Village People New York City Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Village People New York City Mp3, Flac, Wma Village People New York City mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: New York City Country: UK Released: 1985 Style: Disco, Contemporary R&B MP3 version RAR size: 1455 mb FLAC version RAR size: 1309 mb WMA version RAR size: 1122 mb Rating: 4.4 Votes: 286 Other Formats: ADX MP4 AU VQF XM AC3 DTS Tracklist A1 Sex Over The Phone 4:22 A2 New York City 6:00 A3 Just Give Me What I Want 6:14 A4 I Won't Take No For Answer 5:06 B1 Power Of The Night 5:58 B2 Sexual Education 5:33 B3 Sensual 4:36 B4 Sex Over The Phone (Special Remix) 4:12 Credits Arranged By – Fred Zarr Artwork – C. Caudron* Composed By – Bruce Vilanch (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Fred Zarr (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Jacques Morali (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Ray Stephens (tracks: A3) Executive Producer – Henri Belolo Photography By – B. Leloup* Producer – Jacques Morali Notes Produced by Jacques Morali (Toutoune Productions) for Can't Stop Productions - NYC Costumes of Alex Briley, Felipe Rose and Ray Stephens courtesy of Nicolas Harle'/Paris Costumes of Jeff Olson and Glenn Hughes furnished by Nino/Paris Assistant to Jacques Morali: Frank Hudon Other versions Category Artist Title (Format) Label Category Country Year SCM 19306 Village Sex Over The Phone SCM 19306 Black Scorpio France 1985 N People (LP, Album) N Village Sex Over The Phone TC 6004 Three Eggs TC 6004 Greece 1985 People (Cass, Album) Village Sex Over The Phone TT10091 TX2 TT10091 Europe 2002 People (CD, Album, RM) Village Sex Over The Phone Can't Stop 6.11331 6.11331 Hong Kong 1985 People (LP, Album) Productions, Inc. Village Sex Over The Phone PL 70645 RCA Victor PL 70645 Sweden 1985 People (LP, Album) Related Music albums to New York City by Village People Village People - San Francisco Village People - Village People Village People - Fox On The Box Ray Stephens - Cat's Eye Village People - Go West Gary Brown - The Night Time Village People - Sex Over The Phone Village People - The Best Of Village People.
Recommended publications
  • Barry Graves Studio 89 Playlist
    Hinweis Wichtig: Vervielfältigung und Bearbeitung verboten. Geistiges Eigentum von www.studio89.de. Version: 27.07.2003 Studio 89 - Playlist geändert:21.04.2015 ca. 3150 Datensätze 1.Sendung 1979 1980 1981 1982 1983 1984 1985 1.digitale Sendung letzte Sendung Sendung vom... Titel Interpret Bemerkung Titel Nr. Zeit 3. Februar 1979 Over the Rainbow Meco Sendung lief evtl. noch notiert von Mike K.aus B. Hot Shot Karen Young unter anderen Namen I will survive Gloria Gaynor Instant Replay Dan Hartman My Roomate Village People One Chaint don't make no Prisoner Santana Do ya Think i'm sexy Rod Stewart You stepped into my life Melba Moore 10. Februar 1979 Baby i'm burnin' Dolly Porton Sendung lief evtl. noch notiert von Mike K.aus B. Come with me unter anderen Namen I need you You need me Joe Simon Never can say goodbye Gloria Gaynor Christal World Chrystal Grass Burnin' in the Peace Fire In the Bush Musique I'm a Man Macho LP-Version Devil's Gun C.J. & Co. 1977 Instant Replay Dan Hartman I Love The Nightlife Alicia Bridges Running Away Roy Ayers LP-Seite Got To Have Loving Dan Ray LP-Seite Risky Boogie Alkalino LP-Seite Risky Changes Bionic Boogie LP-Seite Moonlight Lovin' (Menage A Trois) Issac Hayes LP-Seite 17. Februar 1979 Copacabana Barry Manilow notiert von Mike K.aus B. Sinner Man Sara Dash LP-Version 1.Sendung unter dem Same old Song K.C.& the Sunshine Band Namen Studio 89 Crusader Trax noch unter Tahiti Tahiti Voyage Die RIAS-Disco The Woman / I'm a cruiser Village People Heart of Glas Blondie Hallelujah 2000 Joe Long & Robby Adcock Odyssesy 2001 Salsoul Orchestra 24.
