Siesta Bay Night at the Races
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Mental Effort from an Lpcomin Disco Sound on This Energetic T, "MY
3, 1979 $2.25 SINGLES SLEEPERS THE WHO, "LONG LIVE ROCK" (prod. not LOUISIANA'S LE ROU listed) (writer: Peter Townshend) by L. S. Me MCA (Towser Tunes, BMI) (3:58).Ini- Pollard) RECORDStially released on their "Odds & Lemed, Sods" Ip, this comes roaring out chapter #00001"Ist "The Kids Are Alright 'sound- rock is vg trackandaptlycapturesthe one isfire theme behind one of rock's leg- blues - rock ends. MCA 41053 tempo shades.. HOT CHOCOLATE, "GOING THROUGH PHILLY CREAM, "MO THE MOTIONS" (prod by M. (prod by Barry- ri Most) (writer: E. Brown) (Finch - Barry -Ingram)(P ry serv.. ley, ASCAP) (3:54). Vocal, string BMI)(3:59).Greatead v re-mixa:] and synthesizer intensity build to trades and brilliant horns to .ontami 4a dramatic climax on this monu- disco sound on thisenergetic ostfamilsir mental effort from an Lpcomin disc. Splendid arrangement/pro- a staid -out and 1p A multi -format smash. Infinity duction give this widespread ap- the rri should 50,016. I. Fantasy/WMOT 862 110 12. THE Cane PATTI SMITH GROUP, "FREDERICK" T, "MY LOVE is" (prod by TH AR V-0. ou p CANDY -11 (prod by T. Rundigren) (writer: P t)(writers: rWright-McCray) was on andful reak Smith)(Ninja,' tASCAFT) (3:01 Iyn.BMI /DErnbet,BMI) (5:48). through t"f, dominan Smith's urgent Vocals, encas it'sfinestefforttodate summer an by ringing guitars, plead the m dikes the most of her grandiose duced by Roy Thomas sage while keyboard lines iz vocaltalentPrecision back-up tinues their esoteric roc of zle. Rundgren produces w chorals, prominent piano Imes & view. -
Case 7:17-Cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33
Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ----------------------------------------------------------------------x CAN’T STOP PRODUCTIONS, INC., MEMORANDUM DECISION Plaintiff, AND ORDER - against - No. 17-CV-6513 (CS) SIXUVUS, LTD., ERIC ANZALONE, ALEXANDER BRILEY, FELIPE ROSE, JAMES F. NEWMAN, RAYMOND SIMPSON, and WILLIAM WHITEFIELD, Defendants. ----------------------------------------------------------------------x Appearances: Stewart L. Levy, Esq. Eisenberg Tanchum & Levy White Plains, New York Robert S. Besser, Esq. Law Offices of Robert S. Besser Pacific Palisades, California Counsel for Plaintiff Karen Willis d/b/a Harlem West Entertainment San Diego, California Plaintiff-Intervenor Pro Se Sarah M. Matz, Esq. Gary Adelman, Esq. Adelman Matz P.C. New York, New York Counsel for Defendants Seibel, J. This case involves a dispute over the “Village People” trademarks associated with the disco group that had several hits – including “Macho Man,” “In the Navy,” and most famously “YMCA” – in the late 1970s. On February 16, 2018, the Court issued an Order, with opinion to follow, that denied Defendant’s motion for a preliminary injunction and vacated the amended 1 Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 2 of 33 temporary restraining order (“TRO”) that was in place. (Doc. 115.) This Memorandum explains the reasons for the Court’s decision. I. PROCEDURAL BACKGROUND Plaintiff Can’t Stop Productions, Inc. filed this lawsuit against Defendants Sixuvus Ltd. and its members Eric Anzalone, Alexander Briley, Felipe Rose, James F. Newman, Raymond Simpson, and William Whitefield on August 25, 2017, for trademark infringement and a declaratory judgment that Plaintiff is the owner of all rights, title and interest in the “Village People” trademarks. -
Cash Box N.Y
August 19. 1978 E-45519. A NEW SINGLE FROM HER FORTHCOMING - ALBUM:Il>i#l^ ### tii€> USA ( 6 E 1 5 5 ) — 14 — August 19, 197 I VOLUME XL NUMBER i^^^N^ERNATIONA^MUSIC^iECORCMWEEKU^ C4SHBCK GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT President and General Manager Flesh And Blood Vice STAN MONTEIRO of Marketing is Director It’s not just a piece of vinyl — it’s flesh and blood. outlet for an artist, although profit intended and DAVE FULTON With the abundance of records being produced expected. Editor In Chief and distributed these days, there is a detachment Physically, a record album is almost always black J.B. CARMICLE between the artistic endeavors and the sale of the and reveals little about what is imprinted in its General Manager, East Coast actual product. People are quick to label a slow- grooves. But many people invested part of them- JIM FOLLIS. Account Executive, West Coast selling album or little-programmed single as stiffs. selves in this effort to be recorded, manufactured East Coast Editorial KEN TERRY. Easf Coast Editor But someone believed in that record or it would not and sold. Songwriters, musicians, engineers, CHARLES PAIKERT LEO SACKS have been produced. producers and many others are necessary for this AARON FUCHS All kinds of music are not for all kinds of people. fantastic creative process to unfold. West Coast Editorial work and sometimes they ALAN SUTTON. West Coast Editor Some albums do reach a broader base, and conse- Sometimes records RANDY LEWIS should not don’t, but in every case there are throbbing minds JEFF CROSSAN quently sales rise accordingly. -
