David Pankow An Index to History Issues 1–32

Note: Article titles are enclosed in quotation A, B, :– marks; subject headings are in regular American Art Noveau, by Diane Chalmers roman type; authors in caps and small Johnson [ review], :, – caps; and the page reference format is American Iron Hand Presses, by Stephen O. [issue no.]:[page nos.] Saxe [book review], :– Company, “‘Adapted from an Old Book’: Some /:– Sources for Chiswick Press Woodcut A, K, /:– Initials,” /:– A, H, :– “Adobe : A New Adaptation of a “Analytical Bibliography and Renaissance Sixteenth-Century Type,” /:– Printing History,” :– “Adobe Garamond: A Review,” /:– Anathema: Medieval Scribes and the History Aldus Manutius, :– of Book Curses, by Marc Drogin [book Aldus Manutius and the Development of review], : Greek Script & Type in the Fifteenth Anatomy of a , Printing Types: An Century, by Nicholas Barker [book Introduction, by Alexander S. Lawson review], :– [book review], :– Alexander Strahan: Victorian Publisher,by Antiquarian Bookselling in the United Patricia Thomas Sbrebrnik [book States: A History from the Origins to the review], :– s, by Madeleine B. Stern [book A, S M., :–; :–; review], :– :– A, M, /:– The Art of the French Illustrated Book, : ‒, by Gordon N. Ray [book B, D B., :– review], : “The Bibliographical Society of America: A, A L, :– Publishing About Printing,” :– The Ashendene Press, by Colin Franklin The Bibliography of Ottmar Mergenthaler, [book review], :– Inventor of the Linotype; A New “The Autobiography of Stephen P. edited by Carl Schlesinger [book review], Ruggles,” :– :– B, M H., :– A Bibliography of the Kelmscott Press,by Ballou, Robert, :– William S. Peterson [book review], B, J J., :– :– “Baron Frederick Wilhelm von Egloffstein: Bibliography of the Typophile Chap , Inventor of the First Commercial ‒,  John Rathé [book review], Halftone Process in America,” :– : B, T, :– Bibliography of the Work of Gregorio Leti,by Bay Psalm Book, :– Nati Krivatsky [book review], :– “Before Rosebud was a Sled: B, J, :–; :–; /:–; Documentation and Reprinting of Early :–; :–; /:– 19th Century Commercial Wood A Biography of James Parker, Colonial Engravings from the GramLee Printer, by Alan Dyer [book review], Collection,” :– :– Benton, Linn Boyd, /:– B, J, :– B, M L., :– Blumenthal, Joseph, :– Benton, Morris Fuller, /:– B, L, :– B, S E., :–; :– Bodoni, Giambattista, :– B, M M., :– Bodoni, Margherita, :– Between Covers: The Rise and B, T L., :– Transformation of Book Publishing in Book design, :–; :–; :–; America, by John Tebbel [book review], :–; :–; , – Book design—Renaissance, :– Brussel–Smith, Bernard, :– Book Illustrators of the Twentieth Century, B–S, B., :– by Brigid Peppin & Lucy Micklethwait B, J, /:– [book review], :– B, G B., /:– Book trade–U.S., :– Burgess, W. Starling, /:– and the Conservation of Books: The Business of Enlightenment; A Publishing A Dictionary of Descriptive Terminology, History of the Encyclopédie,by Robert by Matt T. Roberts & Don Etherington Darnton [book review], :– [book review], :– “C. Volmer Nordlunde: The ‘Grand Old Bookbinding—England, :– Man’ of Modern Danish Printing,” Books, :– :– Booksellers—U.S., :– C.R. Ashbee: Architect, Designer & Romantic Books—morphology, :– Socialist, by Alan Crawford [book Books—Renaissance, :– review], :– “BR (Bruce Rogers) to Robert Ballou” The Cantaneo Manuscript: An Italic [letters], :– Copybook, by Stephen Harvard [book Bradbury Thompson: The Art of Graphic review], :– Design, by Bradbury Thompson [book C, D, /: review], : C, M, /:– “A Bradley Reminiscence,” : Caslon (ornaments), :– Bradley, Will, : “A Catalogue of an Exhibition of the Philip B, F, :– Hofer Bequest to the Department of “A Brief History of Golding & Co.,” :– Printing and Graphic Arts” [book Broadsides, /:– review], :– B, W S., :–; :– C, R, /:–; :–; B, C T., :, – :–; :– “Bruce Rogers Looks Back,” :– Chants Democratic: New York City and the B, A E., :– Rise of the American Working Class, B, C K.,:– 1788–1850, by Sean Wilentz [book review], :– Cubery, William M., /:– Charles Whittingham, Printer, ‒: An “A Curious Document Attributing a Jewish Exhibit of His Works at Bailey/Howe Background to Johann Gutenberg,” Library…, by John Buechler [book :– review], :– C, P A., :– C, R, :– D, W J., : “Chinese Ink and Inkmaking,” :– “Daniel Berkeley Updike: Humanist, Chiswick Press, /:– Scholar, Printer,” :– Chronicles of Genius and Folly: R. Hoe & “Dard Hunter at the Smithsonian,” :– Company and the as a Das Schriftgieß. Eine Dokumentation,by Service to Democracy, by Frank E. Walter Wilkes [book review], :– Comparato [book review], : D, N Z, :– “Clarifying the Musical Page: The D, S P, :– Romantic Stichbild,” :– De Vinne Press, :– C, K, :– D V, T. L., :– Colines, Simon de, /:– De Vinne, Theodore, :– “Collotype: Prince of the Printing D, G A, Processes,” :– :–; :– The Common Press, by Elizabeth Harris & Denslow, W.W., :– Clinton Sisson [book review], :– “Der Frühdruck im deutschen Südwesten The Compositor, as Artist, Craftsman, and –: eine Ausstellung der Tradesman, by Alexander Lawson [book Württembergischen Landesbibliothek review], :– Stuttgart. Band I: Ulm” [book review], “The Convivial Printer: Dining, Wining, /:– and Marching, –,” /:– A Descriptive Checklist of Book Catalogues C, H, :– Separately Printed in America 1693–1800, “The Country Printer,” :– by Robert B. Winans [book review], C, P A., /:– /:– Cree, David, :– D, W D., J., :– Dictionary of American Book Collectors,by Century Platemaking Processes” , Donald C. Dickinson [book review], :– :– D, J R., :–; :–; A Dictionary of Book History, by John :–; :– Feather [book review], :– Early American Women Printers and A Dictionary of British Steel Engravers,by Publishers, ‒, by Leona M. Basil Hunnisett [book review], /:– Hudak [book review], :– A Dictionary of Colonial American Printers’ “The Early History of the Thomas Todd Ornaments and Illustrations; A Tribute to Company, –,” :– Alden Porter Johnson, by Elizabeth The Early Illustrated Book: Essays in Honor Carroll Reilly [book review], :, – of Lessing J. Rosenwald edited by Sandra “A Dictionary of Toronto Printers, Hindman [book review],:– Publishers, Booksellers and Allied “Early Journals of Interest to APHA,” : Trades, –,” :– “The Early Printer as a ‘Renaissance Man’,” “The Dimensions of the Renaissance Title :– Page,” :– E–K, B T., :– “Doctoral Research in Printing History, E, J, :–; :– –,” :– Editors—women, :–; :– Douglas C. McMurtrie: Bibliographer and Egloffstein, Baron Frederick Wilhelm von, Historian of Printing, by Scott Bruntjen :– and Melissa L. Young [book review], E, E L., :– :,  “Elbert Hubbard to W. W. Denslow from “Dr. Robert Lincoln Leslie, Humanitarian the Sanford & Helen Berger Collection” and Educator (–),” :– [letter], :– D, J, :–; :–; : “Emery Walker and ‘’: D, P H, :–; A Centennial Celebration,” :– :–; :– “The End of Books,” :– “Dungeons