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Piet Wackie Eysten Jubileumboek Van De Stichting Voor Kamermuziek
Jubileumboek van de stichting voor kamermuziek Piet Wackie eysten ‘String quartets trudge onstage hundreds of times a year and play music of the gods for a passionate and intensely involved audience. Not much to write about…’ Arnold Steinhardt, Indivisible by Four Inhoudsopgave 1. Een ‘voorloopige commissie’ 5 2. De Vereeniging voor Kamermuziek te ’s-Gravenhage 13 3. De eerste seizoenen 19 4. Koninklijke belangstelling 25 5. Programmering 29 6. Het 12½-jarig jubileum 35 7. Een nieuwe voorzitter 39 8. Het 25-jarig jubileum 45 9. Oorlogsjaren 51 10. Na de oorlog 57 11. De vijftiger jaren 63 12. Blijvend hoog niveau 67 13. De kosten 73 14. Ledenwerving 79 15. De ‘Vereeniging’ wordt een stichting 83 16. Bestuurswisselingen en stijgende prijzen 87 17. Donkere wolken 93 18. Een website tot slot 101 Inhoudsopgave / 3 Dr. D.F. Scheurleer Daniël François Scheurleer werd op 13 november 1855 geboren in Den Haag, waar zijn vader firmant was van het sinds 1804 in Den Haag gevestigde bankiershuis Scheurleer & Zoonen. De jonge Daniël trad bij zijn vaders firma in dienst, nadat hij in Dresden aan het ‘Handelslehranstalt’ een opleiding had gevolgd en bij de Dresdner Bank een stage had doorlopen. Na het overlijden van zijn vader in 1882 werd hij, nog slechts 26 jaar oud, directeur van het familiebedrijf. De firma hield zich vooral bezig met vermogensbeheer van welgestelde Hagenaars uit de hogere kringen. De schrijver Louis Couperus bankierde zijn leven lang bij Scheurleer & Zoonen. Couperus en zijn vrouw verkeerden op vriendschappelijke voet met de heer en mevrouw Scheurleer. In zijn testament bepaalde Couperus dat het vermogensbeheer van de stichting die hij met dat testament in het leven riep, zou worden gevoerd door ‘de tegenwoordige en toekomstige individueele leden van de firma Scheurleer & Zoonen’. -
Deuss Music Complete Catalogue
Deuss Music Complete Catalogue PAUL M. OTTO LÉON AART VAN BRUGGE KETTING ORTHEL STROOTMAN EINAR TORFI MONIQUE ANNELIES THEO EINARSSON KRÜS VAN PARYS VERBEY TONNY ALEXANDRU PERCOSSA BART EYK LĂSCAE VISMAN ANTHONY ARNOLD DAVID KLAAS FIUMARA MARINISSEN PORCELIJN DE VRIES JOEP TOEK ROBIN PETER-JAN FRANSSENS NUMAN DE RAAFF WAGEMANS JEFF SEUNG-WON ADRIÁN RODRÍGUEZ ROBERT HAMBURG OH VAN DER SPOEL ZUIDAM “Le bon est rare” - Voltaire - Deuss Music Complete Catalogue Including all rental and sales items 2017 Fijnjekade 160, 2521 DS, Den Haag Nederland T +31 (0)70 345 08 65 F +31 (0)70 361 45 28 E [email protected] www.deussmusic.com NL Deuss Music Vanaf 2009 is Deuss Music begonnen met het uitgeven van mo- derne concertmuziek, opera en muziektheater. Met enige trots presenteren we nu onze vierde Complete Catalogus 2017. In een wereld waar de grenzen van de nieuw gecomponeerde muziek continu verlegd worden, streven we als muziekuitgevers naar een eclectische catalogus, waarin kwaliteit, eigenheid en artistiek ex- cellentie onze criteria zijn. Deze catalogus bevat vele nieuwe titels van onze huiscompo- nisten, van Robert Zuidam tot Paul M. van Brugge, in omgekeerde alfabetische volgorde. Nieuw in ons fonds zijn componisten Annelies Van Parys (1974) en Aart Strootman (1987). Van Parys onderzoekt in haar muziek akoestische klankmogelijkheden, terwijl Strootman naar een sound zoekt die aansluiting vind bij de popmuziek – een stroming die leeft binnen zijn generatie. Ook op het terrein van de educatie presenteren we twee nieu- we componisten. Monique Krüs componeert muziek die door de gekozen thematiek en artistieke niveau het educatieve aspect overstijgt en hiermee een frisse aanwinst is voor het genre van de familievoorstelling. -
Koninklijk Conservatorium Royal Conservatoire
