Celebration Set List
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
Complex, Bloody Bond for Safety on Public
Volume 79, No. 55B ©SS 2020 CONTINGENCY EDITION SUNDAY, JULY 5, 2020 stripes.com Free to Deployed Areas VIRUS OUTBREAK Governors put onus Complex, bloody bond for safety on public BY KIMBERLEE KRUESI Associated Press NASHVILLE, Tenn. — As Tennessee registered what then was its highest single-day coro- navirus case increase, Gov. Bill Lee held a news conference and issued a stern response. It wasn’t a mandate to wear masks in public or clamp down on businesses or social gatherings. Instead, it was a plea for residents to do the right thing. “When we have people dying in this state as a result of this virus, we should be taking personal re- sponsibility for this,” the Republi- can governor said. It was the same message Lee issued in late March as the COVID-19 disease was beginning to spread. He has vowed to stick to the personal responsibility mantra, with no plans to reinstate stay-at-home restrictions or im- pose statewide mandates — even as photos of unmasked people crowding bars and outdoor con- certs across Tennessee spread across social media. Instead, Lee signed an execu- tive order Friday that allows local officials to issue their own mask mandates if they want — as Nash- US, Russia share brutal history in Afghanistan ville and Memphis had already done. Elevating a message of person- al responsibility over statewide BY KATHY GANNON Now both superpowers are linked again country that does not serve as a base for crackdowns on businesses and Associated Press over Afghanistan, with intelligence re- extremists to export terrorism. -
The Case of Rihanna: Erotic Violence and Black Female Desire
Fleetwood_Fleetwood 8/15/2013 10:52 PM Page 419 Nicole R. Fleetwood The Case of Rihanna: Erotic Violence and Black Female Desire Note: This article was drafted prior to Rihanna and Chris Brown’s public reconciliation, though their rekindled romance supports many of the arguments outlined herein. Fig. 1: Cover of Esquire, November 2011 issue, U. S. Edition. Photograph by Russell James. he November 2011 issue of Esquire magazine declares Rihanna “the sexiest Twoman alive.” On the cover, Rihanna poses nude with one leg propped, blocking view of her breast and crotch. The entertainer stares out provocatively, with mouth slightly ajar. Seaweed clings to her glistening body. A small gun tattooed under her right arm directs attention to her partially revealed breast. Rihanna’s hands brace her body, and her nails dig into her skin. The feature article and accompanying photographs detail the hyperbolic hotness of the celebrity; Ross McCammon, the article’s author, acknowledges that the pop star’s presence renders him speechless and unable to keep his composure. Interwoven into anecdotes and narrative scenes explicating Rihanna’s desirability as a sexual subject are her statements of her sexual appetite and the pleasure that she finds in particular forms of sexual play that rehearse gendered power inequity and the titillation of pain. That Rihanna’s right arm is carefully positioned both to show the tattoo of the gun aimed at her breast, and that her fingers claw into her flesh, commingle sexual pleasure and pain, erotic desire and violence. Here and elsewhere, Rihanna employs her body as a stage for the exploration of modes of violence structured into hetero- sexual desire and practices. -
10CC Dreadlock Holiday 98 Degrees Because of You Aaron Neville Don
