Modern Masters
Collectors Catalogue Modern Masters
Autumn 2020 A.R. Penck Frank Stella Ernst Wilhelm Nay Gotthard Graubner Günther Uecker Heinz Mack Norbert Kricke Adolf Luther Christian Megert Hans Hartung Joseph Beuys Jean Fautrier André Lanskoy Jean-Michel Atlan A.R. Penck As a post-war artist, A.R. Penck symbolizes current relationships and issues of social or state barriers. For this purpose he developed a calligra- phic universal language, consisting of ele- mentary symbols that are strongly remini- scent of cave painting. He mainly used the primary colours, which were combined with black symbols to convey a clear ex- pression.
A.R. PENCK Unbekanntes in Bekanntes verwandeln
1999
2017 in Zurich, CH Zurich, in 2017 acrylic on canvas † 120 x 100 cm
47 1/4 x 39 1/3 in. signed, titled and dated Provenance: Galerie Michael Schultz, Berlin private Collection, France 1939 in Dresden, DE Dresden, in 1939 Ralf Winkler, known as A.R. Penck, was * rejected four times at the state art acade- mies of the GDR. During his attempts to be accepted, he developed his painting style autodidactically, but he always lived in the former GDR as an artist with an exhibition ban. His international career began with his ex- patriation from the GDR in 1980. He made an acquaintance with the painter Jörg Im- mendorf from Düsseldorf and campaigned for dissidents. In 1988 he took up his pro- fessorship at the Hochschule Düsseldorf, where he taught painting. CLICK HERE
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Unbekanntes in Bekanntes verwandeln A.R. PENCK A.R. PENCK Frage
2005 acrylic on canvas 50 x 60 cm 19 2/3 x 23 2/3 in. signed, titled and dated Provenance: Galerie Michael Schultz, Berlin private Collection, France
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A.R. PENCK A.R. PENCK Colosseum
1990 acrylic and screen print on canvas 180 x 240 cm 70 3/4 x 94 1/2 in. recto signed, top center “a.r. penck“ Provenance: private Collection, Frankfurt, Germany
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A.R. PENCK Frank Stella * 1936 in Malden, Massachusetts, USA and the Tate the and in Gallery London. Basel Kunstmuseum the York, New in Art ons,Metropolitanincluding the ofMuseum Today Stella‘s collecti many in are works bition at Museum the of Art. Modern the youngest artist ever to have a solo exhi became he 1970 in which after Kassel, in In 1968 he took part in the 4th documenta provocative theming set of pieces. Nazi the with sensation a caused first he where York,New tomoved studies,he his pleting com After Seitz. C. William with courses from until 1958, where he also took painting Stella studied history at Princeton University meaning. from the martyrdom, not from the symbolic emerge should power pictorial The forms. geometric to pictures his reducing by lism painting of all external meaning and symbo deprive to tried He Expressionism Minimalism. towards Abstract beyond moved that generation the to belongs Stella Frank “What you is see what you see.“ The Waves: The Great Great The Waves: The lithography, linoleum block, block, linoleum lithography, hand coloured, marbled coloured, hand Heidelburgh Tun (The Waves, (The CTP5) 74 3/4 x 54 3/4 in. 3/4 54 x 3/4 74 FRANK STELLA FRANK 190 x 139 cm cm 139 x 190 screen print, print, screen 1989 - - - - INQUIRE CLICK HERE Installation View
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FRANK STELLA Ernst Wilhelm Nay * 1902 in Berlin, DE † 1968 in Cologne, DE ih xesv rtopcie drn his lifetime. during retrospectives extensive with honored was and awardsreceived Artists, of Association German the of member a became He attention. international ceived re he where Biennale, Venice the at 1948 in and 1-3 documenta in part took Nay Meisterschüler. Hofer‘s to appointed later was he where Berlin, in Künste Bildenden der Akademie the at place a and Hofer Karl from larship works. many These himhelped to receive a scho creating autodidactically, painting in interest his followed Nay Wilhelm Ernst power of his medium was finally most vivid. intrinsic the that freely, so more himself and more expressed time, over and, work his in phases several through went Nay rhythmic use of colour itself. the being work his of focus the with ting, pain post-war abstract of representatives The artist was one of the most independent 162 x 150 cm l 63 3/4 x 59 in. 3/459 63 x l cm 150 x 162 ERNST WILHELM NAY WILHELM ERNST signed bottom side right side bottom signed Rot in Rot ll oil on canvas oilon 1965 - - - INQUIRE CLICK HERE CLICK HERE
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Rot in Rot ll The work Rot in Rot II is part of Nay‘s late work, where the simplification of his formal language becomes visible and he reduces his colour palette to mainly the primary colours. Nay‘s sequence of movements in the ap- plication of paint appears meditative, fluid and even. During this creative phase he also speaks of “arithmetic” color setting, which means the repetition of individual colours in a constant row and provides a chordal rhythm. Arch forms and ribbons of color spread out vertically and the main motifs of a pictu- re are repeated within its composition - like here a chain of lined-up discs.
