Steve Wariner Laredo Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Steve Wariner Laredo Mp3, Flac, Wma Steve Wariner Laredo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Laredo Country: US Released: 1990 Style: Country MP3 version RAR size: 1196 mb FLAC version RAR size: 1243 mb WMA version RAR size: 1240 mb Rating: 4.8 Votes: 631 Other Formats: APE XM VOX VQF MOD WMA MP4 Tracklist Hide Credits I Can See Arkansas 1 3:00 Producer – Randy Scruggs Precious Thing 2 2:46 Producer – Tony Brown Where Fools Are Kings 3 4:02 Producer – Tony Brown L-O-V-E, Love 4 2:51 Producer – Garth Fundis She's In Love 5 3:09 Producer – Garth Fundis The Domino Theory 6 3:36 Producer – Randy Scruggs There For Awhile 7 4:18 Producer – Tony Brown I Wanna Go Back 8 3:40 Producer – Randy Scruggs While I'm Holding You Tonight 9 3:13 Producer – Randy Scruggs When Times Were Hard 10 3:39 Producer – Garth Fundis Companies, etc. Record Company – Columbia House Manufactured For – MCA Records, Inc. Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Pressed By – DADC – DIDX-007676 Recorded At – Sound Stage Studios Recorded At – Scruggs Sound Studio Recorded At – GroundStar Studios, Nashville Mixed At – Sound Stage Studios Mixed At – Scruggs Sound Studio Mixed At – Sound Emporium Mastered At – Masterfonics Credits Art Direction – Virginia Team Backing Vocals – Bruce Dees, Garth Fundis, Harry Stinson, Mac McAnally, Mike Reid, Wendy Waldman Design – Jerry Joyner Edited By [Digital] – Milan Bogdan Mastered By – Glenn Meadows Musician, Acoustic Guitar – Mac McAnally, Randy Scruggs, S.W.* Musician, Bass – Dave Pomeroy, David Hungate, Michael Rhodes Musician, Drums – Eddie Bayers Musician, Electric Guitar – Brent Mason, Reggie Young, Steve Gibson, S.W.* Musician, Fiddle – Mark O'Connor, Rob Hajacos Musician, Harmonica – Charlie McCoy Musician, Keyboards – David Briggs , John Jarvis, Matt Rollings, Steve Nathan Musician, Mandolin – Mark O'Connor, Sam Bush Musician, Resonator Guitar [Dobro] – Jerry Douglas Musician, Steel Guitar, Resonator Guitar [Ped-A-Bro], Lap Steel Guitar [Acoustic] – Paul Franklin Photography By – Mark Tucker Notes Digitally recorded using the Mitsubishi X-850 32 track digital and the JVC digital 2-track. Mastered using the JVC Digital Audio Mastering System. Manufactured in U.S.A. Barcode and Other Identifiers Barcode: 0 7674-22335-2 5 Matrix / Runout: DIDX-007676 2 Matrix / Runout (Hub Stamp): ★ ['D' logo] ★ Other (DADC Code): DIDY 007676 Other (SPARS Code): DDD Other versions Category Artist Title (Format) Label Category Country Year MCAD-42335 Steve Wariner Laredo (CD, Album) MCA Records MCAD-42335 US 1990 MCAC-42335 Steve Wariner Laredo (Cass, Album, Dol) MCA Records MCAC-42335 Canada 1990 MCAD-42335 Steve Wariner Laredo (CD, Album, Club) MCA Records MCAD-42335 US 1990 MCAC-42335 Steve Wariner Laredo (Cass, Album, Dol) MCA Records MCAC-42335 US 1990 Related Music albums to Laredo by Steve Wariner Lester Flatt And Earl Scruggs - Hard Travelin' Featuring The Ballad Of Jed Clampett Lester Flatt & Earl Scruggs - Foggy Mountain Breakdown Gary Scruggs - House Of The Rising Sun Flatt & Scruggs - Cold, Cold Loving Earl Scruggs - The Earl Scruggs Review - Volume II Flatt & Scruggs And The Foggy Mountain Boys - Lester Flat And Earl Scruggs And The Foggy Mountain Boys Loretta Lynn - Still Country Earl Scruggs / Doc Watson / Ricky Skaggs - The Three Pickers Earl Scruggs - Pedal To The Metal Gary & Randy Scruggs - The Scruggs Brothers Lester Flatt & Earl Scruggs - Hear The Whistles Blow Lester Flatt And Earl Scruggs Sing Songs Of Rivers & Rails Earl Scruggs - Dueling Banjos.
Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • WORLD-CLASS RHYTHM-SECTION CHEMISTRY to Get the Best Possible Sounds, We've Compiled a Roster of Ridiculously Good A-List
    JM4 WORLD-CLASS RHYTHM-SECTION CHEMISTRY To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee. Here are a few choice cuts: JAM 108 BLUES STOMP VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 126 DRIVING ROCK VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 100 OUTLAW COUNTRY CLUB VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression. FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar) JAM 101 OUTLAW COUNTRY VIBE: Solo or comp along with just bass and drums in this stripped-down country jam. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 157 SUGARFOOT RAG VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 112 HALF-TEMPO ROCKER VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass.
    [Show full text]
  • Friday, April 3, 2020
    EDUCATION REALTY CHECK Online classes Virus bump for just not the same real estate sales Don’t expect too much from Area home sales have WITH THE NASHVILLE SYMPHONY your children’s switch from inexplicably increased during JUNE 16 & 17 classroom to online learning. the last two weeks of March. P17 P3 NashvilleSymphony.org April 3-9, 2020 Vol. 46 | Issue 14 NASHVILLE EDITION www.TNLedger.com The power of information. LedgerDAVIDSON • WILLIAMSON • RUTHERFORD • CHEATHAM WILSON SUMNER• ROBERTSON • MAURY • DICKSON • MONTGOMERY FORMERLY WESTVIEW SINCE 1978 Turn out the lights, the party’s over Musicians see a lean year ahead as virus precautions cancel shows Story by Tim Ghianni begins on page 2 shutterstock.com ern Express, Inc, ROGERS COLUMN Hampshire Insurance Company, Western Express, Inc, Def Atty(s): John W Barringer, 08/30/2010, 10C3341 October 8 - 14, 2010 Patricia McClarren vs Star Insurance Company, Westwood Church Of Christ, Law & GovernmentPltf(s): James T Collins, Def(s): Star Insurance Company, Westwood Church Of Christ, Def Some friends to PublicAtty(s): David John Deming, 08/30/2010, 10C3343 Pltf(s): James A Richard Dicaire vs Cbs Personnel Holdings Inc, Cbs Personnel Services LLC, Kilgore Group Inc Collectively Staffmark, Staffmark Investment LLC, Records Pltf Atty(s): n/a, Def(s): Cbs Personnel Holdings Inc, Cbs Personnel keep at distance 08/26/2010, 10C3303 Services LLC, Kilgore Group Inc Collectively Staffmark, Staffmark James T Collins vs Rogers Group Inc, Investment LLC, Def Atty(s): Stephen B Morton, 08/26/2010, Pltf Atty(s): n/a, Def(s): Rogers Group Inc, Def Atty(s): Heather E Hardt, 08/26/2010,inside 10C3308 & online James A Wells vs Jenco Construction Inc, Friends like Mitch and Wells, Pltf Atty(s): n/a, Def(s): JencoTNLedger.com Construction Inc,Pltf(s): Def Atty(s): Judy R Lawson, Jennifer S White, 08/25/2010, 10C3282 Jessica Grimwood vs Intrepid USA Healthcare Services, Donald help soothe the RealtyPltf(s): JessicaCheck Grimwood, ......................................
    [Show full text]
  • 1 Most Added! Thank You Country Radio!