10CC My Love My Life Dreadlock Holiday One Of Us Our Last Summer 98 Degrees Rock Me Because Of You S.O.S. Slipping Through My Fingers Aaron Neville Super Trouper Don't Know Much (Duet Linda Ronstad) Take A Chance On Me For The Goodtimes Thank You For The Music The Grand Tour That's Me The Name Of The Game Aaron Tippin The Visitors Ain't Nothin' Wrong With The Radio The Winner Takes It All Kiss This Tiger Two For The Price Of One Abba Under Attack Andante, Andante Voulez Vous Angel Eyes Waterloo Another Town, Another Train When All Is Said And Done Bang A Boomerang When I Kissed The Teacher Chiquitita Why Did It Have To Be Me Dance (While The Music Still Goes On) Dancing Queen Abc Does Your Mother Know Poison Arrow Dum Dum Diddle The Look Of Love Fernando Gimme! Gimme! Gimme! (A Man After Midnight) Ac Dc Happy New Year For Those About To Rock Hasta Manana Have A Drink On Me He Is Your Brother Highway To Hell Hey Hey Helen Who Made Who Honey Honey Whole Lotta Rosie I Do, I Do, I Do You Shook Me All Night Long I Have A Dream I Let The Music Speak Ace Of Base I Wonder All That She Wants If It Wasn't For The Nights Beautiful Life I'm A Marionette Cruel Summer I've Been Waiting For You Don't Turn Around Kisses Of Fire Life Is A Flower Knowing Me Knowing You Lucky Love Lay All Your Love On Me The Sign Lovers(Live A Little Longer) Wheel Of Fortune Mamma Mia Money Money Money Ad Libs The Engelstalige Karaoke Holding de Riddim Entertainment Pagina 1 Boy From New York City Theme From Moonlighting Adele Al Jolson Don't You Remember Avalon I Set Fire -
Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects. -
Garth Brooks, Wynonna Judd, Wade Hayes, and the Changing Face of Nashville
DREAMING OUT LOUD GARTH BROOKS, WYNONNA JUDD, WADE HAYES, AND THE CHANGING FACE OF NASHVILLE BRUCE FEILER May the circle be unbroken For the memory of George Alan Abeshouse and Ellen Abeshouse Garfinkle I hear down there it's changed you see They're not as backward as they used to be. -Bob McDill, ªGone Countryº CONTENTS Epigraph iii PRELUDE 1 The Players 3 VERSE I 21 1 The Opry 23 2 The Studio 45 3 The Tabloids 65 4 The Town 83 VERSE II 99 5 The Hat 101 6 The Cover 123 7 The Face 139 8 The Legends 159 VERSE III 175 9 The Interview 177 10 The Party 199 11 The Single 221 12 The Politics 237 VERSE IV 253 13 The Stage 255 14 The Money 269 15 The Fans 287 16 The Launch 299 VERSE V 315 17 The Show 317 18 The Family 335 19 The Awards 351 CODA 373 The Future 375 NOTES 381 The People 383 The Sources 386 The Music 389 Index 391 About the Author Praise Other Books by Bruce Feiler Cover Copyright About the Publisher PRELUDE THE PLAYERS At what should have been a crowning moment in his career, Garth Brooks made a rare misstep. He was wearing his black Stetson that evening and his lace-up ropers as wellÐthe signature accessories of American myth. As usual, his black Wranglers were three sizes too smallÐthe better, he confessed, to conceal his often unruly weight. (ªTruth is,º he told me, ªI don't mind making fun of my body. -
WORLD-CLASS RHYTHM-SECTION CHEMISTRY to Get the Best Possible Sounds, We've Compiled a Roster of Ridiculously Good A-List
JM4 WORLD-CLASS RHYTHM-SECTION CHEMISTRY To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee. Here are a few choice cuts: JAM 108 BLUES STOMP VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 126 DRIVING ROCK VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 100 OUTLAW COUNTRY CLUB VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression. FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar) JAM 101 OUTLAW COUNTRY VIBE: Solo or comp along with just bass and drums in this stripped-down country jam. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 157 SUGARFOOT RAG VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 112 HALF-TEMPO ROCKER VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass. -
Boots Randolph