Seizoens brochure 16/17 Koninklijk Conservatorium Royal Conservatoire Seizoens brochure 16/17 Koninklijk Conservatorium Royal Conservatoire 2 Wel kom Hierbij presenteer ik u met trots onze seizoensbrochure 2016-2017. Dit seizoen viert het Koninklijk Conservatorium twee jubilea. 60 jaar geleden werd de School voor Jong Talent opgericht. Dit is onze unieke vooropleiding op het gebied van dans, muziek en beeldende kunst, voor jonge talenten vanaf 10 jaar. Door het seizoen zullen er tal van activitei- ten in het teken staan van dit jubileum, met als hoogtepunt de jubileumvoor- stelling Traditie en Vernieuwing op 13 februari in het Zuiderstrandtheater. Dit jubileumjaar is ook aangegrepen om een internationaal netwerk op te zetten waarin toonaangevende vooropleidingen uit verschillende Europese landen zich verenigen. Het andere jubileum geldt voor het fameuze Spring Festival dat de afdeling Compositie voor de 50e keer organiseert. Hoogtepunt tijdens dit festival is een serie concerten op 5, 6 en 8 april van De Materie, een grootschalig stuk van Nederlands beroemdste componist, tevens alumnus en docent van ons conservatorium Louis Andriessen. Deze concertreeks is een samenwer- king met het Asko|Schönberg en Slagwerk Den Haag, en is de eerste grote productie in het kader van de Ensemble Academie. Naast bovengenoemde ensembles zijn ook Calefax, Ensemble Klang, het New European Ensemble en de zalen Muziekgebouw aan ‘t IJ en Korzo Theater, partners van dit nieuwe en belangrijke initiatief. Ook dit jaar staat opnieuw in het teken van samenwerkingen. De samenwerking met het Gergiev Festival, waarin onze studenten met die van Codarts een concert geven o.l.v. de maestro, is onderdeel van een meer- jarenafspraak. -
Completions and Reconstructions of Musical Works Part 4: Russian School by Stephen Barber Borodin Left His Opera Prince Igor
Completions and Reconstructions of Musical Works Part 4: Russian School by Stephen Barber Borodin left his opera Prince Igor unfinished and it was completed from sketches and memory by Rimsky-Korsakov and Glazunov. A scene by scene account of their contributions is available here. (Rimsky-Korsakov’s role in making performing editions of the work of his compatriots cannot be overestimated, though he freely recomposed and rearranged in a way even the boldest of modern scholars would hesitate to do.) This is the standard version, with recordings by Oskar Danon (Eloquence) and Mark Ermler (Melodiya) among others. Some other recordings omit the third act, which is mostly by Glazunov. Valery Gergiev recorded a new reconstruction (Philips). This is based on a fresh examination of all the sources; it takes into account an unpublished vocal score by Pavel Lamm, which reverses the order of the first two acts and has some other changes, and it also has additional material by Yuri Faliek. Another new edition, by Dmitri Tcherniakov and the conductor Gianandrea Noseda, was mounted and recorded by the Metropolitan opera (DG DVD). Borodin also did not complete his third symphony, or rather, he did not write it all down. Two movements were reconstructed by Glazunov, partly from memory. There are numerous recordings, including Loris Tjeknavorian (RCA) and Neeme Järvi (DG). Mussorgsky worked on many operatic projects but completed few of them. He left two versions of Boris Godunov: the 1869 original and his revision of 1872, with extra scenes but also cuts. In practice, most productions are conflated, drawing on both versions, making cuts, moving scenes and otherwise reorganizing the work. -
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist. -
Cello Biënnale 2010 M.M.V
