Ten Years of Student Support

Total Page:16

File Type:pdf, Size:1020Kb

Ten Years of Student Support May find your story 2015 May holidays The Library will be closed on Me- Ten years of student support morial Day weekend: Saturday, May 23, Sunday, May 24 and Monday, “It really helps Derrick with his Board member Ellen Fox, and musi- May 25. homework. He loves the socialization, cian and educator Doreen Gamell. the teens and especially the singing. The Center provides teens FOL Book & My wife and I are so happy that he and adults with an opportunity for uses the library and is able to get the meaningful community service by Author Luncheon books he needs for school. This pro- acting as mentor/tutors each week. There’s still time to reserve your seat gram has our entire family using the Volunteers range from high school at the FOL Book & Author Lun- library.” -Manuel S., parent students to retired educators, a mix cheon on Friday, May 15 at 11 a.m. Congratulations to the Port which provides multiple types of The featured authors will be Jules Washington Education Foundation expertise and points of view to share Feiffer and Mary Gordon, with Su- Support Center on its tenth anniver- with the students. It is a unique learn- san Isaacs returning as moderator. sary! The Center provides after-school ing opportunity for all involved: the See page 2 in this issue for more in- academic support, homework as- teens learn how to mentor and work formation. sistance and arts enrichment to forty with adult volunteers, and the third third graders each year, with one-on- graders get the help they need in a one and small group instruction. This positive, nurturing environment. The New Catalog partnership between the PWEF, the enrichment curriculum covers a wide Our online catalog, shared with Library and School District provides range of activities, and benefits from most Nassau public libraries, has a a unique learning opportunity for the diverse backgrounds of the vol- new look and new search functions. all: teens become mentors, they col- unteers. Many local artists, authors, We’ve also added a search bar to our laborate with adult volunteers, and and other experts come to share what website homepage (www.pwpl.org) the third graders work in a positive, they do. to make it easier to access. If you nurturing environment. The Library is proud to partner need assistance with the new cata- On any given Tuesday, you’ll with PWEF and to help further their log, stop in and speak to a librarian, see Director Jane Tafarella gathering goal of fostering academic confidence or call us at 516-883-4400, ext. 136. the children together, Doreen Gamell through positive learning experi- teaching a song and Ellen Fox, the ences. Center’s founder, discussing the day’s Meet Colm Toibin activity with the teen tutors. Then the Save the date: on Thursday, June 11 teen and adult tutors start working at 7:30 p.m., the author will join us with the children and the Lapham to read from and discuss his latest Meeting Room hums with productive novel, Nora Webster. Toibin, whose activity and engaged 8-year-olds. The previous books include Brooklyn PWEF Support Center is in session. and The Testament of Mary, is one of The Center was created in 2005 contemporary literature’s bestsell- by the PWEF with PWPL, which ing and most critically-acclaimed recognized that the goals of the pro- authors. gram fit in well with our own mis- sion. Due to more rigorous demands on students, there is a great need for assistance in third grade, which the Model Boat Regatta Support Center meets at no additional This year’s Harborfest, on June 7, cost to families. The program is run by will again feature the Model Boat PWEF Director Jane Tafarella, PWEF Regatta, which allows Port’s third graders to race their model boats at Baxter Pond. This exciting event is made possible through the sup- port of the Marvin and Elise Tepper Pianist Steven Lin peforms Haydn, Brahms and more Intergenerational Fund of the Port Washington Library Foundation as Pianist Steven Lin is an im- no Competition. well as the Library’s Nautical Advi- mediately engaging and imaginative In 2014, Lin’s dynamic playing at sory Council. young artist, applauded by The New Israel’s Arthur Rubinstein Piano Com- York Times for playing that is “…im- petition was recognized when he was maculately voiced and enhanced by awarded the Silver Medal. This honor Boat Tours admirable subtleties of shading and resulted in numerous performance Summer is on the way and the very dynamics.” prize engagements in Israel and inter- popular Manhasset Bay boat tours His growing list of awards in- nationally. are once again being planned by the cludes the 2012 Concert Artists On Sunday, May 17 at 3 p.m., the Library’s Nautical Advisory Coun- Guild Victor Elmaleh Competition Music Advisory Council is pleased to cil. Dates and registration informa- and the John Giordano Jury Chair- present this renowned pianist perform- tion will be announced in the June man Discretionary Award at the ing selections from Haydn, Brahms newsletter. 