Passing of the Baton Stein Fjell Contacts Juletrefest

Total Page:16

File Type:pdf, Size:1020Kb

Passing of the Baton Stein Fjell Contacts Juletrefest PASSING OF THE BATON JULETREFEST (CHRISTMAS TREE PARTY) Kathy Browne, President-Elect Sunday, December 8, 2 p.m., Loveland We are installing new and returning officers at the Come to Stein Fjell's Juletrefest and enjoy food, Jule- December meeting. It is important to have some continui- nisse, singing around the tree, the Christmas Story in Eng- ty in leadership roles, but it is equally critical to change lish and Norwegian, and more. It also is your last chance some of the key positions each year. Fresh perspectives this year to buy Christmas gifts at butikken. The Juletrefest and different styles provide vitality, which is important to will be held at King of Glory Lutheran Church, 2919 Wilson the survival of our lodge. This is true even when the out- Avenue, Loveland. going people have done an extraordinary job. Think of it Please call Barbara Nolin at 970.667.7641 by as a relay race where one runner is able to hand the baton December 2nd to let her know the number of on to the next runner, allowing the team to maintain its children you will be bringing, so Julenisse forward momentum for a longer time. The lodge is in can provide for them. Bring your children, need of a new editor for Posten. We could lose this critical your grandchildren, and/or your neighbor's communication link if no one steps in to accept the baton. children. Along with this annual changing of the guard is the For the potluck dinner, if your last name begins with need to confirm what lodge members are thinking. To A - M – please bring a main dish and salad, and if it is help in planning for 2014, a Planning Survey was handed N - Z – please bring a main dish and dessert. out at the November meeting. Additional copies will be We look forward to celebrating with you! available at the December meeting and Juletrefest. You will find a copy of this survey in this issue of Posten, as well. Take time to answer the three questions and return your survey to me, Kathy Browne, before December 10th. You can hand it to me at the December meeting or Juletrefest, email it to me, or send it by regular mail. A special thank you to all who have already responded! Each survey is being read and considered. Discussions have already begun on how to honor all that we value while having more fun and less work. Watch for an- nouncements in the next Posten. t t t t t t t t t t t t t t t STEIN FJELL CONTACTS [email protected] – Roxanne Storlie – 970.412.5713 [email protected] – Rod Skaflen – 970.484.5459 [email protected] – JoAnn Kison – 970.581.2348 [email protected] – Marianne, Bill Nesse – 970.330.7183 2 DESEMBER KALENDER MEETING REMINDERS FROM RAS *Official Norwegian Flag-Flying Day Rasmus Erdal, Stein Fjell Host Coordinator +Norwegian Public Holiday Our December 5th Refreshment Hosts are Jane and 2: Deadline, Camp Skogfjorden Registration with 2013 Alan Strand (chairs), Claire Grinager, Roxanne Storlie, and tuition price (November 2013 Posten, sofn6.com) Susan and Gary Zook. This meeting includes the installa- tion of our new officers for 2014. 5: Lodge Meeting, 7 p.m., Installation of Officers, Pay For Vær så god . and Pick Up Ordered Christmas Lefse Looking forward to 2014! . the Refreshment Hosts Trafalgar Square Tree Lighting, London (tree from Oslo) for the January 9th meeting are Marian and Ras Erdal (chairs), Carol and John Baldo, Kristi Quinlan, Jane 7: Fjellheim Christmas Tea, 2 p.m., (p. 5) Yestness, and Nissa Yestness. Fjelldalen Lutefisk and Lefse Dinner (Nov. <13 Posten) Tusen takk for hjelpen. 