and Dragon’s Blood: The “English Bookbinding and the Continental Development of Late th and Early th Woodblock Tradition,” :– Engraving—U.S., :– :– An Enquiry into the Nature of Certain “For Gospel and Wool Trade; Early Nineteenth Century Pamphlets (d ed.), Printing in New Zeland,” :– by John Carter and Graham Pollard F, M L, :– [book reviews], :–::– The Fortunes of Mitchell Kennerley, “Ephemera in the STC Revision: A Bookman, by Matthew J. Bruccoli [book Housekeeper’s View,” /:– review], : Ephemera—printing, /:–; /:– Fowle, Daniel, :– The Estiennes: an annotated catalogue of 300 Francis Barlow: First Master of English Book highlights of their various presses,by Fred Illustration, by Edward Hodnett [book Schreiber [book review], :– review], :,  European Graphic Arts: The Art of the Book “‘Franklin’ Common Press,” :– from Gutenberg to Picasso, by Dale Franklin, Ann, :– Roylance [book review} F, J H., :–; :–; :– :–; :–; :– “Every Man His Own Printer: The F, S, :– Typographical Experiments of Josiah , by D.J.R. Bruckner [book Warren,” :– review], :– “The Externals of Books [by William From Punch to Printing Type: The Art and Chambers],” :– Craft of Hand and F, D, :– Typecasting, by Stan Nelson [video F, M, :– review], :– “Fifteenth-Century Papermaking,” :– “From Woodblock to Silicon Chip: The “The First Pocket Book,” :– Transmission of Tibetan Language,” “The First Publication to Use American- :– Made Type” , :– Fulton, Robert, :– F, H. G, :–; :– “Fünf Jahrunderte Buchillustration, Fleuron Anthology, by Sir Francis Meynell Meisterwerke der Buchgraphik, aus der and Simon Herbert [book review], Bibliothek Otto Schäfer, Germanisches Nationalmuseum, Nürnberg, ” GramLee Collection, :– [book review], :– G, C B., :; : Garamond, Claude, /:–; Green family of printers, :– /:– G, J N., :–; : G, M. E, :– Gregynog Press, :– Gatekeepers of Black Culture: Black-Owned “‘Guard the Mysteries! Constantly Reveal Book Publishing in the United States, Them’ The as Shown 1817-1981, by Donald Franklin Joyce in Type Specimens,” /:– [book review], :– Gutenberg, Johann, :–; :– “A Genial Philippic on Taste,” :– “Gwasg Gregynog: The Reincarnation of a G, M ⁽.⁾, :– Press,” :– The German Press of the Shenandoah Valley, “H.L. Mencken: In the Steps of Gutenberg,” by Christopher L. Deutsch [book :– review], :– Halftone process, :– Glaister’s Glossary of the Book: Terms Used Hammer, Victor, /:– in Papermaking, Printing, Bookbinding H, D A., :– and Publishing with Notes on Illuminated H, R D. , :–; /:– Manuscripts and Private Presses,by H, T G., :– Geoffrey Ashall Glaister [book review], H, E M., :; :–; /:– :–; :–; :– G, S, :– Harvard University Press: A History, by Max G, C, :– Hall [book review], :– “‘Gods Altar Needs Not our Pollishings’: H, C A., :– Revisiting the Bay Psalm Book,” :– H, R, :– Golden Cockerel Press, /:– H, J, :– Golding & Co., :– “Histoire de l’édition française,” :– “The Goodman Common Press: The A History of Book Publishing in the United Oldest American-Made Press,” :– States, Volume III: The Golden Age Goudy, Frederic W., :– between Two Wars, 1920–1940, by John Tebbel [book review], :– “The Introduction and Spread of Hebrew The History of Printing from Its Beginnings Type in the United States,” /:– to : The Subject Catalogue of the “Inventing Printing for the Blind,” :– American Type Founders Company “Isaac M. Singer’s Type Machine,” :– Library in the Columbia University I, E S., :– Libraries [book