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Putri Sulistyowati Sasongko 28/05/15 Modern Approach of Conserving
Modern Approach of Conserving Historic Buildings ‘Castelvecchio & Palazo Chiericati’ By Putri Sulistyowati Sasongko Kingston University London The Journey to Observe and Study the Buildings from the Trip to Italy, 23 – 27 March 2015. The study trip itinerary had provided the list of from the study trip, focusing on the observation historic buildings that are mostly designed by of conservation works on both Castelvecchio Andrea Palladio, an internationally well-known (Verona) and Palazzo Chiericati (Vicenza). Italian architect from the 16th Century. With the Even though Castelvecchio was not designed influence of Greek and Roman style by Palladio, the castle was chosen along with architecture, he also produced many of Palazzo Chiericati to be part of the case study, renaissance style buildings. Palladio is focusing on their similar approaches of the considered as one of the most influential conservation works for the building. architects in the history of European architecture. Many of his works were found in all over Italy. However, the three points of areas of study are in Vicenza, Verona, and Venice. With its historic buildings that were born earlier than United Kingdom, the Italian style architecture influenced the United Kingdom and showed the resemblance in many of the Figure 1. Castelvecchio, Restored by Carlo Scarpa in 1958 – buildings as well. Therefore, it shows that 1974 (by writer) nothing is really ‘pure’ in architecture styles, design and art- they are the group and compilations of everything that were affecting the object. This trip was considered as an architectural trail for where the students were trying to find and history and character of Italian architecture. -
J. Kirk Richards
mormonartist Issue 1 September 2008 inthisissue Margaret Blair Young & Darius Gray J. Kirk Richards Aaron Martin New Play Project editor.in.chief mormonartist Benjamin Crowder covering the Latter-day Saint arts world proofreaders Katherine Morris Bethany Deardeuff Mormon Artist is a bimonthly magazine Haley Hegstrom published online at mormonartist.net and in print through MagCloud.com. Copyright © 2008 Benjamin Crowder. want to help? All rights reserved. Send us an email saying what you’d be Front cover paper texture by bittbox interested in helping with and what at flickr.com/photos/31124107@N00. experience you have. Keep in mind that Mormon Artist is primarily a Photographs pages 4–9 courtesy labor of love at this point, so we don’t Margaret Blair Young and Darius Gray. (yet) have any money to pay those who help. We hope that’ll change Paintings on pages 12, 14, 17–19, and back cover reprinted soon, though. with permission from J. Kirk Richards. Back cover is “Pearl of Great Price.” Photographs on pages 2, 28, and 39 courtesy New Play Project. Photograph on pages 1 and 26 courtesy Vilo Elisabeth Photography, 2005. Photograph on page 34 courtesy Melissa Leilani Larson. Photograph on page 35 courtesy Gary Elmore. Photograph on page 37 courtesy Katherine Gee. contact us Web: mormonartist.net Email: [email protected] tableof contents Editor’s Note v essay Towards a Mormon Renaissance 1 by James Goldberg interviews Margaret Blair Young & Darius Gray 3 interviewed by Benjamin Crowder J. Kirk Richards 11 interviewed by Benjamin Crowder Aaron Martin 21 interviewed by Benjamin Crowder New Play Project 27 interviewed by Benjamin Crowder editor’snote elcome to the pilot issue of what will hope- fully become a longstanding love affair with the Mormon arts world. -
A Study of the Effect of Color in the Utah Temple Murals