7-8: Loveland Lights, Sat. 9 - 6 p.m. and Sun. 1 - 5 p.m. (p. 4) KULTURHJØRNET (CULTURE CORNER) 8: Juletrefest (Christmas Tree Party), 2 p.m. (p. 1) Nancy L. Dunn, Cultural Director Vestafjell Meeting, Jul Celebration, 2 p.m. (p. 5) Due to the installation of officers’ ceremony, we will 13: Luciadagen (Saint Lucia’s Day) have a short cultural program – the second part of the DVD on Viking Ships, including the history of the Vikings’ 14: Vesterheim Jul Party, Potluck, 4 - 7 p.m. (p. 5) travels from Scandinavia southward into the 15: Posten Submission Deadline NOTE EARLIER DATE! regions of northern Fjelldalen White Fence Farm Lunch (p. 5) Europe. The program explains how the seafaring 21: Trollheim Jul Fest, 12 - 2 p.m. (p. 5) Vikings were able to travel Vintersolverv (Winter Solstice), shortest day far and wide during the 8th Tomasnatten (p. 4) and 9th centuries because Exhumed Viking ship, Viking of their highly evolved Ship Museum, Oslo, Norway. 22: Fjellheim Julebord (p. 5) ship-building skills and Credit: age fotostock/Super- navigation techniques. Stock, Ency. Britannica 24: Julaften (Christmas Eve) SAVE THE DATE – JANUAR 2014 25*+: Første Juledag (Christmas Day) God Jul! 26+: Andre Juledag (Second Christmas Day), St. Stephen’s 1: Registration Begins, Camp Trollfjell – campnorge.com Day, Boxing Day 3: Application Deadline, Colo. Ski for Light – cosfl.org 9: Lodge Meeting, 6:30 p.m., Memorial Service – PLEASE 31: Nyttårsaften (New Year’s Eve) NOTE DATE AND TIME! Deadline, Stein Fjell Scholarships (p. 3) 11: Zone 8 Leadership Meeting, 9:30 a.m. - 3:30 p.m., th Trollheim New Year’s Eve Party, 6 - 10 p.m. (p. 5) Trollheim Lodge, 6610 W. 14 Avenue, Lakewood. Refreshments and lunch will be provided. GRATULERER MED DAGEN! 12: Norwegian Language Class, 2 - 4:30 p.m., Trollheim Charles Knutson – 303.860.9025 / 303.726.6470c HAPPY BIRTHDAY 16: Board Meeting, 7 p.m., Kathy Browne’s home 18: Stein Fjell’s 38th Anniversary Potluck, 11:30 a.m. - 2 Makenzie Kvasager 16 Rus Knutson 2:30 p.m., Zion Lutheran Ch., 815 E. 16th St., Loveland 11 Rick Bilstad 19 Ras Erdal 31 - Februar 2: Colorado Regional Ski for Light, Snow 11 Inger Froyland 24 Tami Bothwell Mountain Ranch, Granby – cosfl.org. Contact Brenda 11 Paul Fuglestad 28 Bill Nesse Bertrand, 303.789.8342, [email protected] 13 Nancy Dunn 31 Blaine Johnson J ? J ? J ? J ? J ? J ? 14 Stephanie Sikes 31 Paula Sutton 15 Jane Strand Names, Phone Numbers, and Addresses must not be redistributed, or used for commercial purposes. 3 DITT OG DATT (THIS ‘N’ THAT) SOLSKINN (SUNSHINE) Marian Erdal i It's time for Christmas baking! Get your Solo Almond Paste for those delicious almond bars from Marian We all wish Joann Harris a speedy Erdal (970.225.9035). At $4.50/can, the price is much recovery from her knee surgery. As this is lower than at the supermarket. She’ll have them for written, she is recuperating at the Life you at the December 5th meeting. Care Center in Greeley. She would love a i Congratulations to all of our newly-elected officers! card from you, sent to her home. One change was made prior to voting – Jane Robbins is our new auditor. REGARDING CULTURAL SKILLS i Annette Freeland, 22-year Stein Ras Erdal, Cultural Skills Director Fjell member, was honored as the Female Volunteer of the The next meeting of the Hardanger embroidery group Year for the J.C. Montgomery VA will be on Friday, December 13, from 1 - 3 p.m. at the Medical Center, Muskogee OK. Erdal home. If there is anyone new that wants to begin Annette volunteers at the learning Hardanger or join the group, Muskogee main information please contact Midge Parkos desk five days a week, helping (970.356.7489) or me (970.225.9035). Annette, May 2012 veterans and family members. Please call reasonably well in advance i Don’t forget – Stein Fjell Member and Community to join