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Beginnings and Endings in Films, Film and Film Studies
Beginnings and Endings in Films, Film and Film Studies Beginnings and Endings in Films, Film and Film Studies, University of Warwick, 13th June 2008 A report by Martin Zeller, University of York, UK This conference, organised by Tom Hughes and James MacDowell (both of University of Warwick), examined the beginnings and endings of individual films and structures of beginnings and endings in films more generally, as well as notions of beginning and ending in film studies as a discipline. With such a wide remit it is not surprising that links between the various presentations were sometimes difficult to establish. However, the wide variety of approaches to the topic ensured lively discussions. The tone for the day was set by the keynote paper delivered by Warwick's own V. F. Perkins. Examining beginnings and endings in the genre of 'multi-story' (or portmanteau) movies, Perkins elucidated the various methods used to make the author the focus of these multi-stranded narratives. Drawing on the literary cachet of their source texts, Quartet, Full House and Le Plaisir make Maugham, O. Henry and Maupassant the respective loci around which their stories revolve. Pointing out that authorial intrusions were, with the exception of Le Plaisir, used only at the beginnings of such films, Perkins suggested the possibility of a largely unexplored narrative technique available in returning to the author at the close of a film. However, it was Professor Perkin's call for, 'an aesthetics of the quite good, of the satisfactorily effective, as well as the extremes: the abject and the sublime,' that seemed to resonate most with the delegates and to become a touchstone for the day's later discussions. -
741.5 Batman..The Joker
Darwyn Cooke Timm Paul Dini OF..THE FLASH..SUPERBOY Kaley BATMAN..THE JOKER 741.5 GREEN LANTERN..AND THE JUSTICE LEAGUE OF AMERICA! MARCH 2021 - NO. 52 PLUS...KITTENPLUS...DC TV VS. ON CONAN DVD Cuoco Bruce TImm MEANWHILE Marv Wolfman Steve Englehart Marv Wolfman Englehart Wolfman Marshall Rogers. Jim Aparo Dave Cockrum Matt Wagner The Comics & Graphic Novel Bulletin of In celebration of its eighty- queror to the Justice League plus year history, DC has of Detroit to the grim’n’gritty released a slew of compila- throwdowns of the last two tions covering their iconic decades, the Justice League characters in all their mani- has been through it. So has festations. 80 Years of the the Green Lantern, whether Fastest Man Alive focuses in the guise of Alan Scott, The company’s name was Na- on the career of that Flash Hal Jordan, Guy Gardner or the futuristic Legion of Super- tional Periodical Publications, whose 1958 debut began any of the thousands of other heroes and the contemporary but the readers knew it as DC. the Silver Age of Comics. members of the Green Lan- Teen Titans. There’s not one But it also includes stories tern Corps. Space opera, badly drawn story in this Cele- Named after its breakout title featuring his Golden Age streetwise relevance, emo- Detective Comics, DC created predecessor, whose appear- tional epics—all these and bration of 75 Years. Not many the American comics industry ance in “The Flash of Two more fill the pages of 80 villains become as iconic as when it introduced Superman Worlds” (right) initiated the Years of the Emerald Knight. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Radiolovefest
BAM 2017 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio* Adam E. Max, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Katy Clark, President Susan Rebell Solomon, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Mayo Stuntz, Vice Chair, Board of Trustees Laura R. Walker, President & CEO *As of February 1, 2017 BAM and WNYC present RadioLoveFest Produced by BAM and WNYC February 7—11 LIVE PERFORMANCES Ira Glass, Monica Bill Barnes & Anna Bass: Three Acts, Two Dancers, One Radio Host: All the Things We Couldn’t Do on the Road Feb 7, 8pm; Feb 8, 7pm & 9:30pm, HT The Moth at BAM—Reckless: Stories of Falling Hard and Fast, Feb 9, 7:30pm, HT Wait Wait...Don’t Tell Me®, National Public Radio, Feb 9, 7:30pm, OH Jon Favreau, Jon Lovett, and Tommy Vietor, Feb 10, 7:30pm, HT Snap Judgment LIVE!, Feb 10, 7:30pm, OH Bullseye Comedy Night, Feb 11, 7:30pm, HT BAMCAFÉ LIVE Curated by Terrance McKnight Braxton Cook, Feb 10, 9:30pm, BC, free Gerardo Contino y Los Habaneros, Feb 11, 9pm, BC, free Season Sponsor: Leadership support provided by The Joseph S. and Diane H. Steinberg Charitable Trust. Delta Air Lines is the Official Airline of RadioLoveFest. Audible is a major sponsor of RadioLoveFest. VENUE KEY BC=BAMcafé Forest City Ratner Companies is a major sponsor of RadioLoveFest. BRC=BAM Rose Cinemas Williams is a major sponsor of RadioLoveFest. -