    September 11, 2017 Issue 567 #1 MOST ADDED! THANK YOU COUNTRY RADIO! Remembering Don & Troy The country music world took a hard blow Friday (9/8) with the passing of Country Music Hall of Famer Don Williams, followed all too quickly by news that Montgomery Gentry’s Troy Gentry died in a helicopter crash. The shock is perhaps best expressed in the experience of veteran artist manager John Dorris, who represented both at different times. “I was on the phone with Don’s son learning of his passing when John Michael Montgomery called in to tell me about Troy,” he told Country Aircheck Monday (9/11). Dorris and others who worked with Williams or Gentry share stories below illuminating just how big this loss is. Don Williams All Day All Night: Lady Antebellum’s Charles Kelley and friends Remembering Don Williams prior to the Capitol group’s You Look Good Tour stop in Nashville Producer Garth Fundis: “Bob McDill Saturday (9/9). The trek continues in Europe beginning Oct. 1. had just finished writing ‘Good Ole Boys Like Pictured (l-r) are Marilyn Shomby, Kelley, Cumulus’s John Me.’ I was blown away. I said, ‘Jiminy Crick- Shomby, Tessa Aly and Country Aircheck’s Chuck Aly. ets Bob, that’s like classic southern literature. Have you played that for Don?’ He men- Irma: The Unwelcome Tourist tioned they were going to pitch it to Kenny More than 110 million people visited Florida last year, but this Rogers or somebody else that afternoon. I year’s Sunshine State count will include one big, unwelcome guest was heartbroken.
    [Show full text]
  • NASHVILLE MUSIC INDUSTRY Impact, Contribution and Cluster Analysis
    NASHVILLE MUSIC INDUSTRY Impact, Contribution and Cluster Analysis Dr. Garrett Harper Chris Cotton contents 3 Prologue 4 Study of the Nashville Music Industry 5 Music Industry Cluster in the Economy The Role of the Cluster Linkages to the Nashville Economy 10 Contribution and Impact Analysis Defining an Entertainment Cluster Methodology Informant Role Economic Impact and Contribution Findings 39 Industry Trends and the Nashville Music Cluster Genre Roles Label Activity New Models Songwriters Performance Rights and Intellectual Property Broadcasting Streaming and Emerging Outlets Concert and Touring Video and Film Merchandise Technology and Innovation Music-related Tourism 1 52 Direction for Nashville: A World Music Center The Music Consumer Nashville Music and Demographic Transition Nashville Center of America’s Music Genres Nashville Music for Emerging World Markets Nashville Music Identity Media Feature on Nashville and its Music Nashville Gateway of America’s Music Tourism Music Row UNESCO World Heritage Site Nashville Music Performance District Nashville International Music Conference and Meeting Center Nashville Music Industry: Transportation Options The Music Business of Music City Nashville Music Industry Operations Hub Nashville Music and Media Industries Music Technology, Training and Apprenticeship Music Global Educational Center: The Nashville Consortium of Music Education (TNCOME) Nashville Music Trade Zone Nashville and Music Entrepreneurship Nashville Policy Voice for Music Industry Nashville Music and Entertainment Journalism Hub Creative Convergence and Nashville Music Growth 76 Conclusions Nashville as Creative Knowledge City Business and Visitor City Reputation and Renown Opportunities for Music Industry Expansion Reference 2 Nashville is the 21st-century hub of creativity blended with commercial success. Artistic excellence, authentic output, technological leadership and constant expansion of market success -- these are the forces that have forged a city where the music and entertainment industry is the foundation of prologue the economy.
