DOCSLIB.ORG

Jj -I»Mp Explosive Kicks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jj -I»Mp Explosive Kicks 47355 MARCH 1985 $1.95 £1.00 D.G.S. UK I_,XT ST 3R,_<_T E 3D Compact and Lethal Awesome European Training Learn Championship Workouts 03 jj_-i»Mp Explosive Kicks n f3TS>. 71896 47355' Build Blinding Speed < civate IL s t :r,a.t e id MARCH 1985 Vol. 16, No. 3 FEATURES 20 INTERVIEW: JHOON RHEE—The father of American tae kwon do talks about the past, present and future of the martial arts in the United States. 26 THE LEADER OF SHORIN-RYU—Eizo Shimabuku has had a long and interesting life, both in and out of the martial arts. 32 THE GLUTE-HAM DEVELOPER FOR THE MARTIAL ARTIST—One of the best exercise devices for improving your leg strength and flexibility is fully detailed. 38 HAPKIDO KICKS: THE KNEE IS THE KEY—Proper high knee posi tioning is essential if you want to acquire power and accuracy with your kicks. 44 EUROPEAN KUNG FU—Choy li fut has become oneof the favorite styles in Spain, thanks to the concentrated effort of a few dedicated and knowledgeable people. 50 AMAZING ARNIS: KICKING AND THE STICK—In one-on-one situa tions, low kicks, as taught by amis, can be life-saving techniques against any foe. 54 LAMA NATIONALS: "NASTY" TAKES OUT SOME FRUSTRATION — Steve Anderson was fighting mad in Illinois, wanting to gain a measure of respect. 56 KENWOOD U.S. OPEN: THE COMPETITORS LASTCHANCE—The final AA-rated event of the year in Florida proved to be important to many struggling contestants. 66 BODY BY FISHER—Former tournament competitor Steve Fisher tells martial artists his strength building and stretching secrets. DEPARTMENTS 6 Letters 58 Full-contact 12 Traditions 60 Ratings News 16 Weapons 62 Regional Ratings 18 Bruce Lee 68 Calendar Publisher Assistant Editor Advertising Jane Hollander Michael James Gary Dempsey Barbara Lessard Dave Lowry Tom Muzila Assistant Publisher Photographer Customer Service Mike Replogle Geri Simon Mario Prado Joan LaMarr Gordon Richiusa Editor Copy Editor Circulation Michael Yessis Kurt Seemann Jack Vaughn Mercy Caudillo Art Director Typography Contributors Bruce Beck Debbie Brown Vern Brooks About the Cover: Okinawan shorin-ryu leader Eizo Shimabuku attacks Vern Brooks with a hard front page SO kick. Bruce Beck designed the cover. KARATE ILLUSTRATED—ISSN 0022-9016—magazine is published monthly by Rainbow Publications, Inc. Editorial, advertising and circulation offices at 1813 Victory Place, P.O. Box 7728, Burbank, CA 91510-7728. Second-class postage paid Burbank, CA, and additional post offices. Telephone: (818) 843- 4444 or (213) 849-2181. Consultants: Uyehara Management Inc., 1314 S. King Street, Suite 863, Honolulu, HI 96814. Subscription rates in the United States are one year (12 issues plus yearbook), S19.50; two years, S39.00. (Foreign countries add S2.50 per year for postage.) The publisher and editors will not be responsible for unsolicited material. Manuscripts and photographs must be accompanied by a stamped, self-addressed envelope. Printed in the United States by World Color Press, Inc., St. Louis. Copyright 1985 by Rainbow Publications, Inc. All rights reserved. Reproduction without permission is strictly prohibited. Kicking and the Stick by Mike Replogie 50 attacks could be crippling. Restraint Various related Philippine martial With the hands involved in blocking or arts—amis, kali, escrima, silat, and parrying the attacker's arms and stick, appropriate to the situation must be kuntaw—are now becoming known and the only kicks that become usable are applied to attacks against the knee. appreciated in the United States. short kicks to the lower body, and trip The speed of the low kick is of great Take the American viewpoint of prac ping or throwing actions. importance. Since the distance is too ticality and application, add stick tech short to develop the full power of a niques applied to empty hand and foot Low Kicking complete, long-range kick, speed is es fighting, along with the basics com The low kick can cause serious in sential to create the maximum possi mon to many martial arts, and combine jury, especially to the knees, but it ble effect. Also, since a low kick usual them all into a standard training for serves mainly as an auxiliary attack, ly takes place in close-quarters fight mat. The result—amis. knocking off balance the opponent and ing, the kick must be done quickly to Amis, being a stick-oriented art, de- causing an opening for a hand attack, avoid a loss of balance or to allow an velopes excellent coordination with or taking the person to the ground with opening for the opponent to counter. the hands and an understanding of a