Aitken Alexander Associates
Aitken Alexander Associates Frankfurt Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, China, Czech Republic, Denmark, Finland, Greece, Iceland, Japan, Korea, Norway, Portugal, Poland, Romania, Russia, Slovakia, Spain, Taiwan Email: [email protected] MONICA MACSWAN Arabic, Bulgaria, Cambodia, Croatia, Estonia, Hungary, Indian Languages, Indonesia, Israel, Latvia, Lithuania, Macedonia, Mongolia, Thailand, Turkey, Serbia, Slovenia, Vietnam Email: [email protected] Literary Agents Centre Tables: Anna – 21P, Monica – 21Q, Lisa – 22Q For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: Saltwater by Jessica Andrews p.1 The Body Lies by Jo Baker p.2 Girl, Woman, Other by Bernardine Evaristo p.3 This Brutal House by Niven Govinden p.4 The Porpoise by Mark Haddon p.5 The Harpy by Megan Hunter p.6 Sisters by Daisy Johnson p.7 Nightingale by Marina Kemp p.8 Isabelle in the Afternoon by Douglas Kennedy p.9 When We Were Rich by Tim Lott p.10 The Anthill by Julianne Pachico p.11 The Inheritance of Solomon Farthing by Mary Paulson-Ellis p.12 Mister Wolf by Chris Petit p.13 All the Water in the World by Karen Raney p.14 English Monsters by James Scudamore p.15 The -
Acadiens and Cajuns.Indb
canadiana oenipontana 9 Ursula Mathis-Moser, Günter Bischof (dirs.) Acadians and Cajuns. The Politics and Culture of French Minorities in North America Acadiens et Cajuns. Politique et culture de minorités francophones en Amérique du Nord innsbruck university press SERIES canadiana oenipontana 9 iup • innsbruck university press © innsbruck university press, 2009 Universität Innsbruck, Vizerektorat für Forschung 1. Auflage Alle Rechte vorbehalten. Umschlag: Gregor Sailer Umschlagmotiv: Herménégilde Chiasson, “Evangeline Beach, an American Tragedy, peinture no. 3“ Satz: Palli & Palli OEG, Innsbruck Produktion: Fred Steiner, Rinn www.uibk.ac.at/iup ISBN 978-3-902571-93-9 Ursula Mathis-Moser, Günter Bischof (dirs.) Acadians and Cajuns. The Politics and Culture of French Minorities in North America Acadiens et Cajuns. Politique et culture de minorités francophones en Amérique du Nord Contents — Table des matières Introduction Avant-propos ....................................................................................................... 7 Ursula Mathis-Moser – Günter Bischof des matières Table — By Way of an Introduction En guise d’introduction ................................................................................... 23 Contents Herménégilde Chiasson Beatitudes – BéatitudeS ................................................................................................. 23 Maurice Basque, Université de Moncton Acadiens, Cadiens et Cajuns: identités communes ou distinctes? ............................ 27 History and Politics Histoire -
Batman Miniature Game Teams
TEAMS IN Gotham MAY 2020 v1.2 Teams represent an exciting new addition to the Batman Miniature Game, and are a way of creating themed crews that represent the more famous (and infamous) groups of heroes and villains in the DC universe. Teams are custom crews that are created using their own rules instead of those found in the Configuring Your Crew section of the Batman Miniature Game rulebook. In addition, Teams have some unique special rules, like exclusive Strategies, Equipment or characters to hire. CONFIGURING A TEAM First, you must choose which team you wish to create. On the following pages, you will find rules for several new teams: the Suicide Squad, Bat-Family, The Society, and Team Arrow. Models from a team often don’t have a particular affiliation, or don’t seem to have affiliations that work with other members, but don’t worry! The following guidelines, combined with the list of playable characters in appropriate Recruitment Tables, will make it clear which models you may include in your custom crew. Once you have chosen your team, use the following rules to configure it: • You must select a model to be the Team’s Boss. This model doesn’t need to have the Leader or Sidekick Rank – s/he can also be a Free Agent. See your team’s Recruitment Table for the full list of characters who can be recruited as your team’s Boss. • Who is the Boss in a Team? 1. If there is a model with Boss? Always present, they MUST be the Boss, regardless of a rank. -
