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A Word of Welcome from the Conference Organizer
A word of welcome from the conference organizer Dear conference delegates, Welcome to the Nordic Africa Days 2014 in Uppsala! The Nordic Africa Days (NAD) is the biennial conference which for the past six years has been organized rotatively in each of the Nordic countries. Already since 1969 the Nordic Africa Institute has organised this regular gathering of Nordic scholars studying African issues, and the event has for the past 15 years been formalized under the name of the Nordic Africa Days. The theme of this year’s conference is Misbehaving States and Behaving Citizens? Questions of Governance in African States. We are proud to host two distinguished keynote speakers, Dr Mo Ibrahim and Associate Professor Morten Jerven, addressing the theme from different angles in their speeches entitled “Why Governance Matters” and “Africa by Numbers: Knowledge & Governance”. The conference is funded by long-standing and committed support from the Swedish, Finnish, Norwegian and Icelandic governments. This year, we are also particularly pleased to be able to facilitate participation of about 25 researchers based on the African continent through a generous contribution from Sida (The Swedish International Development Cooperation Agency). Providing a platform for Nordic and African researchers to meet and cooperate at NAD is becoming ever more important, in addition to creating a prime meeting place for researchers on Africa within the Nordic region. The main conference venue is Blåsenhus, one of the newest campuses within Uppsala University, situated opposite the Uppsala Castle and surrounded by the Uppsala Botanical Gardens. This particular area of Uppsala has a historical past that goes back 350 years in time and offers many interesting places to visit. -
Katalog 89 Januar 2013
KATALOG 89 Januar 2013 www.nynorskantikvariat.no Innhald Føreord 3 Kunst og kulturhistorie 41 Romanar og forteljingar 4 Ordbøker og språk 48 Lyrikk 10 Biografiar og memoarar 50 Skodespel 15 Norsk og nordisk historie 52 Biletbøker og bøker Island, Færøyane og norrønt 53 for barn og ungdom 17 Lokalhistorie Austlandet 54 Musikk 18 Lokalhistorie Natur, dyr og planter 21 Telemark og Agder 59 Medisin og helse 23 Lokalhistorie Vestlandet 60 Hobby 24 Lokalhistorie Trøndelag og Nord-Noreg 65 Humor 25 Andre verdskrigen 66 Mat og drikke 26 Verda 67 Essay, filosofi, artikkel- samlingar og ordskifte 29 Realfag 68 Religion, kristendom Reiser, atlas og kart 68 og misjonshistorie 32 Utvandring 69 Eventyr og folkeminne 33 Periodika 72 Litteratur og forfattarskap 34 Verk og varia 74 2 | K ATALOG 89 Kjære kunde! Godt nytt år! Takk for hyggeleg kontakt i fjor og velkommen til mange gode lesestunder i 2013. Januarkatalogen vår er klar. Her finn du eit allsidig utval bøker i mange sjangrar. Vi vil særleg nemne utvandring, norsk og nordisk historie og lokalhistorie frå heile landet. Litte- ratur og forfattarskap, kunst og kulturhistorie, essay, filosofi, artikkelsamlingar og ordskifte er også godt representerte i katalogen. Som alltid gjeld det å vere først ute, vi har til vanleg berre eitt eksemplar av kvar bok! Er du rask med bestillinga di, så skal vi vere kjappe med ekspederinga. Stort sett klarer vi å ekspedere alle tingingar innan 48 timar. Det kan vere greitt å ta ein titt på det ordinære sortimentet vårt i same farten. Om vi sender deg ein stor eller ein liten bokpakke, så er det ikkje stor skilnad på frakta; det er den første boka som posten tek seg best betalt for. -
Evaluering Av Nordic Black Theatre
EVALUERING AV NORDIC BLACK THEATRE Jørgen Langdalen Delrapport i evalueringen av statsbudsjettets kap. 320, post 74 April 2005 1 INNHOLD Innledning 3 1 Mål og virkemidler 8 2 Konsept 12 3 Organisering, nettverk og arena 22 4 Virksomhet 34 5 Økonomi 41 6 Vurderinger 50 Litteratur og kilder 59 Vedlegg 61 Tabeller 72 2 INNLEDNING Oppdraget Denne rapporten er utført på oppdrag fra Norsk kulturråd og inngår i evalueringen av statsbudsjettets kap. 320, post 74, som forvaltes av Norsk kulturråd. Jeg har hatt ansvar for evalueringen av 11 av de i alt 58 tiltakene som fikk midler over post 74 i 2004, nemlig: – Det Åpne Teater – Grenland Friteater – Porsgrunn Internasjonale Teaterfestival – Nordic