Publisherspublishers

Total Page:16

File Type:pdf, Size:1020Kb

Publisherspublishers PUBLISHERSPUBLISHERS As the world’s largest music print publisher, Hal Leonard proudly represents many of the world’s Educational drum publications Reference books and instructional published by Modern Drummer greatest publishers, catalogs of music, artists, guides filled with insights from profes- magazine. sional players. Compiled from the composers and authors. For your convenience, pages of Guitar One magazine. we have listed here catalogs or publishers whose products we distribute. Music instruction texts based on mate- * Practical audio tech books from rial used at the Musicians Institute of Butterworth-Heinemann Publishing. Technology in California. Specializes in educational publications, Applause is the leading name in theatre featuring methods and reference pub- and cinema publishing with titles in lications for musicians. areas including: biographies and screenplays, as well as books on audi- tions and voice. Biographical books from the pages of the world’s best-selling guitar maga- * One of the world’s largest book pub- zine as well as books about guitar lishers offering music personality playing for beginning to advanced books from such imprints as Knopf, musicians. Crown, Fodor’s and Harmony. Music technology, pro recording, Music instruction texts based on and career development books, videos materials used at the Berklee School and DVDs covering various areas of of Music. the music industry. Imprints include Mix Books, EM Books, Pro Audio Press, Pro Music Press and the Recording Industry Sourcebook. Hal Leonard publishes the largest selection of music reference books for songwriters, technicians, musicians, Compiled from Billboard magazine by collectors, and managers. In addition, renowned researcher Joel Whitburn, they are the world’s largest publisher these handy reference books rank #1 of printed music and have a global dis- in accuracy and accessibilility! Cherry Lane Music is a premier pub- tribution network. * A renowned publisher from England lisher of popular music folios as well known for its music reference and as an extensive catalog of educational artist biographies. publications. The definitive magazine for the home studio musician and engineer. Biography and reference books on vintage drums * Backbeat Books publishes practical Specializes in guitar, banjo, man- and colorful books to enlighten, dolin, dulcimer, harmonica, fiddle, inspire, and entertain musicians and steel guitar and drum publications. KENDRICK BOOKS fans. Part of the Music Player Tech guides and videos from a Network, publishers of Guitar Player, Bass Player, Keyboard, Gig, renowned company that restores vin- tage guitar amplifiers. and EQ magazines. * These titles are not available to bookstores from Hal Leonard 1 TABLETABLE OFOF CONTENTSCONTENTS 2 CAREER DEVELOPMENT 53 Maintenance & Construction 2 Business 55 AMPS & PEDALS 5 Internet * Publisher of educational, reference 57 DRUMS and resource materials which docu- 5 Promotion & Performance ment and disseminate folk songs and 60 SPOTLIGHT ON folk music. 7 Academic Support WHAT’S A…? SERIES 8 SONGWRITING 61 AUDIO TECHNOLOGY 12 SPOTLIGHT ON 61 Dictionaries Books focused on the acoustic instru- THE LYRIC LIBRARY ment market, including price guides, 61 MIDI care and maintenance and luthiers. 14 SINGING From the publishers of Acoustic Guitar 62 Recording and Strings magazines. 16 REFERENCE 64 Spotlight on 16 Chart History Sound Advice Series 19 Listening Guides 65 Spotlight on 21 Music Dictionaries Instant Pro Series & Handbooks Creators of the worldwide successful 66 Spotlight on Shaping Tipbook Series – handy, highly 22 BIOGRAPHIES & HISTORY Your Sound Series accessible and clearly illustrated books on music and musical instruments. 34 PIANO/KEYBOARDS 73 Live Sound 35 INSTRUMENTS 74 Computers/Software 38 SPOTLIGHT ON 75 Sampling & Synthesizers TIPBOOKS 77 Drum Machines/Loops 39 GUITAR & BASS Books about guitars and guitar collect- 78 MERCHANDISING ing from the editors of Vintage Guitar 39 Manufacturer-Specific DISPLAYS magazine. 43 Guitar Identification 80 INDEX & History 80 Alphabetical 46 Guitar Players 83 DVD & Video Listings 49 Guitar Instruction 83 Non-English Editions 52 Bass Books 84 HOW TO ORDER * Reference books covering the music business, songwriting, copyrights, and publishing. Telephone: (414) 774-3630 Fax: (414) 774-3259 http://www.halleonard.com © 2003 Hal Leonard Corporation * These titles are not available Prices, availability and contents of books subject to change without notice. to bookstores from Hal Leonard Prices and availability may vary outside the U.S.A. 2 CAREERCAREER DEVELOPMENTDEVELOPMENT BUILDING YOUR CONFESSIONS BUSINESS NEW MUSIC CAREER OF A RECORD 2003 NEW MASTER CLASS PRODUCER – RECORDING DVD SERIES 2ND EDITION INDUSTRY with David Rosenthal HOW TO SURVIVE THE SOURCEBOOK Berklee