throw or trip. Variations of the basic kicks will body positioning difficult to attain The methods of low kicking are sim come into play depending on the exact without the study of weapons. The ply low and short variations of the circumstances of the situation. Each of same movements translated to the standard basic kicks. The martial art the basic kicks should be studied for empty hand become a powerful self- ist that has practiced and perfected close-range, low-kicking applications. defense system. long-range kicking techniques should Kicking and foot techniques are one be able to easily adapt to their short, Front Kick of the least-known aspects of amis. low cousins. When facing the opponent fully for Often eclipsed by the uniqueness of Low kicking attacks will generally ward, the front kick can be very quick the stick, the feet are usually studied be directed toward the foot, ankle, shin, and effective. A powerful front kick to for stances and footwork, not so much thigh, and groin area. Standard foot any part of the leg or groin can disable as weapons. Yet foot techniques are an an opponent. A short, quick kick to any integral part of a complete system of of the lower vulnerable areas can amis, and the unique aspects of stick cause extreme pain. Try kicking a cof fighting make for a fine kicking art, too. "The danger of the stick fee table with your shin sometime! The basic kicking actions of amis can be lessened in a are much the same as many of the kick Side Kick ing arts. Basic front, side, roundhouse, variety of ways, mostly The side kick can be effective at crescent, back heel, spinning and jump involving closing the close range when the body is angled, or kicks remain much the same regard distance to the attacker especially when used in combination less of the particular style of martial with other kicks. For example, a front arts. These kicks are studied and prac and limiting the stick's kick delivered with the right foot to the ticed in amis. Since a kick has a greater motion." opponent's right knee, could easily be reach and more power than a punch, it followed up by the same foot with a is an essential part of any complete side kick to the inside of the left knee. A system of hand and foot fighting. Basic side kick can also be used effectively kicking actions develop balance, positioning for kicks is effective as a stomp to the top of the thigh, or in a speed, power, flexibility, conditioning, against all of these targets. When downward motion, painfully raking the and are effective and versatile fighting wearing a shoe, the preferred striking front of the shin. tools. They cannot be neglected and surface would be the point, heel, or should be practiced diligently. other hard part of the footgear. Since Roundhouse and Back Heel Kicks The presence of the stick in a self- these kicks are all short and quick, the Roundhouse and back heel kicks, defense situation alters the event hard and sharp parts of the shoe can being circular in nature ratherthan line dramatically. Suddenly, the reach of help to create greater impact, injury, ar, lend themselves to broader motions the hand (with the stick) is equal to that and distraction. of attack and are also very effective for of a kick. The stick can move as fast or The angle of the low kick is also very sweeping, tripping and throwing ac faster than a kick, and the stick feels no important. Changing the angle of the tions. pain. Long-range front, side, round kick can alter its effect and desired re It is important to gain experience house and various other kicks can be sult. For example, a kick directed at the and sensitivity to this style of kicking. easily blocked with the stick from a knee area could come: This is best accomplished by experi distance, and painfully, since stick 1. Directly into the knee, forcing it mentation and exploration in a learning contact to the shin or foot is extremely straight back. situation. The following drill is an ex painful. This points to the fact that a 2. At a downward angle, driving the cellent way to gain the needed familiar traditional, long-range kick is not prac knee cap down. ity. tical as an opening attack against a 3. At an upward angle, pushing the stick-bearing opponent. The stick must knee toward the other leg. Low Kicking Drill be neutralized before kicking can safe 4. At an inward angle, twisting the This drill is done with a partner, in a ly come into play. knee toward the other leg. special series of steps designed to im The danger of the stick can be less 5. At an outward angle, forcing the knee prove low kicking ability and percep ened in a variety of ways, mostly involv away from the other leg.
