Times Square Gossip

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Times Square Gossip EDITED BY WORLD FAMED CELEBRITY PHOTOGRAPHER JAMES EDSTROM FROM THE CENTER OF THE WORLD. RETRO SUNSET HAPPY HOUR AT NYC XVI ROOFTOP **** CLUBBING **** Billy Sample And Kim Cameron Billy Sample With Keith Collis And Artist Ray Simpson Retro Sunset happy hour at NYC hotspot XVI Rooftop is fast BeComing the ‘it’ spot. The retro event, Catering to the entertainment industry, providing an oasis where guests Can mingle & sip on Cocktails while watChing the sunset over the Manhattan skyline is often Co-hosted By CeleBrity guests. This week Brought on Former New York Yankee Billy Sample along with Co-hosts CeleBrity photographer /Legendary Studio 54 DJ Steve MaCk and Indie film star Keith Collins. Warrington Gillette (Jason-Friday The 13th FranChises) sipped Cocktails while Top 40 BillBoard ReCording Artist Kim Cameron from Side FX Mingled with fans & Village People Cop Ray Simpson watChed party goers sway to the musiC of “MaCho Man” all toasting to Billy Sample who was all smiles with the Crowd. Sample’s BaseBall Career, whiCh Covered three teams (Rangers, Yankees & Braves) enhanCed his portfolio By penning his first sCreenplay “Reunion 108”, with struCtural help from his produCer/writer son, Ian. “Reunion 108” Coming to theaters soon, is an edgy, satiriCal, Comedy emanating from the gathering of two different generations of minor league BaseBall players returning for a reunion game. What happens Before the game takes us to plaCes movie audienCes and even most ardent BaseBall fans have never seen for a glimpse of our National Pastime. .

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Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
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Fifth Freedom, 1981-08-01
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State The aM deline Davis Gay, Lesbian, Bisexual, The iF fth rF eedom Transgender Archives of Western New York 8-1-1981 Fifth rF eedom, 1981-08-01 The aM ttachine Society of the Niagara Frontier Follow this and additional works at: http://digitalcommons.buffalostate.edu/fifthfreedom Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation The aM ttachine Society of the Niagara Frontier, "Fifth rF eedom, 1981-08-01" (1981). The Fifth Freedom. 81. http://digitalcommons.buffalostate.edu/fifthfreedom/81 This Book is brought to you for free and open access by the The aM deline Davis Gay, Lesbian, Bisexual, Transgender Archives of Western New York at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in The iF fth rF eedom by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. THEFIFTHFREEDOM A PUBLICATION FOR THE BUFFALO GAY COMMUNITY AUGUST 1981 FREE "The Freedom to love whomeverand however we want" A Gay Future For The Queen City? tion, Gays have located in significant (EDITOR'S NOTE:RodHenselis usually numbers in housing units on the West Side ourman who keeps tabs on the Media via and in the north Elmwood-Bidwell area Media Watch. Lately they have been very side streets. The process is taking place in quiet,knock on wood, so weasked him to the form of owner occupancy, and in the look at Buffalo's future and what he sees field of rental units, with Gays who own the Gayrole tobe in the planningalready multiple residency units often preferring to under way.
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Case 7:17-Cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33
Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 1 of 33 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ----------------------------------------------------------------------x CAN’T STOP PRODUCTIONS, INC., MEMORANDUM DECISION Plaintiff, AND ORDER - against - No. 17-CV-6513 (CS) SIXUVUS, LTD., ERIC ANZALONE, ALEXANDER BRILEY, FELIPE ROSE, JAMES F. NEWMAN, RAYMOND SIMPSON, and WILLIAM WHITEFIELD, Defendants. ----------------------------------------------------------------------x Appearances: Stewart L. Levy, Esq. Eisenberg Tanchum & Levy White Plains, New York Robert S. Besser, Esq. Law Offices of Robert S. Besser Pacific Palisades, California Counsel for Plaintiff Karen Willis d/b/a Harlem West Entertainment San Diego, California Plaintiff-Intervenor Pro Se Sarah M. Matz, Esq. Gary Adelman, Esq. Adelman Matz P.C. New York, New York Counsel for Defendants Seibel, J. This case involves a dispute over the “Village People” trademarks associated with the disco group that had several hits – including “Macho Man,” “In the Navy,” and most famously “YMCA” – in the late 1970s. On February 16, 2018, the Court issued an Order, with opinion to follow, that denied Defendant’s motion for a preliminary injunction and vacated the amended 1 Case 7:17-cv-06513-CS Document 118 Filed 03/06/18 Page 2 of 33 temporary restraining order (“TRO”) that was in place. (Doc. 115.) This Memorandum explains the reasons for the Court’s decision. I. PROCEDURAL BACKGROUND Plaintiff Can’t Stop Productions, Inc. filed this lawsuit against Defendants Sixuvus Ltd. and its members Eric Anzalone, Alexander Briley, Felipe Rose, James F. Newman, Raymond Simpson, and William Whitefield on August 25, 2017, for trademark infringement and a declaratory judgment that Plaintiff is the owner of all rights, title and interest in the “Village People” trademarks.