    [Show full text]
  • M7, 7 Records and Powderworks 1970-1987
    AUSTRALIAN RECORD LABELS M7, 7 Records and Powderworks 1970-1987 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, JUNE 2019 M7 / 7 RECORDS BIRTHED DURING THE 1970 RECORD BAN, M7 WAS A SYDNEY-BASED LABEL SET UP AS A JOINT VENTURE BETWEEN THE MACQUARIE BROADCASTING SERVICE, THE HERALD AND WEEKLY TIMES LTD. AND FAIRFAX SUBSIDIARY AMALGAMATED TELEVISION SERVICES, OWNERS OF ATN-7. IN JULY 1970, WORLD BROADCASTING SYSTEM CHANGED ITS NAME TO M7 RECORDS PTY. LTD. M7 WAS DISTRIBUTED BY THE PAUL HAMLYN RECORD DIVISION (FROM JUNE 1971), THEN BY TEMPO (1974-1976), AND THEN ORGANISED ITS OWN DISTRIBUTION (1976-1978). ALLAN CRAWFORD WAS THE FIRST GENERAL MANAGER (1970-1972), FOLLOWED BY RON HURST (1972-1975). KEN HARDING JOINED M7 RECORDS IN 1973, BECOMING C.E.O. OF 7 RECORDS IN 1978, THE SAME YEAR HE SIGNED MIDNIGHT OIL TO THE LABEL. M7 RECORDS BECAME 7 RECORDS PTY. LTD. IN MAY 1978. AT THIS TIME, SALES AND DISTRIBUTION PASSED TO RCA. CATALOGUE PREFIXES MS M7 / SEVEN BGMS BLUE GOOSE MSA ARTIST OF AMERICA CHS CHAMPAGNE MSB BRITISH ARTISTS EUS EUREKA MSD SEVEN - 12” DISCO FSP FROG MSH HICKORY LRS LARRIKIN MSP PENNY FARTHING LW, LN M7 MSPD PENNY FARTHING – 12” DISCO RNO CREOLE MSS SPIRAL SAC AUSTRALIAN COUNTRY MST TRANSATLANTIC SS SATRIL MSY YOUNGBLOOD SUS STOCKADE M7 / 7 RECORDS 7” & 12” SINGLES LW 4512 C.C. RIDER / TRAVELLER S.C.R.A. 1971 LW 4522 HOUSE IN THE COUNTRY / LUCCA GREG BONHAM 6.71 LW 4532 IN VAIN THE CHRISTIAN / WHAT YOU’LL DO NOLAN 7.71 LW 4542 FRASER ISLAND / AUSTRALIA REVISITED REISSUED 1975 BY ‘TONI & ROYCE’ THE MEEPLES 6.71 LW
    [Show full text]
  • Mental Effort from an Lpcomin Disco Sound on This Energetic T, "MY
    3, 1979 $2.25 SINGLES SLEEPERS THE WHO, "LONG LIVE ROCK" (prod. not LOUISIANA'S LE ROU listed) (writer: Peter Townshend) by L. S. Me MCA (Towser Tunes, BMI) (3:58).Ini- Pollard) RECORDStially released on their "Odds & Lemed, Sods" Ip, this comes roaring out chapter #00001"Ist "The Kids Are Alright 'sound- rock is vg trackandaptlycapturesthe one isfire theme behind one of rock's leg- blues - rock ends. MCA 41053 tempo shades.. HOT CHOCOLATE, "GOING THROUGH PHILLY CREAM, "MO THE MOTIONS" (prod by M. (prod by Barry- ri Most) (writer: E. Brown) (Finch - Barry -Ingram)(P ry serv.. ley, ASCAP) (3:54). Vocal, string BMI)(3:59).Greatead v re-mixa:] and synthesizer intensity build to trades and brilliant horns to .ontami 4a dramatic climax on this monu- disco sound on thisenergetic ostfamilsir mental effort from an Lpcomin disc. Splendid arrangement/pro- a staid -out and 1p A multi -format smash. Infinity duction give this widespread ap- the rri should 50,016. I. Fantasy/WMOT 862 110 12. THE Cane PATTI SMITH GROUP, "FREDERICK" T, "MY LOVE is" (prod by TH AR V-0. ou p CANDY -11 (prod by T. Rundigren) (writer: P t)(writers: rWright-McCray) was on andful reak Smith)(Ninja,' tASCAFT) (3:01 Iyn.BMI /DErnbet,BMI) (5:48). through t"f, dominan Smith's urgent Vocals, encas it'sfinestefforttodate summer an by ringing guitars, plead the m dikes the most of her grandiose duced by Roy Thomas sage while keyboard lines iz vocaltalentPrecision back-up tinues their esoteric roc of zle. Rundgren produces w chorals, prominent piano Imes & view.