Riley Newborns—Where There's Life, There's Hope
I J % • I • I Riley newborns—Where there’s life, there’s hope city to cars for 36 infants from in the sou thee at cor birth to two months of age mt oo tb i third floor of the The unit is divided into three James Whitcomb Riley Hospital areas or modules Modules I and for Children is a brightly lit unit II are eight-bed intensive care flUed with incubators and yal units Module III has 20 pro- low Ringed cribs surrounded by greeeive care beds. I V. stands, wheeling pumps The patients, who generally and ventilators Nurses in white suffer from premature-related and yellow gowns study room problems, cardiac, genetic or tors and hover over criucaily-ill surgical maladies, are referred to premature infanta the unit by a hotline accessible Recently, the Riley Hospital to physicians and nurses all over Newborn Special Care Unit, an the state. The hotline is also 18.3 million addition that has re used to request advice about the ceived annual recognition ae a management and care of high model for regional cars of high risk Uhu-s risk infanta, celebrated the 8th Modes of moving patients to anniversary of its opening. Con the hospital include the Rile> tinuing to serve ae e prototype Newborn Intensive Care Mobile for similar centers in other parts Unit. an ambulatory unit with a of the state and the Midwest, special transport team made up the Newborn Unit has the cape Head Nurse Rebecca Burks administers a noon- through the mouth of the baby into his stomach (continued on page 3) time feeding of formula by a plastic tube inserted (Photo by Susen J. -
The Village People by Robert Kellerman
The Village People by Robert Kellerman Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The Village People were a disco-era singing group formed in the late 1970s. Although the group never identified itself as gay, its primary appeal was clearly to a gay male audience. It successfully translated the interests, coded language, and iconography of the gay male subculture into music that crossed over into mainstream pop. Because the general public was largely unaware of the meanings and suggestiveness of the lyrics and costumes associated with the group, the gay audience not only enjoyed the music on its own terms, but also relished the irony of a mainstream audience unknowingly embracing subculture values and images. The Village People were formed in 1977 by French record producer Jacques Morali, who was inspired to create the group after seeing performer Felipe Rose, dressed as a Native American, singing and dancing in the streets of Greenwich Village. Hence the group's name. Morali approached Rose about forming a group and then, with his partner Henri Belelo, auditioned other singers by advertising in trade publications for "singers with mustaches." All members of the group performed in costume to represent other masculine (and, not coincidentally, gay male fantasy) archetypes: Native American Rose, construction worker David Hodo, policeman Victor Willis, soldier Alex Briley, cowboy Randy Jones, and biker leatherman Glenn Hughes. Rose was openly gay, but the other singers never addressed their sexual orientation. Regardless, The Village People's core audience was undeniably gay men, and their most popular hits were overtly homoerotic. -
Chic, BMI) Hurtt - Whitehead) (Can't Stop, Given a New Definition to Comedy (3:30)
to the Needs of the Music/ ISSN 00341622 INGLES ALBUMS LEETWOOD MAC, "TUSK" (prod. by band) EAGLES, "HEARTACHE TONIGHT" (prod: "QUADROPHENIA" (Soundtrack). (writer: Buckingham) (Fleetwood by Szymczyk) (writers: Henley - The Who's classic rock opera was Mac, BMI) (3:36). The title track Frey -Seger -Souther) (Cass Coun- finally transferred to the screen and from their much anticipated and ty/Red Cloud/Gear/Ice Age, AS - the corresponding score is here re - still forthcoming LP is a unique CAP) (4:26). A slashing rhythm, lased in a somewhat re -mixed ver- departure from previous Mac of- big beat, whining guitars, & sion with three new songs. The Who ferings. The drum -led rhythm and Glenn Frey's tough vocals grace contribute 15 cuts and the score is chant -like vocals merge into a this rocker from their new "The filed out with tunes by other artists. thick tribal dance. WB 49077. Long Run" LP. Asylum 46545. Polydor PD 2-6235 (13.98). HIC, "MY FORBIDDEN LOVER" (prod. by