us. After all . seating, lighting, st Scholarship applications are due December 31 . Send and refreshments are involved. applications (steinfjell.com) to Keith Robbins. i Barneløpet will be held Februar 22 at Snow Mountain TUSEN TAKK . Ranch. See the attached or inserted flyer. Marianne Workman-Nesse and Bill Nesse, Editors i Mike Erickson says “Hi!” to everyone. He’s leaving in January to live in Deep River, Ontario, Canada and . to everyone who provided information, pictures, work at Atomic Energy Canada Limited. and articles for Posten during this past year. You are i CORRECTION – Patty and Mike Breien are living at appreciated! 5748 Donegal Drive in Shoreview MN. (Chalk it up to . for making our 2014 Membership Directory as Moving Mind Muddle – not quite the same as a accurate as possible. If you have a change in address, Vulcan Mind Meld . wish we’d had one!) phone number(s), and/or email, please let us know ASAP. i Possibility of a chaperoned train, Denver to Coalfax Directories will be available at the January lodge meeting. CA for Camp Trollfjell – contact Executive Camp Di- . for the support and encouragement we have rector Erik Peters, Vesterheim ([email protected]) received during our time as Posten editors FROM PATTY AND MIKE BREIEN . – this is our last issue. We have been happy Thanks so much for the heart-warming card from to be of service to friends at Stein Fjell Lodge. It was a nice surprise to find a Stein Fjell Lodge during piece of real communication in the mailbox, and so this enjoyable (OK, OK, welcome! We think we've found a SofN lodge in St. Paul sometimes challeng- where we can feel at home. It'll never be the same as the ing) and creative one we left, but a new opportunity, and life is all about experience. It’s change. surprising what can We're discovering the fringe benefits of living in the happen when you say, suburbs of the Twin Cities.
Recommended publications
  • Beethoven and Banjos - an Annual Musical Celebration for the UP
    Beethoven and Banjos - An Annual Musical Celebration for the UP Beethoven and Banjos 2018 festival is bringing Nordic folk music and some very unique instruments to the Finnish American Heritage Center in Hancock, Michigan. Along with the musicians from Decoda (Carnegie Hall’s resident chamber group) we are presenting Norwegian Hardanger fiddler Guro Kvifte Nesheim and Swedish Nyckelharpist Anna Gustavsson. Guro Kvifte Nesheim grew up in Oslo, Norway, and started playing the Hardanger fiddle when she was seven years old. She has learned to play the traditional music of Norway from many great Hardanger fiddle players and has received prizes for her playing in national competitions for folk music. In 2013 she began her folk music education in Sweden at the Academy of Music and Drama in Gothenburg. Guro is composing a lot of music, and has a great interest and love for the old music traditions of Norway and Sweden. In 2011 she went to the world music camp Ethno and was bit by the “Ethno-bug”. Since then she has attended many Ethno Camps as a participant and leader, and setup Ethno Norway with a team of fellow musicians. In spring 2015 she worked at the Opera House of Gothenburg with the dance piece “Shadowland”. The Hardanger fiddle is a traditional instrument from Norway. It is called the Hardanger Fiddle because the oldest known Hardanger Fiddle, made in 1651, was found in the area Hardanger. The instrument has beautiful decorations, traditional rose painting, mother-of-pearl inlays and often a lion’s head. The main characteristic of the Hardanger Fiddle is the sympathetic strings that makes the sound very special – it’s like an old version of a speaker that amplifies the sound.
    [Show full text]
  • What Did They Sound Like?