welkom 2 welcome 3 programma-overzicht 4 programme overview 4 programma’s 9 programmes 9 musici 103 musicians 103 informatie 139 information 139 amsterdamse cellobiënnale amsterdamse cellobiënnale Beste Biënnale-bezoeker, Dear Biennale visitor, Zelfs de grootste liefhebbers van de Amsterdamse Cello Biënnale hebben hun hart Even the Amsterdam Cello Biennale’s most fanatical devotees endured doubts as vast gehouden of het in deze financieel moeilijke tijden nog wel mogelijk zou zijn to whether a festival of such dimensions could still be realised in these troubled een festival van die omvang te realiseren. Maar de Biënnale 2010 is er. En hoe! financial times. However, the 2010 Biennale has indeed arrived – and how! With Met de muziek voor cello-ensembles als rode draad door de programmering is de music for cello ensembles as the main theme of the programming, the 2010 Biennale Biënnale 2010 nog omvangrijker en internationaler dan de vorige edities. De spelers is even more extensive and internationally oriented than the previous editions. The komen uit Berlijn, New York en Parijs, maar ook uit Peking en Riga. Daarom willen players come from afar: Berlin, New York and Paris, even Beijing and Riga. So first we allereerst onze grote dank en waardering uitspreken voor de sponsors, culturele of all we would like to express our deepest gratitude and appreciation towards the fondsen, begunstigers en vrienden die het opnieuw mogelijk hebben gemaakt onze sponsors, cultural funds, patrons and friends who have once again enabled us to (en wellicht ook uw) droombiënnale te realiseren. realise our (and maybe also your) dream Biennale. Dit Festivalboek biedt u een overzicht van alle concerten en evenementen met This Festival booklet provides an overview of all concerts and events with descriptive samenvattende beschrijvingen. -
Complete Barclay Crocker Audio Tapes Guide by David Winter (Version of 15-NOV-2012)
The (almost) Complete Barclay Crocker Audio Tapes Guide By David Winter (version of 15-NOV-2012) Change log: - Minor fixes including a PRO reference. Still a few in red miss a letter not shown in the original BC catalog. If you wish to contribute, please email clear pictures or scans of both tape box and index to [email protected] Please make sure that your files are at least 1024 pixels large and show complete box cover and index. Thank you ! Label codes: Sonic Sentry: ARG: Argo On some tapes, side 1 is shorter than side 2. In order to locate the begining of the tape, BC put their Sonic BC: Barclay Crocker Sentry signal which will produce special tones when the tape is played in Fast Forward mode. On some DGR: Deutsches Grammophon recorders, you may engage the manual spooling mode (as if you had to edit it) and play it. On some others, DSM: Desmar you may use a trigger or push-button to engage the tape toward the heads while fast forwarding. ERS: Entracte HAL: Halcyon Records Quality Control (QC) code format: SYDDMM and later QC=SYDDMM-II LOL: L'Oiseau Lyre S = Slave recorder (1 digit) MER: Mercury Y = Year (1 digit: 7 and 8 stand for 1977 and 1978 respectively, 0-6 stand for 1980-86) MHS: Music Heritage Society DD = Day (2 digits) PHI: Philips (PHI x if dbx encoded) MM = Month (2 digits) PRO: Pro Arte (PROx if dbx encoded) II = Operator initials (2 digits): RF = Rich Fill, WC = William Cunningham, WC = Wayne Chin, EH = Erich Hissel, and sometimes HB = Hency Barclay QNT: Quintessence (QNTX if dbx encoded) Beware of tapes duplicated in 1977/78 which may suffer from loss of lubricant and become defect. -
Boston Symphony Orchestra Concert Programs, Summer, 1993
Tanglew®d Music Center I f ^ m n *-# ^-^ -a-e- S S e /. ^^%f 1993 Festival of Contemporary Music July 31 -August 2 August 22-26 NEW MUSIC ON COMPACT DISC from BRIDGE Elliott Carter, Jacob Druckman, George Crumb, Charles Ives, Tod Machover, Arnold Schoenberg, Jonathan Harvey, Charles Wuorinen, William Bland, Neil Rolnick, Gyorgy Kurtag, Sandor Jemnitz, Milton Babbitt, Paul Hindemith, Hans Werner Henze, Tom Takemitsu, Barbara Kolb, John Anthony Lennon, Stephen Sondheim, Robert Saxton, Poul Ruders, Humphrey Searle, Stephen Jaffe, Ronald Roxbury, Joaquin Rodrigo, Richard Wemick, Seymour Shifrin, Benedict Mason, Mario Davidovsky, Roger Reynolds, Mel Powell, Paul Lansky, Michael Starobin, Michael Calvert, Kecak from