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Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Mental Effort from an Lpcomin Disco Sound on This Energetic T, "MY
3, 1979 $2.25 SINGLES SLEEPERS THE WHO, "LONG LIVE ROCK" (prod. not LOUISIANA'S LE ROU listed) (writer: Peter Townshend) by L. S. Me MCA (Towser Tunes, BMI) (3:58).Ini- Pollard) RECORDStially released on their "Odds & Lemed, Sods" Ip, this comes roaring out chapter #00001"Ist "The Kids Are Alright 'sound- rock is vg trackandaptlycapturesthe one isfire theme behind one of rock's leg- blues - rock ends. MCA 41053 tempo shades.. HOT CHOCOLATE, "GOING THROUGH PHILLY CREAM, "MO THE MOTIONS" (prod by M. (prod by Barry- ri Most) (writer: E. Brown) (Finch - Barry -Ingram)(P ry serv.. ley, ASCAP) (3:54). Vocal, string BMI)(3:59).Greatead v re-mixa:] and synthesizer intensity build to trades and brilliant horns to .ontami 4a dramatic climax on this monu- disco sound on thisenergetic ostfamilsir mental effort from an Lpcomin disc. Splendid arrangement/pro- a staid -out and 1p A multi -format smash. Infinity duction give this widespread ap- the rri should 50,016. I. Fantasy/WMOT 862 110 12. THE Cane PATTI SMITH GROUP, "FREDERICK" T, "MY LOVE is" (prod by TH AR V-0. ou p CANDY -11 (prod by T. Rundigren) (writer: P t)(writers: rWright-McCray) was on andful reak Smith)(Ninja,' tASCAFT) (3:01 Iyn.BMI /DErnbet,BMI) (5:48). through t"f, dominan Smith's urgent Vocals, encas it'sfinestefforttodate summer an by ringing guitars, plead the m dikes the most of her grandiose duced by Roy Thomas sage while keyboard lines iz vocaltalentPrecision back-up tinues their esoteric roc of zle. Rundgren produces w chorals, prominent piano Imes & view. -
Fifth Freedom, 1981-08-01
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State The aM deline Davis Gay, Lesbian, Bisexual, The iF fth rF eedom Transgender Archives of Western New York 8-1-1981 Fifth rF eedom, 1981-08-01 The aM ttachine Society of the Niagara Frontier Follow this and additional works at: http://digitalcommons.buffalostate.edu/fifthfreedom Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation The aM ttachine Society of the Niagara Frontier, "Fifth rF eedom, 1981-08-01" (1981). The Fifth Freedom. 81. http://digitalcommons.buffalostate.edu/fifthfreedom/81 This Book is brought to you for free and open access by the The aM deline Davis Gay, Lesbian, Bisexual, Transgender Archives of Western New York at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in The iF fth rF eedom by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. THEFIFTHFREEDOM A PUBLICATION FOR THE BUFFALO GAY COMMUNITY AUGUST 1981 FREE "The Freedom to love whomeverand however we want" A Gay Future For The Queen City? tion, Gays have located in significant (EDITOR'S NOTE:RodHenselis usually numbers in housing units on the West Side ourman who keeps tabs on the Media via and in the north Elmwood-Bidwell area Media Watch. Lately they have been very side streets. The process is taking place in quiet,knock on wood, so weasked him to the form of owner occupancy, and in the look at Buffalo's future and what he sees field of rental units, with Gays who own the Gayrole tobe in the planningalready multiple residency units often preferring to under way. -
Case 7:17-Cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33
Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ----------------------------------------------------------------------x CAN’T STOP PRODUCTIONS, INC., MEMORANDUM DECISION Plaintiff, AND ORDER - against - No. 17-CV-6513 (CS) SIXUVUS, LTD., ERIC ANZALONE, ALEXANDER BRILEY, FELIPE ROSE, JAMES F. NEWMAN, RAYMOND SIMPSON, and WILLIAM WHITEFIELD, Defendants. ----------------------------------------------------------------------x Appearances: Stewart L. Levy, Esq. Eisenberg Tanchum & Levy White Plains, New York Robert S. Besser, Esq. Law Offices of Robert S. Besser Pacific Palisades, California Counsel for Plaintiff Karen Willis d/b/a Harlem West Entertainment San Diego, California Plaintiff-Intervenor Pro Se Sarah M. Matz, Esq. Gary Adelman, Esq. Adelman Matz P.C. New York, New York Counsel for Defendants Seibel, J. This case involves a dispute over the “Village People” trademarks associated with the disco group that had several hits – including “Macho Man,” “In the Navy,” and most famously “YMCA” – in the late 1970s. On February 16, 2018, the Court issued an Order, with opinion to follow, that denied Defendant’s motion for a preliminary injunction and vacated the amended 1 Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 2 of 33 temporary restraining order (“TRO”) that was in place. (Doc. 115.) This Memorandum explains the reasons for the Court’s decision. I. PROCEDURAL BACKGROUND Plaintiff Can’t Stop Productions, Inc. filed this lawsuit against Defendants Sixuvus Ltd. and its members Eric Anzalone, Alexander Briley, Felipe Rose, James F. Newman, Raymond Simpson, and William Whitefield on August 25, 2017, for trademark infringement and a declaratory judgment that Plaintiff is the owner of all rights, title and interest in the “Village People” trademarks. -