VILLAGE PEOPLE, "SLEAZY" (prod. by STEVE MARTIN, "COMEDY IS NOT Rodgers -Edwards) (writers: Ed- Morali) (writers: Morali-Belolo- PRETTY." Martin has practically wards -Rodgers) (Chic, BMI) Hurtt - Whitehead) (Can't Stop, given a new definition to comedy (3:30). Another gem from the BMI) (3:45). The title cut from recordings and this latest effort "Risque" LP, this follow-up to the their upcoming live -studio LP spotlights new material in his now top 5 "Good Times" is a typically shows David Hodo singing lead well known style. Some of the lan- marvelous Chic dance song with & Ray Simpson replacing Victor guage is a bit risque but the trademark falsetto lead & har- Willis, for more great dance routines are geared to tickle. -
“Y.M.C.A.”--The Village People (1978) Added to the National Registry: 2019 Essay by Josiah Howard (Guest Post)*
“Y.M.C.A.”--The Village People (1978) Added to the National Registry: 2019 Essay by Josiah Howard (guest post)* Aside from their shared dream of becoming rich and famous, Village People--all six band members--really didn’t have much in common. Still, their outsize fantasy, one that they’d work tirelessly to achieve, would prove to be enough. For a time at least. Mention the Village People and you’ll probably hear a snicker or two, or get a pointed pursed lip and side-eye. If that doesn’t happen you might watch as someone throws their arms into the air and contorts them into the shape of the letters Y, M, C, and A. During the late 1970s and early '80s, Village People sold more than 100 million records, had three top ten pop hits, four top twenty dance/club hits, toured the world (selling out New York City’s 20,789-seat Madison Square Garden twice), and made a major motion picture--1980’s “Can’t Stop the Music.” They were award winners, television staples and pop culture icons whose music played everywhere: from discotheques to doctor’s offices, from underground sex clubs to bar mitzvahs, from sporting events to the local mall. And they did something more. As Casablanca Records President Neil Bogart once unequivocally observed, “It’s just Donna (Summer) and the boys (Village People): they’re the ones who keep the lights on around here.” They kept the lights on elsewhere as well. The brainchild of French/Moroccan music producers Jacques Morali and Henri Belolo--who’d previously made a name for themselves with two top twenty hits for the Ritchie Family--1975’s “Brazil” and 1976’s “The Best Disco in Town”-- Village People, it was decided, was going to do what the Ritchie Family had not managed to: ascend to the number one spot on the all-important “Billboard” pop charts. -
Village People New York City Mp3, Flac, Wma
Village People New York City mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: New York City Country: UK Released: 1985 Style: Disco, Contemporary R&B MP3 version RAR size: 1455 mb FLAC version RAR size: 1309 mb WMA version RAR size: 1122 mb Rating: 4.4 Votes: 286 Other Formats: ADX MP4 AU VQF XM AC3 DTS Tracklist A1 Sex Over The Phone 4:22 A2 New York City 6:00 A3 Just Give Me What I Want 6:14 A4 I Won't Take No For Answer 5:06 B1 Power Of The Night 5:58 B2 Sexual Education 5:33 B3 Sensual 4:36 B4 Sex Over The Phone (Special Remix) 4:12 Credits Arranged By – Fred Zarr Artwork – C. Caudron* Composed By – Bruce Vilanch (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Fred Zarr (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Jacques Morali (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Ray Stephens (tracks: A3) Executive Producer – Henri Belolo Photography By – B. Leloup* Producer – Jacques Morali Notes Produced by Jacques Morali (Toutoune Productions) for Can't Stop Productions - NYC Costumes of Alex Briley, Felipe Rose and Ray Stephens courtesy of Nicolas Harle'/Paris Costumes of Jeff Olson and Glenn Hughes furnished by Nino/Paris Assistant to Jacques Morali: Frank Hudon Other versions Category Artist Title (Format) Label Category Country Year SCM 19306 Village Sex Over The Phone SCM 19306 Black Scorpio France 1985 N People (LP, Album) N Village Sex Over The Phone TC 6004 Three Eggs TC 6004 Greece 1985 People (Cass, Album) Village Sex Over The Phone TT10091 TX2 TT10091 Europe 2002 People (CD, Album, RM) Village Sex Over The Phone Can't Stop 6.11331 6.11331 Hong Kong 1985 People (LP, Album) Productions, Inc. -
Copyright by Kelly Kay Kessler 2004