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1968 A Study of the Effect of Color in the Utah Temple Murals Terry John O'Brien Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art and Design Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation O'Brien, Terry John, "A Study of the Effect of Color in the Utah Temple Murals" (1968). Theses and Dissertations. 4990. https://scholarsarchive.byu.edu/etd/4990 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A STUDY OF THE EFFECT OF COLOR INTHEIN THE UTAH TEMPLE MMALSMURALS 41k V A thesisthes is presented to the department of art brigham young university in partial fulfillment of the requirements for thedegreethe degree master of arts by terryjohnterry john obrien may 19196868 m TABLE OF CONTENTS page LIST OF TABLES e 0 9 0 0 0 0 0 19 0 0 0 vi chapter I1 introduction 0 0 10 0 0 0 0 0 statement of the problem questions and data inherent to the problem justificationustifaustif icationmication and signifsigniasignificance3 cance of the study sourcsourasourceses of information delimitations of thestathestuthe studydy organization oftheodtheof the material basic assumptions definition of terms II11 THE FOUR UTAH TEMPLES AND THEIR ARTISTS 0 0 11 temple beginnings -
Wise Or Foolish: Women in Mormon Biblical Narrative Art
BYU Studies Quarterly Volume 57 Issue 2 Article 4 2018 Wise or Foolish: Women in Mormon Biblical Narrative Art Jennifer Champoux Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Part of the Mormon Studies Commons, and the Religious Education Commons Recommended Citation Champoux, Jennifer (2018) "Wise or Foolish: Women in Mormon Biblical Narrative Art," BYU Studies Quarterly: Vol. 57 : Iss. 2 , Article 4. Available at: https://scholarsarchive.byu.edu/byusq/vol57/iss2/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Champoux: Wise or Foolish Wise or Foolish Women in Mormon Biblical Narrative Art Jennifer Champoux isual imagery is an inescapable element of religion. Even those Vgroups that generally avoid figural imagery, such as those in Juda- ism and Islam, have visual objects with religious significance.1 In fact, as David Morgan, professor of religious studies and art history at Duke University, has argued, it is often the religions that avoid figurative imag- ery that end up with the richest material culture.2 To some extent, this is true for Mormonism. Although Mormons believe art can beautify a space, visual art is not tied to actual ritual practice. Chapels, for exam- ple, where the sacrament ordinance is performed, are built with plain walls and simple lines and typically have no paintings or sculptures. Yet, outside chapels, Mormons enjoy a vast culture of art, which includes traditional visual arts, texts, music, finely constructed temples, clothing, historical sites, and even personal devotional objects. -
And Symbolism in Virgin with Child, Young St. John
The Biota of the Florentine Tondo: a biological survey and symbolism in Virgin with Child, Young St. John the Baptist and an Angel by Piero di Cosimo (1462-1522) A Biota do Tondo Florentino: levantamento biológico e simbolismo em Virgem com o Menino, São João Batista Criança e um Anjo de Piero di Cosimo (1462-1522) DOI: 10.20396/rhac.v1i1.13693 INÁCIO SCHILLER BITTENCOURT REBETEZ Programa de Pós-graduação em História da Arte, Universidade Estadual de Campinas (UNICAMP) 0000-0002-5084-010X ALCIMAR DO LAGO CARVALHO Museu Nacional, Universidade Federal do Rio de Janeiro (UFRJ) 0000-0002-5588-788X Abstract This paper describes and identifies the biological elements depicted in Virgin with Child, Young St. John the Baptist and an Angel by Piero di Cosimo (1462-1522) from the permanent collection of the Museu de Arte de São Paulo Assis Chateaubriand, which include a bird, an insect, a mushroom and 10 vegetables, seven of which in flowering. Starting with an analysis of the probable symbolic roles of each biological element based on individual natural and biological properties then proceeding to interpret the presence of each vis-à-vis its relation to the others, this article shows the undeniable convergence of each object’s meaning: birth, death and regeneration (or reproduction) likened to the birth, death and resurrection of Christ. Keywords: Piero di Cosimo. Biological survey. Symbolism. Resumo Neste artigo, os itens biológicos representados na Virgem com o Menino, São João Batista Criança e um Anjo de Piero di Cosimo (1462-1522), do acervo do Museu de Arte de São Paulo Assis Chateaubriand, incluindo um pássaro, um inseto, um cogumelo e dez vegetais, sete deles com flores, foram descritos e identificados. -