    Háskóli Íslands Hugvísindasvið Íslensk miðaldafræði What did they sound like? Reconstructing the music of the Viking Age Ritgerð til MA-prófs í íslenskum miðaldafræðum Chihiro Tsukamoto Kt.: 250493-3209 Leiðbeinandi: Þórir Jónsson Hraundal Janúar 2017 Abstract There has been much scholarship over the years regarding Scandinavian culture during the Viking Age (c. 793–1066 CE). However, often missing from these discussions is the study of music. This paper attempts to fill that gap by offering a reconstruction of Viking Age Scandinavian music. Archaeological evidence, literary records, and medieval music theories were used as the basis of this study. Archaeology indicates that Scandinavians played wind, string, and percussion instruments, while later Old Norse literary accounts detail the many circumstances wherein music was performed, and suggest the likely existence of different musical genres. I have consulted Arabic, Greek, and Latin accounts for contemporary sources, as the Scandinavian people did not have a written culture during this time. Marking a departure from typical historical analyses, I have also conducted a cross- cultural comparison of medieval Arabic, Greek, and Western European music theories in order to recognize what Scandinavian music could not have resembled. By combining archaeological, literary, and musical evidence, it is possible to propose a highly educated hypothesis on how Viking Age Scandinavian music may have sounded. Ágrip Mikið hefur verið rætt og ritað í gegnum árin um Skandinavíska menningu á Víkingaöld (um 793–1066 e.Kr.). Hins vegar er tónlist viðfangsefni sem oft virðist vanta í þessar umræður. Þessi ritgerð mun reyna að fylla það skarð með því að leggja fram tilgátu um endurgerð Skandinavískrar tónlistar frá Víkingaöld.
    [Show full text]
  • A Brief Survey of Plucked Wire-Strung Instruments, 15Th-18Th Centuries - Part Two
    The Wire Connection By Andrew Hartig A Brief Survey of Plucked Wire-Strung Instruments, 15th-18th Centuries - Part Two Wire-Strung Instruments in the 16th Century ment and was used in a multitude of countries and regions. Al- Most of the wire-strung instruments from the 15th century though most players today think of the cittern as a single type of discussed in part one — such as the harpsichord, psaltery, and instrument, there were in fact many different types, each signifi- Irish harp — continued to be used on a regular basis throughout cantly different enough from the others so as to constitute separate the 16th century (and they would continue to be used into the 18th). instruments. However, almost all citterns have in common a tuning The major exception to this was the Italian cetra, which disap- characterized by the intervals of a 5th between the third and second peared at the end of the 15th century only to evolve into many dif- courses and a major 2nd between the second and first courses, and ferent forms of citterns. one or more re-entrantly tuned strings. Historically, the 16th century heralds the beginning of ma- jor shifts in thinking that led to experimentation and innovation Diatonic 6- and 7-Course Cittern in many aspects of life. Times were changing: from the discovery This was the earliest form of cittern used, possibly devel- of the “New World” that had begun at the end of the 15th century, oped from the cetra late in the 15th or early in the 16th century, and to the shifts in politics, power, religion, and gender roles that oc- it was definitely still in use into the 17th century.
    [Show full text]
  • The Fiddle Traditions the Violin Comes to Norway It Is Believed That The
    The fiddle traditions The violin comes to Norway It is believed that the violin came to that violins from this period were Norway in the middle of the 1600s brought home by, amongst others, from Italy and Germany. This was Norwegian soldiers who fought in probably as a result of upper class wars in Europe. music activities in the towns. But, much suggests that fiddle playing was known in the countryside before this. Already around 1600 ‘farmer fiddles’ are described in old sources, and named fiddlers are also often encountered. We know of the Hardanger fiddle from the middle of the 1600s, which implies that a fiddle-making industry was already established in the countryside before the violin was popular in the Norwegian towns. Rural craftsmen in Norway must have acquired knowledge about this new instrument from 1500s Italy and been inspired by it. One can imagine From 1650 onwards, the violin quickly became a popular instrument throughout the whole of the country. We have clear evidence of this in many areas – from Finnmark, the rural areas of the West Coast and from inland mountain and valley districts. The fiddle, as it was also called, was the pop instrument of its day. There exist early descriptions as to how the farming folk amused themselves and danced to fiddle music. In the course of the 1700s, its popularity only increased, and the fiddle was above all used at weddings and festive occasions. Fiddlers were also prominent at the big markets, and here it was possible to find both fiddles and fiddle strings for sale.