    [Show full text]
  • Case 7:17-Cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33
    Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ----------------------------------------------------------------------x CAN’T STOP PRODUCTIONS, INC., MEMORANDUM DECISION Plaintiff, AND ORDER - against - No. 17-CV-6513 (CS) SIXUVUS, LTD., ERIC ANZALONE, ALEXANDER BRILEY, FELIPE ROSE, JAMES F. NEWMAN, RAYMOND SIMPSON, and WILLIAM WHITEFIELD, Defendants. ----------------------------------------------------------------------x Appearances: Stewart L. Levy, Esq. Eisenberg Tanchum & Levy White Plains, New York Robert S. Besser, Esq. Law Offices of Robert S. Besser Pacific Palisades, California Counsel for Plaintiff Karen Willis d/b/a Harlem West Entertainment San Diego, California Plaintiff-Intervenor Pro Se Sarah M. Matz, Esq. Gary Adelman, Esq. Adelman Matz P.C. New York, New York Counsel for Defendants Seibel, J. This case involves a dispute over the “Village People” trademarks associated with the disco group that had several hits – including “Macho Man,” “In the Navy,” and most famously “YMCA” – in the late 1970s. On February 16, 2018, the Court issued an Order, with opinion to follow, that denied Defendant’s motion for a preliminary injunction and vacated the amended 1 Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 2 of 33 temporary restraining order (“TRO”) that was in place. (Doc. 115.) This Memorandum explains the reasons for the Court’s decision. I. PROCEDURAL BACKGROUND Plaintiff Can’t Stop Productions, Inc. filed this lawsuit against Defendants Sixuvus Ltd. and its members Eric Anzalone, Alexander Briley, Felipe Rose, James F. Newman, Raymond Simpson, and William Whitefield on August 25, 2017, for trademark infringement and a declaratory judgment that Plaintiff is the owner of all rights, title and interest in the “Village People” trademarks.
    [Show full text]
  • America Embraces Jayms Blonde
    America Embraces Jayms Blonde MIAMI HERALD: A hairdresser by trade and a secret agent by choice, Jayms Blonde and his faithful pedicurist Precious Needmoore, lead the fight to save the planet from bad hair and bad air. Armed with bulletproof-mousse, Uzi blow-dry- ers, and hair-curler-hand-grenades, they rescue the dude-in-distress, and make saving the earth look fabulous. CONETICUTT POST: The combination of wild, globetrotting adventure and stylish graphic novel illustrations every few pages gives the book a wonderful over-the-top feel. Blonde’s foes are evil capitalists whose industries spike global warming and other eco-disasters. The hero and his cohorts work for STOP (Stop Terrorizing Our Planet) which is covertly funded by media celebrities. James Bond fought an organization known as SPECTRE (Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) led by the supremely evil Ernst Blofeld. Blonde and STOP’s primary foe is ZENRON (Zillionaire Environmental Nihilist Reinstating Oligarchy Nobility). The group is repre- sented in the first adventure by “the richest, most beautiful and most heartless woman in the universe: Zaroya Sylva Kenmore Cohen Abud Grimaldi Chang.” Cabell clearly had a ball transforming literature and film’s most promiscuous het- erosexual spy into his very active gay hero. KIRKUS DISCOVERIES: Cabell makes the over-the-top zaniness and mock action-hero antics fun, and everything congeals into a wildly enjoyable ride for readers who enjoy the adventures of a muscle-bound, crime-fighting queen in tights. A super-silly, whirling first episode that will leave gay superhero fans scratching their heads-and eager for the next installment.
    [Show full text]
  • Dwight Clark Touchdown in the 1982 NFC Championship, Sending the 49Ers to the Super Bowl? ANSWER: the Catch
    Delaware Winter Invitational, 2010 Old School themed trash packet by Mark Pellegrini, Mike Marra-Powers, and others Tossups 1) An elevator music version of this song was used in the mall scene in Minority Report. This song, which won the 1962 Grammy for Record of the Year, re-launched lyricist Johnny Mercer's career. It has since become a staple song for Andy Williams. The singer tells about two drifters who set off to see the world, crossing the titular object, which is wider than a mile. Originally sung by Audrey Hepburn for Breakfast at Tiffany's, this is for ten points what Henry Mancini song? ANSWER: "Moon River" 2) One play of this name occurred in the 1976 Grey Cup, when Ottawa tight end Tony Gabriel faked a post pattern and scored the game-winning touchdown in the corner. Another play with this name occurred in the 2001 Michigan-Michigan State game, when MSU quarterback Jeff Smoker threw the game-winning touchdown to T.J. Duckett with one second left. A more well-known play with this name occurred in the 1954 World Series, when Vic Wertz’s liner to deep center was caught by Willie Mays. These plays all share what name, which for ten points usually refers to the Joe Montana to Dwight Clark touchdown in the 1982 NFC Championship, sending the 49ers to the Super Bowl? ANSWER: The Catch 3) This film marked the major motion picture debut of Christopher Lloyd as Taber. The role of the central villain in this movie was turned down by six actresses before largely- unknown Louise Fletcher agreed to play it.