Workshop Booklet Available(Pdf)
4TH STATSEQ WORK S HOP 18TH and 19TH April, 2012 Polo Zanotto University of Verona (Italy) 3 INDEX 4TH STATSEQ WORK S HOP 18TH and 19TH April, 2012 Polo Zanotto - University of Verona (Italy) COMMITTEES & SECRETARIATS page 5 PROGRAM page 6-7 ORAL PRESENTATIONS page 9 From one for all to all for one: the NGS revolution in plant science research page 11 Assembly and temporal characterization of the V. vinifera cv. Corvina berry transcriptome page 12 TransPLANT, developing a trans-National infrastructure for Plant Genomic Science page 13 NGS data processing with Conveyor workflows page 14 MotifLab: A tools and data integration workbench for motif discovery and regulatory sequence analysis page 15 Genome-wide methods for the study of DNA-methylation inheritance page 16 A statistical approach to estimate copy number from NGS capture sequencing data page 17 Variability in RNA-seq: design and modeling page 18 A Comprehensive Evaluation of Normalization Methods for High-Throughput RNA Sequencing Data Analysis page 19 Model-based clustering for high-throughput sequencing data to determine similar expression profiles across genes page 20 Haplotype estimation and imputation using low-coverage sequence data page 21 SNP discovery from Next Generation Sequencing to study for genome variation in Arabis alpina natural populations page 22 Genotyping by sequencing tetraploid potato and attempts towards reconstruction of haplotypes page 23 Genotyping by Sequencing in Maize page 24 The effect of LD between SNPs on some statistical methods for GWAS page 25 -
THESIS a REASON to BELIEVE: a RHETORICAL ANALYSIS of MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communic
THESIS A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2012 Master’s Committee Advisor: Carl Burgchardt Eric Aoki Kathleen Kiefer ABSTRACT A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS In this analysis, I examine Mormon cinema and how it functions on a rhetorical level. I specifically focus on missionary films, or movies that are framed by LDS missionary narratives. Through an analysis of two LDS missionary films, namely Richard Dutcher’s God’s Army (2000) and Mitch Davis’ The Other Side of Heaven (2001), I uncover two rhetorical approaches to fostering spirituality. In my first analysis, I argue that God’s Army presents two pathways to spirituality: one which produces positive consequences for the characters, and the other which produces negative consequences. I call these pathways, respectively, ascending and descending spirituality, and I explore the rhetorical implications of this framing. In my second analysis, I contend that The Other Side of Heaven creates a rhetorical space wherein the audience may transform. Specifically, the film constructs a “Zion,” or a heaven on earth, with three necessary components, which coincide perfectly with established LDS teachings: God, people, and place. These three elements invite the audience to accept that they are imperfect, yet they can improve if they so desire. Ultimately, by comparing my findings from both films, I argue that the films’ rhetorical strategies are well constructed to potentially reinforce beliefs for Mormon audiences, and they also may invite non-Mormons to think more positively about LDS teachings. -
VERONA Surrounding Area VERONA Surrounding Area
