Seize the Time: the Story of the Black Panther Party
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Celebrate Kwanzaa Well, It's December 29Th. We've Run out Of
Celebrate Kwanzaa Well, it’s December 29th. We’ve run out of Advent Sundays but we aren’t quite to the new year. I wanted to continue the inter-faith kind of theme we’ve had for December so I was guided to Kwanzaa. Technically, Kwanzaa isn’t faith based but it is culture based. So what culture and why do we have Kwanzaa, what does it mean and why should anyone at Unity of Lehigh Valley care about it? You know how I keep talking about how the Universe contributes to my sermons? Well, when the Universe stops contributing, I’ll stop talking about it. I was randomly searching for something to watch on Netflix one night and for some reason clicked on a movie titled, “Holiday in the Wild.” Not filmed in Philadelphia, it was filmed in Zambia. A movie much more about elephant conservation than Christmas, it was really interesting to watch it and notice little things. Like that the film begins with modern cities in Zambia, a modern airport and luxury hotel. Local people were seen with ordinary clothes, although many had the African fabric and men and women often wore more loose fitting than Western styles. The roles of people who worked at the Elephant nursery were treated with respect and African people were seen as intelligent and hard-working and compassionate. Now I want you to reflect on the ways the dominant, white European culture in the United States typically describes what I will call, “original people”. How have you heard Native Americans described? How did whites describe the individuals brought to this country from Africa and forced into slavery? Mostly I think of the word, “savages”. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
And at Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2018 And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Education Commons Recommended Citation Garrett, Linda, "And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind" (2018). Doctoral Dissertations. 450. https://repository.usfca.edu/diss/450 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. University of San Francisco And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment For the Requirements for Degree of the Doctor of Education by Linda Garrett, MA San Francisco May 2018 THE UNIVERSITY OF SAN FRANCISCO DISSERTATION ABSTRACT AND AT ONCE MY CHAINS WERE LOOSED: HOW THE BLACK PANTHER PARTY FREED ME FROM MY COLONIZED MIND The Black Panther Party was an iconic civil rights organization that started in Oakland, California, in 1966. Founded by Huey Newton and Bobby Seale, the Party was a political organization that sought to serve the community and educate marginalized groups about their power and potential. -
Oral History Bill Brent Bill Brent Was a Captain in the Black Panther Party
Student Handout Oakland Museum of California What’s Going On? California and the Vietnam Era Lesson Plan #2 1968: Year of Social Change and Turning Point in Vietnam and the U.S. Oral History Bill Brent Bill Brent was a Captain in the Black Panther Party. My name is Brent, Bill Brent and I a Captain of the Black Panther Party associated with the Central Headquarters of the Black Panther Party, located in Oakland California. Oakland, population 400,000—32% black. In Merritt College two students, Huey Newton and Bobby Seale. Later they began to organize their brothers against their closest enemy, the police whom they call the PIGS. In 1966, taking advantage of a law, which authorized the carrying of visible arms patrols of the Black Panther Party for Self- Defense, cruised in the ghetto following police cars. As soon as a black is arrested they check the procedure making sure the law is observed and their brother knows his rights. As a result, the police hate them and the black community admires them. But the law has changed; they no longer carry arms even if they speak of them often, quoting Mao dreaming of obtaining power through guns and justice through power. The Black Panther Party are not anarchists we believe in government for the People. In the Black community we want government to serve the people, we gonna first start with [inaudible]…They killed brother Bobby Hutton, shot Brother Eldridge Cleaver, shot Brother Warren Wells, arrested Brother David Hilliard our National Captain of the Black Panther Party, they are making it their business through the process of arresting me and my wife, through the process of arresting numerous Panthers on the block… the Oakland. -
Do Guns Preclude Credibility?: Considering the Black Panthers As a Legitimate Civil Rights Organisation