Music-Making Artistry Virtuosity
72ND SEASON PLAYFUL SERIOVirtuosityUS Artistry MEMORABLE Music-Making Save Your Long Drives For The Golf Course You’ve Got Better Things To Do New 150-seat jet service to Las Vegas, San Diego and LAX New all jet service to Los Angeles International Direct to LAX & SFO, First Class service to Denver To enjoy the sun fly direct to Phoenix MONTEREY PENINSULA AIRPORT DIRECT FLIGHTS TO DENVER • PHOENIX • LAS VEGAS • LOS ANGELES • SAN DIEGO • SAN FRANCISCO WITH CONNECTIONS WORLDWIDE www.montereyairport.com Schedules subject to change Celebrating our 72nd festival Season Advertiser Index Adpartner .............................................................. 120 Glazes .................................................................... 117 Allegro Pizza ........................................................... 91 Hayashi & Wayland Accounting and Consulting .... IBC at&t .......................................................................... 55 Heisinger Buck Morris .......................................... 110 Bernardus Lodge ..................................................... 21 I Cantori di Carmel ................................................. 54 Big Sur River Inn ..................................................... 69 IATSE, Local 611 ..................................................... 97 Brophy’s Tavern ...................................................... 54 InterContinental The Clement Monterey ................ 4 Carey Beebe Harpsichords ..................................... 68 Jeffrey’s Grill & Catering ..................................... -
Cash Box N.Y
August 19. 1978 E-45519. A NEW SINGLE FROM HER FORTHCOMING - ALBUM:Il>i#l^ ### tii€> USA ( 6 E 1 5 5 ) — 14 — August 19, 197 I VOLUME XL NUMBER i^^^N^ERNATIONA^MUSIC^iECORCMWEEKU^ C4SHBCK GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT President and General Manager Flesh And Blood Vice STAN MONTEIRO of Marketing is Director It’s not just a piece of vinyl — it’s flesh and blood. outlet for an artist, although profit intended and DAVE FULTON With the abundance of records being produced expected. Editor In Chief and distributed these days, there is a detachment Physically, a record album is almost always black J.B. CARMICLE between the artistic endeavors and the sale of the and reveals little about what is imprinted in its General Manager, East Coast actual product. People are quick to label a slow- grooves. But many people invested part of them- JIM FOLLIS. Account Executive, West Coast selling album or little-programmed single as stiffs. selves in this effort to be recorded, manufactured East Coast Editorial KEN TERRY. Easf Coast Editor But someone believed in that record or it would not and sold. Songwriters, musicians, engineers, CHARLES PAIKERT LEO SACKS have been produced. producers and many others are necessary for this AARON FUCHS All kinds of music are not for all kinds of people. fantastic creative process to unfold. West Coast Editorial work and sometimes they ALAN SUTTON. West Coast Editor Some albums do reach a broader base, and conse- Sometimes records RANDY LEWIS should not don’t, but in every case there are throbbing minds JEFF CROSSAN quently sales rise accordingly. -
Riley Newborns—Where There's Life, There's Hope
I J % • I • I Riley newborns—Where there’s life, there’s hope city to cars for 36 infants from in the sou thee at cor birth to two months of age mt oo tb i third floor of the The unit is divided into three James Whitcomb Riley Hospital areas or modules Modules I and for Children is a brightly lit unit II are eight-bed intensive care flUed with incubators and yal units Module III has 20 pro- low Ringed cribs surrounded by greeeive care beds. I V. stands, wheeling pumps The patients, who generally and ventilators Nurses in white suffer from premature-related and yellow gowns study room problems, cardiac, genetic or tors and hover over criucaily-ill surgical maladies, are referred to premature infanta the unit by a hotline accessible Recently, the Riley Hospital to physicians and nurses all over Newborn Special Care Unit, an the state. The