review], : “Jane Yetsweirt (–?); Claiming Her A History of the Nonesuch Press, by John Place,” :– Dreyfus [Book review], :– Jeffers, Robinson, :– “How He Collected His Bill,” :– “Joel Munsell, Aldus’s Disciple in Albany,” “How to Operate a Book” [video review], :– : John Peter Zenger and of the Press edited by H, W.D., :– James P. [book review], : H, E, :– J, H H., :–; :– Hunter, Dard, :– J, A, /:–; :– H, M W., :–; :– “Jonas Winchester: Printer, Speculator, The Ideal Book. Essays and Lectures on the Medicine Man,” :– Arts of the Book, by Jones, George W., /:– [book review],:– “Joseph Blumenthal –,” :– “The Ideal of the Humanist Scholar- J, W L., : Printer: Aldus in Venice,” :- Judah, Naphtali, :– “In Memoriam Bernard Brussel-Smith,” K, D, /:– :– K, L C–, :– Index to ‘The Dolphin’ and ‘The Fleuron’,by K, J, :–; /:– Jeanne Somers [book review], :– Kelmscott Press, :– Initials—woodcut, /:– K, K, :– Ink, :– K, P S., :– Ink—Chinese, :– Kono, Takashi, :– “Innovation and Diversity Among the K, M E, :– Green Family of Printers,” :– K, J W., :– K, D. W., :– “Lithographic Stone in America,” :– L, J, :– Lithography, :– “The Landis Valley Museum Ramage “Longevity and Legibility: Two Types from Press,” :– the De Vinne Press and How They Have Lanston Monotype Company, /:– Fared,” :– L, J E., :– “The Lost Years of the Golden Cockerel L, J L., :– Press,” /:– L, A S., :–; :– The Making of the book of Common Prayer Lay Culture, Learned Culture: Books and of , by Martin Hutner [book review], Social Change in Strasbourg, ‒, /:– by Miriam Usher Chrisman [book Manley, Reuben, :– review], :– Map printing, :– “Leaves from an Album of Printing and “Maps, Music and the Printer: Graphic or Graphic Arts,” :– Typographic?,” :– L, J B., :– Marbling: A History and a Bibliography,by L, J A., :–, :– Phoebe Jane Easton [book review], Leslie, Robert Lincoln, :– :– “A Letter from Bodoni’s Widow,” :– M, V, :– Lettering, :– “Mark Twain and ‘The Old-Fashioned Letters—constructed, /:– Printer’,” :– L, B J., :– M, S J., :– “A Life with Type and Letters,” :– M, F O., /:– “Linn Boyd Benton, Morris Fuller Benton, M, H, :– and Typemaking at ATF,” /:– MG, D, /:– Linotype machine, /:– MK, R E., :– L, C, : MT, B, :–; :–; The Literary Underground of the Old :– Regime, by Robert Darnton [book Medals—printing, :– review], :– “Memento Mori on Silk and Stone: Reuben Manley, Printer, –,” :– Nineteenth Century Ornamented , “The Memoirs of William M. Cubery,” with a chapter on Ornamented Types in /:– America by Ray Nash, by Nicolete Gray Mencken, H.L., :– [book review], :– Meriden Gravure Co., :– “Nineteenth-Century America: Book Trade Merrymount Press, :– Technology and Social History,” :– Messrs. Copeland & Day, by Joe W. Kraus Nordlunde, C. Volmer, :– [book review], : “A Note on Bruce Rogers in Youth and M, P A., :– Age,” :– M, S J, :–; :– Notes on Woman Printers in Colonial “Misprint and Minerva: Printers’ America and the United States ‒, Journeymen in Sixteenth-Century Lyon,” compiled by Marjorie Dana Barlow :– [book review], : “The Modern Library Series: Format and Numismata Typographica; or the Medallic Design, –,” :– History of Printing, by William Blades “Morphology and the Book from an [book review], :– American Perspective,” :– The Officina Bodoni: An Account of the M, M, :– Work of a Hand Press, ‒ by Morris, William, :– Giovanni Mardersteig [book review], M, R, :–; :– /:– “Mr. Artzt’s Western Lever: A Hitherto Ó Lochlainn, Colm, /:– Unreported