2013 Van Cliburn International Pia- and others. You can still reserve your place Joan Kent remembered for the FOL Book & Author Joan Kent once wrote, “I firmly believe the best way of furthering one’s educational or Luncheon on May 15! career goals is through the regu- lar use of a library card.” There’s still time to reserve tor Jules Feiffer, author of the graphic For the 45 years she lived your seat at the Friends of the Li- novel Kill My Mother, and renowned here, Joan advanced the mission brary’s 46th Annual Richard D. novelist Mary Gordon, whose latest of the Port Washington Public Whittemore Book & Author Lun- book is The Liar’s Wife. Port’s own Library with verve, enthusiasm cheon on Friday, May 15 at 11 a.m. bestselling novelist Susan Isaacs re- and perseverance. She reached at the North Hills Country Club in turns as program moderator. The out to readers, researched and Manhasset. Reservation brochures deadline for mailing in ticket requests wrote books and articles, advo- are available in the library or can is May 6. After May 6, late registrants cated for the Library, served on be printed via the library website at should contact the Luncheon’s event the Board and the Foundation, www.pwpl.org/fol. The cost is $75 registrar, FOL board member Mary and supported staff develop- per person. The featured authors will Alice Kohs at 516-883-9434 or email ment and opportunities. Her be Pulitzer Prize-winning illustra- [email protected]. particular love, local history and archives, also benefitted from her vision, intelligence and dedication. Joan made sure that our new building would house a Local History Center, a per- manent place for preservation, learning and discovery. We will always remember her words at the library gala in 2010: “The best love affairs are reciprocal. I’ve loved libraries since I was a small child…But it is to the Port Washington Public Library that I owe my greatest debt and greatest love.” Elly Shodell Looking back on FOL’s Friends & Family Weekend BEST. KID’S LIBRARY. EVER. The planning process for our new Children’s Room is moving ahead! New constructionHave you drawings seen have been the sent to plans?New York State for approval, furnishings and finishings are being chosen, and Port is FOL president Amy Bass, vice president and FOL U co-chair Ellen Zimmerman, Dr. Powell, Dr. Chotiner, and board member and FOL U co-chair Carol Hiller. Photos: Seth Ehrlich. rallying behind the project. www.pwpl.org/anewleaf end”–that drew hundreds of For all the latest, visit www.pwpl.org/anewleaf attendees this past March. The weekend included a lecture by noted horticulturalist and au- thor Thomas Christopher, the return of the popular Paper- back Swap, and an FOL Uni- versity lecture program fea- turing two notable scholars. The Paperback Swap drew hundreds of patrons who exchanged thousands of gently used books, and as usu- al it proved particularly popu- lar with children. FOL U featured NYU professor Dr. Harry Chotiner speaking on the film industry The Friends of the Library (FOL) and BU professor Dr. Russell sponsored a weekend full of events Powell speaking on conver- for all ages–“Friends & Family Week- gent evolution. Soundswap presents singer-songwriter Susan Cowsill On Thursday, May 14 at 7:30 musical cinema.” p.m., Soundswap presents Susan In addition to being the young- Cowsill performing in the Library’s est artist to ever score a Billboard hit Lapham Meeting Room. single, Susan has also lent her voice Cowsill first entered the pop- to albums by Dwight Twilley, Giant culture consciousness at the age of Sand, The Smithereens, Carlene Carter, eight, as the youngest member of the Nanci Griffith, Redd Kross, Jules Shear ’60s musical family The Cowsills, who and Hootie and the Blowfish. She was graced the AM airwaves with such the first artist to cover a song by future enduring pop hits as “Hair” and “The cult legend and current comeback star Rain, the Park and Other Things,” and Sixto Rodriguez, releasing her version who were the real-life inspiration for of his “Think of You” as a solo single TV’s Partridge Family. in 1977. She also recently teamed with In adulthood, Cowsill has fellow troubadours Jon Dee Graham emerged as a singer-songwriter of and Freedy Johnston as the Hobart singular emotional insight and musi- Brothers & Lil’ Sis Hobart on the criti- cal resonance, first as a key member cally lauded album At Least We Have of beloved alt-roots-pop supergroup Each Other.