    [Show full text]
  • KC PITCH PAGE 3 Letters
    ALL THE NEWS THAT'S FIT TO PITCH FREE FREE CZ\gnsas Citt's Music ani 'Lnttrtainmtnt ~srartr ISSUE 20 AUGUST 1982 AKITOSHI-TABACkIN'S FREE BIG BAND JAZZ HITS THE PLAZA By John Geier monlC. He immediately Lew Tabackin, she leads an or­ sitions and arrangements of Aki­ his to Norman chestra which many critics con­ yoshi. Featured soloists have The Toshiko Akiyoshi-Lew Taback­ who shortly there- sider to be the most exciting included trumpeters Steven Huff­ after. and original in existence. As stetter and Bobby Shew, reedmen in Big Band will give a free composer and arranger, Akiyoshi Gary Foster and Dick Spencer, stirred much makes the orchestra her instru­ trombonists Jimmy Knepper and concert at Brush Creek on the among jazz lovers in ment, as did Ellington before Bill Reichenbach, and of course was soon to do the her. Akiyoshi enjoys experi­ the leaders themselves. The Country Club Plaza, Sunday, AInerica. Her piano art­ menting and giving her work an the :voters in the was described by Leonard oriental flavor. the band draws September at PM. It as "firey, powerfullv very reactions ,from 5, 7: 00 audiences and critics al ike. will be the band's first appear­ RECOMMENDED RECORDINGS BY TOSHI­ KO AKIYOSHI: ance in Kansas City since its triumphant performance at the 1978 Women I s Jazz Festi val. City Parks "Music in wi 11 bring money play exercises. free charge. cal impact. I'm very careful not to go into a contemporar'( music direction, where the sound gets complicated. That can and SUMMER has been, done by serious musi­ Tabackin is a virtuoso of the cians t, contemporary musicians, in and it' s nothing new.
    [Show full text]
  • Bobby Karl Works the Nashville Songwriters Hall of Fame Banquet Chapter 324
    page 1 Monday,Monday, OctoberOctober 19,19, 20092009 Bobby Karl Works The Nashville Songwriters Hall of Fame Banquet Chapter 324 The Song People swarmed and buzzed Maddox, David & Karen Conrad, Jeff at the Renaissance Hotel ballroom Sunday Walker, Jeff Hanna & Matraca Berg, Rita night (10/18). Allison, Allison & Steven Dale Jones, All of the major publishers and hundreds Tim Fink, Tim Nichols, John Scott of top-tier writers gathered for the 39th annual Sherrill, Jon Van Mol, Jon Randall & Nashville Songwriters Hall of Fame banquet Jessi Alexander, John Randolph, Perry to salute Kye Fleming, Mark D. Sanders Howard, Melanie Smith Howard, Phil and the late Tammy Wynette and Bill Hall. Everly, Phil Graham, Tony Brown, In addition, the NSAI presented its “10 Songs Doyle Brown, Dan Hill, Dan Keen, Bill I Wish I’d Written” awards and gave special Rice and Billy Burnette. honors to Taylor Swift, Toby Keith, Craig “Come on in,” said host Roger Murrah. Wiseman and Wynn Varble. “You’re going to be so glad you came.” “This is my favorite event,” said Renee The NSAI awards came first. Bart White during the cocktail hour. There are many of us who share that sentiment. Making their entrances were Fred Foster, Jerry Foster, Jerry Crutchfield, Jerry Chesnut, Tom Collins, Pat Collins, Pat Higdon, Patsi Bale Cox, Paul Overstreet, Paul Williams, Mentor Williams & Lynn (L-R): Roger Murrah, Kye Fleming, Mark D. Sanders, Cathy Morton and Anderson, David AT&T TN Pres. Gregg Morton. ©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected] page
    [Show full text]
  • The Impact of Technology on the Role and Function of the Bass in Jazz
    The Impact of Technology on the Role and Function of the Bass in Jazz Peter Dowdall Thesis submitted for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide February 2012 TABLE OF CONTENTS Title Page ..................................................................................................................... i Table of Contents ........................................................................................................ ii List of Figures.............................................................................................................. iii Abstract........................................................................................................................ vii Declaration................................................................................................................... viii Acknowledgments........................................................................................................ ix Introduction. Project Summary, Literature Review, Theoretical Framework, Chapter Outline...................................................................................... 1 Chapter 1. The Bass and the Early Mechanical Roots of Jazz (1915-1930)............... 14 Chapter 2. The Bass, Technology and the Development of the Rhythm Section (1930-1945).................................................................... 45 Chapter 3. The Spoils of War and the Jazz Bass: Tape Recorders and Editing (1945-1960)..............................................................................................