Printing Press,” :– “Old and New Directions; Doctoral Munsell, Joel, :– Research on New York Printing History,” Music printing, :–; :– :– “Naphtali Judah, New York Bookseller and “Origins of the French Old-Style: The Stationer,” :– Roman and Italic Types of Simon de N, G B., :– Colines,” /:– N, A, :–; : “‘Our Infant Manufacturers’”: Early N, R, :– Typefounding in Philadelphia,” :– The Oxford University Press: An Informal 1800–1865, by Henry R. Wagner & History, by Peter Sutcliffe [book review], Charles L. Camp [book review], : : Platemaking, :–; :– O, F B. D M, /:– Pocket books, :– P, D, :–; :– P, M, :– P, K F., /:– “The Power of the Press: Hand, Horse, Papermaking, Hand, :– Water, and Steam,” :– P, M, /:– Practical Typecasting, by Theo Rehak [book “Paul Theobald & Company: Publisher review], /: with a New Vision,” :– The Press & the American Revolution, edited Paul, Charles Kegan, :– by Bernard Bailyn and John B. Hench “The Peculiar Defense of Daniel Fowle,” [book review], /:– :– “Press-builders in Philadelphia, –,” “The Permanence of Ephemera,” /:– :– P, W S., :–; :– Presses, Toy, :– P, P, :– P, W S., :– P, C. D, :– The Printed Book in America, by Joseph P, C O, :– Blumenthal [book review], :– “A Picture Portfolio of Printing Medals,” Printed by Hague and Gill; A Checklist :– Prepared in Conjunction with the Exhibit Pictures to Print: The Nineteenth-century ‘A Responsible Workman’ Observing Eric Engraving Trade, by Anthony Dyson Gill’s Centenary, by James Davis [book [book review], :– review], :– “Pioneer Women Editors—The Stockdale The Printer & the Pardoner: an Unrecorded Sisters of Bermuda,” :– Indulgence Printed by William Caxton for P, H, :– the Hospital of St. Mary Rounceval, The Plains & the Rockies, a critical Charing Cross, by Paul Needham [book bibliography of exploration, adventure review], :– and travel in the American West, The Printer’s Composition , A History of Its Origin and Development,by Printing, Clandestine, :– Richard E. Huss [book review], :– Printing, Government, :–; :–; Printers celebrations, /:– :– Printers’ memorials, :– “Printing and a Museum,” :– Printers—Canada—Dictionaries, :– Printing for the blind, :– Printers—Germany, :–; :– “Printing for the United States: Meriden Printers—Italy, :– Gravure and the U.S. Government” , Printers—Renaissance, :–; :– :– Printers—Unions, :– “The Printing History Series of Verlag Printers—U.S., :–; :–; :–; Renate Raecke” [book review], :– /:–; :–; :–; :–; Printing industry—Electrification, :– :–; :–; :–; :–; “The Printing Industry as a Leader In :–; :–; :–; :– Electrification, –,” :– Printers, Women, :–; :–; The Printing Press as an Agent of Change: :–; :– Communications and Cultural Printing—Education, :– Transformations in Early-modern Europe, Printing—History, :–; :–; by Elizabeth L. Eisenstein [book review], /:– /:– Printing—History—Dissertations, :– Printing presses, :– Printing—History—France, :– Printing presses—U.S., :–; :–; Printing—History—New York, :– :–; :–; :–; :–; Printing—History—New Zealand, :– :–; :–; /:– Printing—History—U.S., :–; Printing processes—Collotype, :– /:–; :–; :–; :–; Printing shops—Assaults, :– :– Printing technology, :–; :– Printing—History—Renaissance, :–; “Printing with Plates in the Nineteenth :– Century United States,” :– Printing—Journals, : & Picture Printing: A Printing—Museums, :– Bibliographical Guide to Artistic & Industrial Techniques in Britian ‒ Merrymount Press,” :– by