“A colourist is a painter who thinks through his colour and realizes the perception through the colour.“ from the essay “meine Farbe“ (Nay, 1967)
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SETAREH, Dusseldorf, DE ERNST WILHELM NAY ERNST WILHELM NAY Untitled
1955 gouache and watercolour on paper 39,9 x 56,1 cm l 15 2/3 x 22 in.
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INQUIRE Gotthard Graubner * 1930 in Erlbach /Vogtland, DE † 2013 in Neuss, DE awards, like Kunstpreis. Norddeutscher the numerous received also He Kassel. in 4 ta well- in known Exhibitions, including the documen found were works Graubners at Kunstakademie the of Düsseldorf. and Hamburg Künste Bildenden der schule Hoch the atprofessorships received artist lumbia, Peru, Mexico, India, and Nepal. The Co through traveled he studies his For Kunstakademie in Düsseldorf. at the at and Dresden, Berlin, in Kunstakademie the in Künste Bildende für schule Hoch the at studied Graubner Gotthard to it. depict claims further any of free colour, for own with perlon fabric. He developed a life of its cushions into the picture and covered them picture-sized assemble to began he when spatiality gained form independent The tiple layers. mul in application paint actual the of ples In his work the artist initially dealt with sam 52 x 47 cm l 20 1/2 x 18 1/2 in. in. 1/2 18 x 1/2 20 l cm 47 x 52 Rheinland Galerie Nebelung Hella 34 x 29 cm l 13 1/2 x 11 1/2 in. GOTTHARDGRAUBNER Provenance: private collection spanned with perlon spanned foam on canvas canvas on foam Untitled framed 1967 ------INQUIRE CLICK HERE CLICK HERE
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GOTTHARD GRAUBNER Günther Uecker * 1930 in Wendorf, DE the new Reichstagthe building in Berlin. In 1999 devotional designed the he room in Düsseldorf. in Kunstakademie the at fessor From 1974 to 1995 Uecker taught as a pro cluding Asia, Africa America. South and worked abroad in many different places, in he 1985 until Up 1970. in Biennale Venice the at part took and 1961 in ZERO group artist the of member a became Uecker in Düsseldorf. Kunstakademie the laterat Weißensee and Wismar and at the Kunstakademie in Berlin- 1949In studying artistbegan painting the in traits. They are his meditations. personal self-por as fields nail his regards Uecker location the on of observer. the pearance, light and shadow vary depending moving. to Due their three-dimensional ap be to appears artwork the of surface the 1957. The nails have been positioned so that in developed first he which reliefs, based nail- his for known best is Uecker Günther Provenance: Egon Eiermann 21 1/2 x 18 2/3 x 4 1/4 4 x 2/3 18 1/2x in. 21 GÜNTHER UECKER GÜNTHER nails on wooden board board wooden on nails verso signed and titled and signed verso 54,5 x 47,5 x 10,5 cm cm 10,5 x 47,5 x 54,5 mounted on canvas (gift from(gift artist) the in cardboard box cardboard in with pencil lines, lines, pencil with Lichtscheibe 1970 - - - - INQUIRE CLICK HERE CLICK HERE
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GÜNTHER UECKER Heinz Mack * 1932 in Lollar, DE world. the around collections public 100 around in are works His an cultures. for as ambassador work his for and whole a as work his for Germany of Republic Federal the of Merit of CrossGreat the receivedMack Venice in Biennale 1970. the represented and 6) and 4 3, (2, times artist intook severalThe documenta part which was later by joined Günther Uecker. 