    [Show full text]
  • BEAR Tips / STAFF SELECTIONS . 114 DEUTSCHE OLDIES
    1 COUNTRY .......................2 BEAT, 60s/70s ..................136 AMERICANA/ROOTS/ALT. .............54 SURF .............................140 TEXAS MUSIC SPECIAL ................60 CLASSIC ROCK/BIKER/SOUTHERN... .....141 OUTLAWS/SINGER-SONGWRITER .......60 WESTERN .......................74 REVIVAL/NEO ROCKABILLY .....142 WESTERN SWING....................78 PSYCHOBILLY ......................146 TRUCKS & TRAINS ...................80 BRITISH R&R ........................146 C&W SOUNDTRACKS.................81 SKIFFLE ...........................147 C&W SPECIAL COLLECTIONS...........83 AUSTRALIAN R&R ....................148 COUNTRY CANADA..................84 INSTRUMENTAL R&R/BEAT .............148 COUNTRY AUSTRALIA/NEW ZEALAND....85 COUNTRY DEUTSCHLAND/EUROPE......87 BLUEGRASS.....................89 POP VOCAL .....................148 NEWGRASS ........................97 POP INSTRUMENTAL .................154 INSTRUMENTAL .....................99 POP COMEDY & SPECIAL INTEREST ......157 OLDTIME ..........................102 LATIN ............................157 HAWAII ...........................106 JAZZ .............................158 CAJUN/ZYDECO ....................106 SOUNDTRACKS .....................159 TEX-MEX ..........................108 FOLK .............................108 WORLD ...........................112 BEAR TIPs / STAFF SELECTIONS . 114 DEUTSCHE OLDIES ..............159 KLEINKUNST / KABARETT ..............161 ROCK & ROLL ...................116 DEUTSCHLAND - SPECIAL INTEREST .....161 REGIONAL R&R .....................122 OPER/OPERETTE/MUSICAL.............162
    [Show full text]
  • Publisherspublishers
    PUBLISHERSPUBLISHERS As the world’s largest music print publisher, Hal Leonard proudly represents many of the world’s Educational drum publications Reference books and instructional published by Modern Drummer greatest publishers, catalogs of music, artists, guides filled with insights from profes- magazine. sional players. Compiled from the composers and authors. For your convenience, pages of Guitar One magazine. we have listed here catalogs or publishers whose products we distribute. Music instruction texts based on mate- * Practical audio tech books from rial used at the Musicians Institute of Butterworth-Heinemann Publishing. Technology in California. Specializes in educational publications, Applause is the leading name in theatre featuring methods and reference pub- and cinema publishing with titles in lications for musicians. areas including: biographies and screenplays, as well as books on audi- tions and voice. Biographical books from the pages of the world’s best-selling guitar maga- * One of the world’s largest book pub- zine as well as books about guitar lishers offering music personality playing for beginning to advanced books from such imprints as Knopf, musicians. Crown, Fodor’s and Harmony. Music technology, pro recording, Music instruction texts based on and career development books, videos materials used at the Berklee School and DVDs covering various areas of of Music. the music industry. Imprints include Mix Books, EM Books, Pro Audio Press, Pro Music Press and the Recording Industry Sourcebook. Hal Leonard publishes the largest selection of music reference books for songwriters, technicians, musicians, Compiled from Billboard magazine by collectors, and managers. In addition, renowned researcher Joel Whitburn, they are the world’s largest publisher these handy reference books rank #1 of printed music and have a global dis- in accuracy and accessibilility! Cherry Lane Music is a premier pub- tribution network.