Recommended publications
  • Innovators: Filmmakers
    NBER WORKING PAPER SERIES INNOVATORS: FILMMAKERS David W. Galenson Working Paper 15930 http://www.nber.org/papers/w15930 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 April 2010 The views expressed herein are those of the author and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2010 by David W. Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Filmmakers David W. Galenson NBER Working Paper No. 15930 April 2010 JEL No. Z11 ABSTRACT John Ford and Alfred Hitchcock were experimental filmmakers: both believed images were more important to movies than words, and considered movies a form of entertainment. Their styles developed gradually over long careers, and both made the films that are generally considered their greatest during their late 50s and 60s. In contrast, Orson Welles and Jean-Luc Godard were conceptual filmmakers: both believed words were more important to their films than images, and both wanted to use film to educate their audiences. Their greatest innovations came in their first films, as Welles made the revolutionary Citizen Kane when he was 26, and Godard made the equally revolutionary Breathless when he was 30. Film thus provides yet another example of an art in which the most important practitioners have had radically different goals and methods, and have followed sharply contrasting life cycles of creativity.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} Citizen Kane Ebook, Epub
    CITIZEN KANE PDF, EPUB, EBOOK Harlan Lebo | 368 pages | 01 May 2016 | Thomas Dunne Books | 9781250077530 | English | United States Citizen Kane () - IMDb Mankiewicz , who had been writing Mercury radio scripts. One of the long-standing controversies about Citizen Kane has been the authorship of the screenplay. In February Welles supplied Mankiewicz with pages of notes and put him under contract to write the first draft screenplay under the supervision of John Houseman , Welles's former partner in the Mercury Theatre. Welles later explained, "I left him on his own finally, because we'd started to waste too much time haggling. So, after mutual agreements on storyline and character, Mank went off with Houseman and did his version, while I stayed in Hollywood and wrote mine. The industry accused Welles of underplaying Mankiewicz's contribution to the script, but Welles countered the attacks by saying, "At the end, naturally, I was the one making the picture, after all—who had to make the decisions. I used what I wanted of Mank's and, rightly or wrongly, kept what I liked of my own. The terms of the contract stated that Mankiewicz was to receive no credit for his work, as he was hired as a script doctor. Mankiewicz also threatened to go to the Screen Writers Guild and claim full credit for writing the entire script by himself. After lodging a protest with the Screen Writers Guild, Mankiewicz withdrew it, then vacillated. The guild credit form listed Welles first, Mankiewicz second. Welles's assistant Richard Wilson said that the person who circled Mankiewicz's name in pencil, then drew an arrow that put it in first place, was Welles.
    [Show full text]
  • Catalogo-Festivaldorio-2015.Pdf
    Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October.
    [Show full text]
  • Episode One: Bugs
    EPISODE ONE: BUGS BEN MANKIEWICZ: why do you think there are so many presumptions about you? PETER BOGDANOVICH: I don't know, You know, I became successful, famous early on, that irritates people, some people. And, um, I don't know. Jealousy, envy, irritation. Maybe they don't like my pictures. Well, I probably was too outspoken or something. I don't know. I don't really know. I, I don't think that the picture that was painted of me was really close to accurate. I didn't think I was an arrogant bastard. But maybe I was. I, I certainly had self- confidence to a degree, which I think scares people sometimes. I don’t know Ben I don’t know. [THEME MUSIC] BEN MANKIEWICZ: I’m Ben Mankiewicz, and this is season one of The Plot Thickens - a new podcast from Turner Classic Movies… each season, we’ll bring you an in-depth story about the movies and the people who made them. We’re starting off with a familiar story in Hollywood… one of remarkable success at a very young age….and failure just a few years later... PETER BOGDANOVICH: success is very hard to handle. And then failure after success is even harder. NEWS MONTAGE: Peter Bogdanovich is a man of many Passions/Peter Bogdanovich burst upon the film world/Peter Bogdanovich is best known as a Director of films like The Last Picture Show BEN MANKIEWICZ: Peter Bogdanovich helped change the way movies were made in Hollywood, starting with his first hit in 1971, The Last Picture Show.
