Juneteenth Lesson
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Celebrate Kwanzaa Well, It's December 29Th. We've Run out Of
Celebrate Kwanzaa Well, it’s December 29th. We’ve run out of Advent Sundays but we aren’t quite to the new year. I wanted to continue the inter-faith kind of theme we’ve had for December so I was guided to Kwanzaa. Technically, Kwanzaa isn’t faith based but it is culture based. So what culture and why do we have Kwanzaa, what does it mean and why should anyone at Unity of Lehigh Valley care about it? You know how I keep talking about how the Universe contributes to my sermons? Well, when the Universe stops contributing, I’ll stop talking about it. I was randomly searching for something to watch on Netflix one night and for some reason clicked on a movie titled, “Holiday in the Wild.” Not filmed in Philadelphia, it was filmed in Zambia. A movie much more about elephant conservation than Christmas, it was really interesting to watch it and notice little things. Like that the film begins with modern cities in Zambia, a modern airport and luxury hotel. Local people were seen with ordinary clothes, although many had the African fabric and men and women often wore more loose fitting than Western styles. The roles of people who worked at the Elephant nursery were treated with respect and African people were seen as intelligent and hard-working and compassionate. Now I want you to reflect on the ways the dominant, white European culture in the United States typically describes what I will call, “original people”. How have you heard Native Americans described? How did whites describe the individuals brought to this country from Africa and forced into slavery? Mostly I think of the word, “savages”. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
GUSTAVUS V . FOX and the CIVIL WAR by DUANE VANDENBUSCHE 1959 MASTER of ARTS
GUSTAVUS v_. FOX AND THE CIVIL WAR By DUANE VANDENBUSCHE j ~achelor of Science Northern Michigan College Marquette, Michigan 1959 Submitted to the faculty of the Graduate School of .the Oklahoma State Univ~rsity in partial fulfillment of the requirements - for the degree of MASTER OF ARTS - Aug),Ul t, 1~~0 STATE UNIVERSITY LIBRARY JAN 3 1961 GUSTAVUS V. FOX AND THE CIVIL WAR Thesis Approved: _, ii 458198 PREFACE This study concentrates on the .activities of Gustavus V. Fox, Union Assistant Secretary of the Navy during the Civil War. The. investi- gation considers the role that Fox played in shaping the plans and pol- icies of the Union Navy during that conflict. The obvious fact emerges that_Fox wa; the official of foremost i~po-rt~nce in the Navy Department 'in planning all the major naval opel:'ations undertaken.by that branch of the service d~ring the Civil War. For aid on _this paper I gratefully acknowledge the following: Mr. Alton Juhlin, · Head of the Special Services Department of the University Library, for able help in acquiring needed materials for my study; Dr. Theodore L. Agnew, _wh<J critically read an·d willing assisted ·at all times; . Dr. Norbert R. Mahnken, who brought clarity and style to my subject; Dr. Homer· L. Knight, Head of the Department of History, who generously ad- vhed me in my work and encouraged ·this research effort; and Dr. John J. Beer, who taught me that there i~ more to writing than·putting woras on paper. Finally, I deeply appreciate the assistance of Dr. -
Civil War Generals Buried in Spring Grove Cemetery by James Barnett
Spring Grove Cemetery, once characterized as blending "the elegance of a park with the pensive beauty of a burial-place," is the final resting- place of forty Cincinnatians who were generals during the Civil War. Forty For the Union: Civil War Generals Buried in Spring Grove Cemetery by James Barnett f the forty Civil War generals who are buried in Spring Grove Cemetery, twenty-three had advanced from no military experience whatsoever to attain the highest rank in the Union Army. This remarkable feat underscores the nature of the Northern army that suppressed the rebellion of the Confed- erate states during the years 1861 to 1865. Initially, it was a force of "inspired volunteers" rather than a standing army in the European tradition. Only