Load more

Recommended publications
  • Representantes-22.OCT .14.Pdf
    REPRESENTANTES DE DISCIPLINAS Y ESTILOS RECONOCIDOS POR LA LEY Nº 18.356 SOBRE CONTROL DE ARTES MARCIALES CON SUS ACREDITACIONES VIGENTES Nombres y Apellidos Dan Dirección de la academia Estilo Fono Ciudad Alarcón Belmar Oscar 7° Calle Heras N° 813 2° piso Concepción. Defensa Personal 74760436 Concepción Barrera Arancibia Ricardo 8° Aconcagua 752 La Calera. Shaolin Tse Quillota Bruna Urrutia Rodrigo 4° Castellón N° 292 Concepción. Defensa Personal Israelí 56373506 Concepción Pak Mei Kune y Defensa Cabrera Maldonado Hortensia 7° Batalla de Rancagua 539 Maipú. 88550636 Santiago Personal Caro Pizarro Víctor 5° Tarapacá 1324 local 3 A Santiago. Krav Maga 98528875 Santiago Catalán Vásquez Alberto Mauricio 4° En trámite. Taijiquan Estilo Chen 6890530 Santiago Cavieres Martínez Jorge 6° En trámite. Hung Gar 71377097 Santiago Candia Hormazabal José Luis 5° En trámite. Wai Kung 78696520 Santiago Colipí Curiñir Juan 6° Morandé 771 Santiago. Nam Hwa Pai 2-6880123 Santiago Hapkido Cheong Kyum Correa Manríquez Edgard 5° Calle Carrera N° 1624 La Calera V Región. 94171533 La Calera Association. 5° - Choson Mu Sul Hapkido Cubillos Alarcón Richard Vicuña Mackenna N° 227 Santiago. 22472122 Santiago - Pekiti Tirsia Kali 4° Collao Vega Carlos 6° Alameda N° 2489 Santiago Choy Lay Fut 73333201 Santiago Daiber Vuillemín Alberto 4° Tarapacá 777(779) Santiago. Aikikai-FEPAI 29131087 Santiago 9° - Tsung Chiao De Luca Garate Miguel Angel Bilbao 1559 98221052 Santiago 5° - Hung Gar Kuen Escobar Silva Luis Antonio 7° Diego Echeverría N° 786 Quillota. Shaolin Tao Quillota Federación Deportiva Nacional Chilena 6° Libertad N° 86 Santiago. Aikikai 2-6817703 Santiago de Aikido Aikikai (FEDENACHAA) Fernández Soria Mario 5° Castellón N° 292 Concepción.
    [Show full text]
  • Chapter 2 Chinese Martial Arts
    Chapter 2 Chinese Martial Arts My adult life has been defined by the practice of traditional Chi- nese body technologies, a long-term practical research project I began on Richard Fowler’s suggestion. From September 1993 to September 2005 I studied cailifoquan (Cantonese: choy li fut kuen), a martial art from Southern China; tang peng taijiquan (Cantonese: tong ping taigek kuen), a Northern Chinese martial art; and zhi neng qigong, a contemporary body technology designed to develop the student’s health and longevity, with Wong Sui Meing in Montréal. Since I started in 1993 I estimate I have completed at least 10,000 hours of training under Wong’s direct supervision. Figure 8: The author’s teacher Wong Sui Meing in his Montréal studio, Wong Kung Fu. (Photo by Daniel Mroz) 46 The Dancing Word In September of 2005 I began to study chen taiji shiyong quanfa, a very old form of taijiquan, under the instruction of Chen Zhonghua. I participated in a series of intensive workshops and private lessons over a two-year period and in May 2007 traveled to Daqingshan Mountain in Shandong Province, China, for a one-month full-time intensive training period. I continue to study privately with Chen as often as his busy international teaching schedule allows. In August 2007 Chen granted me a formal teaching license in the style. In addition to these long-term studies, I have cross-trained in a variety of other styles of martial movement, including Indian kalarip- payattu under the late Govindankutty Nair (d. 2006), Indonesian kun- tao and silat under Willem deThouars and his senior student Randall Goodwin and Chinese baguazhang with Ken Cohen and Allen Pittman.
