Otto Piene: Lichtballett
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141014 Press Release Piene En
PLUTSCHOW GALLERY In retrospect, we must call epochal when two young Düsseldorf artists invited the public into their studio and proclaimed the zero hour of post-war art on 11 April 1957. It was birth of ZERO. A series of evening exhibitions by Otto Piene, Heinz Mack and a little later Günther Uecker marked the beginning of a new avant- garde. The movement traveled elsewhere and was taken up by artists like Lucio Fontana, Piero Manzoni, Yves Klein, Jean Tinguely and Yayoi Kusama, each with a mission to reinvent and redefine art in the aftermath of World War II. The Plutschow & Felchlin gallery is proud to present Otto Piene, one of the great artistic figures of the 20th century. The Objects exhibition offers a great overview of his decades-long investigation of technology and light phenomena embodied into an art that was focused on life. The delicate selection of recent works are appearing in various medium such as ceramics, gouaches and steel work by showing its strong roots in the Grid Pictures (1957)–a type of stencilled painting made from half-tone screens with regularly arranged points in single colors– and the never ceased faith to the essential idea of ZERO. The exhibition serves as a premier of Otto Piene’s last completed sculpture, the LightCube (?). The masterpiece is part of the Piruette series, which were the development of the so-called Lichtballett (light ballet) kinetic art installation from 1959: light from moving torches was projected through grids, thus extending and stimulating the viewer’s perception of space. His investigation in light is a lineal descendent of the Bauhaus tradition and László Moholy-Nagy’s Light-Space Modulator (1930). -
Press Release Heinz Mack & Otto Piene
PRESS RELEASE HEINZ MACK & OTTO PIENE “From Zero To Hero“ Exhibition: 09 June 2018 - 28 July 2018 Opening: 08 June 2018 / 18 - 21 pm PLUTSCHOW GALLERY is pleased to present "FROM ZERO TO HERO", an exhibition dedicated to the founders of the Zero movement in our Zürich gallery space. Heinz Mack (1931) attended the Academy of Arts Düsseldorf during the 1950s. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. His contributions to op art, light art and kinetic art are worldly renowned. Otto Piene (1928-2014) is best known for his smoke and fire and his raster paintings. Called Rauchbilder (smoke pictures), Piene applied solvent to pigmented paper and lit it on fire, developing images in the residual soot. Together, both artists initiated in Düsseldorf the Zero movement, active from 1957-66. With the desire to move away from subjective postwar movements and reduce the prominence of the role of the artist to create art, both artists gave extensive focus purely about the materials and the world in which those materials exist - meaning light and space. The exhibition will showcase works by both artists spanning from the Zero period to more recent creations with the aim to praise their careers to the hero status. Yes, I dream of a better world. Should I dream of a worse? Yes, I desire a wider world. Should I desire a narrower? –Otto Piene, "Paths to Paradise" in ZERO 3 (July 1961) For further information, please contact: Roman Plutschow [email protected], +41 79 293 52 22 Marianna Quartieri [email protected], +41 76 736 70 47 Romeo Bucher [email protected], +41 79 826 38 89 #fromzerotohero #heinzmack #ottopiene #plutschowgallery #plutschow . -
ZERO ERA Mack and His Artist Friends
PRESS RELEASE: for immediate publication ZERO ERA Mack and his artist friends 5th September until 31st October 2014 left: Heinz Mack, Dynamische Struktur schwarz-weiß, resin on canvas, 1961, 130 x 110 cm right: Otto Piene, Es brennt, Öl, oil, fire and smoke on linen, 1966, 79,6 x 99,8 cm Beck & Eggeling presents at the start of the autumn season the exhibition „ZERO ERA. Mack and his artist friends“ - works from the Zero movement from 1957 until 1966. The opening will take place on Friday, 5th September 2014 at 6 pm at Bilker Strasse 5 and 4-6 in Duesseldorf, on the occasion of the gallery weekend 'DC Open 2014'. Heinz Mack will be present. After ten years of intense and successful cooperation between the gallery and Heinz Mack, culminating in the monumental installation project „The Sky Over Nine Columns“ in Venice, the artist now opens up his private archives exclusively for Beck & Eggeling. This presents the opportunity to delve into the ZERO period, with a focus on the oeuvre of Heinz Mack and his relationship with his artist friends of this movement. Important artworks as well as documents, photographs, designs for invitations and letters bear testimony to the radical and vanguard ideas of this period. To the circle of Heinz Mack's artist friends belong founding members Otto Piene and Günther Uecker, as well as the artists Bernard Aubertin, Hermann Bartels, Enrico Castellani, Piero BECK & EGGELING BILKER STRASSE 5 | D 40213 DÜSSELDORF | T +49 211 49 15 890 | [email protected] Dorazio, Lucio Fontana, Hermann Goepfert, Gotthard Graubner, Oskar Holweck, Yves Klein, Yayoi Kusama, Walter Leblanc, Piero Manzoni, Almir da Silva Mavignier, Christian Megert, George Rickey, Jan Schoonhoven, Jesús Rafael Soto, Jean Tinguely and Jef Verheyen, who will also be represented in this exhibition. -
Kusama 2 1 Zero Gutai Kusama