seven of these forty leaders were graduates of West Point: Jacob Ammen, Joshua H. Bates, Sidney Burbank, Kenner Garrard, Joseph Hooker, Alexander McCook, and Godfrey Weitzel. Four of these seven —Burbank, Garrard, Mc- Cook, and Weitzel —were in the regular army at the outbreak of the war; the other three volunteered when the war started. Only four of the forty generals had ever been in combat before: William H. Lytle, August Moor, and Joseph Hooker served in the Mexican War, and William H. Baldwin fought under Giuseppe Garibaldi in the Italian civil war. This lack of professional soldiers did not come about by chance. When the Constitutional Convention met in Philadelphia in 1787, its delegates, who possessed a vast knowledge of European history, were determined not to create a legal basis for a standing army. The founding fathers believed that the stand- ing armies belonging to royalty were responsible for the endless bloody wars that plagued Europe. -
In Light of the Career and Work of Marcus Garvey, the Leadership
REACHING OuT TO A RAcE: MARCUS GARVEY AND MAss COMMUNICATION THROUGH THE LENSES OF SERVANT LEADERSHIP -SCOTT FINNIE EASTERN WASHINGTON UNIVERSITY INTRODUCTION In light of the career and work of Marcus Garvey, the leadership skills he employed help to amplify Robert Greenleaf' s description of the true and genuine servant-leader. In his classic book published in 1977, Servant Leadership: A Journey into the Nature ofLegitimate Power and Greatness, Greenleaf identifies a series of attributes and virtues necessary to fulfill the role of "the great leader" who is "seen as a servant first" (p. 7). In his eyes, the concept and dynamics of leadership need an urgent re-definition and conceptual realignment if collective entities are to reach the noble goals to which they aspire: A fresh critical look is being taken at the issues of power and authority, and people are beginning to learn, however haltingly, to relate to one another in less coercive and more creatively supporting ways. A new moral principle is emerging which holds that the only authority deserving one's allegiance is that which is freely and knowingly granted by the led to the leader in response to, and in proportion to, the clearly evident ser vant stature of the leader. (pp. 9-10) The following pages will be an exploration into the leadership methodology of Marcus Garvey against the backdrop of Greenleaf's servant-leadership themes. The first part will be a historical examination of Garvey followed by a context analysis of servant-leadership. 267 The International Journal ofServant-Leadership, 2007, vol. 3, issue 1, 267-279 GARVEY'S BACKGROUND Marcus Garvey was born in Jamaica in the late 1800s. -
The Black Arts Movement Author(S): Larry Neal Source: the Drama Review: TDR, Vol
The Black Arts Movement Author(s): Larry Neal Source: The Drama Review: TDR, Vol. 12, No. 4, Black Theatre (Summer, 1968), pp. 28-39 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1144377 Accessed: 13/08/2010 21:18 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to The Drama Review: TDR. http://www.jstor.org 29 The Black Arts Movement LARRYNEAL 1. The Black Arts Movement is radically opposed to any concept of the artist that al- ienates him from his community. -
Juneteenth, the Commemoration of the End of Slavery in the United States, Is Celebrated by Black Americans Every June 19Th
To the LSU SVM Community, We recognize the pain and suffering of many of the black members of our SVM family. We are celebrating Juneteenth, and in light of the recent events, Stephanie Johnson has compiled a list of resources here for those in need (see below for a full list). We see you, we care and we are listening to your needs. Juneteenth, the commemoration of the end of slavery in the United States, is celebrated by Black Americans every June 19th. Read More About Juneteenth Juneteenth, the commemoration of the end of slavery in the United States, will be celebrated by Black Americans on Friday, June 19th amid a national reckoning on race prompted by the police killing of George Floyd and the sweeping demonstrations that followed. Here is information about the holiday, reprinted from