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Retrospektive Viennale 1993 ÖSTERREICHISCHES Retrospektive Viennale 1993 ÖSTERREICHISCHES FILMMUSEUM Oktober-November AUFBRUCH INS UNGEWISSE ÖSTERREICHISCHE FILMSCHAFFENDE IN DER EMIGRATION MIT FILMEN VON ROBERT ALDRICH JOSEF v. BAKY BERTHOLD BARTOSCH WILLIAM BEAUDINE RENE CLAIR GEORGE CUKOR ■ MICHAEL CURTIZ PAUL CZINNER • JULES DASSIN • MAYA DEREN • ANDRE De TOTH • WILLIAM DIETERLE • SLATAN DUDOW - E. A. DUPONT JOHN FARROW FRIEDRICH FEHER PAUL FEJOS ROBERT FLOREY WILLI FORST KARL FREUND MAX FRIC • GUNTHER v. FRITSCH MICHAEL GORDON ■ JEAN GR£MILLON ■ D. W. GRIFFITH ALEX¬ ANDER HAMMID DOUGLAS HICKOX ALFRED HITCHCOCK • MIKE HODGES HARRY HORNER HERBERT KLINE ALEXANDER KORDA ZOLTAN KORDA • STANLEY KRAMER • CARL LAMAC FRITZ LANG REGINALD LeBORG JOSEPH H. LEWIS LEOPOLD LINDTBERG • PETER LORRE FRANCIS D. LYON GUSTAV MACHATY • ANTHONY MANN • JOE MAY ■ WILLIAM CAMERON MENZIES VINCENTE MINNELLI F. W. MURNAU • ROY WILLIAM NEILL MAX OPHÜLS • G. W. PABST KARL PARYLA • MICHAEL POWELL OTTO PREMINGER • EMEklC PRESSBURGER HERBERT RAPPAPORT IRVING RAPPER MAX REINHARDT • JEAN RENOIR • ARTHUR RIPLEY B. A. ROLFE ROBERT ROSSEN PAUL RÖTHA LEONTINE SAGAN ■ REINHOLD SCHUNZEL • STEVE SEKELY GEORGE SIDNEY RO¬ BERT SIODMAK • PAUL L. STEIN • JOSEF v. STERNBERG • ERICH VON STROHEIM • EDGAR G. ULMER • CHARLES VIDOR JAMES WHALE BILLY WILDER • ROBERT WISE • WILLIAM WYLER • ALFRED ZEISLER FRED ZINNEMANN Dienstag ABSCHIED (D 1930) » Robert Siodmaks zweiter Film - für die UFA mit Stars gedreht und Montag MENSCHEN AM SONNTAG (D 1929) Der rechtmäßige König von Frankreich als Gefangener auf der tsie St. Freitag MENSCHEN AM SONNTAG (D 1929) FOm kann - auch, zumindest m einem semer be«Jen Hauptströme - als doch von ähnlicher Freude am Experiment wie .Menschen am Sonn¬ THE MAN IN THE IRON MASK (USA 1939) Marguerite, sem Gesicht lebenslang verborgen hinter eiserner Maske. Suche nach Realist» und Liebe zum Dokumentarischen verstanden 17.00 Uhr Regie: Robert Siodmak; Drehbuch: Emeric tag". Zwei Stunden in schmuddeliger Großstadtpension, ein Schwall 19.00 Ufir Auf dem Thron sein Zwillingsbruder, Louis XIV, le roi soietl. Ein Rema¬ 18.00 Uhr Regie: Robert Siodmak. Edgar G. üimer, Dreh¬ werden. In der Geschichte des Films ist .Menschen am Sonntag* Mei¬ Pressburger, Irmgard von Cube; Kamera: Eu¬ disparaten Lebens. Die Kritik der Zeltschrift .Der Kunstwan* von 193t: Regie: James Whale; Drehbuch: George Bruce, buch: Billy Wilder nach einer Idee von Curt ke veli Grandezza und Drive des furiosen AHan-Dwan-FBma .The kon lenstein und Stemstunde. Bn Atem von Sonnenlicht, Spontanertat und 12 gen Schüfftan; Musik: Erwin Bootz; Darsteller: „Wie Siodmax das Neben- und Durcheinander aus Dialog-, Bild- und 18 nach dem Roman von Alexandre Dumas; Kame¬ Mask" (mit Douglas Fairbanka als D Artagnan). Regisseur des auf Du¬ 1 Siodmak; Kamera: Eugen Schüfftan; Kame¬ Alltagspoes« erfüllt diese Gemeinschaftsarbeit der Ftlmenthusiasten Brigitte Horney, Aribert Mog, Emilia Unda, Vla¬ Tonfetzen in intuitiv gestalteter tonfiimischer Einheit entstehen läßt, ist ra: Robert Planck; Musik: Lucien Moraweck; mas Spuren wandelnden Abenteuerfilms ist James Whale, dem man raassistent Fred Zirmemann; Darsteller: Brigit¬ Siodmak, Ulmer. Wilder, Schüfftan und Zinnemann, die ohne Stars und gänzlich neu und zugleich schon vollendet." zwei der schönsten Horrorfilme aller Zeit zu verdanken hat - .Franken¬ Mammutbudget in den Straften von Beritn und an den Gestaden des dimir Sokoloff, Konstantin Mic Darsteller: Louis Hayward, Joseph Schildkraut, stein" und .The Bride of Frankenstein*. Oktober te Borchert, Christel Ehler, Wolfgang von Wal- Wannsee drehen und die Nouvefie Vague um dreifiig Jahre vorwegneh- Warren William, Alan Haie. Joan Bennett, Albert tershausen 19.00 Uhr ABENTEUER IN WIEN (A/USA 1952) Ein Staatenloser sucht Im chaotischen Wien der Nachkriegszeit zu neuer Identität zu gelangen und findet sich schuldlos in einen Mordfall Dekker Regie: Emile Edwin Reinert (ungenannt: Gun¬ verstrickt. Ein verzwicktes, mit einer Galerie österreichischer Schau¬ ther von Fritsch); Drehbuch: Michael Kehlmann. spieler besetztes, nicht ungeschickt gemachtes Kriminaldrama auf den 21.00 Uhr ORPHANS OF THE STORM (USA 1921) Zwei WaisenmÄdchen in den Wirren Oer Französischen Revolution. Ein 20.00 Uhr ANTI-NAZI-FILME Weit mehr als ein btoBer Film. Das Material, aus dem die Träume (und Franz Tassie, nach dem Roman „Ich war Jack Spuren des ungleich erfolgreicheren .Third Man*. Für die Dreharbeiten Werk des großen D. W. Griffith, der die Sprache des Kinospielfiims fast Ängste) sind, kondensiert zu einer populären Mft-chenform mit hefti- Mortimer" von Alexander Lernet-Holenia; Ka¬ an dem zugleich in amerikanischer wie deutscher Version hergestellten Rede: David Wark Griffith; Drehbuch: Marquis zur Gänze im Alleingang erfunden hat Zumindest drei Filme sind in CASABLANCA (USA 1942) Kund hypnotischen Anschein von Realität. Eine Geschichte (story) mera: Helmut Ashley; Musik: Richard Hage¬ Film ist Regisseur, Cutter und second-unit-director Gunther von Fritsch de Trolignac; Kamera: Hendrik Sartov, Paul Al¬ .Orphans of the Storm zu sehen: ein Melodram mit Viktorianischen Regie: Michael Curtiz; Drehbuch: JuHus J. Ep¬ ■ die Geschichte (history) oder ein Stück Historie, das. zu Kino ver¬ mann; Produktion: Turhan Bey; Darsteller: (hochtalenflert und in den B-Produktionen Hollywoods nie recht hei¬ len, G. W. Bitzer; Darsteller: Lillian Gish, Doro- Mädchenblüten (Lillian und Dorothy Gish). ein Abenteuerfilm (mit Duel¬ formt. seine eigene Form von Geschichte hervorbringen wird: Legen¬ misch geworden) noch einmal in seine alte Heimat zurückgekehrt thy Gish, Joseph Schildkraut len. Orgien, Entführungen) und ein „historisches Fresko" (dramatische stein, Philip G. Epstein, Howard Koch, Kamera: dengeschichte, in ihrem Bouquet wachsend wie gelagerter Wein as Francis Lederer, Gustav Fröhlich, Cornell Bor¬ Massen im 60.000-OoHar-Studio-Paris) Griffith hat die drei Filme vor¬ Arthur Edeson; Musik; Max Steiner, Darsteller: time goes bye. Chaotisch entstanden mit mehreren Konzipierten Enden chers, Manfred Inger, Egon von Jordan, Inge trefflich zu einem vereint. Humphrey Bogart, Ingrid Bergmann, Claude und als Wettlauf zischen Bleistift und Kamera, stellt dieses 126. Stu- Konradl, Adrienne Gessner, Karl Farkas Rains, Paul Henreid, Conrad Veidt, Peter Lorre, cfloprodukt des gebürtigen Ungarn Kertesz Mihäly (bekannter als Mi¬ S.Z. SakaH, itks Grüning, Sidney