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The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
William Smith, Isaach Sheen, and the Melchisedek & Aaronic Herald
William Smith, Isaach Sheen, and the Melchisedek & Aaronic Herald by Connell O'Donovan William Smith (1811-1893), the youngest brother of Mormon prophet, Joseph Smith, was formally excommunicated in absentia from the Church of Jesus Christ of Latter-day Saints on October 19, 1845.1 The charges brought against him as one of the twelve apostles and Patriarch to the church, which led to his excommunication and loss of position in the church founded by his brother, included his claiming the “right to have one-twelfth part of the tithing set off to him, to be appropriated to his own individual use,” for “publishing false and slanderous statements concerning the Church” (and in particular, Brigham Young, along with the rest of the Twelve), “and for a general looseness and recklessness of character which is ill comported with the dignity of his high calling.”2 Over the next 15 years, William founded some seven schismatic LDS churches, as well as joined the Strangite LDS Church and even was surreptitiously rebaptized into the Utah LDS church in 1860.3 What led William to believe he had the right, as an apostle and Patriarch to the Church, to succeed his brother Joseph, claiming authority to preside over the Quorum of the Twelve, and indeed the whole church? The answer proves to be incredibly, voluminously complex. In the research for my forthcoming book, tentatively titled Strange Fire: William Smith, Spiritual Wifery, and the Mormon “Clerical Delinquency” Crises of the 1840s, I theorize that William may have begun setting up his own church in the eastern states (far from his brother’s oversight) as early as 1842. -
J. Kirk Richards
mormonartist Issue 1 September 2008 inthisissue Margaret Blair Young & Darius Gray J. Kirk Richards Aaron Martin New Play Project editor.in.chief mormonartist Benjamin Crowder covering the Latter-day Saint arts world proofreaders Katherine Morris Bethany Deardeuff Mormon Artist is a bimonthly magazine Haley Hegstrom published online at mormonartist.net and in print through MagCloud.com. Copyright © 2008 Benjamin Crowder. want to help? All rights reserved. Send us an email saying what you’d be Front cover paper texture by bittbox interested in helping with and what at flickr.com/photos/31124107@N00. experience you have. Keep in mind that Mormon Artist is primarily a Photographs pages 4–9 courtesy labor of love at this point, so we don’t Margaret Blair Young and Darius Gray. (yet) have any money to pay those who help. We hope that’ll change Paintings on pages 12, 14, 17–19, and back cover reprinted soon, though. with permission from J. Kirk Richards. Back cover is “Pearl of Great Price.” Photographs on pages 2, 28, and 39 courtesy New Play Project. Photograph on pages 1 and 26 courtesy Vilo Elisabeth Photography, 2005. Photograph on page 34 courtesy Melissa Leilani Larson. Photograph on page 35 courtesy Gary Elmore. Photograph on page 37 courtesy Katherine Gee. contact us Web: mormonartist.net Email: [email protected] tableof contents Editor’s Note v essay Towards a Mormon Renaissance 1 by James Goldberg interviews Margaret Blair Young & Darius Gray 3 interviewed by Benjamin Crowder J. Kirk Richards 11 interviewed by Benjamin Crowder Aaron Martin 21 interviewed by Benjamin Crowder New Play Project 27 interviewed by Benjamin Crowder editor’snote elcome to the pilot issue of what will hope- fully become a longstanding love affair with the Mormon arts world. -
A Study of the Effect of Color in the Utah Temple Murals
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1968 A Study of the Effect of Color in the Utah Temple Murals Terry John O'Brien Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art and Design Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation O'Brien, Terry John, "A Study of the Effect of Color in the Utah Temple Murals" (1968). Theses and Dissertations. 4990. https://scholarsarchive.byu.edu/etd/4990 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A STUDY OF THE EFFECT OF COLOR INTHEIN THE UTAH TEMPLE MMALSMURALS 41k V A thesisthes is presented to the department of art brigham young university in partial fulfillment of the requirements for thedegreethe degree master of arts by terryjohnterry john obrien may 19196868 m TABLE OF CONTENTS page LIST OF TABLES e 0 9 0 0 0 0 0 19 0 0 0 vi chapter I1 introduction 0 0 10 0 0 0 0 0 statement of the problem questions and data inherent to the problem justificationustifaustif icationmication and signifsigniasignificance3 cance of the study sourcsourasourceses of information delimitations of thestathestuthe studydy organization oftheodtheof the material basic assumptions definition of terms II11 THE FOUR UTAH TEMPLES AND THEIR ARTISTS 0 0 11 temple beginnings -