Consorzio di Promozione e Commercializzazione Turistica VERONAVERONAand the surroundingsurroundingand the areaarea A guide to the city and Province of Verona TRAVEL DISTANCE BY Legend: MOTORWAY FROM VERONA TO: Trento km. 103 Fair Bolzano km. 157 Airport Vicenza km. 51 Venice km. 114 Lake Garda Brescia km. 68 Lessinia Milan km. 161 Bologna km. 142 Veronese Plain Florence km. 230 Soave Rome km. 460 Valpolicella Verona AFFI VERONA and the surrounding area A guide to the city and Province of Verona Verona Tuttintorno is proud to present the new edition of "Verona and the Surrounding Area - A Guide to the City and Province of Verona". The publication provides a general overview of the area's riches, and describes 30 fascinating itineraries to explore. The guide represents a collaborative effort between the Consortium and its members: travel agencies, hoteliers, restaurant owners, wineries, the Wine Road association, local government, transportation agencies, and tourist-sector service providers of every kind. The included itineraries offer a myriad of possibilities for enjoying the area's cultural riches, its nearby mountains, lake, and plain, getting and its world-famous enogastronomic traditions. Verona Tuttintorno, a consortium of businesses dedicated to promoting local tourism and the cultural, environmental, and enogastronomic to Verona patrimony of the City and Province of Verona, also offers up-to-date information and itinerary planning assistance for those wishing to make Verona and the surrounding area their next vacation destination. BY CAR BY TRAIN BY PLANE Enjoy Verona and the surrounding area!!! The A4 Motorway crosses the province Verona is served by the main train line The Valerio Catullo Airport, situated in of Verona from east to west. -
Mormon Abstract
Abstract http://www.mormonartistsgroup.com/Mormon_Artists_Group/Abstract.html Welcome What's New Works Glimpses Events Freebies About MAG Contact Mormon Abstract by Stephanie K. Northrup January 2010 [i] When you think of Mormons “pushing the envelope,” what comes to mind? Deacons at the door collecting fast offerings? Try Bethanne Andersen’s The Last Supper (Place Setting). Many beautiful renditions of the Last Supper already exist, telling the story through dramatic lighting, facial expressions, and body language. Andersen tries a new perspective. She paints the dishes from which Christ eats His last mortal meal. That’s it. No people. Just us – invited to put ourselves in His shoes. The dishes are painted in soft pastel, as if on the verge of fading. This is a fleeting moment, like mortality, as He sits with His friends before making the ultimate sacrifice. By pushing the envelope, by throwing a new image at us that makes us consider the story in a new way, Andersen invites viewer participation. What a great approach to “likening the scriptures.” While Greg Olsen, Del Parson, and Simon Dewey are household names, ask most Mormons to name an abstract artist in the Church and you’ll probably get blank stares. Do Mormons make abstract art? We do. And we have been for a long time. In 1890, the church sent John Hafen and other “art missionaries” to Paris. Their assignment was to improve their skill so that they could create art for the Salt Lake Temple. What did these artists return with? Impressionism! Bright, thick brush strokes replaced traditional refined detail. -
The Cloning of Mormon Architecture
THE CLONING OF MORMON ARCHITECTURE MARTHA SONNTAG BRADLEY THOUGH BRIGHAM YOUNGS SERMONS were often full of exaggerations, he was right on the mark when he said, To accomplish this work there will have to be not only one temple but thousands of them, and thousands of ten thousands of men and women will go into those temples and officiate.1 Brigham clearly envisioned the 6,500 church buildings the Latter-day Saints would have erected by 1980. The architectural history of the Church of Jesus Christ of Latter-day Saints reflects an industrious, proud and diversified tradition in style, technology and objective. Mormon architecture, always responsive to the changing environment, has expressed changes in church membership, tastes, philosophy and the organizational structure of the Church itself. Historically, Latter-day Saints have had three distinct forms of ecclesiasti- cal architecture: the temple, the tabernacle and the ward meetinghouse. In the nineteenth century, these three types were clearly distinguishable in size, style and function. In the mid-twentieth century, however, when tab- ernacles were no longer built by the Church, temples and ward meeting- houses drew closer in style and character. Even in pioneer times, Mormon architecture expressed little that was truly indigenous. Most styles and forms, like the castellated Gothic style of the Salt Lake Temple, were adapted from other historical periods and applied to Mormon culture. The period beginning in 1920 became identified with a growing conservatism and historicity in architectural attitudes and practice, MARTHA SONNTAG BRADLEY is currently completing her master's thesis at BYU. She presented this paper at the Mosaic of Mormon Culture Sesquicentennial Symposium 1980 at BYU. -