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Music-Making Artistry Virtuosity
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The Village People by Robert Kellerman Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The Village People were a disco-era singing group formed in the late 1970s. Although the group never identified itself as gay, its primary appeal was clearly to a gay male audience. It successfully translated the interests, coded language, and iconography of the gay male subculture into music that crossed over into mainstream pop. Because the general public was largely unaware of the meanings and suggestiveness of the lyrics and costumes associated with the group, the gay audience not only enjoyed the music on its own terms, but also relished the irony of a mainstream audience unknowingly embracing subculture values and images. The Village People were formed in 1977 by French record producer Jacques Morali, who was inspired to create the group after seeing performer Felipe Rose, dressed as a Native American, singing and dancing in the streets of Greenwich Village. Hence the group's name. Morali approached Rose about forming a group and then, with his partner Henri Belelo, auditioned other singers by advertising in trade publications for "singers with mustaches." All members of the group performed in costume to represent other masculine (and, not coincidentally, gay male fantasy) archetypes: Native American Rose, construction worker David Hodo, policeman Victor Willis, soldier Alex Briley, cowboy Randy Jones, and biker leatherman Glenn Hughes. Rose was openly gay, but the other singers never addressed their sexual orientation. Regardless, The Village People's core audience was undeniably gay men, and their most popular hits were overtly homoerotic.
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Chic, BMI) Hurtt - Whitehead) (Can't Stop, Given a New Definition to Comedy (3:30)
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Sample Fats Domino.Vp
R Ạ=Album Cut Ả=CD ả=Digital I ARTIST Pop A ắ=Picture Slv. Ẳ=Cassette ẳ=12" ẵ="45" DEBUT PEAK WKS A Song Title B-side Pos Label & Number DOMINO, Fats 1950s: #1 / 1960s: #38 / All-Time: #11 Born Antoine Domino on 2/26/1928 in New Orleans, Louisiana. Legendary singer/pianist; heavily influenced by Fats Waller and Albert Ammons. Joined the Dave Bartholomew band, mid-1940s. Signed to Imperial record label in 1949. Appeared in the movies Shake Rattle And Rock!, Jamboree, The Big Beat and The Girl Can't Help It. AWARDS: Grammy: Lifetime Achievement 1987 R&R Hall of Fame: 1986 RIAA: American Music Legend TOP HITS: 1)Ain't That A Shame 2)Blueberry Hill 3)I'm In Love Again 4)Blue Monday 5)I'm Walkin' 1 2/18/50 2 9 ¤ 1 The Fat Man JB:2 / BS:6 Detroit City Blues — Imperial 5058 11/18/50 5 9 2 Every Night About This Time BS:5 / JB:5 Korea Blues — Imperial 5099 12/29/51 9 1 3 Rockin' Chair BS:9 Careless Love — Imperial 5145 1 4/26/52 ➊ 20 4 Goin' Home BS:➊1 / JB:3 Reeling And Rocking — Imperial 45-5180 10/4/52 10 1 5 Poor Poor Me JB:10 Trust In Me — Imperial 45-5197 12/13/52 9 1 6 How Long BS:9 Dreaming — Imperial 45-5209 4 4/25/53 2 14 7 Going To The River BS:2 / JB:3 Mardi Gras In New Orleans — Imperial 45-5231 1 7/25/53 3 14 8 Please Don't Leave Me JB:3 / BS:5 The Girl I Love — Imperial 45-5240 10/17/53 10 1 9 Rose Mary BS:10 You Said You Love Me — Imperial 45-5251 12/26/53+ 6 11 10 Something's Wrong BS:6 / JB:6 Don't Leave Me This Way — Imperial 45-5262 4/10/54 10 1 11 You Done Me Wrong BS:10 Little School Girl — Imperial 5272 2/12/55 14 1 12
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“Y.M.C.A.”--The Village People (1978) Added to the National Registry: 2019 Essay by Josiah Howard (Guest Post)*
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The Hank Crawford Anthology Hank Crawford 1963 Jazz Central Station Global Jazz Poll Winners, Vol
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