Copyright by Kelly Kay Kessler 2004 The Dissertation Committee for Kelly Kay Kessler certifies that this is an approved version of the following dissertation: Tough Guys, Rock Stars, and Messiahs: Genre and Gender in the Hollywood Musical, 1966-1983 Committee: Janet K. Staiger, Supervisor Mary C. Kearney Thomas Schatz S. Craig Watkins Stacy Wolf Tough Guys, Rock Stars, and Messiahs: Genre and Gender in the Hollywood Musical, 1966-1983 by Kelly Kay Kessler, B.A, M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2004 Dedication To Liz, for getting it Acknowledgements I would first like to thank my parents for their love and support and for pretending that they thought what I was doing was interesting. This dissertation would have never been produced without the repeated family viewings of The Sound of Music and The Wizard of Oz or the countless trips to the St. Louis MUNY to catch Joe Namath in Li’l Abner or Vanessa Redgrave in The King and I. My love and affection for the musical was instilled early and carried me through this project. I would also like to thank my brother Greg for his obsessive-compulsive tendencies which he channeled into various types of research assistance. His inability to leave a stone unturned and his support of my work were at times the push I needed. This project would not have been possible without the support of my faculty. -
Thunderstorms Prompt Worries of New Fire Starts CU-Boulder Teaches
Employees The Village Ignacio, CO 81137 JUNE 29, 2012 let loose on People raise Bulk Permit No. 1 Vol. XLIV No. 12 Appreciation funds for Day Red Cross Official newspaper of the Southern Ute Indian Tribe For subscription or advertising information, call 970-563-0118 PAGE 9 PAGE 16 $29 one year | $49 two years INSIDE THIS ISSUE 25¢ Culture 3 Health 4 Education 5 Sports 11 Voices 13 Classified ads 15 WINNER OF 13 SOCIETY OF PROFESSIONAL JOURNALISTS AWARDS IN 2012 GROWTH FUND Tribe seeks to mitigate environmental hazards of coalbed methane By Ace Stryker trapped in coal deep un- THE SOUTHERN UTE DRUM derground travels upward into the soil and air near the For more than a decade, surface. Seeps are bad for the Southern Ute Indian various reasons: Methane is Tribe has been coming clean explosive, it’s a greenhouse on the potential environ- gas, and it kills vegetation mental effects of oil and gas where it reaches roots, dis- development in the San Juan placing oxygen. It’s also Basin and hoping others sometimes accompanied by would follow its example. hydrogen sulfide, a toxic gas. Representatives of the Significantly, methane tribe’s Growth Fund led a seeping to the surface is also tour on Saturday, June 23 a lost resource, Siesser said. of aspects of the Fruitland Coal fires, by contrast, Formation underlying the are still underground phe- Southern Ute Indian Res- nomena that take place ervation to members of when coal near the surface Robert L. Ortiz/SU Drum the Four Corners Geologi- ignites — through a light- Like a village under siege, the State Line Fire as seen from Bondad Hill consumed 350 acres approximately five miles north cal Society. -
Siesta-Bay-Fall-Newsletter-2019.Pdf
The Siesta Sun 2019 Sneak Peek Issue Page 1 Sneak Peek Issue September 2019 Time for Fun in the Sun at Siesta Bay The staff and I are looking The Activity Office has We have exciting new homes forward to your return to booked some great enter- starting at $102,995 and have Welcome Siesta Bay. It has been very tainers this year for the din- a new floor plan arriving soon, hot and humid this summer ner dances and theme par- both of which qualify for a lot with a lot of rain. Our annual ties. Start packing and come rent special. Make sure you Back! residents have been early to enjoy the activities check out the new floor plans. enjoying the lazy days of and amenities at Siesta We are working with Skyline summer, but are well rested Bay. Fall is the perfect time to custom order your home and ready for a fun filled to enjoy the beaches and and give you many exciting season. They have also the beautiful sunshine. We options and designs. Contact been enjoying the summer have a spectacular season the Sales Center at 888-264- 3759 option 4 for more details. Inside this issue: holiday BBQ’s and Happy planned for your enjoyment Hours. Hope you have had this year. We promise you it We have some great specials time to rest over the sum- will be jam packed with on the rental homes through Shows for the season 2 mer as this year is going to exciting activities for all. December 31st with weekly be another good one. -
THE F FREDDIE MERCURY TRIBUTE Concert for Aids Awareness MONDAY APRIL 20Th 1112 SITE! SPIN 4.11 L>M Ilia Ttiifi III Tu Pi-Ofits to Aids Charities Worldwide
FREDDIE MERCURY AND QUEEN: TECHNOLOGIES OF GENRE AND THE POETICS OF INNOVATION (Spine title: Freddie Mercury and Queen) (Thesis format: Monograph) by Barry C. Promane Graduate Program in Music A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Barry C. Promane 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-54332-0 Our file Notre reference ISBN: 978-0-494-54332-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.