    [Show full text]
  • Trisha Yearwood Hearts in Armor Mp3, Flac, Wma
    Trisha Yearwood Hearts In Armor mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Hearts In Armor Country: Canada Released: 1992 Style: Country MP3 version RAR size: 1112 mb FLAC version RAR size: 1564 mb WMA version RAR size: 1145 mb Rating: 4.6 Votes: 278 Other Formats: DXD AC3 DMF MIDI AHX VOX AA Tracklist Hide Credits Wrong Side Of Memphis A1 Written-By – Gary Harrison , Matraca Berg Nearest Distant Shore A2 Written-By – Gary Harrison , Tim Mensy You Say You Will A3 Written-By – Beth Nielsen Chapman, Verlon Thompson Walkaway Joe A4 Written-By – Greg Barnhill, Vince Melamed Woman Walk The Line A5 Written-By – Emmylou Harris, Paul Kennerley Oh Lonesome You B1 Written-By – Jamie O'Hara, Kieran Kane Down On My Knees B2 Written-By – Beth Nielsen Chapman For Reasons I've Forgotten B3 Written-By – Jamie O'Hara You Don't Have To Move That Mountain B4 Written-By – Keith Whitley Hearts In Armor B5 Written-By – Jude Johnstone Companies, etc. Manufactured By – MCA Records Canada Distributed By – MCA Records Canada Recorded At – Sound Emporium Mixed At – Sound Emporium Mastered At – Georgetown Masters Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Credits Acoustic Guitar – Billy Walker, Jr.* (tracks: A1, A3-B1, B3), Don Potter (tracks: A2, B2, B4), Tim Mensy (tracks: A2) Art Direction, Design – Bill Brunt Designs Bass – Dave Pomeroy (tracks: A1-B2, B4), Glenn Worf (tracks: B3) Dobro – Jerry Douglas (tracks: A4) Drums – Eddie Bayers (tracks: A1-B4) Electric Guitar – Brent Mason (tracks: A1-B4) Engineer [Assistant] – Linell* Engineer [Assistant], Mixed By – Dave Sinko Engineer, Mixed By – Gary Laney Fiddle – Rob Hajacos (tracks: A1), Stuart Duncan (tracks: A5, B1) Harmony Vocals – Don Henley (tracks: A4, B5), Emmylou Harris (tracks: A5), Garth Brooks (tracks: A2), Harry Stinson (tracks: A1), Raul Malo (tracks: A1, A3, B3), Trisha Yearwood (tracks: A1, A3), Vince Gill (tracks: B1, B4) Mandolin – Sam Bush (tracks: A5, B1) Mastered By – Denny Purcell Photography By [Additional] – Maria Von Matthiessen, Randee St.
    [Show full text]
  • DECEMBER 2012 Newsletter ------Yesterday & Today Records P.O
    DECEMBER 2012 Newsletter ----------------------------------------- Yesterday & Today Records P.O. Box 54 Miranda NSW 2228 Ph: (02) 95311710 Email: [email protected] Web: www.yesterdayandtoday.com.au ---------------------------------------------------------- Postage: 1cd/ 2cd $3/ 3-5 $8 Australia post has bucked the trend and increases prices at least 3-4 times a year. Don’t worry about inflation. They will create inflation. It is a little late but there was a lot to include and you will find that the BOX SETS listings are much more user friendly in their setting out. We are here between Christmas and New Year. Have no hesitation in calling over the holiday period. If you get the recorded message please leave a message. There are a lot of fine new albums and I dare say the album of the year may come from one of these. Any questions? Please do not hesitate to ask. We look forward to hearing from you. Wesley Dennis “Country Enough” $28 Some artists don’t make it easy for themselves do they? Wesley lives somewhere like Indiana and yet sells his cds ...or rather doesn’t sell his cds...out of Canada. A great artist with a fine voice and more than a passing nod to the wonderful Mel Street. This is as good if not better than his two previous albums, “Wesley Dennis” and “Country to the Core”. The first was on Mercury and the second was an independent with the same brilliant marketing stategy he employs on his latest. But who is he to be told. Wesley has written 7 of the album’s 14 tracks and all are fine.
    [Show full text]