    [Show full text]
  • THE OTHER SIDE of the WIND; a LOST MOTHER, a MAVERICK, ROUGH MAGIC and a MIRROR: a PSYCHOANALYTIC PERSPECTIVE on the CINEMA of ORSON WELLES by Jack Schwartz
    Schwartz, J. (2019). The Other Side of the Wind…A psychoanalytic perspective on the cinema of Orson Welles. MindConsiliums, 19(8), 1-25. THE OTHER SIDE OF THE WIND; A LOST MOTHER, A MAVERICK, ROUGH MAGIC AND A MIRROR: A PSYCHOANALYTIC PERSPECTIVE ON THE CINEMA OF ORSON WELLES By Jack Schwartz ABSTRACT Arguably, Orson Welles is considered America’s most artistic and influential filmmaker from the golden era of American movies, even though most people are only familiar with his first feature, Citizen Kane (1941). Any film buff can easily recognize his signature camera work, his use of lighting and overlapping dialogue, along with so many cinematic nuisances that define his artistry. Despite being on the “pantheon” (Sarris, 1969) of American directors, he never established any real sustaining commercial success. Even though he leaves behind many pieces of a giant beautiful cinematic puzzle, Welles will always be considered one of the greats. Prompted by Welles’ posthumously restored last feature The Other Side of the Wind (2018), the time is ripe for a psychoanalytic re-evaluation of Welles’ cinematic oeuvre, linking the artist’s often tumultuous creative journey to the dynamic structure of Welles’ early and later childhood experiences through the frame of his final film. INTRODUCTION From early in its invention, movies have offered the gift of escaping the grind of daily life, even when movies are sometimes about the grind of daily life. Movies move us, confront us, entertain us, break our hearts, help mend our broken hearts, teach us things, give us a place to practice empathy or express anger and point to injustice.
    [Show full text]
  • Inmediaciones De La Comunicación
    Volumen 6 - N° 6 - Agosto 2011 INMEDIACIONES de la comunicación ALFREDO ALPINI l GUILLERMO AMOROSO l LEO BARIZZONI l PATRICIA BERNAL l ÁLVARO BUELA l LUIS ELBERT l PABLO FERRÉ l ROSANA MALANESCHII l DANIEL MAZZONE l ALDO MAZZUCCHELLI l ANA PAIS Publicación de la Escuela de Comunicación INMEDIACIONES de la comunicación Autoridades de la Escuela INMEDIACIONES de la comunicación de Comunicación vol. 6 - N° 6 - agosto 2011 ISSN: 1688-8626 Decano Facultad de Consejo Editorial Comunicación y Diseño ING. EDUARDO HIPOGROSSO Marisol Álvarez Álvaro Buela Coordinadora Escuela Aldo Mazzucchelli de Comunicación Virginia Silva Pintos LIC. SABRINA BIANCHI Ana Solari Coordinadora Académica de Comunicación LIC. VIRGINIA SILVA PINTOS, MSC. ONES Consejo Asesor Alicia Entel (Argentina) Coordinador Académico I Raúl Fuentes Navarro (México) de Audiovisual José Carlos Lozano (México) LIC. GERARDO CASTELLI, MA. José Marques de Melo (Brasil) Coordinador Académico María Cristina Mata (Argentina) de Periodismo Erick Torrico (Bolivia) TÉC. COM. LEONARDO HABERKORN Catedrática de Publicidad AC Editor Responsable MONTSERRAT RAMOS Álvaro Buela [email protected] I Catedrático Asociado de Medios LIC. JUAN DA ROSA Fotografías Catedrática de Proyecto Final Leo Barizzoni LIC. MARISOL ÁLVAREZ, MA. Catedrático de Periodismo Digital Diseño y armado DANIEL MAZZONE Pablo González Catedrático de Realización Cinematográfica LIC. PSIC. ÁLVARO BUELA Redacción Universidad ORT Uruguay MED Coordinador Académico Uruguay 1185, 11100 de Sonido Montevideo – Uruguay GUILLERMO MARCHESE Tel.: (00598) 2 908 0677 Coordinadora de Graduados Fax.: (0598) 2 908 0680 LIC. ADRIANA FERNÁNDEZ E-mail: [email protected] IN INMEDIACIONES es una publicación de la Escuela de Comunicación de la Universidad ORT Uruguay. sumario El déficit comunicacional: COMUNICACIÓN, ARTE un problema inherente a Y SOCIEDAD las políticas públicas ...........................88 Guillermo Amoroso Wikipedia, la gestión de la inteligencia colectiva ...........................