    [Show full text]
  • Cash Box N.Y
    August 19. 1978 E-45519. A NEW SINGLE FROM HER FORTHCOMING - ALBUM:Il>i#l^ ### tii€> USA ( 6 E 1 5 5 ) — 14 — August 19, 197 I VOLUME XL NUMBER i^^^N^ERNATIONA^MUSIC^iECORCMWEEKU^ C4SHBCK GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT President and General Manager Flesh And Blood Vice STAN MONTEIRO of Marketing is Director It’s not just a piece of vinyl — it’s flesh and blood. outlet for an artist, although profit intended and DAVE FULTON With the abundance of records being produced expected. Editor In Chief and distributed these days, there is a detachment Physically, a record album is almost always black J.B. CARMICLE between the artistic endeavors and the sale of the and reveals little about what is imprinted in its General Manager, East Coast actual product. People are quick to label a slow- grooves. But many people invested part of them- JIM FOLLIS. Account Executive, West Coast selling album or little-programmed single as stiffs. selves in this effort to be recorded, manufactured East Coast Editorial KEN TERRY. Easf Coast Editor But someone believed in that record or it would not and sold. Songwriters, musicians, engineers, CHARLES PAIKERT LEO SACKS have been produced. producers and many others are necessary for this AARON FUCHS All kinds of music are not for all kinds of people. fantastic creative process to unfold. West Coast Editorial work and sometimes they ALAN SUTTON. West Coast Editor Some albums do reach a broader base, and conse- Sometimes records RANDY LEWIS should not don’t, but in every case there are throbbing minds JEFF CROSSAN quently sales rise accordingly.
    [Show full text]
  • Riley Newborns—Where There's Life, There's Hope
    I J % • I • I Riley newborns—Where there’s life, there’s hope city to cars for 36 infants from in the sou thee at cor birth to two months of age mt oo tb i third floor of the The unit is divided into three James Whitcomb Riley Hospital areas or modules Modules I and for Children is a brightly lit unit II are eight-bed intensive care flUed with incubators and yal units Module III has 20 pro- low Ringed cribs surrounded by greeeive care beds. I V. stands, wheeling pumps The patients, who generally and ventilators Nurses in white suffer from premature-related and yellow gowns study room problems, cardiac, genetic or tors and hover over criucaily-ill surgical maladies, are referred to premature infanta the unit by a hotline accessible Recently, the Riley Hospital to physicians and nurses all over Newborn Special Care Unit, an the state. The hotline is also 18.3 million addition that has re­ used to request advice about the ceived annual recognition ae a management and care of high model for regional cars of high risk Uhu-s risk infanta, celebrated the 8th Modes of moving patients to anniversary of its opening. Con the hospital include the Rile> tinuing to serve ae e prototype Newborn Intensive Care Mobile for similar centers in other parts Unit. an ambulatory unit with a of the state and the Midwest, special transport team made up the Newborn Unit has the cape Head Nurse Rebecca Burks administers a noon- through the mouth of the baby into his stomach (continued on page 3) time feeding of formula by a plastic tube inserted (Photo by Susen J.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Village People Macho Man Mp3, Flac, Wma
    Village People Macho Man mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Macho Man Country: Japan Released: 1978 MP3 version RAR size: 1258 mb FLAC version RAR size: 1453 mb WMA version RAR size: 1142 mb Rating: 4.2 Votes: 488 Other Formats: MMF ADX FLAC TTA WAV MIDI VOX Tracklist A1 Macho Man 5:18 A2 I Am What I Am 5:37 B1 Key West 5:42 Medley 4:36 B2a Just A Gigolo 1:15 B2b I Ain't Got Nobody 3:21 B3 Sodom And Gomorrah 6:17 Companies, etc. Distributed By – Casablanca Record And FilmWorks, Inc. Manufactured By – Casablanca Record And FilmWorks, Inc. Phonographic Copyright (p) – Casablanca Record And FilmWorks, Inc. Copyright (c) – Casablanca Record And FilmWorks, Inc. Credits Arranged By [Rhythm & Percussion] – Jacques Morali Arranged By [Strings & Horns], Conductor – Horace Ott Arranged By [Vocals] – Jacques Morali, Victor Willis Backing Vocals – Alexander Briley, David Hodo, Felipe Rose, Glenn Hughes , Randy Jones Bass – Alfonso Carey Congas – E. (Crusher) Bennett* Drums – Russell Dabney Electric Piano [Fender Rhodes], Clavinet – Nathanial "Crocket" Wilke* Engineer – Gerald Block Lead Guitar – Jimmy Lee Lead Vocals – Victor Willis Other [Make Up] – Pascale Percussion – Peter Whitehead, Phil Kraus Percussion [Foot Bells] – Felipe Rose Photography By – J. Galluzzi* Producer – Jacques Morali Rhythm Guitar – Rodger Lee Written-By – Henri Belolo (tracks: A1 to B1, B3), Irving Caesar (tracks: B2a), Jacques Morali (tracks: A1 to B1, B3), Leonello Casucci (tracks: B2a), Peter Whitehead (tracks: A1 to B1, B3), Roger Graham (tracks: B2b), Spencer Williams (tracks: B2b), Victor Willis (tracks: A1 to B1, B3) Notes Produced for Can't Stop Productions, Inc.