    [Show full text]
  • Efficacy and Entertainment in Martial Arts Studies D.S. Farrer
    Dr. Douglas Farrer is Head of Anthropology at the University CONTRIBUTOR of Guam. He has conducted ethnographic fieldwork in Malaysia, Singapore, Thailand, Hong Kong, and Guam. D. S. Farrer’s research interests include martial arts, the anthropology of performance, visual anthropology, the anthropology of the ocean, digital anthropology, and the sociology of religion. He authored Shadows of the Prophet: Martial Arts and Sufi Mysticism, and co-edited Martial Arts as Embodied Knowledge: Asian Traditions in a Transnational World. Recently Dr. Farrer compiled ‘War Magic and Warrior Religion: Cross-Cultural Investigations’ for Social Analysis. On Guam he is researching Brazilian jiu-jitsu, scuba diving, and Micronesian anthropology. EFFICACY AND ENTERTAINMENT IN MARTIAL ARTS STUDIES anthropological perspectives D.S. FARRER DOI ABSTRACT 10.18573/j.2015.10017 Martial anthropology offers a nomadological approach to Martial Arts Studies featuring Southern Praying Mantis, Hung Sing Choy Li Fut, Yapese stick dance, Chin Woo, Brazilian jiu-jitsu, and seni silat to address the infinity loop model in the anthropology of performance/performance studies which binds KEYWORDs together efficacy and entertainment, ritual and theatre, social and aesthetic drama, concealment and revelation. The infinity Efficacy, entertainment, loop model assumes a positive feedback loop where efficacy nomadology, Brazilian jiu-jitsu, flows into entertainment and vice versa. The problem addressed seni silat, Chinese martial arts, here is what occurs when efficacy and entertainment collide? performance Misframing, captivation, occulturation, and false connections are related as they emerged in anthropological fieldwork settings CITATION from research into martial arts conducted since 2001, where confounded variables may result in new beliefs in the restoration Farrer, D.S.
    [Show full text]
  • Student Reference Manual
    1 Student Reference Manual WHITE TO BLACK BELT CURRICULUM 2 3 UNITED STUDIOS OF SELF DEFENSE Student Reference Manual Copyright © 2019 by United Studios of Self Defense, Inc. All rights reserved. Produced in the United States of America. No part of this document may be reproduced, stored in a retrieval system or transmitted in any form or by any other means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of United Studios of Self Defense, Inc. 3 Table of Contents Student Etiquette 7 Foundation of Kempo 11 USSD Fundamentals 18 USSD Curriculum 21 Technique Index 26 Rank Testing 28 White Belt Curriculum 30 Yellow Belt Curriculum 35 Orange Belt Curriculum 41 Purple Belt Curriculum 49 Blue & Blue/Green Curriculum 55 Green & Green/Brown Curriculum 71 Brown 1st-3rd Stripe Curriculum 83 10 Laws of Kempo 97 Roots of Kempo 103 Our Logo 116 Glossary of Terms 120 4 5 WELCOME TO United Studios of Self Defense As founder and Professor of United Studios of Self Defense, Inc., I would like to personally welcome you to the wonderful world of Martial Arts. Whatever your reason for taking lessons, we encourage you to persevere in meeting your personal goals and needs. You have made the right decision. The first United Studios of Self Defense location was opened on the East Coast in Boston in 1968. Since our founding 50 years ago, we have grown to expand our studio locations nationally from East to West. We are truly North America’s Self Defense Leader and the only organization sanctioned directly by the Shaolin Temple in China to teach the Martial Arts in America.