    [Show full text]
  • Orson Welles, the War of the Worlds Copyright, and Why We Should Recognize Idea-Contributors As Joint Authors
    Case Western Reserve Law Review Volume 66 Issue 3 Article 4 2016 An Idea of Authorship: Orson Welles, The War of the Worlds Copyright, and Why We Should Recognize Idea-Contributors as Joint Authors Timothy J. McFarlin Follow this and additional works at: https://scholarlycommons.law.case.edu/caselrev Part of the Law Commons Recommended Citation Timothy J. McFarlin, An Idea of Authorship: Orson Welles, The War of the Worlds Copyright, and Why We Should Recognize Idea-Contributors as Joint Authors, 66 Case W. Rsrv. L. Rev. 701 (2016) Available at: https://scholarlycommons.law.case.edu/caselrev/vol66/iss3/4 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Law Review by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Law Review·Volume 66·Issue 3·2016 An Idea of Authorship: Orson Welles, The War of the Worlds Copyright, and Why We Should Recognize Idea- Contributors as Joint Authors Timothy J. McFarlin† Abstract Did Orson Welles co-author the infamous War of the Worlds broad- cast? The Ninth Circuit Court of Appeals has told us no, primarily because he only contributed the idea behind the broadcast, and ideas alone can’t be copyrighted. “An Idea of Authorship” challenges this premise—that ideas, no matter how significant, cannot qualify for joint authorship in collaborative works—and argues that we as a society should, under certain circumstances, recognize idea-contributors like Welles as joint authors.
    [Show full text]
  • Mary Ellen Casey’
    Roots Report: Don’t Let These Shows Pass You By Okee dokee folks … As I mentioned last month the summer shows are plenty. I have managed to get to quite a few so far and have many more to attend. One commonality I have noticed among the performers is that a lot of these folks are getting old, some very old. I guess I am, too. With age comes wisdom … or just the AARP? Shawn Colvin was the first of the bunch of concerts I went to last month. Colvin played the Narrows in Fall River, and she made several jokes alluding to her age. She is just 58 years old. In spite of her mocking her own diminished capacities of memory and eyesight, she put on a great show. Nimfest in Newport presented Susan Cowsill. She is the youngest member of the Cowsills and checks in at age 54, just a year older than I am. She still has the youthful look she had as a child. Her voice and performance are still top notch and I didn’t hear her make any age-related jokes, though her audience was a bit up there in years. The former Newport resident drew a nice-sized crowd to King’s Park. Unfortunately, Cowsill seemed to rely more on random cover songs than her own or even Cowsills material. Next up was Yes at the Newport Concert Series. This bunch just looks ancient. Despite the fact that I thought they might break a hip or need CPR on stage, they too put on an amazing show and pulled off great live versions of the Fragile and Close To The Edge albums in their entirety.
    [Show full text]
  • FREEDY JOHNSTON Peppermint Lavender After Eight Years, He’S Back Thanks to Some Rosalina Coconut Oil Discipline in the Studio Instruction Booklet
    JAN/FEB 2010 ISSUE MMUSICMAG.COM SPOTLIGHT Earth Sweet Essential Oils Don’t Miss Performances Due To Illness! Avoid Going To The Doctor. Take Care Of Yourself Naturally. Just $4 ss than the cost o 0 le f one doctors visit. Our Emergency Home Care Kit contains medicinal grade essential oils. Chris Carroll It includes: Tea Tree Eucalyptus Tropical Basil Geranium FREEDY JOHNSTON Peppermint Lavender After eight years, he’s back thanks to some Rosalina Coconut Oil discipline in the studio Instruction booklet FREEDY JOHNSTON DIDN’T MEAN TO The producer also pushed Johnston spend eight years between albums. “I tried toward a recording process featuring a to make it a couple times on my own, and combination of live adrenaline and studio it didn’t work out for various reasons,” says craft. “We did live band tracks with the the singer-songwriter. He discovered the key drums, bass and guitars,” says Johnston. to his new Rain on the City album when he “But Richard said, ‘Freedy, I know you don’t brought in producer Richard McLaurin as his want to do this, but I want you to overdub collaborator. “You learn some lessons and go your vocals, because it’s going to sound down one hallway, fi nd a dead end, and turn more rock.’ So I went with it, and I agree! I around and head down another hallway.” like hearing really good, well-done vocals— Chasing down those possible directions and you don’t always get that with a live Small enough to fit in your led Johnston to cover a lot of territory— vocal.” Also helping the album to sound pocket, but powerful enough literally.