Black Theatre – Danse- og Teatersentrum – Marked for scenekunst – Musikkinformasjonssenteret – Norsk Jazzarkiv – Norsk Visearkiv – Europas Blues Senter – Foreningen Ny Musikk Den samlede tidsrammen for gjennomføringen av evalueringene har vært åtte måneder – fra 1. mars til 31. oktober 2004. Av disse var tre måneder øremerket til evalueringen av Det Åpne Teater. Det sier seg selv at evalueringene knapt framstår som utfyllende, og at rekkevidden av konklusjonene er begrenset. Denne evalueringen omfatter ikke Nordic Black Theatres teaterskoletilbud, Nordic Black Express, som er vedtatt underkastet en separat evaluering. Kilder og metoder Evalueringer tar i alminnelighet sikte på å vurdere resultatene av den evaluerte virksomheten. De skal gi svar på om virksomheten har oppnådd de mål den har satt for seg selv, og de mål som eventuelle støttespillere (for eksempel staten) har satt for sitt engasjement. Men før man kommer til dette spørsmålet, er det ofte en lang vei å gå. En viktig oppgave er blant annet å komme fram til en beskrivelse av målene som i det hele tatt gjør det mulig å etterprøve 3 resultatene. -
The Wordy Worlds of Popular Music in Eastern and Southern Africa
This article was downloaded by: [University of Liverpool] On: 06 January 2015, At: 06:11 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Journal of Language, Identity & Education Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/hlie20 The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy Sinfree Makoni a , Busi Makoni a & Aaron Rosenberg a a Pennsylvania State University , Published online: 16 Feb 2010. To cite this article: Sinfree Makoni , Busi Makoni & Aaron Rosenberg (2010) The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy, Journal of Language, Identity & Education, 9:1, 1-16, DOI: 10.1080/15348450903476824 To link to this article: http://dx.doi.org/10.1080/15348450903476824 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
KA Kat 1-313
Bokliste Sist oppdatert 23. januar 2020 Nome Antikvariat www.nomeantikvariat.no Bokliste Oppdatert 23. januar 2020 De ordinære katalogene vår inneholder bare en brøkdel av bøkene vi har i hyllene. Men registrering tar tid. Så her er en foreløpig liste på 9113 titler som vi også har. Med få unntak er bøkene i boklisten uten tilstandsbeskrivelse, nummer og pris. Oppføringene kan være noe rufsete her og der, men forhåpentligvis forståelige. Ser dere titler her som er av interesse, så ta kontakt for nærmere beskrivelse og pris. Men enda er det flere tusen titler igjen å digitalisere. Hvis det er ting dere er på jakt etter, og ikke finner i katalogene eller boklisten, så er det bare å ringe eller sende et brev, eller en e-post. Vi tar forbehold om at noen titler kan være solgt. Bestilte bøker sendes vanligvis i posten med giro. I noen tilfeller brukes postoppkrav eller forskuddsbetaling. Porto kommer i tillegg.Vi tar forbehold om at enkelte titler kan være utsolgt. God bokjakt! Bøker forandrer seg ikke. Om tusen år er de akkurat som i dag, taler det samme språk. utstråler samme varme. - Eugene Field Nome Antikvariat E-post: [email protected] Øvre Verket Tlf: 35 94 54 51 3830 Ulefoss Mobil: 97 16 37 88 Bankgiro: 2650.07.12103 VIPPS: 94072 Org. nr. 985 191 883 Åpningstider: Onsdag til fredag kl. 11 - 16, lørdag kl. 11 - 15. I sommersesongen: Tirsdag til søndag kl. 12 - 17. 2 Innhold SKJØNNLITTERATUR....................................................................................................................5 - NORSK SKJØNNLITTERATUR......................................................................................................5 -
Locating the Chopi Xylophone Ensembles of Southern Mozambique Published on Ethnomusicology Review (