Digital Article on Ancient Future History
ncient future history A 30 Years of World Fusion Music: 1979-2009 Origins Ancient Future was formed in late 1978 by students at the Ali Akbar College of Music in San Rafael, California, including Mindia Klein, Matthew Montfort, Benjy Wertheimer, and Phil Fong. Its origins, however, go back to 1967. Two of the founding members, Matthew Montfort and Benjy Wertheimer, were childhood friends in Boulder, Colorado, who dreamed of forming a band together. By his senior year of high school, Montfort was playing guitar professionally in several local bands. Meanwhile, Wertheimer had gravitated to percussion and Indian tabla drums in particular. A friend of Wertheimer's introduced Montfort to a record by the Diga Rhythm Band, which featured North Indian tabla master Zakir Benjy Wertheimer, Phil Fong, Mindia Klein, Matthew Montfort Hussain and his students along with Grateful Dead drummer Mickey Hart and guitarist Jerry Garcia. Montfort was fascinated by Indian rhythms, and decided to integrate them into his jazz/rock/classical fusion music. In the summer of 1977 Wertheimer and Montfort came to San Rafael to study North Indian classical music at the Ali Akbar College of Music. There they met the members of the Diga Rhythm Band, moved into the house that the group rehearsed in, and formed an offshoot called Greenhouse Intergalactic, which included Diga Rhythm Band members Tor Dietrichson (who later signed with Global Pacific Records), Jim Loveless, Ray Spiegel, and Arshad Syed (who joined Ancient Future's touring lineup in 1993). Greenhouse Intergalactic rehearsed at the Grateful Dead studio and performed a number of concerts before splitting up into two groups: a Latin band called Sun Orchestra, and the world fusion music group Ancient Future. -
Cinema and Pedagogy in France, 1909-1930 Casiana Elena Ionita Submitted in Partial Fulfillment of the Re
The Educated Spectator: Cinema and Pedagogy in France, 1909-1930 Casiana Elena Ionita Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Casiana Elena Ionita All rights reserved ABSTRACT The Educated Spectator: Cinema and Pedagogy in France, 1909-1930 Casiana Elena Ionita This dissertation draws on a wide range of sources (including motion pictures, film journals, and essays) in order to analyze the debate over the social and aesthetic role of cinema that took place in France from 1909 to 1930. During this period, as the new medium became the most popular form of entertainment, moralists of all political persuasions began to worry that cinematic representations of illicit acts could provoke social unrest. In response, four groups usually considered antagonistic — republicans, Catholics, Communists, and the first film avant- garde known as the Impressionists — set out to redefine cinema by focusing particularly on shaping film viewers. To do so, these movements adopted similar strategies: they organized lectures and film clubs, published a variety of periodicals, commissioned films for specific causes, and screened commercial motion pictures deemed compatible with their goals. Tracing the history of such projects, I argue that they insisted on educating spectators both through and about cinema. Indeed, each movement sought to teach spectators of all backgrounds how to understand the new medium of cinema while also supporting specific films with particular aesthetic and political goals. Despite their different interests, the Impressionists, republicans, Catholics, and Communists all aimed to create communities of viewers that would learn a certain way of decoding motion pictures. -
HIMALAYAN FAIR, 2019 ENTERTAINMENT SCHEDULE*: Sunday, May 19Th