Bali, Gyorgy Ligeti, Peter Lieberson, John Harbison BRIDGE RECORDS, INC., GPO BOX 1864, NEW YORK, NY 10116 CARROLL MUSICAL INSTRUMENT RENTALS SERVING NEW YORK'S THEATERS, RESTAURANTS, CONCERT HALLS, NIGHTCLUBS, PHOTOGRAPHERS, & MOTION PICTURE INDUSTRY STEIN WAY WE ALSO RENT: BALDWIN SOUND SYSTEMS YAMAHA STAGING KAWAI DRUMS HAMMOND B-3 PERCUSSION SYNTHESIZERS AMPS &. GUITARS WE ALSO REBUILD, REFINISH, &TUNE PLAJnJOS 212'868'4120 OPEN 7 DAYS FAMILY OWNED & OPERATED SINCE 194 5 351 WEST 41ST STREET, NEW YORK, NY 10036 1993 FESTIVAL OF CONTEMPORARY MUSIC Oliver Knussen, Festival Director sponsored by the TANGLEWOOD MUSIC CENTER Leon Fleisher, Artistic Director Gilbert Kalish, Ciiairman of the Faculty Alexander Goehr, Composer-in-Residence Oliver Knussen, hiead of Contemporary Music Activities Bradley Lubman, Assistant to Oliver Knussen Richard Ortner, Administrator Barbara Logue, Assistant to Richard Ortner James E. Whitaker, Chief Coordinator Carol Wood worth, Secretary to the Faculty Virginia Hecker, Vocal Music Coordinator Harry Shapiro, Orchestra Manager Works presented at this year's Festival were prepared under the guidance of the following Tanglewood Music Center Faculty r. -
Cello Biennale 2016 Is the Acting Cello, Bulgakov´S Masterwork the Cello As Actor
Principal benefactors Subsidised by Cellists Nicolas Altstaedt Harald Austbø Other musicians Directors Matthias Bartolomey Lucie Chartin Sjaron Minailo Anner Bijlsma Agustin Diassera Dagmar Slagmolen Funds Karel Bredenhorst Jérôme Ducros Jochem Stavenuiter Jörg Brinkmann Hans Eijsackers Albert Brüggen José Gallardo Composers world premieres Fonds Henri Fock Ans Otten-Nypels Fonds Bredius Fonds Amber Docters- Paolo Giacometti Joël Bons Middelbeek Stortenbeker Fonds Hausta Donans Fonds van Leeuwen Astrid Haring Brendan Faegre Maya Fridman Maarten den Hengst Oene van Geel Larissa Groeneveld Daniël Kramer Galina Grigorjeva Katharina Gross Leonor Leal Pete Harden Stjepan Hauser Ere Lievonen Guus Janssen Jeroen den Herder Efrén López Hilary Jeffery Gregor Horsch Claudio Martínez Mehner Jan Kuijken Monika Leskovar Claron McFadden Chiel Meijering Pepijn Meeuws Szymon Marciniak Genevieve Murphy Antonio Meneses Joey Marijs Mayke Nas Ivan Monighetti Rocío Márquez Martijn Padding Daniel Müller-Schott Henk Neven Rob Zuidam Jan Bastiaan Neven Saeko Oguma ▪ PAYS-BAS MAISON DESCARTES Jelena Očić Maarten Ornstein Orchestras and ensembles Jonas Pap Rosanne Philippens Amsterdam Sinfonietta Sponsors Aurélien Pascal Jan-Paul Roozeman Atlas Ensemble Jérôme Pernoo Drew Santini Artvark Saxophone Quartet Bruno Philippe Bram van Sambeek BartolomeyBittmann Raphaël Pidoux Shunske Sato Biënnale Cello Band Ella van Poucke Emmy Storms Cappella Amsterdam Jean-Guihen Queyras Fedor Teunisse Cello8ctet Amsterdam Jonathan Roozeman Candida Thompson Die 12 Cellisten der Berliner -
559288 Bk Wuorinen US
AMERICAN CLASSICS JOSÉ LUIS GRECO Geografías del silencio In Passing • Swallow • Off with its Head! Duncan Gifford, Piano • Netherlands Wind Ensemble • Enigma Ensemble Czech National Symphony Orchestra • Adrian Leaper José Luis Greco (b. 1953) Geografías del silencio • In Passing • Swallow • Off with its Head! Having heard the remark several times that the titles The genesis of the next work is somewhat different. Photo: Sandra Gallardo Born in New York City, José of Spain’s most distinguished performers and ensembles. of some of my works don’t reflect more than the opening In Passing is the English translation of the Dutch title of a Luis Greco is the son of He has also composed for the Ballet Nacional de passage of any given piece (notwithstanding those that movement-theater piece by Barbara Duijfjes, for which the Spanish dancers José España and the Compañía Nacional de Danza. don’t seem to reflect any aspect of the work), this indeed this music was composed. Together, Ms. Duijfjes and I Greco and Nila Amparo, makes sense to