Do Guns Preclude Credibility 7 Do Guns Preclude Credibility?: Considering the Black Panthers as a legitimate Civil Rights organisation Rebecca Abbott Second Year Undergraduate, Monash University Discontent over social, political and racial issues swelled in the United States during the mid- sixties. Even victories for the Civil Rights movement could not stem the dissatisfaction, as evidenced by the Watts riots that broke out in Los Angeles during August 1965, only two weeks after the Voting Rights Act was signed.1 Rioting had become more frequent, thus suggesting that issues existed which the non-violent Civil Rights groups could not fix. In 1966, the National Advisory Commission on Civil Disorders reported that forty-three race riots had occurred across the country, nearly tripling the fifteen previously reported for 1964.2 The loss of faith in mainstream civil rights groups was reflected in a 1970 poll of black communities conducted by ABC-TV in which the Black Panther Party for Self Defense (BPP) was the only black organisation that ‘respondents thought would increase its effectiveness in the future.’3 This was in contrast to the National Association for the Advancement of Colored People (NAACP) and the Southern Christian Leadership Conference, which the majority thought would lose influence.4 Equality at law had been achieved, but that meant little in city ghettoes where the issues of poverty and racism continued to fester.5 It was from within this frustrated atmosphere that in October 1966, 1 See Robert Charles Smith, We Have No Leaders: African Americans in the Post-Civil Rights Era, (New York: State University of New York Press, 1996), 17. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Page 1 of 4 Popmatters | Columns | Mark Reynolds | Negritude 2.0 | Re
PopMatters | Columns | Mark Reynolds | Negritude 2.0 | Re-Seizing the Time Page 1 of 4 Features | Columns | Blogs | News | Music | Film | TV | DVDs | Books | Comics | Multimedia | Events | PopComix | Front about contributors submissions book imprint advertising contests PopShop Media Center CALL FOR COLUMNISTS: PopMatters Seeks Intelligent Misfits. Deadline: Mid-to-late January 2007. TO FEATURES | recent :. Readers’ Delig :. Slipped Discs COLUMNS | recent NEGRITUDE 2.0: Re GLOBAL BEAT FUSIO BLOGS | recent SHORT ENDS AND L This - Yvonne D POPCOMIX ANNEX: premiere] CONDENSED VERSI PERIPATETIC POST MUSIC | recent | s :. Deerhoof: Frie :. David Kilgour :. Voice: Gumbo :. Akon: Konvict :. Steve Turner: :. The Frank He :. Johannes Lins EVENTS | recent :. Art with a Vie TELEVISION | recen NEGRITUDE 2.0: Re-Seizing the Time :. Gay, Straight [15 January 2007] :. Lincoln Heigh by Mark Reynolds For all the gains we’ve made in electoral DVDS | recent | S Email Print Comments (0) politics and community leadership, there :. Return to the :. Archie Shepp has yet to be a successor to the Black William Lee Brent isn’t one of those names quickly Panther Party as a nationally organized, BOOKS | recent associated with the furious tenor of ‘60s counter- politically oriented body speaking out and :. 31 Days: The culture. His face isn’t fodder for dorm-room posters working on the vanguard in the name of We Have Today like Che Guevara’s, his rhetoric isn’t burned into the black progress, directly confronting and MULTIMEDIA | rece history books like Stokely Carmichael’s. Many people :. Spider Man: B probably didn’t realize that Brent enjoyed any challenging the powers-that-be. -
Karenga's Men There, in Campbell Hall. This Was Intended to Stop the Work and Programs of the Black
THE BLACK P'"THRR. """0". J'"""V "' ,~, P'CF . ,J: Dr. Martin - II But there comes a time, that. peoPle get tired...tired of being segregated and humiliated; tired of being kicked about by the brutal feet of oppression. For many years, we have shown amazing patience. We have sometimes given our white brothers the feeling that we liked the way we were being treated. But we come here tonight to be saved from that patience that makes us patient with anything less than freedom and justice. "...If you will protest courageously, and yet with dignity and love, when history books are written in future genera- tions, the historians will have to pause and say, 'there lived a great peoPle--a Black peoPle--who injected new meanir:&g and dignity into the veins of civilization.' This is our challenge and our overwhelming responsibility." t.1 " --Dr. Martin Luther King, Jr. Montgomery, Alabama 1956 With pulsating voice, he made mockery of our fears; with convictlon and determinatlon he delivered a Message which made us overcome these fears and march forward with dignity . ALL POWER TO THE PEOPLE \'-'I'; ~ f~~ ALPRENTICE CARTER JOHN HUGGINS We commemorate the lives of two In the fall of 1968,Bunchy and John Karenga's men there, in Campbell of our fallen brothers, Alprentice began to participate in a special edu- Hall. This was intended to stop the "Bunchy" Carter and John Jerome cational program for poor Black and work and programs of the Black Pan- Huggins, who were murdered J anuary Mexican -American students at ther Party in Southern California. -
Living for the City Donna Jean Murch