Bountiful Harvest: Essays in Honor of S. Kent Brown Andrew C
Brigham Young University BYU ScholarsArchive Maxwell Institute Publications 2011 Bountiful Harvest: Essays in Honor of S. Kent Brown Andrew C. Skinner D. Morgan Davis Carl Griffin Follow this and additional works at: https://scholarsarchive.byu.edu/mi Part of the Religious Education Commons Recommended Citation Skinner, Andrew C.; Davis, D. Morgan; and Griffin,a C rl, "Bountiful Harvest: Essays in Honor of S. Kent Brown" (2011). Maxwell Institute Publications. 17. https://scholarsarchive.byu.edu/mi/17 This Book is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Maxwell Institute Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. bountiful harvest bountiful harvest essays in honor of s. kent brown Edited by Andrew C. Skinner, D. Morgan Davis, and Carl Griffin Cover design by Stephen Hales Creative, Inc. Frontispiece by Mark A. Philbrick Neal A. Maxwell Institute for Religious Scholarship Brigham Young University Provo, UT 84602 maxwellinstitute.byu.edu © 2011 The Neal A. Maxwell Institute for Religious Scholarship All rights reserved Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Bountiful harvest : essays in honor of S. Kent Brown / edited by Andrew C. Skinner, D. Morgan Davis, and Carl Griffin. p. cm. Includes bibliographical references and index. ISBN 978-0-8425-2804-7 (alk. paper) 1. Theology. 2. Church of Jesus Christ of Latter-day Saints. I. Brown, S. Kent. II. Skinner, Andrew C., 1951- III. -
Wise Or Foolish: Women in Mormon Biblical Narrative Art
BYU Studies Quarterly Volume 57 Issue 2 Article 4 2018 Wise or Foolish: Women in Mormon Biblical Narrative Art Jennifer Champoux Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Part of the Mormon Studies Commons, and the Religious Education Commons Recommended Citation Champoux, Jennifer (2018) "Wise or Foolish: Women in Mormon Biblical Narrative Art," BYU Studies Quarterly: Vol. 57 : Iss. 2 , Article 4. Available at: https://scholarsarchive.byu.edu/byusq/vol57/iss2/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Champoux: Wise or Foolish Wise or Foolish Women in Mormon Biblical Narrative Art Jennifer Champoux isual imagery is an inescapable element of religion. Even those Vgroups that generally avoid figural imagery, such as those in Juda- ism and Islam, have visual objects with religious significance.1 In fact, as David Morgan, professor of religious studies and art history at Duke University, has argued, it is often the religions that avoid figurative imag- ery that end up with the richest material culture.2 To some extent, this is true for Mormonism. Although Mormons believe art can beautify a space, visual art is not tied to actual ritual practice. Chapels, for exam- ple, where the sacrament ordinance is performed, are built with plain walls and simple lines and typically have no paintings or sculptures. Yet, outside chapels, Mormons enjoy a vast culture of art, which includes traditional visual arts, texts, music, finely constructed temples, clothing, historical sites, and even personal devotional objects. -
Preaching the Gospel of Church and Sex: Mormon Women's Fiction in the Young Woman's Journal, 18894910
Preaching the Gospel of Church and Sex: Mormon Women's Fiction in the Young Woman's Journal, 18894910 Rebecca de Schweinitz. IN 1889, UTAH NEWSPAPERS AND PERIODICALS informed their audiences about the start of a new monthly magazine, the Young Woman's Journal (YWJ). Initiated and first edited by Susa Young Gates, the daughter of Mormonism's second prophet, this journal, directed to girls and young, unmarried women in the Latter-day Saint (LDS) church, was to contain "the most elevating ideas of the Daughters of Zion."1 The YWJ published poems, stories, and articles, written overwhelmingly by women. It ana- lyzed "great" books like Anna Karenina and discussed topics such as women's health, suffrage, and marriage. The YWJ reveals both similari- ties and differences in the experiences and attitudes of Mormon women and women nationally, and it shows that LDS women were concerned about promoting their church and their sex. 1. Woman's Exponent 18 (1 September 1889): 55. On Susa Young Gates, see Estelle Neff Caldwell, "Susa Young Gates/' in The History of the Young Ladies' Mutual Improvement Asso- ciation of the Church of Jesus Christ of Latter-Day Saints From November 1869 to June 1910, Susa Young Gates, ed. (Salt Lake City: General Board of the YLMIA, 1911): 121-126; Paul Cracroft, "Susa Young Gates: Her Life and Literary Work" (M.A. thesis, University of Utah, 1951); Kenneth W. Godfrey, Audrey M. Godfrey, and Jill Mulvey Derr, Women's Voices: An Untold History of the Latter-day Saints 1830-1900 (Salt Lake City: Deseret Book Company, 1982): 325-337; Carolyn W. -