    [Show full text]
  • JØRN HILME-STEMNET 2012 RESULTATLISTE Dans Fele a 1 92
    JØRN HILME-STEMNET 2012 RESULTATLISTE Dans fele A 1 Margrete Nordmoen Rundom 92 Martin Myhr 2 Anne-Grete N. Bjørgan Springleik frå Dovre 91 Rolf Bjørgan Dans fele B 1 Solveig Hårdnes Pols 83 Martin Myhr 2 Inga Myhr Springleik frå Lom 80 Bjørn Kåre Odde 3 Anne Eidsand Stenberg Springdans frå Hadeland 79 Kristian Stenberg 4 Mari Andrea Ness 78 Springdans frå Nordre Sunnmøre Svein Are Vatnehol Dans fele D 1 Brith Eidsand Springdans frå Hadeland 85 Erling Eidsand Dans hardingfele A 1 Ami Dregelid Rudl 103 Håkon Dregelid 2 Ami Dregelid Springar 102 Håkon Dregelid 3 Silje Onstad Hålien Valdresspringar 98 Frode Rolandsgard 4 Gina Ingeborg Hagen Valdresspringar 97 Knut Aastad Bråten 4 Unni Roos Valdresspringar 97 Ole Aastad Bråten 6 Tora Skavhaug Vik Valdresspringar 93 Sivert Holmen 7 Sina Myhr Hallingspringar 92 Eirik Fuglesteg Luksengard 8 Kjersti Aasen Numedalsspringar 89 Svein Aasen Dans hardingfele B 1 Margit Myhr Hallingspringar 90 Simon Hesselberg Løvald 2 Bibi Blomlie Valdresspringar 89 Ådne Kolbjørnshus 3 Hege Weseth Numedalsspringar 85 Asgeir Blaavarp Heimdal 4 Marit Måge Numedalsspringar 81 Nils Øyvind Bergset 5 Lise Lunde Brennhagen m/fylgje Valdresspringar 79 Dans hardingfele C 1 Mari Resset Møllerplass Hallingspringar 74 Eirik Resset Møllerplass Dans hardingfele D 1 Øyvind Midtgard m/fylgje Telespringar m/følge 83 Lagdans, senior 1 Numedal Mix Numedalsspringar 90 2 Valdreslaget i Oslo Valdresspringar 87 3 Vårflaumen spel- og dansarlag Valdresspringar 86 4 Øystre Slidre spel- og dansarlag Valdresspringar 84 5 Vestre Slidre folkemusikk-
    [Show full text]
  • Fretted Instruments, Frets Are Metal Strips Inserted Into the Fingerboard
    Fret A fret is a raised element on the neck of a stringed instrument. Frets usually extend across the full width of the neck. On most modern western fretted instruments, frets are metal strips inserted into the fingerboard. On some historical instruments and non-European instruments, frets are made of pieces of string tied around the neck. Frets divide the neck into fixed segments at intervals related to a musical framework. On instruments such as guitars, each fret represents one semitone in the standard western system, in which one octave is divided into twelve semitones. Fret is often used as a verb, meaning simply "to press down the string behind a fret". Fretting often refers to the frets and/or their system of placement. The neck of a guitar showing the nut (in the background, coloured white) Contents and first four metal frets Explanation Variations Semi-fretted instruments Fret intonation Fret wear Fret buzz Fret Repair See also References External links Explanation Pressing the string against the fret reduces the vibrating length of the string to that between the bridge and the next fret between the fretting finger and the bridge. This is damped if the string were stopped with the soft fingertip on a fretless fingerboard. Frets make it much easier for a player to achieve an acceptable standard of intonation, since the frets determine the positions for the correct notes. Furthermore, a fretted fingerboard makes it easier to play chords accurately. A disadvantage of frets is that they restrict pitches to the temperament defined by the fret positions.