1957,in Düsseldorf in“ZERO” group avant-gardeartist the founded he Piene, Otto Together1956.with in Cologne in losophy tion in art education in Düsseldorf, and phi examina State his completed Mack Heinz dialogues. new in form and structurecolor, and light of laws aesthetic the puts always he iors, inter and spaces of designer a as also but As a painter, draftsman, sculptor, ceramist, lations. new dynamic with experimental light instal a rooms and spaces public gave he when 1950s, the in shaped was Mack‘s style own signed, dated and titled verso verso titled and dated signed, wood, metalfoil, paint and paint metalfoil, wood, “mack 70 Lichtpyramide” 70 “mack glass, in frame on wood 6 1/3 x73/4 x21/3 in. Lichtpyramide HEINZMACK 16 x 20 x 6 cm cm 6 x 20 x 16 1970 - - - - INQUIRE CLICK HERE Installation View
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HEINZ MACK Norbert Kricke * 1922 in Düsseldorf, DE † 1984 in Düsseldorf, DE for ten years. director the became he 1972 starting Düsseldorf and Kunstakademie the at turing Proffessorshipa forbegan sculp 1964 he at the Museum of Modern Art in New York. exhibition the of 1961 nice.part Krickewas 6) tookand atpart the 32nd Biennale in Ve and 3 (2, times multiple Kassel in cumenta do the at represented was He signments. 1955Inreceiving began international he as artist in his hometown since 1947. freelance a workingas been has and Berlin in Künste Bildende für Hochschule the at education his completed Kricke Norbert of subject the his work.time became and space between unity the Creatingrial. immate and movable weightlessly, appear space in a straight, bundled or knotted form the occupy to dynamically and welded another are one that lines Steel - plastics wire abstract on specialized sculptor The private Germany Collection, Northern acquired directly from artist; the height: c. 35,5 cm l NORBERTKRICKE steel, nickel-plated, nickel-plated, steel, Raumplastik on stone plinth Provenance: c. 14in. c. 1950s - - - - - INQUIRE CLICK HERE CLICK HERE
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NORBERT KRICKE Adolf Luther * 1912 in Uerdingen, DE † 1990 in Krefeld, DE by state the Rhine-Westphalia. of North titleprofessor the awarded was 1979 he In glass. of madeworks developed and hisart toentirelydevoteto himself order in judge a as 1957job hisIn gave up finallyLuther tions in Germany time. at same the gional Court, he took inpart several exhibi Re traineeHigher lawyer Düsseldorf at the a as time his During war. the during duty worked on artistic projects while he was off 1942 inpainting and towayhis found He doctorate. versity of Bonn, after which received he his Uni the at law studied first Luther1938 In innovativelyand tangible. physically reality make to was aim His on. later added is beams laser of use The light. depict to order in lenses and mirrors cave con mirrors, glass, as such surfaces with working mainly beginnings, painterly his to addition in includes, Luther‘soeuvre Adolf Hohlspiegelobjekt 96 3/4 x 23 2/3 x 4 in. 4 x 2/3 23 3/4 x 96 ADOLF LUTHER ADOLF 246 x 60 x 10 cm 10 x 60 x 246 signed and dated and signed 1977 - - - - INQUIRE CLICK HERE Installation View
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ADOLF LUTHER ADOLF LUTHER Untitled
1976 mixed media with glass 41 x 41 x 7,5 cm 16 1/4 x 16 1/4 x 3 in. Provenance: Arte e Tivù, Marcon, (VE) European Private Collection