THESIS a REASON to BELIEVE: a RHETORICAL ANALYSIS of MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communic
THESIS A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2012 Master’s Committee Advisor: Carl Burgchardt Eric Aoki Kathleen Kiefer ABSTRACT A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS In this analysis, I examine Mormon cinema and how it functions on a rhetorical level. I specifically focus on missionary films, or movies that are framed by LDS missionary narratives. Through an analysis of two LDS missionary films, namely Richard Dutcher’s God’s Army (2000) and Mitch Davis’ The Other Side of Heaven (2001), I uncover two rhetorical approaches to fostering spirituality. In my first analysis, I argue that God’s Army presents two pathways to spirituality: one which produces positive consequences for the characters, and the other which produces negative consequences. I call these pathways, respectively, ascending and descending spirituality, and I explore the rhetorical implications of this framing. In my second analysis, I contend that The Other Side of Heaven creates a rhetorical space wherein the audience may transform. Specifically, the film constructs a “Zion,” or a heaven on earth, with three necessary components, which coincide perfectly with established LDS teachings: God, people, and place. These three elements invite the audience to accept that they are imperfect, yet they can improve if they so desire. Ultimately, by comparing my findings from both films, I argue that the films’ rhetorical strategies are well constructed to potentially reinforce beliefs for Mormon audiences, and they also may invite non-Mormons to think more positively about LDS teachings. -
Journal of Mormon History Vol. 25, No. 1, 1999
Journal of Mormon History Volume 25 Issue 1 Article 1 1999 Journal of Mormon History Vol. 25, No. 1, 1999 Follow this and additional works at: https://digitalcommons.usu.edu/mormonhistory Part of the Religion Commons Recommended Citation (1999) "Journal of Mormon History Vol. 25, No. 1, 1999," Journal of Mormon History: Vol. 25 : Iss. 1 , Article 1. Available at: https://digitalcommons.usu.edu/mormonhistory/vol25/iss1/1 This Full Issue is brought to you for free and open access by the Journals at DigitalCommons@USU. It has been accepted for inclusion in Journal of Mormon History by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Journal of Mormon History Vol. 25, No. 1, 1999 Table of Contents CONTENTS --In Memoriam: Leonard J. Arrington, 5 --Remembering Leonard: Memorial Service, 10 --15 February, 1999 --The Voices of Memory, 33 --Documents and Dusty Tomes: The Adventure of Arrington, Esplin, and Young Ronald K. Esplin, 103 --Mormonism's "Happy Warrior": Appreciating Leonard J. Arrington Ronald W.Walker, 113 PRESIDENTIAL ADDRESS • --In Search of Ephraim: Traditional Mormon Conceptions of Lineage and Race Armand L. Mauss, 131 TANNER LECTURE • --Extracting Social Scientific Models from Mormon History Rodney Stark, 174 • --Gathering and Election: Israelite Descent and Universalism in Mormon Discourse Arnold H. Green, 195 • --Writing "Mormonism's Negro Doctrine: An Historical Overview" (1973): Context and Reflections, 1998 Lester Bush, 229 • --"Do Not Lecture the Brethren": Stewart L. Udall's Pro-Civil Rights Stance, 1967 F. Ross Peterson, 272 This full issue is available in Journal of Mormon History: https://digitalcommons.usu.edu/mormonhistory/vol25/iss1/ 1 JOURNAL OF MORMON HISTORY SPRING 1999 JOURNAL OF MORMON HISTORY SPRING 1999 Staff of the Journal of Mormon History Editorial Staff Editor: Lavina Fielding Anderson Executive Committee: Lavina Fielding Anderson, Will Bagley, William G. -
Mormon Abstract