HIMALAYAN FAIR, 2019 ENTERTAINMENT SCHEDULE*: Sunday, May 19th 9:30AM - 10:00AM Sharanam Anandama Playing a sErEnE Form oF music on thE AmErican Folk instrumEnt, thE dulcimEr, in thE Indian "Raga StylE" modality. Perfect for morning meditation, yoga practices and movement practices https://www.FacEbook.com/sEarch/top/? q=lEwis%20judd%20aka%20sharanam%20anandama 10:05AM - 10:15AM Recitation by Monks From SEra JEy MonastEry, India SEra JEy Foundation is a 501 (c) (3) non-profit organization basEd in thE Bay ArEa supporting the education of monks at SEra JEy MonastEry in India. ThE monks in thE US travel around the country promoting a mEssage of compassion and peacE. www.serajeyfoundation.org 10:20AM - 10:45AM Bharatanatyam by Ushanjali School oF DancE Ushanjali School oF DancE is a prEmiEr South Indian Classical DancE AcadEmy in thE Tri VallEy arEa, with locations in San Ramon and PlEasanton. StudEnts arE trainEd in thE MysorE StylE oF Bharatanatyam by thE Artistic DirEctor, Vidushi Naina Shastri. Ushanjali School of Dance has bEEn FEaturEd in NBC Bay ArEa's program, "Asian PaciFic AmErica" and rEgularly pErForm at various Community EvEnts. Naina Shastri, is an Artist-in-ResidEncE at thE Oakland Asian Cultural Center where she offers free classes on Sunday mornings. www.ushanjali.com 10:50AM - 11:15AM Odissi dance by Odissi Vilas Odissi is one of the oldest surviving dancE Forms of India. Originating in the ancient temples of Odisha morE than 2,000 years ago, Odissi dancE was traditionally practicEd as a sacrEd ritual to ignite transformation in the dancEr and audiencE. Considered both a classical and devotional dance form, Odissi is graceful and sensuous, exprEssive and sophisticated. -
Film Program
/o^ Ihe Museum of Modern Art vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart No. 103 Thiirsday, August I8, 1966 FOR imSDflM:^ BELCA3E FILM PRfXaRAM September 1-50, 1966 Series Days Hoiirs, unless otherwise noted (T) THE THIRTIES: U.S.A. Sundays 2:00 Ss 5:30 p.m. Part I: 1930-1955 Mondays 2:00 & 5:30 p.m. (through September 30) Tuesdays 2:00 & 5:30 p.m. Thursdays 2:00, 5:30 & 8:00 p.m. Fridays 2:00 & 5:30 Saturdays 11:30 a.m., 3:00 & 5:30 p.m. (W) WEDNESDAYS AT NOON (continuing) Wednesdays 12:00 noon (A) Fn^ FROM THE ARCHIVE(continuing)Wedne8days 2:00 & 5:30 p.m. Thurs. Sept. 1- (T) DaC3K SOUP (1933); directed by Leo McCarey, with the Marx Broth Fri. Sept. 2 ers and Miargaret Dumont. 70 min. Sat. Sept. 3 - (T) ROMAN SCANDALS (1933)> directed by Frank Tuttle, with Eddie Sun. Sept. k Cantor, Ruth Etting, Gloria Stijart. Distributed by Brandon Films, Inc. 92 min. Mon. Sept. 5 - (T) DAVID HARUM (l93^)/ directed by James Cruze, with Louise Tues. Sept. 6 Dresser, Will Rogers, Evelyn Venable. 85 min. Wed. Sept. T **(w) *ANAEMIC (ymmk (1926), by Marcel Duchamp. 7 min. LE MDNDE DE PAUL DELVAUX (l9^), directed by Henri Storck.lOmin. MAGRUTE - THE OBJECT LESSON (I965), produced and directed by Luc de Heusch. English narration by Alan Schmer. 15 min. ALBERTO GIACOMEITI (1966), produced by Sumner Glimcher, directed by S. Chasmar, music by Arnold Ganson. 15 min. (A) BILDDOKUMENTE (1935). A compilation of German newsreels from 1912 to 1918 edited by Frank Hensel during the Nazi regime, if5 min. -
Strategies of Narrative Disclosure in the Rhetoric of Anti-Corporate Campaigns." Dissertation, Georgia State University, 2012
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication Spring 3-20-2012 Strategies of Narrative Disclosure in the Rhetoric of Anti- Corporate Campaigns Richard A. Herder Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Herder, Richard A., "Strategies of Narrative Disclosure in the Rhetoric of Anti-Corporate Campaigns." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/communication_diss/32 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STRATEGIES OF NARRATIVE DISCLOSURE IN THE RHETORIC OF ANTI-CORPORATE CAMPAIGNS by RICHARD ALEXANDER HERDER Under the Direction of Dr. Michael Bruner ABSTRACT In the years following World War II social activists learned to refine rhetorical techniques for gaining the attention of the new global mass media and developed anti-corporate campaigns to convince some of the world’s largest companies to concede to their demands. Despite these developments, rhetorical critics have tended to overlook anti-corporate campaigns as objects of study in their own right. One can account for the remarkable success of anti-corporate campaigns by understanding how activists have practiced prospective narrative disclosure, a calculated rhetorical wager that, through the public circulation of stories and texts disclosing problematic practices and answerable decision makers, activists can influence the policies and practices of prominent corporations. In support of this thesis, I provide case studies of two anti-corporate campaigns: the Amalgamated Clothing and Textile Workers Union vs.