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ADOLF LUTHER Christian Megert * 1936 in Bern, CH in 2015. Amsterdam and Berlin in subsequently and Guggenheim Museum in New York in 2014, the at exhibition overviewZero major the in represented was Kunstakademie artist The Düsseldorf. the at architecture and Kunst Bildende Integration für Lehrstuhl the at taught1976 FromMegert2002 to Switzerland. in them organized1960s and the since ons exhibitiZero inparticipated has Megert Paris. tensivetripstostudyBerlin, Stockholm and beschule in Bern until 1955 and went on ex Christian Megert attended Kunstgewer the spaces realities. and pictorial new for possibilities multiplying ve compositions. This gives rise to countless coloured acrylic glass, with which creates he reflecti or wood as such materials flat with them addition,combined laterIn he artistic creations. his in space of expansion endless their and intensivelyMegert concentrated mirrors on wood, mirror and acrylic acrylic and mirror wood, CHRISTIAN MEGERTCHRISTIAN under acrylicunder glass 28 x 24 x 4 3/4 in. 4 x 24 x 28 71 x 61 x 12 cm Untitled 2019 - - - - INQUIRE CLICK HERE Installation View
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CHRISTIAN MEGERT CHRISTIAN MEGERT Untitled
2019 wood, mirror and acrylic under acrylic glass 92 x 92 x 14 cm 36 1/4 x 36 1/4 x 5 1/2 in.
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CHRISTIAN MEGERT Hans Hartung * 1904 in Leipzig, DE † 1989 in Antibes, DE he wasawardedhe “Prix the Guggenheim“. 1956in and 1960Venicein in Biennale the ceived the international price for painting at documenta throughout 1955 the to 1964. at He re times three represented was He Calder.and Miró Mondrian, Kandinsky, met he where Paris, to moved Hartung 1932 In Munich. in lastly and Dresden in Künste Bildenden nued studying painting at the Akademie der conti He Leipzig.1920‘s in the in losophy Phi and history Art studied Hartung Hans tract Expressionism. Abs of pioneer a considered is Hartung line into anew relationship of tension. and surface colour repeatedlybrought and the application of colour with various tools, tested He perception. artistic of way new completely a bring that techniques mental experi by characterised is work Hartung‘s 146 x 114cm l 57 1/2 x 45 in. 45 x 1/2 57 l 114cm x 146 Galerie Sapone, Nice, 1988 private Collection, Europe private Collection, Italy HANS HARTUNG HANS acrylic on canvas on acrylic T1988-R34 Provenance: 1988 - - - - - INQUIRE CLICK HERE Installation View
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HANS HARTUNG HANS HARTUNG T1963-K17
1963 acrylic on canvas 42 x 180 cm 16 1/2 x 70 3/4 in.
Provenance: Mazzoleni Galleria d‘Arte, Turin Galleria Orler, Favaro Veneto 3 private Collections, Europe
Exhibition: Turin, Mazzoleni Galleria d‘Arte Hans Hartung, Opere Scelte 1950-1988, 2004
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HANS HARTUNG Joseph Beuys * 1921 in Krefeld, DE † 1986 in Düsseldorf, DE e.V.)“. Volksinitiative (freie Referendum through Democracy of“Organization as such tions ac organized and students for politically advocated He Kassel. in documenta every in participated Beuys 1982 to 1964 From 1961.in professorshipthere his began He by Ewald Mataré in 1951. Meisterschüler appointed an was and dorf Düssel in Kunstakademie and the paintingat sculpture studied he war the After feltand (materials again). and again used grease of help the with health to back sed gends, was salvaged by Crimtatars nur and le own his toaccording and, gunner force air an as 1944 in crash plane a had Beuys gate his radically democratic ideas. attentionpropatopublic his all used He society.on formativeinfluencea have to aimed which realization the and of “social the sculpture“, performances included also oeuvre tistic ar Beuys‘ Jospeh works, his to addition In 56 x 75,5 cm l 22 x 29 3/4 29 x in. 22 l cm 75,5 x 56 JOSEPHBEUYS Hommage à Edition 70/90 Edition lithography Picasso 1973 ------INQUIRE CLICK HERE Installation View