    [Show full text]
  • Cai Li Fo from Wikipedia, the Free Encyclopedia (Redirected from Choy Lee Fut)
    Cai Li Fo From Wikipedia, the free encyclopedia (Redirected from Choy Lee Fut) Cai Li Fo (Mandarin) or Choy Li Fut (Cantonese) (Chinese: 蔡李佛; pinyin: Cài L! Fó; Cantonese Yale: Choi3 Lei5 Fat6; Cai Li Fo aka Choy Lee Fut Kung Fu) is a Chinese martial art founded in Chinese 蔡李佛 [1] 1836 by Chan Heung (陳享). Choy Li Fut was named to Transcriptions honor the Buddhist monk Choy Fook (蔡褔, Cai Fu) who taught him Choy Gar, and Li Yau-San (李友山) who taught Mandarin him Li Gar, plus his uncle Chan Yuen-Wu (陳遠護), who - Hanyu Pinyin Cài L! Fó taught him Fut Gar, and developed to honor the Buddha and - Wade–Giles Ts'ai4 Li3 Fo2 the Shaolin roots of the system.[2] - Gwoyeu Romatzyh Tsay Lii For The system combines the martial arts techniques from various Cantonese (Yue) [3] Northern and Southern Chinese kung-fu systems; the - Jyutping Coi3 Lei5 Fat6 powerful arm and hand techniques from the Shaolin animal - Yale Romanization Kai Li Fwo forms[4] from the South, combined with the extended, circular movements, twisting body, and agile footwork that characterizes Northern China's martial arts. It is considered an Part of the series on external style, combining soft and hard techniques, as well as Chinese martial arts incorporating a wide range of weapons as part of its curriculum.[5] Choy Li Fut is an effective self-defense system,[6] particularly noted for defense against multiple attackers.[7] It contains a wide variety of techniques, including long and short range punches, kicks, sweeps and take downs, pressure point attacks, joint locks, and grappling.[8] According to Bruce Lee:[9] "Choy Li Fut is the most effective system that I've seen for fighting more than one person.
    [Show full text]
  • Forget About the Men, It's Time for the Ladies to Step Into the Spotlight
    Forget about the men, it’s time for the ladies to step into the spotlight. Arthur Tam explores the women that have shaped, contributed and kicked major ass in Hong Kong martial arts cinema. Photography by Calvin Sit. Art Direction by Phoebe Cheng. Cover art by Stanley Chung timeout.com.hk 19 o one would argue that Hong Kong, starting with the rise of since much of the genre was shaped by female fighters like Cheng Pei- Shaw Brothers, has dominated martial arts cinema for much pei, Kara Hui, Michelle Yeoh, Angela Mao, Cynthia Rothrock and Yuen Cheng Pei-pei of the last 50 years. Local film makers laid the foundation Qiu. In the 50s and 60s, female lead roles in wuxia and kung fu films 鄭佩佩 for many of the greatest action films ever made, giving rise were just as prevalent as male roles and the ladies threw it down with Nto revered international action heroes like Jet Li, Donnie Yen, Jackie as much strength, speed and tenacity as the men did, if not more. The queen of swords Chan and, of course, the greatest of the greatest, the dragon himself, These day it’s all about fighting to level the playing field and in the Bruce Lee. light of increasing girl power, what better way to celebrate than to Yes, these are the men that we adore to this day, but we forget acknowledge women in an industry that has been so essential to the ’m always up for a fight,” says 70-year- that to their yang there has always been a strong yin.The great popularity of Hong Kong pop culture.
    [Show full text]
  • Red Belt Study Sheet
    Starkville TaeKwonDo RED BELT STUDY SHEET TERMINOLOGY: Know all terminology from white belt to red belt COMBINATIONS: Candidates will demonstrate techniques in sets of (4), using pattern administered by the test board. Example: block-attack- block-attack FACTS: Know all from white belt to now PROMINENT NAMES: Know and be able to elaborate on (5) prominent names in martial arts PROMINENT STYLES: Know and be able to elaborate on (5) prominent styles of martial arts SELF-DEFENSE: Perform required self-defense that was learned at white belt Present (8) pre-determined close quarter self-defense techniques Be able to extricate yourself from holds administered by the test board QUESTIONS: Answer any and all questions posed by the test board FORMS/HYUNG: Perform and recite meanings of all forms from Chon-Ji through Hwa-Rang Be able to recognize any (3) movements from the form Hwa-Rang and Chung-Mu. Movements will be performed by members of test board. • Chon-Ji --- (19 movements, 2 kihaps) - Heaven and Earth • Tan-Gun --- (21 movements, 3 kihaps) - The legendary founder of Korea in 2333 B.C. • To San --- (24 movements, 3 kihaps) - Named after Master Ahn Chung Ho, a great patriot and educator of Korea. • Won-Hyo --- (28 movements, 3 kihaps) - named for the monk who introduced Buddhism to the Silla Dynasty in 686 A.D. • Yul-Kok --- (38 movements, 3 kihaps) - known as the “Confucius of Korea.” The 38 movements of this pattern represent the 38th degree latitude of his birthplace. The diagram of this pattern represents scholar. • Chung-Gun --- (32 movements, 3 kihaps) - named after master Ahn Chung Gun who assassinated the first Japanese overlord of Korea.
