showcases his great empathy and well as collaborations; Julia returns album Hermits on Holiday (Heavenly discordant strings and jazz piano opens up with each listen” – occasional sentimentality, but also to Brighton with new album – Have Records and Birth Records) The Telegraph **** his often-overlooked playfulness. You In My Wilderness (out via nuzzling punk-busker guitar.” – Domino – September 25th) Rolling Stone Friday 11 September — Friday 9 October — The Haunt Monday 26 October — Komedia The Hope & Ruin Support to be announced Support to be announced 9 November — Komedia 18 November — Komedia Supported by The Soft Walls Support to be announced Supported by The Weather Station Club Abstract H Hawkline & Gwenno Mercury Rev With Towner Art Gallery Pleased to have a fantastic Avant pop, New York-based Towner Art Gallery and Melting co-headline show with surrealist Mercury Rev return with their Vinyl team up for a night out! The pop extravaganza H Hawkline, and critically revered psych-tinged and legendary club night returns to the electropop love from Gwenno beautifully spacey indie music, and The Towner, all themed with the (The Pipettes).