Abstract http://www.mormonartistsgroup.com/Mormon_Artists_Group/Abstract.html Welcome What's New Works Glimpses Events Freebies About MAG Contact Mormon Abstract by Stephanie K. Northrup January 2010 [i] When you think of Mormons “pushing the envelope,” what comes to mind? Deacons at the door collecting fast offerings? Try Bethanne Andersen’s The Last Supper (Place Setting). Many beautiful renditions of the Last Supper already exist, telling the story through dramatic lighting, facial expressions, and body language. Andersen tries a new perspective. She paints the dishes from which Christ eats His last mortal meal. That’s it. No people. Just us – invited to put ourselves in His shoes. The dishes are painted in soft pastel, as if on the verge of fading. This is a fleeting moment, like mortality, as He sits with His friends before making the ultimate sacrifice. By pushing the envelope, by throwing a new image at us that makes us consider the story in a new way, Andersen invites viewer participation. What a great approach to “likening the scriptures.” While Greg Olsen, Del Parson, and Simon Dewey are household names, ask most Mormons to name an abstract artist in the Church and you’ll probably get blank stares. Do Mormons make abstract art? We do. And we have been for a long time. In 1890, the church sent John Hafen and other “art missionaries” to Paris. Their assignment was to improve their skill so that they could create art for the Salt Lake Temple. What did these artists return with? Impressionism! Bright, thick brush strokes replaced traditional refined detail. -
What Constitutes Adequate Written
Federal Circuit Bar Journal The National Quarterly Review of the United States Court of Appeals for the Federal Circuit Volume 29, Number 3 Published by Federal Circuit Bar Association® Federal Circuit Bar Journal Volume 29, Number 3 FACULTY EDITORIAL COMMITTEE Steven L. Schooner Joshua I. Schwartz John M. Whealan Professor Professor Associate Dean, Intellectual Property The George Washington University Law School The George Washington University Law School The George Washington University Law School Federal Circuit Bar Journal Washington, DC Washington, DC Washington, DC Student Editorial Board The George Washington University Law School 2019–2020 ASSOCIATION JOURNAL ADVISORY COMMITTEE Sharon Israel James E. Brookshire James F. McKeown Chair, Federal Circuit Bar Journal Executive Director Crowell & Moring LLP Committee Federal Circuit Bar Association® Washington, DC Editor-in-Chief Shook, Hardy & Bacon LLP Washington, DC Jonathan Trinh Houston, TX Charles F. Schill Executive Editors Washington, DC Alexis Ferruccio Natalie Goldberg FOUNDER Senior Articles Editor Managing Editor Senior Notes Editor Gerald H. Bjorge Jennifer Narvaez Kisa Motiwala Andrew Current Washington, DC Articles Editors Notes Editors Submissions Editor John Antishin Kyle Barry Jiaxin (Gillian) Fan Rebecca Connolly Arrash Fattahi FEDERAL CIRCUIT BAR ASSOCIATION® OFFICERS Carol Conroy Irene Jung Case Briefs Editor Elizabeth Vincento Griffin Simpson Jamie Underwood Sonal Mehta President President-Elect Latham & Watkins LLP WilmerHale Washington, DC Palo Alto, California -
Another Look at Joseph Smith's First Vision
SECTION TITLE Another Look at Joseph Smith’s First Vision Stan Larson The First Vision, that seminal event which has inspired and intrigued all of us for nearly two centuries, came into sharp focus again in 2012 when another volume of the prestigious Joseph Smith Papers was published. Highlighting the volume is the earliest known description of what transpired during the “boy’s frst uttered prayer”1 near his home in Palmyra in 1820. The narrative was written by Joseph Smith with his own pen in a ledger book in 1832. It is printed in the Papers volume under the title “History, Circa Summer 1832” and is especially interesting because the account was suppressed for about three decades. In the following transcription of the 1832 account, Joseph Smith’s words, spelling, and punctuation are retained and the entire block quote of the 1832 account is printed in bold (fol- lowing the lead of the Joseph Smith Papers printing): At about the the age of twelve years my mind become seriously imprest with regard to the all importent con- cerns of for the wellfare of my immortal Soul which led me to searching the scriptures believeing as I was taught, that they contained the word of God thus apply- ing myself to them and my intimate acquaintance with those of differant denominations led me to marvel excedingly for I discovered that <they did not adorn> instead of adorning their profession by a holy walk and Godly conversation agreeable to what I found contained in that sacred depository this was a grief to my Soul thus from the age of twelve years to ffteen I pondered many things in my heart concerning the sittuation of the world 37 38 DIALOGUE: A JOURNAL OF MORMON THOUGHT, 47, no.