Press SCAMS AND SHAMS Artistpro In this Master Class, Berklee OF THE MUSIC BUSINESS The Recording Industry grad David Rosenthal provides by Moses Avalon Sourcebook is the leading detailed, practical advice every Backbeat Books music business and production aspiring musician needs to hear. A consummate pro in Now completely updated and revised, this streetwise directory. This is your #1 source constant demand, Rosenthal conveys wisdom earned guide helps musicians, producers, and others protect for industry contact information, containing over 15,000 over two decades as keyboardist, touring musician, their rights and preserve their assets in today’s cutthroat listings in more than 67 categories. On the eve of its producer, bandleader and collaborator with everyone music recording industry. Industry insider Moses Avalon fifteenth anniversary, this perennial favorite has been from Billy Joel and Robert Palmer to Cyndi Lauper and tells it like it is – how producers dip into budgets, artists given a complete overhaul, with many enhancements Enrique Iglesias. Separating the “music” from the steal songs, labels skim royalties, lawyers write contracts and new features. Every listing has been painstakingly “business,” he discusses the importance of networking, in code – and shows readers how to survive in the wake verified, and the book has been reorganized for easier hiring a good lawyer, knowing your gear inside and out, of these and other unfortunate truths. Deconstructing use, with new introductions explaining and indexing adapting your skills to different settings, and, most actual major record deals, Avalon dissects each party’s each section. On top of that, a searchable CD-ROM of all importantly, being ready to seize opportunities whenever involvement and perspective: what they actually do, how the book’s data is now included with every copy! The they arise. Put his strategies to work for your career. much they get paid, and what’s really on their agenda. 2003 Sourcebook is the directory you need to conduct ______50448013 DVD ...................................$19.95 This second edition examines the impact of recent business in today’s music industry. ISBN# 0-87639-031-9 developments in the industry, including Internet file ______00331025 (600 pages, sharing and streaming, mergers and acquisitions, trade 8-3/8" x 10-7/8")................$79.95 THE COMPLETE associations and their agendas, and more. ISBN# 1-93114-033-2 MUSIC BUSINESS ______00330857 (276 pages, OFFICE 7-3/8" x 9-3/8").................$19.95 2003 SONGWRITER’S by Greg Forest ISBN# 0-87930-660-2 MARKET NEW Artistpro 1,200+ PLACES TO This is the most expansive THE CRAFT MARKET YOUR SONGS NEW book and CD set on the AND BUSINESS Writer’s Digest Books market today, with over 125 OF SONGWRITING, Get your songs published, essential contracts and forms 2ND EDITION recorded and on the air using the for conducting music and by John Braheny 2003 Songwriter’s Market! entertainment industry business with fun and Inside you’ll find more than Writer’s Digest Books educational commentary by the author on each Discover the secrets of 1,200 listings for every kind of music, including rock, document. In addition to just about every contract you’ll hip-hop, classical and country – even toe-tapping successful songwriting with this ever need to run your business, Forest has included all essential guide! Co-Founder of gospel. From record companies and music publishers to relevant US government documents for filing copyrights record producers and booking agents, 2003 the Los Angeles Songwriters Showcase John Braheny such as Form PA, Form SRP, Form SRU and many more. teaches you the craft of songwriting while going behind Songwriter’s Market tells you who to contact, where In addition, this exhaustive compendium features they are, what they’re looking for, and what you can the scenes of the music business to reveal insider secrets interviews with industry professionals, and a library of that will make your work stand out. Dozens of exercises, expect. Includes easy-to-reference symbols and indexes interesting software tools for Windows 95/98 rounds out • information on contests, awards, workshops, examples and anecdotes from songwriters such as Vince the package. The book is accompanied by a CD-ROM Gill, Sheryl Crow, TLC, Lenny Kravitz and Paul McCartney conferences and resources • invaluable articles from containing the contract library in a number of formats music industry insiders • and much more! If you’re will you show you how to: develop a songwriter’s for use with Windows 95/98 and Macintosh-based consciousness; overcome barriers in the creative serious about making your mark in the music industry, computers. This new expanded
Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • 3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
    3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat.