    [Show full text]
  • E-Guitar Making
    E-Guitar making from practitioner to practitioner Bearbeitet von Norbert Waldy 1. Auflage 2014. Taschenbuch. 144 S. Paperback ISBN 978 3 8495 7669 1 Format (B x L): 14 x 21 cm Weitere Fachgebiete > Musik, Darstellende Künste, Film > Musikinstrumente > Saiteninstrumente Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. www.tredition.de www.tredition.de Author, Norbert Waldy This book shall provide you with the basis and the knowledge to build your own electric guitar. It has been created for be- ginners and for advanced practitioners, focusing on the essential. If you build a guitar on your own, you should en- joy working with wood, sawing, sanding, refining, soldering, assembling and adjusting your master- work. I wish you to enjoy this book and much more, to accomplish your own electric guitar. [email protected] Translator: Rose Mary Herren-Gleeson International experience Translation services German-English German-French [email protected] www.tredition.de © 2014 Norbert Waldy Auflage: 2014 Verlag: tredition GmbH, Hamburg ISBN: 978-3-8495-7669-1 Printed in Germany Das Werk, einschließlich seiner Teile, ist urheberrechtlich ge- schützt. Jede Verwertung ist ohne Zustimmung des Verlages und des Autors unzulässig. Dies gilt insbesondere für die elektronische oder sonstige Vervielfältigung, Übersetzung, Verbreitung und öf- fentliche Zugänglichmachung. Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Da- ten sind im Internet über http://dnb.d-nb.de abrufbar.
    [Show full text]
  • A Comparison of Viola Strings with Harmonic Frequency Analysis
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 5-2011 A Comparison of Viola Strings with Harmonic Frequency Analysis Jonathan Paul Crosmer University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Crosmer, Jonathan Paul, "A Comparison of Viola Strings with Harmonic Frequency Analysis" (2011). Student Research, Creative Activity, and Performance - School of Music. 33. https://digitalcommons.unl.edu/musicstudent/33 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A COMPARISON OF VIOLA STRINGS WITH HARMONIC FREQUENCY ANALYSIS by Jonathan P. Crosmer A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Clark E. Potter Lincoln, Nebraska May, 2011 A COMPARISON OF VIOLA STRINGS WITH HARMONIC FREQUENCY ANALYSIS Jonathan P. Crosmer, D.M.A. University of Nebraska, 2011 Adviser: Clark E. Potter Many brands of viola strings are available today. Different materials used result in varying timbres. This study compares 12 popular brands of strings. Each set of strings was tested and recorded on four violas. We allowed two weeks after installation for each string set to settle, and we were careful to control as many factors as possible in the recording process.
    [Show full text]
  • Guitar Anatomy Glossary
    GUITAR ANATOMY GLOSSARY abalone: an iridescent lining found in the inner shell of the abalone mollusk that is often used alongside mother of pearl; commonly used as an inlay material. action: the distance between the strings and the fretboard; the open space between strings and frets. back: the part of the guitar body held against the player’s chest; it is reflective and resonant, and usually made of a hardwood. backstrip: a decorative inlay that runs the length of the center back of a stringed instrument. binding: the inlaid corner trim at the very edges of an instrument’s body or neck, used to provide aesthetic appeal, seal open wood and to protect the edge of the face and back, as well as the glue joint. bout: the upper or lower outside curve of a guitar or other instrument body. body: an acoustic guitar body; the sound-producing chamber to which the neck and bridge are attached. body depth: the measurement of the guitar body at the headblock and tailblock after the top and back have been assembled to the rim. bracing: the bracing on the inside of the instrument that supports the top and back to prevent warping and breaking, and creates and controls the voice of the guitar. The back of the instrument is braced to help distribute the force exerted by the neck on the body, to reflect sound from the top and act sympathetically to the vibrations of the top. bracing, profile: the contour of the brace, which is designed to control strength and tone. bracing, scalloped: used to describe the crests and troughs of the braces where mass has been removed to accentuate certain nodes.