me. If a title epitomizes the idea which negotiated the overall form, and the length and emotional and nephew of the great Composer’s note bestows the work with its first breath, the opening bars thrust of each movement, but the choice of instrumentation Metropolitan Opera star are likely to musically mirror that idea. But since from that was exclusively mine. Norina Greco. As a young- The difficulty of saying something meaningful about music moment the music takes on a life of its own, where it will Towards the end of my ten-year sojourn (1984-1994) ster, he studied piano and is fairly obvious, since music expresses things that words go after that is anybody’s guess. -
Programmatoelichting Traurig Wie Der Tod En-US
Program notes: Traurig wie der Tod I had been planning for some years to compose a piece for large chorus and orchestra - I had visions of an 'enormous space in sound' and a work of considerable duration. In 2014, the chance arrived. The original title was Elysium: the residence of the Greek gods after their earthly life. When the moment came to actually turn my plans into deeds (the summer of 2014) I seemed to have changed my mind. Profound events such as the deterioration of the health of my mother, but also the disaster involving flight MH17 above Ukraine, were enough reason for me to throw away all the sketches I'd made up to that moment and to begin again. In Die Chinesische Flöte (1907) by Hans Bethge (1876-1946), I found poems that were more in sync with my new plans. The poems are characterized by simple metaphors and especially by a somber content. I have chosen five poems which fit withi the layout of a connected cycle. These are German reinterpretations of ancient Chinese poems by very diverse poets. In the end, composing the piece took up approximately half a year. The result, Traurig wie der Tod, is a song cycle consisting of five songs alternating with instrumental interludes, which eulogizes sorrow from various perspectives. In the first song, Mond und Menschen, a sharp distinction is made between the image of nature as stable and unchanging, compared with human beings as being confused and restless. At the end of this song the music accelerates and leads to the first orchestral interlude. -
Trio Zimmermann
TRIO ZIMMERMANN In 2007 the violinist Frank Peter Zimmermann was able to realize his long- cherished dream to establish a string trio, the Trio Zimmermann, together with the viola player Antoine Tamestit and the cellist Christian Poltéra. All three musicians have their own distinguished solo careers, but they happily meet for one or two short touring periods per season. The trio performs in such musical centres as Amsterdam, Berlin, Brussels, Cologne, London, Milan, Munich, Paris, Vienna and Zürich, as well as during the festivals in Salzburg and Edinburgh. The Trio Zimmermann records for BIS Records and their award-winning releases so far include the Beethoven String Trio’s Op. 9 (Diapason d’Or de l’Année in 2012, and a BBC Music Magazine Award in 2013), Beethoven’s String Trio, Op. 3 and Serenade, Op. 8, Mozart’s Divertimento KV 563, Schoenberg’s Trio, op 45 and Hindemith’s String Trio’s 1 and 2. Frank Peter Zimmermann Frank Peter Zimmermann is regarded as one of the leading violinists of our time. Since making his debut with the Berlin Philharmonic, conducted by Daniel Barenboim, in 1985, and with the Vienna Philharmonic Orchestra in 1983 under Lorin Maazel, he performs with all major orchestras worldwide, including the Royal Concertgebouw Orchestra, all the London orchestras and the leading orchestras in the United States. Zimmermann regularly appears at the prestigious music festivals in Salzburg, Edinburgh and Lucerne, and has a distinguished discography including releases on BIS, EMI, DECCA and hänssler-Classic. Born in Duisburg, Germany, he received his first violin lessons at the age of 5 from his mother.