hotline is also 18.3 million addition that has re used to request advice about the ceived annual recognition ae a management and care of high model for regional cars of high risk Uhu-s risk infanta, celebrated the 8th Modes of moving patients to anniversary of its opening. Con the hospital include the Rile> tinuing to serve ae e prototype Newborn Intensive Care Mobile for similar centers in other parts Unit. an ambulatory unit with a of the state and the Midwest, special transport team made up the Newborn Unit has the cape Head Nurse Rebecca Burks administers a noon- through the mouth of the baby into his stomach (continued on page 3) time feeding of formula by a plastic tube inserted (Photo by Susen J. -
The Village People by Robert Kellerman
The Village People by Robert Kellerman Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The Village People were a disco-era singing group formed in the late 1970s. Although the group never identified itself as gay, its primary appeal was clearly to a gay male audience. It successfully translated the interests, coded language, and iconography of the gay male subculture into music that crossed over into mainstream pop. Because the general public was largely unaware of the meanings and suggestiveness of the lyrics and costumes associated with the group, the gay audience not only enjoyed the music on its own terms, but also relished the irony of a mainstream audience unknowingly embracing subculture values and images. The Village People were formed in 1977 by French record producer Jacques Morali, who was inspired to create the group after seeing performer Felipe Rose, dressed as a Native American, singing and dancing in the streets of Greenwich Village. Hence the group's name. Morali approached Rose about forming a group and then, with his partner Henri Belelo, auditioned other singers by advertising in trade publications for "singers with mustaches." All members of the group performed in costume to represent other masculine (and, not coincidentally, gay male fantasy) archetypes: Native American Rose, construction worker David Hodo, policeman Victor Willis, soldier Alex Briley, cowboy Randy Jones, and biker leatherman Glenn Hughes. Rose was openly gay, but the other singers never addressed their sexual orientation. Regardless, The Village People's core audience was undeniably gay men, and their most popular hits were overtly homoerotic. -
Chic, BMI) Hurtt - Whitehead) (Can't Stop, Given a New Definition to Comedy (3:30)
to the Needs of the Music/ ISSN 00341622 INGLES ALBUMS LEETWOOD MAC, "TUSK" (prod. by band) EAGLES, "HEARTACHE TONIGHT" (prod: "QUADROPHENIA" (Soundtrack). (writer: Buckingham) (Fleetwood by Szymczyk) (writers: Henley - The Who's classic rock opera was Mac, BMI) (3:36). The title track Frey -Seger -Souther) (Cass Coun- finally transferred to the screen and from their much anticipated and ty/Red Cloud/Gear/Ice Age, AS - the corresponding score is here re - still forthcoming LP is a unique CAP) (4:26). A slashing rhythm, lased in a somewhat re -mixed ver- departure from previous Mac of- big beat, whining guitars, & sion with three new songs. The Who ferings. The drum -led rhythm and Glenn Frey's tough vocals grace contribute 15 cuts and the score is chant -like vocals merge into a this rocker from their new "The filed out with tunes by other artists. thick tribal dance. WB 49077. Long Run" LP. Asylum 46545. Polydor PD 2-6235 (13.98). HIC, "MY FORBIDDEN LOVER" (prod. by VILLAGE PEOPLE, "SLEAZY" (prod. by STEVE MARTIN, "COMEDY IS NOT Rodgers -Edwards) (writers: Ed- Morali) (writers: Morali-Belolo- PRETTY." Martin has practically wards -Rodgers) (Chic, BMI) Hurtt - Whitehead) (Can't Stop, given a new definition to comedy (3:30). Another gem from the BMI) (3:45). The title cut from recordings and this latest effort "Risque" LP, this follow-up to the their upcoming live -studio LP spotlights new material in his now top 5 "Good Times" is a typically shows David Hodo singing lead well known style. Some of the lan- marvelous Chic dance song with & Ray Simpson replacing Victor guage is a bit risque but the trademark falsetto lead & har- Willis, for more great dance routines are geared to tickle. -
Siesta Bay Night at the Races