Locating the Chopi Xylophone Ensembles of Southern Mozambique Published on Ethnomusicology Review (https://ethnomusicologyreview.ucla.edu) Locating the Chopi Xylophone Ensembles of Southern Mozambique By Brian Hogan - University of California, Los Angeles Introduction The timbila xylophone is the primary musical instrument of the elaborately choreographed and musically accompanied Migodo dance dramas of the Chopi people of Southern Mozambique. This tradition unlike most others studied in Africa to this date, consists of large orchestras of xylophones that perform extended pieces divided into programmatic movements. These movements consist of dance, music, and sung texts carefully woven together into a performance genre taken by many scholars as evidence of the influence of Indonesian practices on the continent because of its similarity to Javanese and Balinese Gamelans. In this article however, I argue that the musical traditions of the Chopi are and should be theorized as distinctly African, containing numerous musical and textual elements that reflect African social relations, musical aesthetics, and daily realities. The Ngodo (sing. form of Migodo) functions as an important mode of social commentary in Chopi society, where it conveys elements of Chopi culture and balances the power of local rulers through creating a socially acceptable forum for criticism. Migodo also serve a similar function in communities of migrant miners where makeshift xylophones are fashioned, and new adapted Migodo are composed. Relatively little research has been done in Chopi mining communities, and to highlight the potential of such research I look to the works of David Coplan (1994; 1995; 1999), who has done extensive research in South Africa and Lesotho on performance forms in migrant mining communities. -
Norway – Music and Musical Life
Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture. -
Redalyc.People and Sounds": Filming African Music Between Visual
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España D´Amico, Leonardo People and sounds": filming African music between visual anthropology and television documentary Trans. Revista Transcultural de Música, núm. 11, julio, 2007, p. 0 Sociedad de Etnomusicología Barcelona, España Available in: http://www.redalyc.org/articulo.oa?id=82201106 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative People and sounds”: Filming African music between visual anthropology and televi... Página 1 de 10 Revista Transcultural de Música Transcultural Music Review #11 (2007) ISSN:1697-0101 People and sounds”: Filming African music between visual anthropology and television documentary Leonardo D'Amico Università di Ferrara Università di Siena Abstract Watching music, and not only listening to or writing about it, is a priority to deepen in the knowledge of traditional music both in Europe and elsewhere. Since visual anthropology was born, there have been different ways to convey this idea. Through a review of the documentary films produced from the fifties until the present time, the paper shows the historical changes on the film industry priorities with regard to world music portrayals. The dialectal tension between fictional and ethnographic approaches has been a constant. This paper supports the premise that auteur films can reach ethnomusicological level, although not being scientific, and have an added poetical value of great help in this field. -
Study Guide Acoustic Africa Wednesday, October 18, 2006, at 11:00 A.M
06/07 Study Guide Acoustic Africa Wednesday, October 18, 2006, at 11:00 a.m. Zellerbach Hall SchoolTime About Cal Performances and SchoolTime The mission of Cal Performances is to inspire, nurture and sustain a lifelong appreciation for the performing arts. Cal Performances, the performing arts presenter of the University of California, Berkeley, fulfi lls this mission by presenting, producing and commissioning outstanding artists, both renowned and emerging, to serve the University and the broader public through performances and education and community programs. In 2005/06 Cal Performances celebrates 100 years on the UC Berkeley Campus. Our SchoolTime program cultivates an early appreciation for and understanding of the performing arts amongst our youngest audiences, with hour-long, daytime performances by the same world-class artists who perform as part of the main season. Teachers have come to rely on SchoolTime as an integral and important part of the academic year. Sponsors of Cal Performances Education and Community Programs Cal Performances’ Education and Community Programs are supported by Berkeley Community Fund, California Arts Council, California Savings Bank, Citigroup Foundation, City of Berkeley Civic Arts Program, East Bay Community Foundation, Robert J. and Helen H. Glaser Family Foundation, Walter & Elise Haas Fund, McKesson Foundation, National Endowment for the Arts, The San Francisco Foundation, The Wallace Foundation, Western States Arts Federation, The Zellerbach Family Foundation. II | SchoolTime Gamelan Sekar Jaya, Kali Yuga Welcome October 1, 2006 Dear Educator and Students, Welcome to SchoolTime! On Wednesday, October 18, 2006, at 11:00 a.m., you will attend the SchoolTime performance Acoustic Africa at Zellerbach Hall on the UC Berkeley campus. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Reclaiming Our Subjugated Truths: Using Hip-Hop As a Form of Decolonizing Public Pedagogy the Case of Didier Awadi