Gavin Bridson and Geoffrey “The Renaissance Book,” :– Wakeman [book review], :– Robert Frost and His Printers, by Joseph The , by Roderick Cave [book Blumenthal [book review], :– review], :– “Robert Fulton’s Portrait of Lord “Producing Documents for Congress and Stanhope,” :– the Nation: Government Printing in the Robert Hunter Middleton: The Man and His United States, Past and Present, part ,” Letters, edited by Bruce Beck [book :– review],:– “Producing Documents for Congress and “Robinson Jeffers and his Printers,” :– the Nation: Government Printing in the Rogers, Bruce, :–; :–; :– United States, Past and Present, part ,” R, S P., :– :– R, W, :– Publishers for Mass Entertainment in R, R G, :– Nineteenth Century America edited, by R, A W., :– Madeleine B. Stern[book review], Russkie knigi i biblioteki v XVI—pervoi /:– polovine XIX veka: shornik nauchnykh Publishing, Printing and the Origins of trudov (Russian Books and Libraries from Intellectual Life in Russia, 1700–1800,by the th to the Fi rst Half of the th Gary Marker [book review], :– Century: A Collection of Scholarly Essays), R, R, : by G.V. Bakhareva and S.P. Luppov “The Rail Presses,” :– [book review], :– R, R, /:– S, S O., :–; :; :–; “Ramage Proof Press,” :– :–; :–; :–; :–; R, T, :– :–; :–; /:– Redesigning the World; William Morris, the S, C, :– s, and the Arts and Crafts,by Peter S, A D., :–; /:– Stansky [book review], :– Scribes and Sources: A Handbook of the “Reflections on the Centenary of the Chancery Hand in the Sixteenth Century, by A.S. Osley [book review], :– Smithsonian Institution, :– Searching the Eighteenth Century: Papers A Social History of the German Book Trade Presented at the Symposium on the in America to the Civil War, by Robert E. Eighteenth Century Short Title Catalogue Cazden [book review], :– in July , edited by M. Crump and M. “Some Caslon Ornaments in Some Harris [book review], :– American Books,” :– “Separately Published Engravings in the “Some Unlost Typefaces of Frederic W. Early Republic; An Introduction to Goudy,” :– Copperplate Engraving and Printing in Spanish and Portuguese th Century Books America Through ,” :– in the Department of Printing and A Sequel to an Enquiry into the Nature of Graphic Arts: A Description of an Certain Nineteenth Century Pamphlets by Exhibition and a Bibliographical John Carter and Graham Pollard; The Catalogue of the Collection, by Anne Forgeries of H. Buxton Forman and T.J. Anninger [book review], :– Wise Re-examined, by Nicolas Barker and S, T A., : John Collins [book reviews], :–; A Specimen of Printing Types, by William :– Caslon [book review], :– S, L, :– S, P, :– S, R G., :–; :–; /:–; Stanhope, Lord Charles, :– /:–; :– & D.B. Updike: Selected S, R, :–; :– Correspondence, edited by David “A Sketch of the Brief Printing Career of McKitterick [book review], :– David Cree, –,” :– S, M B., :; :–; :–; Small Books and Pleasant Histories: Popular :– Fiction and Its Readership in Seventeenth- Stevens, Henry, :– Century England, by Margaret Spufford S, D, :– [book review], :– S, R, :– “A Small Old Printing Press,” /:– “The Stockdale Sisters Revisited: Women S, V, :–; :– Printers and Editors in the West Indies” [with a rebuttal], :– “Tiller: A Bimonthly Devoted to the Arts Stockdale, Priscilla, Sarah and Frances, and Crafts Movement” [book review], :–; :– :– S, R E., :– “A Time of Giants: Speed Composition in S, L E., :; :–; Ninteenth-Century America,” :– :–; :–; :– Times