March 6, 2020 Page The Siesta Sun March 6, 2020 SIESTA BAY NIGHT AT THE RACES Come To Our Version Of Churchill Downs Here in Siesta Bay Our Vision March 14th in Primero Hall We are an inspired, engaged Dinner @ 5:00 pm / Post Time @ 6:00 pm and collaborative team com- These are actual horse races recorded at major American mitted to providing extraordi- race tracks and shown on our big screen. They are real nary service to our residents, horses, running actual races. customers and each other A NIGHT AT THE RACES IS ENTERTAINING AND EXCITING Our Customer Play the Ponies and have fun cheering your horse on to victory. Betting will be made with “Racing Dollars” purchased at our Service Philosophy “Money Booth” the night of the races. The Golden Rule: Treat others BECOME A THOROUGHBRED HORSE OWNER the way you want to be treated Purchase a horse for $10.00. Owners name your horse and if it wins you get the Owner’s Prize Purse of $60. SUN COMMUNITIES INC. Horses available on a first come basis, in Activities. Tickets & Horses on sale February 25th to March 12th Luck ‘O the $10.00 Admission includes Our Derby Dinner : Irish Menu: 8 oz. Chicken Cordon Bleu, Baked Potato, Green Beans, Rolls & Butter, Dessert, Coffee, Beer & Soda to Ye! You do not have to buy a horse to play. Must be 21 to participate. ST. PATRICK’S DAY BASH MONDAY, MARCH 16TH 5:30 pm PRIMERO HALL Corned Beef & Cabbage Dinner by So. Accents Irish Beer ~ Soda ~ Wine Music by HARRY BOYLE DUO $20.00 per person Happy Tickets on Sale March 3rd to March 13th St. -
Sample Fats Domino.Vp
R Ạ=Album Cut Ả=CD ả=Digital I ARTIST Pop A ắ=Picture Slv. Ẳ=Cassette ẳ=12" ẵ="45" DEBUT PEAK WKS A Song Title B-side Pos Label & Number DOMINO, Fats 1950s: #1 / 1960s: #38 / All-Time: #11 Born Antoine Domino on 2/26/1928 in New Orleans, Louisiana. Legendary singer/pianist; heavily influenced by Fats Waller and Albert Ammons. Joined the Dave Bartholomew band, mid-1940s. Signed to Imperial record label in 1949. Appeared in the movies Shake Rattle And Rock!, Jamboree, The Big Beat and The Girl Can't Help It. AWARDS: Grammy: Lifetime Achievement 1987 R&R Hall of Fame: 1986 RIAA: American Music Legend TOP HITS: 1)Ain't That A Shame 2)Blueberry Hill 3)I'm In Love Again 4)Blue Monday 5)I'm Walkin' 1 2/18/50 2 9 ¤ 1 The Fat Man JB:2 / BS:6 Detroit City Blues — Imperial 5058 11/18/50 5 9 2 Every Night About This Time BS:5 / JB:5 Korea Blues — Imperial 5099 12/29/51 9 1 3 Rockin' Chair BS:9 Careless Love — Imperial 5145 1 4/26/52 ➊ 20 4 Goin' Home BS:➊1 / JB:3 Reeling And Rocking — Imperial 45-5180 10/4/52 10 1 5 Poor Poor Me JB:10 Trust In Me — Imperial 45-5197 12/13/52 9 1 6 How Long BS:9 Dreaming — Imperial 45-5209 4 4/25/53 2 14 7 Going To The River BS:2 / JB:3 Mardi Gras In New Orleans — Imperial 45-5231 1 7/25/53 3 14 8 Please Don't Leave Me JB:3 / BS:5 The Girl I Love — Imperial 45-5240 10/17/53 10 1 9 Rose Mary BS:10 You Said You Love Me — Imperial 45-5251 12/26/53+ 6 11 10 Something's Wrong BS:6 / JB:6 Don't Leave Me This Way — Imperial 45-5262 4/10/54 10 1 11 You Done Me Wrong BS:10 Little School Girl — Imperial 5272 2/12/55 14 1 12 -
“Y.M.C.A.”--The Village People (1978) Added to the National Registry: 2019 Essay by Josiah Howard (Guest Post)*
“Y.M.C.A.”--The Village People (1978) Added to the National Registry: 2019 Essay by Josiah Howard (guest post)* Aside from their shared dream of becoming rich and famous, Village People--all six band members--really didn’t have much in common. Still, their outsize fantasy, one that they’d work tirelessly to achieve, would prove to be enough. For a time at least. Mention the Village People and you’ll probably hear a snicker or two, or get a pointed pursed lip and side-eye. If that doesn’t happen you might watch as someone throws their arms into the air and contorts them into the shape of the letters Y, M, C, and A. During the late 1970s and early '80s, Village People sold more than 100 million records, had three top ten pop hits, four top twenty dance/club hits, toured the world (selling out New York City’s 20,789-seat Madison Square Garden twice), and made a major motion picture--1980’s “Can’t Stop the Music.” They were award winners, television staples and pop culture icons whose music played everywhere: from discotheques to doctor’s offices, from underground sex clubs to bar mitzvahs, from sporting events to the local mall. And they did something more. As Casablanca Records President Neil Bogart once unequivocally observed, “It’s just Donna (Summer) and the boys (Village People): they’re the ones who keep the lights on around here.” They kept the lights on elsewhere as well. The brainchild of French/Moroccan music producers Jacques Morali and Henri Belolo--who’d previously made a name for themselves with two top twenty hits for the Ritchie Family--1975’s “Brazil” and 1976’s “The Best Disco in Town”-- Village People, it was decided, was going to do what the Ritchie Family had not managed to: ascend to the number one spot on the all-important “Billboard” pop charts.