Mormon Recruitment of Christian Young People
How Mormons Recruit Christian Young People for the LDS Church By the Mother of a Mormon who has a Heart for the Lost “Go, therefore and make disciples of all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Spirit, teaching them to obey everything I have commanded you” (Matt. 28:19). Most Christians will recognize the words above as the Great Commission where Jesus Christ commanded His disciples and followers (that’s us!) to share the good news of salvation with all people. Many Christians take these words very seriously. But, others do not. Some Christian who do not take the Great Commission seriously may not feel equipped to share their faith. Others may be afraid to share their faith. And still others may be babes in Christ. We should pray that the Lord would strengthen their faith and encourage them to grow spiritually. But the members of the Church of Jesus Christ of Latter‐day Saints (LDS/Mormons) do take these words seriously. Mormons are knocking on doors, sharing their false teachings and beliefs, and convincing the uninformed Christian and those with no faith that they have the true church. In particular the Mormons are reaching out to your children and youth who may be Biblically uninformed. How do they reach out to your children, youth, and young adults? First, LDS children are trained starting at age 2 or 3 to give their testimony of their faith. They receive training in their faith at church, Sunday school, Family home night (Mondays), Boy Scouts or young Women Activities and camping, classes at Seminaries (high school) or Institutes (colleges). -
Bibliografia Veronese 2009 2011 Viviani Volpato UV 2014.Indd
G. F. VIVIANI ACCADEMIA DI AGRICOLTURA SCIENZE E LETTERE DI VERONA G. VOLPATO UNIVERSITÀ DEGLI STUDI DI VERONA BIBLIOGRAFIA VERONESE BIBLIOGRAFIA VERONESE (2009-2011) (2009-2011) di GIUSEPPE FRANCO VIVIANI e GIANCARLO VOLPATO Supplemento al vol. 185° degli Atti e Memorie dell’Accademia di Agricoltura Scienze e Lettere di Verona MMXIV VERONA · MMXIV ISBN 978-88-98513-63-5 Volumi pubblicati della “Bibliografia Veronese” Volume I: 1966-1970 (esaurito) Volume II: 1971-1973 (esaurito) Volume III: 1974-1987 (esaurito) Volume IV: 1988-1992 (esaurito) Volume V: 1993-1996 (esaurito) Volume VI: 1997-1999 (esaurito) cd: 1966-1999 (esaurito) Volume VII: 2000-2002 (esaurito) Volume VIII: 2003-2005 Volume IX: 2006-2008 Volume X: 2009-2011 ACCADEMIA DI AGRICOLTURA SCIENZE E LETTERE DI VERONA UNIVERSITÀ DEGLI STUDI DI VERONA BIBLIOGRAFIA VERONESE (2009-2011) di GIUSEPPE FRANCO VIVIANI e GIANCARLO VOLPATO Supplemento al vol. 185° degli Atti e Memorie dell’Accademia di Agricoltura Scienze e Lettere di Verona VERONA · MMXIV Pubblicato con il contributo del Fondo di ricerca (ex 60%) © 2014 - Dipartimento Tempo Spazio Immagine Società (TeSIS) Università degli Studi di Verona Impaginazione e stampa: Tipolitografia «La Grafica», Vago di Lavagno (Verona) ISBN 978-88-98513-63-5 INDICE Presentazione 7 Al Lettore 9 Selezione dalla critica: non per gloria né per interesse 11 Abbreviazioni 25 Avvertenza 29 Piano di classificazione 31 schede bibliografiche Generalità 41 Filosofia e discipline connesse 53 Religione 56 Scienze sociali 71 Linguistica 115 Scienze pure 120 Tecnologia (Scienze applicate) 129 Arti 135 Letteratura 206 Storia e Geografia 239 Indice degli autori 401 Indice dei soggetti 429 PRESENTAZIONE Sono trascorsi molti anni da quando i due autori della Bibliografia veronese hanno cominciato a lavorare assieme: siamo stati abituati, ormai, ad aspetta- re, a ritmi cadenzati ma sempre precisi, i loro volumi.