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JOSEPH BEUYS Jean Fautrier * 1898 in Paris, FR † 1964 in Châtenay-Malabry, FR Ville in Paris. spective by d‘Art Musée the la de Moderne retro a dedicated was he 1964 In Venice. in Biennale the of Prix Grand the received 1960 he in and Kassel in documenta the at presented were Faurtier‘s1959works In always returned to painting. War, he World second and first the of sis In spite of financialthe health the and cri of Fine Art. School Slade the at on later and Academy Royal the at London in 14 of age young the at painting studied already Faurtrier Jean alienation of expressed. the an to contributed composition perimental ex and colour monochrome of use His tions. crea of range his to belong all life still and portraits, paintings, figurative Expressive stroke. brush thick a of use consistent his through recognized be can work Fautriers signed on the bottom right bottom the on signed Bouquet de Fleurs JEAN FAUTRIER JEAN 18 1/3 x 14 3/4 14 in. x 1/3 18 46,5 x 37,5 cm cm 37,5 x 46,5 oil on canvas oilon 1927 - 1928 - 1927 - - - - INQUIRE CLICK HERE Installation View
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JEAN FAUTRIER André Lanskoy * 1902 in Moskow, RU † 1976 in Paris, FR Arts AssociatesArts in New York. Fine 1956the atin followedand 3 and 2 ta in the 1950s – exhibitions during documen His international attention was established tion. recogni his increased which years, many for him promoted and Lanskoy of became aware Uhde Wilhelm dealer art The exhibition at Licorne the in Gallery Paris. group a in part Chaumière.took1923 In he died painting at Académiethe de la stuGrande he where Paris reached he 1921 In ofson aRussian count. the as RevolutionRussian the fled Lanskoy Impressionism.and Informel abstraction, lyrical of sentatives repre important most the of one sidered con is He tapestries. and collages, mosaics createdillustrations, also painting and book Later he devoted himself more to abstract MatisseHenri Chaim and Soutine. Gogh, van Vincent by influenced was style painterly his - picturesfigurative and traits André Lanskoy mainly created still lifes, por 114 x 147 cm l 45 x 57 3/4in. 57 x 45 l cm 147 x 114 private Collection, Paris ANDRÉ LANSKOY ANDRÉ oil on canvas oilon Provenance: Untitled ------INQUIRE CLICK HERE Installation View
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ANDRÉ LANSKOY ANDRÉ LANSKOY Untitled
c. 1948 oil on canvas 116 x 73 cm 45 2/3 x 28 3/4 in. Provenance: private Collection, Paris
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ANDRÉ LANSKOY Jean-Michel Atlan * 1913 in Constantine, DZ † 1960 in Paris, FR combined withcombined astrong obsession for black. tones nature mainly colours, intensivediate ra paintings His forms. organic and metrical Atlans style of painting is dominated by asym among others. among Paris de ville la d‘Art de and Musée moderne des York New in Art Modern of Museum Bingin1956. Today, ofhisthe works are part Galerie at exhibition his through recognition received works his Simultaneously pentier. the of “Nouvelle École de Paris“ exhibition at the Gallery Char an for poster an illustrated with breakthrough his reached Atlan veloping his artistic skills. autodidacticallyde paintingand to focus on time this used Instead,could. he he as much jewish his tried background tohe to stay public as the out due and circumstances ble During war the lived times he in very hum UniversitySorbonne in Paris until 1934. the at Philosophy studied Atlan Jean-Michel “Nouvelle École Paris“. de the representativeof important highly a red his psyche. and background Atlan is conside his of themes the with works his enganged repetitively he creationperiod short his In JEAN-MICHEL ATLAN JEAN-MICHEL private collection, Paris bottom left “Atlan 59“ 28 3/4 x 19 2/3 in. 2/3 19 3/4 x 28 signed and dated dated and signed oil on canvas oilon 73 x 50 cm 50 x 73 Provenance: Untitled 1959 ------INQUIRE CLICK HERE Installation View