RECLAIMING OUR SUBJUGATED TRUTHS: USING HIP-HOP AS A FORM OF DECOLONIZING PUBLIC PEDAGOGY THE CASE OF DIDIER AWADI by Joanna Daguirane Da Sylva B.A., Manhattan College, 2007 M.A., The New School University, 2010 A THESIS SUBMITTED IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (Educational Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2016 © Joanna Daguirane Da Sylva, 2016 Abstract When walking through the streets of Dakar, hip-hop makes its way through the radios of the city. Hip-hop has been a prominent and influential music genre and culture in Senegal since the 1980s. Hip-hop music has been used by Senegalese to cover the social, economic and political life of the country, and to promote political activism among the youth. Rapping was not born in a vacuum in Senegal but subtly continues the long-standing tradition of storytelling through spoken words and music, griotism. Moving away from hip-hop stereotypes, defined by critics as violent, racist, homophobic, sexist, materialistic, misogynistic and vulgar, my case study focuses on critical and conscious Senegalese hip-hop, which embraces hip-hop social and educational movements utilized to voice societal injustice and challenge the status quo. Senegalese hip-hop is a platform for political activists to denounce institutional racism, Western domination, poverty, and national corruption, with the hope of contributing to a better and just society that recognizes and legitimizes knowledges and voices of formerly colonized Africans. Didier Awadi is one of the most talented, conscientious, influential and revolutionary hip-hop artists and political activists of the continent. -
What's Urdu for Biltong?
RESEARCH REPORT 2 Security and Terrorism in Africa Project February 2009 What’s Urdu for biltong? Can South Africa help Pakistan? ABOUT SAIIA The South African Institute of International Affairs (SAIIA) has a long and proud record as South Africa’s premier research institute on international issues. It is an independent, non-government think-tank whose key strategic objectives are to make effective input into public policy, and to encourage wider and more informed debate on international affairs with particular emphasis on African issues and concerns. It is both a centre for research excellence and a home for stimulating public engagement. SAIIA’s research reports present in-depth, incisive analysis of critical issues in Africa and beyond. Core public policy research themes covered by SAIIA include good governance and democracy; economic policy-making; international security and peace; and new global challenges such as food security, global governance reform and the environment. Please consult our website www.saiia.org.za for further information about SAIIA’s work. ABOUT THE SECURITY AND TERRORISM IN AFRICA PROJECT A new project in 2005, Security and Terrorism in Africa examines how Africa fits into the global terrorism and counter-terrorism equations post-9/11. It focuses on four key areas of research: Are there factors that make African states more or less prone to terrorism? What factors serve to radicalise states and societies? What can be done to address this internally? What can be achieved through external engagement? Specific research involves country and regional case studies on the particular natures of Islam in the African context and the extent to which it is susceptible to external influence; terrorism and counter-terrorism activity in the Horn and Sahel regions; and the potential for engagement by African states in international counter-terrorism and non-proliferation policy in bridging the gap between the West and problematic states and regions, including Pakistan, North Korea, Syria and Iran.