    [Show full text]
  • Download Issue
    ISSUE 10 EDITORS Fall 2020 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES EDITORIAL PAUL BOWMAN & BENJAMIN N. JUDKINS Five Years and Twelve Months that Changed the Study of Martial Arts Forever ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/mas.i10 Accepted for publication 30 October 2020 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 10 ARTS STUDIES FALL 2020 1 Editorial Five Years and Twelve Months that Changed the Study of Martial Arts Forever Paul Bowman and Benjamin N. Judkins ARTICLES 9 Tàolù – The Mastery of Space Daniel Mroz 23 Marx, Myth and Metaphysics China Debates the Essence of Taijiquan Douglas Wile 40 Rural Wandering Martial Arts Networks and Invulnerability Rituals in Modern China Yupeng Jiao 51 The Construction of Chinese Martial Arts in the Writings of John Dudgeon, Herbert Giles and Joseph Needham Tommaso Gianni 66 The Golden Square Dojo and its Place in British Jujutsu History David Brough 73 Wrestling, Warships and Nationalism in Japanese-American Relations Martin J.
    [Show full text]
  • The Mastery of Space Daniel Mroz
    A professor in the Theatre Department of the University of Ottawa CONTRIBUTOR since 2005, Daniel Mroz is director of the BFA program in stage acting and the MFA program in directing for the theatre. In the 1990s, he apprenticed as an actor with director Richard Fowler. In the early 2000s he earned his Doctorat en études et pratiques des arts from l’Université du Québec à Montréal. Daniel has directed in Canada and the United States and taught actors, directors, dancers and choreographers in Canada, the United States, Great Britain, France, the Netherlands, Denmark, and China. His scholarly and artistic work focusses on the use of Chinese martial arts and physical culture in contemporary theatre and dance. He is a long-time practitioner of the Chinese martial arts including Choy Li Fut Kuen 蔡李佛拳, Tong Ping Taigek Kuen 唐鹏太极拳, Chén Tàijíquán 陈太极拳 and 武当swordplay. His principal teacher is Tàijíquán 陈中华. Daniel Mroz is the author of The Dancing Word, a book about the Chinese martial arts in the creation of contemporary theatre, published by Brill (2011). Tàolù THE MASTERY OF SPACE DANIEL MROZ DOI ABSTRACT 10.18573/mas.111 This paper explores the experience of space afforded by the practice of tàolù 套路, the prearranged movement patterns of the Chinese martial arts. It examines the roots of tàolù in Chinese martial preparation, religious self-consecration and theatrical performance. It develops the structure and phenomenology of KEYWORDs this practice with special attention to its exponents’ perceptions of negative space. Following an interdisciplinary approach, the Chinese martial arts, author contextualizes embodied, martial knowledge in terms of tàolù, theatre, religious Chinese social history, theatre and religious praxis.