the news article "What to know about Juneteenth, the emancipation holiday" by NBC News correspondent Daniella Silva. The article can be read in full here. On June 19, 1865, Gen. Gordon Granger arrived with Union soldiers in Galveston, Texas, and announced to enslaved Africans Americans that the Civil War had ended and they were free — more than two years after President Abraham Lincoln’s Emancipation Proclamation. At the time Lincoln issued the proclamation, there were minimal Union troops in Texas to enforce it, according to Juneteenth.com. But with the surrender of Confederate Gen. Robert E. Lee two months earlier and the arrival of Granger’s troops, the Union forces were now strong enough to enforce the proclamation. The holiday, which gets its name from the combination of June and Nineteenth, is also known as Emancipation Day, Juneteenth Independence Day and Black Independence Day. -
Educator Resource and Activity Guide
Educator Resource and Activity Guide introduction The Gulf Islands National Seashore is a protected region of barrier islands along the Gulf of Mexico and features historic resources and recreational opportunities spanning a 12-unit park in Florida and Mississippi. The Mississippi section encompasses Cat Island, Petit Bois Island, Horn Island, East and West Ship Islands, and the Davis Bayou area. Barrier islands, long and narrow islands made up of sand deposits created by waves and currents, run parallel to the coast line and serve to protect the coast from erosion. They also provide refuge for wildlife by harboring their habitats. From sandy-white beaches to wildlife sanctuaries, Mississippi’s wilderness shore is a natural and historic treasure. This guide provides an introduction to Ship Island, including important people, places, and events, and also features sample activities for usage in elementary, middle and high school classrooms. about the documentary The Gulf Islands: Mississippi’s Wilderness Shore is a Mississippi Public Broadcasting production showcasing the natural beauty of The Gulf Islands National Seashore Park, specifically the barrier islands in Mississippi – Cat Island, East and West Ship Islands, Horn Island, and Petit Bois Island – and the Davis Bayou area in Ocean Springs. The Gulf Islands National Seashore Park stretches 160 miles from Cat Island to the Okaloosa area near Fort Walton, Florida. The Gulf Islands documentary presents the islands’ history, natural significance, their role to protect Mississippi’s coast from hurricanes and the efforts to further protect and restore them. horn island in mississippi -2- ship island people n THE HISTORY -3- Ship Island, Mississippi has served as a crossroads through 300 years of American history. -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
Library Inventory 2014.Xlsx
Last Updated 1/14/15 Jefferson County Historical Commission Library Inventory Classification Author ‐ Last Name Author ‐ First Name Book Title 976.4 Hoyt Edwin Alamo 358.4 Gregory Barry Airborne Warfare 1918‐1945 917.64 Foster Nancy Haston Alamo and Other Texas Missions to Remember 976.4 Groneman Bill Alamo Defenders 976.4 Groneman Bill Alamo Defenders 976.4 Templeton R. L. Alamo Soldier 976.4 Levy Janey Alamo: A Primary Source 940.3 Hoobler Dorothy Album of World War I 940.54 Jablonski Edward America in the Air War 940.53 Sulzberger C. L. American Heritage Picture 940.54 Sulzbergere C. L. American Hertiage Picture History of WW II 976.4 Watt Tula Townsend American Legion Auxiliary‐Dept. of Texas‐A History 1920‐1940 398.2 Brewer J. Mason American Negro Folklore 913.03 Cohen Daniel Ancient Monuments and How They Were Built 688.728 Godel Howard Antique Toy Trains 581.2 Stutzenbaker Charles Aquatic & Wetland Plants of the Western Gulf Coast 9*30.1 Fradin Dennis B. Archaeology 913 Schmandt‐Besserat Denise Archaeology 930.1 McIntosh Jane Archeology 930.1 Archeology 358.4 Nevin David Architects of Air Power 355.8 Coggins Jack Arms and Equipment of Civil War 355.1 Rosignoli Guido Army Badges & Insignia of World War 2 ‐ Book 1 355.1 Rosignoli Guido Army Badges & Insignia of World War 2 ‐ Book 2 355.1 Mollo Andrew Army Uniforms of World War 2 358.4 Weeks John Assault From the Sky 976.4 Carter Kathryn At the Battle of San Jacinto 911.73 Jackson Kenneth Atlas of American History 912.7 National Geographic Atlas of Natural America 976.4 Emery Emma Wilson Aunt Puss and Others 940.54 B‐17s Over Berlin 976.4 McDonald Archie Back Then: Simple Pleasures 976.4 Sitton Thad Backwoodsmen 973.7 McPherson James Battle Cry of Freedom Last Updated 1/14/15 Jefferson County Historical Commission Library Inventory Classification Author ‐ Last Name Author ‐ First Name Book Title 973.7 McPherson James Battle Cry of Freedom 973.7 McWhiney Grady Battle in the Wilderness 940.54 Goolrick William K. -