    [Show full text]
  • The History and Revival of the Meråker Clarinet
    MOT 2016 ombrukket 4.qxp_Layout 1 03.02.2017 15.49 Side 81 “I saw it on the telly” – The history and revival of the Meråker clarinet Bjørn Aksdal Introduction One of the most popular TV-programmes in Norway over the last 40 years has been the weekly magazine “Norge Rundt” (Around Norway).1 Each half-hour programme contains reports from different parts of Norway, made locally by the regional offices of NRK, the Norwegian state broad- casting company. In 1981, a report was presented from the parish of Meråker in the county of Nord-Trøndelag, where a 69-year old local fiddler by the name of Harald Gilland (1912–1992), played a whistle or flute-like instrument, which he had made himself. He called the instrument a “fløit” (flute, whistle), but it sounded more like a kind of home-made clarinet. When the instrument was pictured in close-up, it was possible to see that a single reed was fastened to the blown end (mouth-piece). This made me curious, because there was no information about any other corresponding instrument in living tradition in Norway. Shortly afterwards, I contacted Harald Gilland, and we arranged that I should come to Meråker a few days later and pay him a visit. The parish of Meråker has around 2900 inhabitants and is situated ca. 80 km northeast of Trondheim, close to the Swedish border and the county of Jamtlandia. Harald Gilland was born in a place called Stordalen in the 1. The first programme in this series was sent on October 2nd 1976.
    [Show full text]
  • The Devolution of the Shepherd Trumpet and Its Seminal
    Special Supplement to the International Trumpet Guild ® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet ADDEN DUM TO “THE DEVOLUTI ON OF THE SHEPHERD TRUMPET AND ITS SEMINAL IMP ORTANCE IN MUSIC HISTORY” BY AINDRIAS HIRT January 2015 • Revision 2 The International Trumpet Guild ® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on a single workstation that you own • Transmit an unaltered copy of this file to any single individual end-user, so long as no fee, whether direct or indirect is charged • Print a single copy of pages of this file • Quote fair use passages of this file in not-for-profit research papers as long as the ITGJ, date, and page number are cited as the source. The International Trumpet Guild ® prohibits the following without prior writ ten permission: • Duplication or distribution of this file, the data contained herein, or printed copies made from this file for profit or for a charge, whether direct or indirect • Transmission of this file or the data contained herein to more than one individual end-user • Distribution of this file or the data contained herein in any form to more than one end user (as in the form of a chain letter) • Printing or distribution of more than a single copy of the pages of this file • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any third party, including such a device intended to be used wholly within an institution.
    [Show full text]
  • World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015 Lawrence University
    Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 10-5-2015 8:00 PM World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015" (2015). Conservatory of Music Concert Programs. Program 12. http://lux.lawrence.edu/concertprograms/12 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Karin Loberg Code Harding Fiddle Karin Loberg Code Harding Fiddle October 5, 2015 • 8 p.m. Harper Hall, Music-Drama Center Bridal march from Nes Sjåheimen valdresspringar Lyarlått etter Ola Okshovd Mehanken valdresspringar Steinsruden telespringar Sølve-Knut hallingspringar Trulseguten halling Sistelått at Krøsshaugen lèt Jenta med Garde Slidreklukkelåtten Knut Ivarslåtten Vossavalsen Fykeruds farvel til Amerika No intermission The hardingfele, or Harding fiddle, is an indigenous Norwegian folk instrument used primarily to accompany a group of regional dances known as bygdedans. This tradition dates back to at least the mid-17th century, and has continued without interruption to the present day. Some of the physical features that distinguish the hardingfele from a violin are the shorter neck; deeply indented ƒ-holes; a thick, almost flat bridge; ornate decorations; and the presence of six to 10 strings.
    [Show full text]