    [Show full text]
  • BDWT Chapter 1
    written by KEVIN BRENNEN STEVEN KENSON JAMES MALISZEWSKI LUCIEN SOULBAN GARETH MICHAEL SKARKA tri-stat system™ designed by MARK C. MACKINNON edited by LUCIEN SOULBAN editing assistance by MARK C. MACKINNON JEFF MACKINTOSH graphic production by JEFF MACKINTOSH cover artwork by ANDREW BAKER interior artwork by JENNIFER MEYER ED NORTHCOTT chinese translations by TONY LEE HKAT!, HONG KONG ACTION THEATRE!, GUARDIANS OF ORDER and TRI-STAT SYSTEM are trademarks of GUARDIANS OF ORDER, INC. Copyright © 2003 GUARDIANS OF ORDER INC. All Rights Reserved. Version 1.0 All rights reserved under international law. No part of this book may be reproduced in part or in whole, in any form or by any means, without permission from the publisher, except for personal copies of the character sheet, or brief quotes for use in reviews. GUARDIANS OF ORDER, INC. P.O. Box 25016 370 Stone Road Guelph, Ontario CANADA N1G 4T4 Phone: (519) 821-7174 Fax: (519) 821-7635 [email protected] ISBN 1-894525-29-9 http://www.guardiansorder.com Product Number 10-002 BLUE DRAGON, WHITE TIGER T ABLE OF CONTENTS 3INTRODUCTION 4CHAPTER O NE: HISTORY OF W UXIA AND M AGIC 5 Introduction: Everything in Cycles 8 History: The Wave in Motion 8Pre-History (Hsai and Shang Dynasties) 11 The Han Dynasty 14 Movie Magic 18 CHAPTER T WO: CHINESE M AGIC AND M AGICIANS 19 Ancestral Dreams IGER 24 Confucianism T 28 Taoism 35 Buddhism 40 Hero-Magic 41 Kung Fu and Fighting Abilities 46 CHAPTER T HREE: MAGIC IN HKAT! HITE 47 Magic in HKAT! 48 Sample Spells 52 New Attributes , W 55 CHAPTER F OUR:
    [Show full text]
  • The First International Wushu Competition Was Held
    The United States Plum Blossom Federation Competes in Xuwen China Report by Sifu Alan B. Hubbard Eastern Ways Martial Arts, Sacramento, CA The First International Xuwen Huajian Garden Cup Wushu Invitational Tournament was held August 5 and 6 2006 in Xuwen China in the Guangdong Province, an unlikely yet fitting place for such a significant competition. Xuwen is located on the most southern tip of mainland China, and it has been said that Xuwen is the start of the Chinese civilization. Even more unlikely is that a team from the other side of the world could attend this event and compete with such success. Grand Opening of Chan Heung’s House After Renovation The Plum Blossom International Federation team made this happen under the leadership of the Plum Blossom Federation founder Grandmaster Doc-Fai Wong. The Plum Blossom Group brought 48 members from the United States and United Kingdom traveled through Hong Kong and met the China’s Plum Blossom members (a total 50 of us), and then traveled by bus to King Mui (Jing Mei), a village of the Xinhui district of Jiangmen city in Guangdong province, China. This is the birthplace of the Choy Li Fut founder, Chan Heung. We arrived there on August 3rd to a warm welcome from the people of the small village. This was the 200th birthday of the founder and a huge celebration was planned and executed at the original home and the original training hall of Chan Heung. The villagers say that it has never rained on Chan Heung’s birthday so there was little concern or preparation for rain.
    [Show full text]
  • Plum Blossom Intl Fed Martial Arts Champ 09 E
    ANNUAL PLUM BLOSSOM INTERNATIONAL FEDERATION MARTIAL ARTS CHAMPIONSHIPS Saturday, September 12th, 2009 Kezar Pavilion 755 Stanyan St (at Waller St) San Francisco CA 94117 Please print neatly: First Name_________________________________ Last name_____________________________ Birth Date _____/_____/______ Home Address ________________________ City___________________ State ________ Zip________ Phone ( _ _ _ ) _ _ _ - _ _ _ _ Age______ Gender______ Weight______ Current Choy Li Fut Rank _________________ Tai Chi Rank ________________ Choy Li Fut Class (circle one): Beg Int Adv Ins Sr Ins Tai Chi Class (circle one): Beg Int Adv Ins Sr Ins Martial Art School __________________________________ School Address ____________________________________________ City____________________ State ________ Zip________ Phone ( _ _ _ ) _ _ _ - _ _ _ _ Head Instructor _______________________ Liabilty Waiver: I, the undersigned/or the competitor, by submitting this application understand that I am consenting to release this event promoter The Doc-Fai Wong Martial Arts Center, Kezar Pavilion and all other persons associated with this event from any liability arising out of injury, damages, or losses that I may incur as a result of my attendance or my participation in this event, and I also hereby waive all claims to any injuries sustained from such an event. I fully understand that a competitor who executes a fouling technique which is deemed malicious with the intent of causing injury above and beyond what is expected in competition, may be subject to bearing the medical as well as related recovery and recuperation expenses of a competitor who is injured as a result of a fouling technique. I clearly understand that the fighting aspects of this sport and competition involve bodily contact and that no contact is allowed to the head and groin area.
    [Show full text]