The Vulnerability of the Union War Effort to Naval Attacks at the Beginning of the US Civil War David G. Surdam
The Vulnerability of the Union War Effort to Naval Attacks at the Beginning of the US Civil War David G. Surdam The Confederate warship Virginia's short-lived triumph in March 1862 triggered a latent fear among some northerners, perhaps exemplified by Secretary of War Edwin Stanton's fit of panic. Upon hearing of the ironclad warship Virginia's successful sortie and apparent invulnerability against a northern fleet anchored in Hampton Roads off the southern Virginia coast, Stanton feared that the ironclad would destroy the remainder of the Union fleet there and scuttle General George McClellan's campaign against Richmond. He further feared that the ironclad would then steam up the Atlantic coast and wreak havoc upon northern ports, and he warned New York officials to block the entrances to the port. Confederate Secretary of the Navy Stephen Mallory hoped for this very result. Virginia's dubious seaworthiness and the Federal warship Monitor squelched Mallory's hopes and allayed Stanton's fears. Prior to Virginia's attack, northern nerves were upset by the Trent incident and the attendant possibility of British naval attacks.1 Virginia's failure to fulfill the Confederacy's hopes should not disguise the unease northerners felt about potential naval attacks. Northerners certainly were familiar with the effects of naval attacks: the War of 1812 was reminder enough. Was the northern war effort vulnerable to naval attacks? Was it important that the Federal navy prevented the nascent Confederate navy or the powerful British navy from attacking northern ports? The vulnerability or invulnerability of the northern war effort to naval attacks has received little attention from historians, possibly because Confederate naval attacks seemed unlikely and because the Trent incident ended quietly. -
Afro-Latinx Transnational Identities: Adults in the San Francisco Bay and Los Angeles Area Koby Heramil [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Theses Theses, Dissertations, Capstones and Projects Fall 12-15-2017 Afro-Latinx Transnational Identities: Adults in the San Francisco Bay and Los Angeles Area Koby Heramil [email protected] Follow this and additional works at: https://repository.usfca.edu/thes Part of the Arts and Humanities Commons, Education Commons, and the Social and Behavioral Sciences Commons Recommended Citation Heramil, Koby, "Afro-Latinx Transnational Identities: Adults in the San Francisco Bay and Los Angeles Area" (2017). Master's Theses. 262. https://repository.usfca.edu/thes/262 This Thesis is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Theses by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Afro-Latinx Transnational Identities: Adults in the San Francisco Bay and Los Angeles Area Koby Heramil University of San Francisco November 2017 Master of Arts in International Studies Afro-Latinx Transnational Identities: Adults in the San Francisco Bay and Los Angeles Area In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS in INTERNATIONAL STUDIES by Koby Heramil November 21, 2017 UNIVERSITY OF SAN FRANCISCO Under the guidance and approval of the committee, and approval by all the members, this thesis project has been accepted in partial fulfillment of the requirements for the degree. APPROVED: Adviser Date 12-21-2017 ________________________________________ ________________________ Academic Director Date ________________________________________ ________________________ !ii Nomenclature (For this study) 1.