2004 Induction Class Boots Randolph In 1927, Homer Louis Randolph was born in Paducah, Kentucky, and grew up in the rural area of Cadiz. Surrounded by a musical family, Homer, (or “Boots” as his brother called him), had many opportunities to explore his musical and creative talents. Boots played an array of instruments, but by the age of 16, he decided to focus his attention on the saxophone. While in the service he joined the Army Band, and later began working in a band with his brother. His unique style of sax playing caught the attention of friend and famed guitar player, Chet Atkins, who in 1958 helped Boots find work on Nashville recording sessions. It was his trademark tune, “Yakety Sax” that launched his career and enabled Boots to move to Nashville, becoming one of the most sought after studio musicians in the business. He was the first to play sax on Elvis’s recordings and the only one to ever play solo with him. Boots played sax on eight of Elvis’s movie soundtracks, in addition to playing with other top artists such as Chet Atkins, Floyd Crammer, Johnny Cash, Richie Cole, Pete Fountain, and Tommy Newsom, just to name a few. Boots Randolph played sax on Roy Orbison’s “Oh, Pretty Woman”, Al Hirt’s “Java”, REO Speedwagon’s “Little Queenie” and Brenda Lee’s “Rockin’ ‘Round The Christmas Tree.” Boots had a major impact on the use of the sax in pop and country albums making his own style a major part of the overall Nashville Sound. -
In Dallas/Ft. Worth, TX Will Be Sitting in For
WI T H B OB KIN GSLEY •• • j ·TO: ALL ACC AFFILIATES BOB KINGSLEY • I RE: GUEST HOST DATE: August 17, 2005 TOTAL PAGES: O.NE This weekend (August 27th & 28th, Show #35) there will be a guest host on American Country Countdown. Bill Kinder from KSCS-FM in Dallas/ Ft. Worth, TX will be sitting in for me. See ya next week! 171 0 Martin Drive • Weatherford, TX 76086 • (817) 599-4099 • Fax (817) 594-9940 ' I Please audition each disc immediately. If WITH BO B KIN G SLEY you have any questions, please contact us at (972) 776-4655. ABC RADIO NETWORKS 444 MADISON A VE. NEW YORK, NY 10022 972-776-4655 FAX 212-735-1125 TOPICAL PROMOS TOPICAL PROMOS FOR SHOW #35-05 ARE LOCATED ON DISC 4. TRACKS 61 7 & 8 DO NOT USE AFTER SHOW #35-05. TRACK 6 :18 HI, BOB KINGSLEY HERE ...AND FOR ALL YOU LOYAL COUNTRY MUSIC LISTENERS OUT THERE THAT WONDER HOW YOUR FAVORITE COUNTRY ARTISTS AND THEIR SONGS ARE DOING AROUND THE COUNTRY, THIS IS THE PLACE FOR YOU. BILLBOARD RANKS 'EM AND WE COUNT 'EM DOWN FOR YOU, FROM 40 TO #1, EVERY W EEKEND - ON AMERICAN COUNTRY COUNTDOWN. (LOCAL TAG) TRACK7 :24 HI, BOB KINGSLEY HERE... AND YOU CAN SLEEP WELL TONIGHT, BECAUSE THE BILLBOARD MAGAZINE IS WATCHING THE PROGRESS OF ALL YOUR FAVORIT E SONGS THIS WEEK, AND WHEN THE RESULTS ARE IN. THE ACC STAFF TAKES THOSE OFFICIAL RANKINGS, AND STORIES ABOUT YOUR FAVORITE SINGERS AND SONGS, PUTS 'EM TOGETHER - AND THE RESULTS, THE TOP 40 SONGS IN THE LAND. -
Gene Watson Fan Club Newsletter
Gene Watson Fan Club Newsletter August, 2021 75th Diamond Edition Dear Friends - Can you believe this is our 75th newsletter? That’s why we are calling this our 75th Diamond Edition. Sounds fancy don’t you think? We’re just glad you’re still reading our newsletter and still being the loyal fans that you are. You are why I get to sing for my living. I never forget that and I always appreciate you. The band and I have been enjoying our shows more than ever since we had to go so long without being able to sing for you. We’ve also been fortunate to get back onto the Opry stage. We truly enjoy the family atmos- phere that you can feel at the Opry so we go as often as we can and in fact, our next appearance is Friday, August 27th. I’m not sure what songs we’ll sing yet but I expect we’ll be on close to 7PM since we’ll have to head right out to get on the road to Winchester, OH. Another exciting thing is the new music in the works. I plan to get back to the studio in a couple of weeks and that has kept me busy, working on song selections and more. It always takes far longer than I expect to get everything done after the recording sessions are finished. All that licensing and stuff that I’m glad to turn over to other people takes time, then there’s getting artwork approved and more. I’ll just have to let you know as its coming along what we expect the release date will be.