    [Show full text]
  • Provider Directorydirectory Directoriodirectorio De De Proveedores Proveedores STAR+PLUSSTAR+PLUS
    CoverCover - -Primary Primary Care Care Providers Providers JANUARY / ENERO 2020 ProviderProvider DirectoryDirectory DirectorioDirectorio de de Proveedores Proveedores STAR+PLUSSTAR+PLUS We are ready to help! ¡Estamos listos para ayudar! Call / Llame al 1-877-277-9772 Bexar service area / Área de servicio Bexar Atascosa, Bandera, Bexar, Comal, Guadalupe, Kendall, Medina, Wilson counties / condados 5900 E. Ben White Blvd. Austin, TX 78741 1-877-277-9772 SuperiorHealthPlan.com SuperiorHealthPlan.com BESP47-0120 SHP_20161509A BESP47-0120 324229 - Superior_STAR+_8.5x11.indd 2 9/21/18 6:23 PM 324229 - Superior_STAR+_8.5x11.indd 3 9/21/18 6:23 PM Inside Cover Welcome to Superior HealthPlan! Superior members receive important benefits such as: Access to Superior’s nurse advice line. They Value-added Services for you/your child such can answer your health questions 24 hours a as a $100 allowance for prescription eyewear day, 7 days a week. and $30 per quarter for commonly used over the counter (OTC) items. A member newsletter with tips on keeping you and your family healthy. A bilingual Member Services team to answer your questions and help you find a doctor. Access to a list of providers and health plan information at www.SuperiorHealthPlan.com. For more information, visit / para más información, visite ¡Bienvenido a SuperiorHealthPlan.com. Superior HealthPlan! Los miembros de Superior reciben importantes beneficios tales como: Acceso a la línea de consejos de enfermeras de Servicios de valor agregado para usted/su Superior. Pueden contestar sus preguntas de hijo como una deducción de $100 en lentes salud las 24 horas al día, 7 días a la semana.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • “Amarillo by Morning” the Life and Songs of Terry Stafford 1
    In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City.
    [Show full text]
  • Finnish Line
    Finnish Line Price 1,499£ Versoul Caspian Electric 12-string Sitar: An unusual 12-string electric ‘sitar’ guitar from Finland complete with Kent Armstrong pickup and Shadow piezo HESE DAYS, THE solid East Indian rosewood. “The Spec Check BEATLES are as popular surface of the bridge has the Versoul CASPIAN ELECTRIC 12 Tas ever and psychedelia same radius as the fingerboard, STRING SITAR in general is firmly back on the 9.56-inches,” says Kari, “and the PRICE: £ 1,499 ORIGIN: Finland musical agenda. Hardly surpris- other direction has a little buzzing BODY: Finnish alder NECK: ing, then, that the electric sitar is radius. Mahogany ROAM: East Indian back too. “When the string is picked the rosewood RADIUS: 9.5 INCHES Western music’s ability to borrow buzzing is created by the string SCALE: 26.75-inches PICK- from the Indian musical system actually touching the bridge. The UPS: Kent Armstrong vintage was no more obvious than during same principle is found on real si- Ainico single-coil, Shadow piezo sections of Vai’s ‘Fire Garden’ tars, but my bridge has adjustable with Versoul preamp BRIDGE album, where he takes his long- bridge pieces, so it’s quite easy AND TAIL: East Indian rose- term love of Eastern themes - a to adjust the angle of the bridge wood FRETS: 19 NUT: Moose Coral sitar has always been his piece to get the right amount of kneebone CASE: Hardshell weapon of choice - and mixes buzz.” case included LEFTIES: Yes, then with all manner of seven- DELHI GOOD upon request CONTACT: string rawk.
    [Show full text]
  • Weeksville Lost Jazz Shrines
    1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project.
    [Show full text]
  • Blueprint for the Arts N Music Letter from the Chancellor
    Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr.