    [Show full text]
  • 1 "I Will Not Be Conquered": Popular Music and Indigenous Identities In
    "I Will Not Be Conquered": Popular Music and Indigenous Identities in North America Submitted by William Rees, to the University of Exeter as a thesis for the degree of Masters by Research in History, January 2019. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that any material that has previously been submitted and approved for the award of a degree by this or any other University has been acknowledged. (Signature) …… ………………………………………………………………………… 1 “I Will Not Be Conquered”: Popular Music and Indigenous Identities in North America 2 Acknowledgements I would like to thank my supervisors, Dr Bryony Onciul and Dr Kristofer Allerfeldt for their wisdom and advice throughout the construction of this thesis. I would also like to thank other academics who have assisted this research at University of Exeter’s Penryn campus: Dr Garry Tregidga, Dr Nicola Whyte, Dr Timothy Cooper and Dr Richard Noakes. The input of indigenous musicians has been fundamental to this project. I am indebted to the participation of Kelly Derrickson, Danielle Egnew, Apryl Allen, Keith Secola, Mitch Walking Elk, Leah Shenandoah, Joanne Shenandoah, Christian Parrish Takes the Gun, Skye Stoney, and Raye Zaragoza. Furthermore, I am appreciative for having had informative e-mail correspondences with Matilda Allerfeldt, Iea Haggman, and Professor John Troutman. Finally, I would like to thank my friends for their support: Yusef Sacoor, Em Parker, Emma Soanes, Molly Taylor, Lauren Clarke, Holly King, James Kaffenberg, Dan Baldry, Dylan Jones, and Sarah Reel.
    [Show full text]
  • View the Live Wire Program Book
    A Conversation with Joshie Jo Armstead, Sarah Dash, and Martha Reeves Moderated by Christian John Wikane Thursday, November 14, 2019 6:30 p.m. Apollo Theater 253 West 125 Street, New York, NY The Chantels “Maybe,” 1957 The Shirelles “I Met Him on a Sunday,” 1958 The Exciters “Tell Him,” 1962 The Crystals “Da Doo Ron Ron,” 1963 The Velvelettes “Needle in a Haystack,” 1964 The Supremes “Back in My Arms Again,” 1965 The Blossoms “Cry Like a Baby,” 1967 The Sweet Inspirations “Sweet Inspiration,” 1968 The Three Degrees “You’re the One,” 1970 The Pointer Sisters “Yes We Can Can,” 1973 Scan the QR code to listen to the playlist on APOLLO LIVE WIRE: SHE’S A REBEL - GIRL GROUPS Tonight, we honor the power of harmony through the stories of three phenomenal women, Martha Reeves, Sarah Dash, and Joshie Jo Armstead. As founding members of “girl groups” who formed during the 1960s, they each created a sound and style that expanded the foundation set by forebears like the Shirelles, the Chantels, and the Bobbettes. The hits are legion. The groups are legendary. Hearing each woman tell her story, it’s clear that being in a group was often a springboard to reinvention, sometimes within the group itself, other times as a solo artist, and occasionally venturing into spheres beyond music. From opening the Motown Revue as Martha & the Vandellas to presiding on Detroit’s City Council, Martha Reeves embodies fearless strength and dedication. From being christened one of the “Sweethearts of the Apollo” as a member of Patti LaBelle & the Blubelles to becoming the very first Music Ambassador for Trenton, NJ, Sarah Dash is rich in soul and spirit.
    [Show full text]