New Roman (typeface), /:– S, S E., :–; : Todd (Thomas) Co., :– “Takashi Kono at Eighty” [profile], :– T, D, :, ; :–; T, G. T, :–; /:–; /:–; :– :– T, W, /:– Tauchnitz International Editions in English “Tramp Printers; Craft Culture, Trade ‒; A Bibliographical History,by Unions, and Technology,” :– William B. Todd & Ann Bowden [book “A Transatlantic Involvement with Printing review], :– History,” :– T, M J., :– A Treasury of the Great Children’s Book “Teaching ,” :– Illustrators, by Susan E. Meyer [book T, J, :; :– review], :– Theobold (Paul) & Co., :– A Tribute to W.A. Dwiggins on the “Theodore De Vinne: Unlikely Leader,” Hundredth Anniversary of His Birth,by :– Vincent Torre [book review], :– “Theories of Letterform Construction, T, J, :– [part 1],” /:– The Two Forgers: A Biography of Harry T, D. M, :– Buxton Forman & Thomas James Wise,by T, N, :–; :– John Collins [book review], :– T, S O., :, – “Two Victorian Voices Advocating Good “Thoughts on Research in Printing Book Design: I. Henry Stevens and the History,” :– Shoddimites,” :– Tibetan language—Printing, :– “Two Victorian Voices Advocating Good T, I, :– Book Design: II. Charles Kegan Paul, Perceptive Publisher,” :– . . . the Golden Cockerel Press Edition of Type and Typefaces, by Ben J. Lieberman ‘The Four Gospels’ in  by John [book review], :– Dreyfus [book review], /:– Type design, :–; :–; /:–; Typography, :–; :–; :–; /:–; /:–; /:–; :– /:–; /:–; /:–; Typography: Polygot. A Comparative Study /:– in Multi-lingual , by George Type design—Hebrew, /:– Sadek & Maxim Zhukov [book review], Type design—Irish, /:– :– “The Type Founders of New York City, Typography—Denmark, :– –,” :– “Underground Printing in Europe, “Type Designs by George W. Jones for the –; An Historical Observation,” Linotype Machine,” /:– :– Type specimens, /:– “The Union of Chicago Type Studies: The Norstedt Collection of –,” :– Matrices in the Typefoundry of the Royal Updike, Daniel Berkeley, :– Printing Office; a History and Catalogue, U, O, :– by Christian Axel-Nilsson [book review], V W, P M., :–; :–; :– /:– Typefaces, :– “Victor Hammer—An Irish Connection,” Typefounding—U.S., :–; :–; /:– :–; :–; :–; /:– “Vignettes of the Past:: American Historical Typesetting machines, :– Broadsides Through the War of ,” Typesetting; Composition, :– /:– Typographic Years: a printer’s journey “Violent Assaults on American Printing through a half a century, ‒ by Shops, –,” :– Joseph Blumenthal [book review], “Vom Schriftgiessen (Of Typefounding). :– Porträt der Forma D. Stempel, Frankfurt A Typographical Masterpiece: An Account of am Main,” comp. by Walter Wilkes [book review], : The Works of Carl P. Rollins, by Gay Walker “W. Starling Burgess: Type Designer?” [book review], :– /:– “Wright & Wright, Printers: The ‘Other’ W, E, :– Career of Wilbur and Orville,” :– Walker, Emery, :– W, H E., :– W, G, :– Wright, Wilbur & Orville, :– W, L W. W, E, :– Warren, Josiah, :– Yetsweirt, Jane, :– W, S, :– W, R I., :– (Special thanks to Jessica Murphey and W, J. D, :–; :– Thomas W. Phinney for their help in W, P J., :–; compiling this index) :–; :– W, J, :,  “When Noah Was A Pup,” :– W, M, /:– “Why Egyptian?” /:– “A Widow’s Work: Ann Franklin of Newport, Rhode Island,” :– W, O, :– William Edwin Rudge, by William J. Glick [book review], :– “William Morris and the ‘Damned Chemists’: The Search for the Ideal Ink at the Kelmscott Press,” :– Winchester, Jonas, :– W, M, :– Wood-engraving, :– W, D, :–