    [Show full text]
  • Singer of the Hollies and Marks An- Thews.Melissa'ssoulfulversion Should Down Home Funkisstillvery Much a Other Change of Pace for Havens
    DEDICATED TO THE NEEDS OF THE MUSIC 'RECORD I SINGLES SLEEPERS ALBUMS BOZ SCAGGS, "LIDO SHUFFLE" (prod. by Joe THIN .LIZZY, "DON'T BELIEVE A WORD" (prod. NATALIE COLE, "UNPREDICTABLE."It Wissert)(writers: B.Scaggs & D. by John Alcock)(writer:P.Lynott) is rare that an artist "arrives" on the Paich) (Boz Scaggs/Hudmar, ASCAP) (RSO/Chappell, ASCAP) (2:18). The scene, estabiishes herself with a first (3:40). One of the best tracks from closest that the group has come to release and :mmediately takes a place Scaggs' much acclaimed "Silk De- the infectious,rockingbadboy among the giants of popdom with every grees" album, this one seems the sound of "The Boys Are BackIn indicatio' being that's where she'll re- most likely contender to follow in Town," this "Johnny The Fox" track main for many years. Such has been.thie' thesuccessfulfootstepsof"Low- has already charted in the U.K. Be- case for Ms. Cole, whose remarkable down." Scaggs' easy going vocal lieveit: the boys are back to stay. growth continues unabated with yet a blazes the way. Columbia 3 10491. Mercury 73892. third Ip. Capitol SO -11600 (6.98). DAVID BOWIE, "SOUND AND VISION" (prod. GENESIS, "YOUR OWN SPECIAL WAY" (prod. JETHRO7JIi.L, "SONGS FROM THE )114K)1.1 -,P - by David Bowie & Tony Visconti) by David Hentschel & Genesis) WOOD." .::te tour of smaller halls re- (writers: David Bowie) (Bewlay Bros./ (writer: Michael Rutherford) (Warner cently completed by Tull has put the Fleur, BMI) (3:00). "The man who Bros., ASCAP) (3:03). The group is group in the proper frame of reference fell to earth" is still one step ahead currently enjoying its biggest album for this latest set.
    [Show full text]
  • WORLD-CLASS RHYTHM-SECTION CHEMISTRY to Get the Best Possible Sounds, We've Compiled a Roster of Ridiculously Good A-List
    JM4 WORLD-CLASS RHYTHM-SECTION CHEMISTRY To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee. Here are a few choice cuts: JAM 108 BLUES STOMP VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 126 DRIVING ROCK VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 100 OUTLAW COUNTRY CLUB VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression. FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar) JAM 101 OUTLAW COUNTRY VIBE: Solo or comp along with just bass and drums in this stripped-down country jam. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 157 SUGARFOOT RAG VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 112 HALF-TEMPO ROCKER VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass.
    [Show full text]
  • 11C Software 1034-1187
    Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185
    [Show full text]
  • Recording Engineer's Handbook
    THE Recording Engineer’s HANDBOOK by Bobby Owsinski This page intentionally left blank The Recording Engineer’s Handbook by Bobby Owsinski © 2005 Bobby Owsinski. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without written permission from Thomson Course Technology PTR, except for the inclusion of brief quotations in a review. The ArtistPro Publishing and Thomson Course Technology PTR logo and related trade dress are trademarks of Thomson Course Technology PTR and may not be used without written permission. SVP, Thomson Course Technology PTR: Andy Shafran Publisher: Stacy L. Hiquet Executive Editor: Mike Lawson Senior Marketing Manager: Sarah O’Donnell Marketing Manager: Heather Hurley Manager of Editorial Services: Heather Talbot Associate Marketing Manager: Kristin Eisenzopf Marketing Coordinator: Jordan Casey Project Editor: Cathleen D. Snyder PTR Editorial Services Coordinator: Elizabeth Furbish Copy Editor: Heather Johnson Cover Designer/Interior Designer: Stephen Ramirez Proofreader: Gene Redding Cover photography: Susana Millman Special thanks to John Lucasey and Studio 880, Oakland, CA All other trademarks are the property of their respective owners. Thomson Course Technology PTR and the author have attempted throughout this book to distinguish proprietary trademarks from descriptive terms by following the capitalization style used by the manufacturer. Information contained in this book has been obtained by Thomson Course Technology PTR from sources believed to be reliable. However, because of the possibility of human or mechanical error by our sources, Thomson Course Technology PTR, or others, the Publisher does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from use of such information.
    [Show full text]