2019 JEAN-MICHEL ATLAN ET LA NOUVELLE ÉCOLE DE PARIS
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JEAN-MICHEL ATLAN JEAN-MICHEL ATLAN Ohne Titel
1959 oil on canvas 65 x 46 cm 25 2/3 x 18 in. signed and dated bottom side 59 “Atlan“, signed and dated on stretcher frame “59“. Provenance: private Collection Stockholm, Lichtenstein & Switzerland, (aquired in 1994)
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A.R. Penck A.R. Penck A.R. Penck Frank Stella Ernst Wilhelm Nay Ernst Wilhelm Nay Frage, 2005 Gotthard Graubner Unbekanntes in Bekanntes Colosseum, 1990 The Waves: The Great Rot in Rot ll, 1965 Untitled, 1955 Untitled, 1967 verwandeln, 1999 Heidelburgh Tun, 1989
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Günther Uecker Heinz Mack Norbert Kricke Adolf Luther Adolf Luther Christian Megert Christian Megert Lichtscheibe, 1970 Lichtpyramide, 1970 Raumplastik, 1950s Hohlspiegelobjekt, 1977 Untitled, 1976 Untitled, 2019 Untitled, 2019
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Hans Hartung Hans Hartung Joseph Beuys Jean Fautrier André Lanskoy André Lanskoy Jean-Michel Atlan Jean-Michel Atlan T1988-R34, 1988 T1963-K17, 1963 Hommage à Picasso, 1973 Bouquet de Fleurs, 1927-28 Untitled Untitled, c. 1948 Untitled, 1959 Untitled, 1959 CONTACT [email protected]
+ 49 211 8282 7171 Imprint Picture Credits
This catalogue Reproductions and Installation Views was published by © SETAREH. Photogaphy: Ivo Faber, 2020, Alexander Romey, 2020.
SETAREH Königsallee 27-31 Portraits 40212 Dusseldorf Portraits Germany Frank Stella © Sebastian Weinhold, Photgraphy: Sebastian Weinhold, from: https://www.flickr.com/photos/ sebastianweinhold/6398656323/in/photostream/, Editorial Design (called up on: 30.06.2020. Katharina Janz Ernst Wilhelm Nay © Privatarchiv Elisabeth Nay-Scheibler, Ernst Wilhelm Nay in seinem Hofheimer Atelier, 1948, from: https://creativecommons.org/licenses/by-sa/4.0/legalcode, setareh-gallery.com (called up on: 26.06.2020). [email protected] Gotthard Graubner © Lothar Wolleh, Photgraphy: Lothar Wolleh, from: https://creativecommons.org/licenses/by-sa/4.0/legalcode, (aufgerufen am: 23.06.2020). Copyright SETAREH, 2020 Günther Uecker © SETAREH, 2014. Heinz Mack © Heinz Mack in seinem Atelier, 2013 / Photgraphy: Archiv Mack.
Norbert Kricke © Ruth Baenisch, Photgraphy: Ruth Baenisch, from: https://www.artblogcologne.com/norbert-kricke-im- skulpturenpark-waldfrieden/norbert_kricke__c_ruth_baen/, from 30th April 2011, (called up on: 24.06.2020).
Adolf Luther – Adolf Luther Stiftung Krefeld, 2020.
Christian Megert © SETAREH, Photgraphy: Christian Megert, 2016.
Hans Hartung © Fondation Hartung-Bergman, 2019.
Joseph Beuys © Stiftung Museum Schloss Moyland / Joseph Beuys Archiv, Photgraphy: anonym.
Jean Fautrier © ANDRÉ OSTIER/REPRODUCTION JULIEN VIDAL/ MUSÉE D’ART MODERNE PARISIENNE DE PHOTOGRAPHIE, Photgraphy: André Ostier, 1954, aus: www.ARTnews.com, from 30th March 2018, 13:05, (called up on: 23.06.2020).
André Lanskoy © christies.com, unknown Photographer, (called up on: 23.06.2020).
Jean-Michel Atlan © Galerie Jacques Elbaz Paris, Photgraphy: Manuel Litran, 1956.
We have made every effort to determine the copyright holders for all photos used. It was not possible in all cases. We therefore ask that any rights holders not be taken into account, to get in touch with us.