Greenstreet. chael Curtiz) für Kinonarren je nach Blickpunk? einen der zehn besten 21.00 Uhr ANTI-NAZI-FILME Premingers sardonische Rache an den arischen Lemuren des Dritten Dienstag DER RUF (BRD 1949) Ein Film über Mol und Elend der Remigratton, gefärbt von persönlichen Hollywoodfttme. die Apotheose des Bogart-Kults oder einfach ein Reichs. .Margm for Error* fußt auf einer Begebenheit, die sich tatsäch¬ Erfahrungen seines Autors und Hauptcarstellers Fritz Nathan Kohn Helmut Dantine, Ludwig Stoessel, Louis Arco. Glanzstuck romantischen Entertainments dar. Last not least ist .Casa- MARGIN FOR ERROR (USA 1943) lich zugetragen hat. 1938 gelingt dem Bürgermeister von New York La 17.00 Uhr Regie: Josef von Baky; Drehbuch: Fritz Kortner, aus Wien, bekannter unter dem Künstlernamen Fritz Kortner. Ein Jüdi¬ Richard Ryen bianca" jedoch ein F»m de- „refugees". in dem eine beträchtliche Zahl Guardla ein kurioser politischer Coup: er läßt das deutsche Konsulat Kamera: Werner Krien; Musik: Georg Haentz- scher Professor kehrt nach fünfzehn Jahren Exil in Amerika ins von Emigranten das spielt, was sie setbst erfahren haben - Trauer, Un¬ Regie: Otto Preminger; Drehbuch: Lillie Hay- Deutschland des Jahres 1948 zurück. Die Heimat erweist sich noch im¬ ward, nach dem Stück von Cläre Boothe Luce; und den Nazi-Konsul Borchers ausnahmslos vonjüdischen Polizisten 19 schel; Darsteller. Fritz Kortner, Johanna Hofer. gewißheit. Entwurzelung der Emigration. bewachen. Preminger, Ex-Wiener, Schüler Max Reinhardts und zeit¬ Lina Carstens, Rosemary Murphy, Michael mer und schon wieder als Rattennest. Das Klima der Gleichgültigkeit, Kamera: Edward Cronjager; Musik: Leigh Harli- weiliger Direktor des Theaters in der Josefstadt, läßt es sich nicht neh¬ Ablehnung, Intrige, getarntem Neonazismus und kaum verholenem An¬ ne; Darsteller. Joan Bennet, Milton Berte, Otto men, den oermanischen Diplomaten mit Brio und Brutalität selbst zu Murphy, Charles Regnier tisemitismus zerbricht den Remigranten. Statt eines bösen Lehrstücks Preminger, Carl Esmond, Lisi Reisch, Howard spielen - Öeglnn einer Nebenkarriere als Akteur von SS-Männern. La¬ hat Josef von Baky ein Märtyrer-Drama inszeniert. Nicht zuletzt wegen seiner Bannung durch den Vatikan und der Nackt¬ gerkommandanten und ausgiebig preußischer Preußen. Samstag EXTASE (A/TCH 1932) szenen einer Wiener Schauspielerin namens Hedwig Kiesler (der Hedy Freeman, Louis Donath Regie: Gustav Machaty; Drehbuch: Gustav Me- Lamarr Hollywoods) ist „Extase" zum berühmtesten tschechischen 19.00 Uhr LONESOME (USA 1928) Die separaten, sich treffenden, trennenden und wieder zusammenfüh¬ 18.00 Uhr Deutsches Unterhaltungskino 1930. Eine Eifersuchtsszene wird ge¬ renden Wege zweier einsamer Menschen in New York. Der be¬ chaty, Robert Horky. Kamera: Jan Stallich; Mu¬ Vorkriegsf4m geworden Gustav Machaty. ehemals Assistent bei Stro- Mittwoch DER SCHUSS IM TONFILMATELIER (D 1930) Regie: Paul Fejos; Drehbuch: Edward T. Lowe kannteste. am meisten bewunderte amerikanische Film des 1897 in Bu¬ sik: Giuseppe Becce, Produktion: Robert Hor¬ heim und Regisseur von Filmen mit expressionistischem Flair und stili¬ dreht. ein Schuß am Set erweist sich als tödlich. Der von
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