Living for the City Donna Jean Murch Published by The University of North Carolina Press Murch, Donna Jean. Living for the City: Migration, Education, and the Rise of the Black Panther Party in Oakland, California. The University of North Carolina Press, 2010. Project MUSE. muse.jhu.edu/book/43989. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/43989 [ Access provided at 22 Mar 2021 17:39 GMT from University of Washington @ Seattle ] 5. MEN WITH GUNS In the aftermath of the Watts rebellions, the failure of community pro- grams to remedy chronic unemployment and police brutality prompted a core group of black activists to leave campuses and engage in direct action in the streets.1 The spontaneous uprisings in Watts called attention to the problems faced by California’s migrant communities and created a sense of urgency about police violence and the suffocating conditions of West Coast cities. Increasingly, the tactics of nonviolent passive resistance seemed ir- relevant, and the radicalization of the southern civil rights movement pro- vided a new language and conception for black struggle across the country.2 Stokely Carmichael’s ascendance to the chairmanship of the Student Non- violent Coordinating Committee SNCC( ) in June 1966, combined with the events of the Meredith March, demonstrated the growing appeal of “Black Power.” His speech on the U.C. Berkeley campus in late October encapsu- lated these developments and brought them directly to the East Bay.3 Local activists soon met his call for independent black organizing and institution building in ways that he could not have predicted. -
In Light of the Career and Work of Marcus Garvey, the Leadership
REACHING OuT TO A RAcE: MARCUS GARVEY AND MAss COMMUNICATION THROUGH THE LENSES OF SERVANT LEADERSHIP -SCOTT FINNIE EASTERN WASHINGTON UNIVERSITY INTRODUCTION In light of the career and work of Marcus Garvey, the leadership skills he employed help to amplify Robert Greenleaf' s description of the true and genuine servant-leader. In his classic book published in 1977, Servant Leadership: A Journey into the Nature ofLegitimate Power and Greatness, Greenleaf identifies a series of attributes and virtues necessary to fulfill the role of "the great leader" who is "seen as a servant first" (p. 7). In his eyes, the concept and dynamics of leadership need an urgent re-definition and conceptual realignment if collective entities are to reach the noble goals to which they aspire: A fresh critical look is being taken at the issues of power and authority, and people are beginning to learn, however haltingly, to relate to one another in less coercive and more creatively supporting ways. A new moral principle is emerging which holds that the only authority deserving one's allegiance is that which is freely and knowingly granted by the led to the leader in response to, and in proportion to, the clearly evident ser vant stature of the leader. (pp. 9-10) The following pages will be an exploration into the leadership methodology of Marcus Garvey against the backdrop of Greenleaf's servant-leadership themes. The first part will be a historical examination of Garvey followed by a context analysis of servant-leadership. 267 The International Journal ofServant-Leadership, 2007, vol. 3, issue 1, 267-279 GARVEY'S BACKGROUND Marcus Garvey was born in Jamaica in the late 1800s. -
War Against the Panthers: a Study of Repression in America
War Against The Panthers: A Study Of Repression In America HUEY P. NEWTON / Doctoral Dissertation / UC Santa Cruz 1jun1980 WAR AGAINST THE PANTHERS: A STUDY OF REPRESSION IN AMERICA A Dissertation submitted in partial satisfaction of the requirements for the degree of: DOCTOR OF PHILOSOPHY in HISTORY OF CONSCIOUSNESS by Huey P. Newton June 1980 PREFACE There has been an abundance of material to draw upon in researching and writing this dissertation. Indeed, when a friend recently asked me how long I had been working on it, I almost jokingly replied, "Thirteen years—since the Party was founded." 1 Looking back over that period in an effort to capture its meaning, to collapse time around certain significant events and personalities requires an admitted arbitrariness on my part. Many people have given or lost their lives, reputations, and financial security because of their involvement with the Party. I cannot possibly include all of them, so I have chosen a few in an effort to present, in C. Wright Mills' description, "biography as history." 2 This dissertation analyzes certain features of the Party and incidents that are significant in its development. Some central events in the growth of the Party, from adoption of an ideology and platform to implementation of community programs, are first described. This is followed by a presentation of the federal government's response to the Party. Much of the information presented herein concentrates on incidents in Oakland, California, and government efforts to discredit or harm me. The assassination of Fred Hampton, an important leader in Chicago, is also described in considerable detail, as are the killings of Alprentice "Bunchy" Carter and John Huggins in Los Angeles.