    [Show full text]
  • Friends of WWOZ Board of Directors Meeting May 12, 2010 General Manager's Report
    Friends of WWOZ Board of Directors Meeting May 12, 2010 General Manager's Report 1. 2010 New Orleans Jazz & Heritage Festival Coverage. Once again, WWOZ provided start- to-finish broadcast and webcast coverage of this year‘s New Orleans Jazz & Heritage Festival. And once again, the station‘s remote production krewe headed by Program Director Dwayne Breashears and Chief Engineer Damond Jacob put together an extremely professional operation comprised of many moving parts including live feeds to stations around the country, including Simulcast with the following stations: KUVO (Denver), KUJZ (Vail), WHRV (Norfolk), KGOU (Norman), KROU (Spencer/Oklahoma City), WOMR (Provincetown/Cape Cod), WFHB (Bloomington). A staff of over 8 broadcast crew members and 6 engineering crew members, along with more than 100 volunteers flawlessly handled WWOZ‘s multiple Jazz Fest activities ranging from broadcast, to membership/brass pass distribution, WWOZ Mango Freeze sales, Piano night and night time broadcasts from local clubs. Broadcast Crew: The absolutely stellar broadcast crew included George Ingmire, Bradley Blanchard, Jerry Lenaz, SherriLynn Colby-Bottel, David Kunian, Dimitri Apessos, Linda Santi, Olivia Greene and many more. Engineering Crew: The seasoned and can-do engineering crew included Tony Guillory, Robert Carroll, Khalid Hafiz , Sam Bui, Susan Jacob, and Shawn Eib. Volunteer Power: Jeannie Adams, Albert Danny, Jeannette Albert, Hillary Albins, Lori Andersonk, Joel Atwill, David Averbuck, Patti Averbuck, Lisa Bacques, Carol Badilla, Amy Baldwin,
    [Show full text]
  • Roots Report: Don’T Let These Shows Pass You By
    Roots Report: Don’t Let These Shows Pass You By Okee dokee folks … As I mentioned last month the summer shows are plenty. I have managed to get to quite a few so far and have many more to attend. One commonality I have noticed among the performers is that a lot of these folks are getting old, some very old. I guess I am, too. With age comes wisdom … or just the AARP? Shawn Colvin was the first of the bunch of concerts I went to last month. Colvin played the Narrows in Fall River, and she made several jokes alluding to her age. She is just 58 years old. In spite of her mocking her own diminished capacities of memory and eyesight, she put on a great show. Nimfest in Newport presented Susan Cowsill. She is the youngest member of the Cowsills and checks in at age 54, just a year older than I am. She still has the youthful look she had as a child. Her voice and performance are still top notch and I didn’t hear her make any age-related jokes, though her audience was a bit up there in years. The former Newport resident drew a nice-sized crowd to King’s Park. Unfortunately, Cowsill seemed to rely more on random cover songs than her own or even Cowsills material. Next up was Yes at the Newport Concert Series. This bunch just looks ancient. Despite the fact that I thought they might break a hip or need CPR on stage, they too put on an amazing show and pulled off great live versions of the Fragile and Close To The Edge albums in their entirety.
    [Show full text]
  • Song Fest Features Freedy Johnston Past Rolling Stone Magazine's
    by Chris Berggren | Administrative Assistant, CDL Photo: Dina Regine Song Fest Features Freedy Johnston Past Rolling Stone Magazine’s Songwriter of the Year by Chris Berggren, CDL Administrative Assistant According to Freedy Johnston, the 2018 Chelsea District Library’s Song Fest headliner, you’ve got to be a little obsessive to succeed. Johnston freely admits that without this attribute, he wouldn’t have made it in music. “I’m sad to tell you,” he says with a laugh, “those are the only people who really get good at things.” For Johnston, that meant sticking with his routine of playing guitar, writing music, and recording his early songs on a 4-track recorder, despite the feedback from others and his own acknowledgement that he wasn’t very good. “Honestly, I would have stopped if I could’ve, but I couldn’t,” he admits. Then, in 1992, something changed while writing and recording his second album Can You Fly. He suddenly got better. “Up to that time I was almost like this guy with a bad habit, but I got better to the point where it was like, ‘Alright, you’re actually okay now,’” he says. Can You Fly be came somewhat of a hit and led to Johnston signing with Elektra Records, a major label. “That was a strange time and I remember thinking, ‘I’m really a musician now and I don’t know how that happened.’” In lots of ways, Johnston is the least likely of musicians. He grew up in the rural Kansas town of Kinsley, which was void of any music or record shops.
    [Show full text]