ZERO GUTAI KUSAMA 2 1 ZERO GUTAI KUSAMA VIEWING Bonhams 101 New Bond Street London, W1S 1SR Sunday 11 October 11.00 - 17.00 Monday 12 October 9.00 - 18.00 Tuesday 13 October 9.00 - 18.00 Wednesday 14 October 9.00 - 18.00 Thursday 15 October 9.00 - 18.00 Friday 16 October 9.00 - 18.00 Monday 19 October 9.00 - 17.00 Tuesday 20 October 9.00 - 17.00 EXHIBITION CATALOGUE £25.00 ENQUIRIES Ralph Taylor +44 (0) 20 7447 7403 [email protected] Giacomo Balsamo +44 (0) 20 7468 5837 [email protected] PRESS ENQUIRIES +44 (0) 20 7468 5871 [email protected] 2 1 INTRODUCTION The history of art in the 20th Century is punctuated by moments of pure inspiration, moments where the traditions of artistic practice shifted on their foundations for ever. The 1960s were rife with such moments and as such it is with pleasure that we are able to showcase the collision of three such bodies of energy in one setting for the first time since their inception anywhere in the world with ‘ZERO Gutai Kusama’. The ZERO and Gutai Groups have undergone a radical reappraisal over the past six years largely as a result of recent exhibitions at the New York Guggenheim Museum, Berlin Martin Gropius Bau and Amsterdam Stedelijk Museum amongst others. This escalation of interest is entirely understandable coming at a time where experts and collectors alike look to the influences behind the rapacious creativity we are seeing in the Contemporary Art World right now and in light of a consistently strong appetite for seminal works. -
Downloaded Or Projected for Classroom Use
ZERO COUNTDOWN TO TOMORROW, 1950s–60s OCTOBER 10, 2014–JanuaRY 7, 2015 ZERO COUNTDOWN TO TOMORROW, 1950s–60s Solomon R. Guggenheim Museum Teacher Resource Unit A NOTE TO TEACHERS ZERO: Countdown to Tomorrow, 1950s–60s, is the first large-scale historical survey in the UnitedS tates dedicated to the German artists’ group Zero (1957–66), founded by Heinz Mack and Otto Piene and joined in 1961 by Günther Uecker, and ZERO, an international network of like-minded artists from Europe, Japan, and North and South America who shared the original group’s aspiration to transform and redefine art in the aftermath of World War II. Featuring more than 40 artists from 10 countries, the exhibition is organized around these diverse artists’ shared interests. Themes include new definitions of painting (for instance, the use of monochrome and serial structures); movement and light; space as subject and material; and the relationship between nature, technology, and humankind. This Resource Unit focuses on various aspects of ZERO art and provides techniques for exploring both the visual arts and other areas of the curriculum. This guide also is available on the museum’s website at guggenheim.org/artscurriculum with images that can be downloaded or projected for classroom use. The images may be used for educational purposes only and are not licensed for commercial applications of any kind. Before bringing your class to the Guggenheim, we invite you to visit the exhibition, read this guide, browse our website, and decide which aspects of the exhibition are most relevant to your students. For more information on scheduling a visit for your students, please call 212 423 3637. -
Press Release April 2021 Carla Accardi Et Dadamaino, Between
Carla Accardi and Dadamaino, 1987. ©Giorgio Colombo Press release April 2021 Carla Accardi et Dadamaino, Between sign and transparency Two Italian artists at the frontiers of abstraction May 20 - September 18, 2021 TORNABUONI ART PARIS 16 avenue Matignon 75008 Paris I let my hand fow freely. Thus the ensemble appears denser or more sparse at times, but I do not seek these diversifcations which come spontaneously and are possible in spite of myself. For the moment, I call these signs “The alphabet of the mind” because I believe that they are the codes of a personal language. Dadamaino Accardi’s painting is rather a painting of unrestrained signs, a painting in search of the extreme tension between the rational and the irrational, between positive and negative. Her labyrinths deploy a sensual magnetism, cultivating a ferment that tends towards an agglomeration of materials and colors – limitless, structural and environmental. Germano Celant The exhibition Carla Accardi and Dadamaino: Between sign and transparency. Two Italian artists at the frontiers of abstraction exhibits works by Carla Accardi (1924- 2014) and Dadamaino (1930-2004). The exhibition approaches the artists through their research surrounding signs that they deploy in a new way, particularly on transparent supports, inviting a radical rethinking of the notion of “reading” the work of art. Carla Accardi and Dadamaino share a freedom and independence that led them to adhere to diferent artistic movements while at the same time freeing themselves from dogmatic frameworks. They created two unique paths for themselves, two distinct artistic vocabularies linked by an interest for writing and for transparency. -
THE SKY AS a STUDIO. YVES KLEIN and HIS CONTEMPORARIES Exhibition from July 18 to February 1, 2021
THE SKY AS A STUDIO. YVES KLEIN AND HIS CONTEMPORARIES Exhibition From July 18 to February 1, 2021 PRESS RELEASE From 18 July 2020, the Centre Pompidou-Metz will present an exhibition Friday, 12 June 2020 devoted to Yves Klein (1928-1962), a major figure on the post-war French and European art scene. «The sky is a workshop/studio?”» reveals the aesthetic affinities he developed, outside the New Realists’ movement, with a constellation of artists, from the Gutai group in Japan to the spatial artists in Italy, from the ZERO artist group in Germany to the Nul group PRESS CONTACTS in the Netherlands. As a «space painter», Yves Klein projected art into a new odyssey with them. The sky, the air, the void and the cosmos became Centre Pompidou-Metz Marion Gales the immaterial workshop for reinventing art and man’s relationship with Press relations the world after the tabula rasa brought about by the war. As early as 1946, téléphone : 00 33 (0)3 87 15 52 76 Yves Klein associated his name to the other side of the sky, appropriating mél :[email protected] this infinite space as one of his canvases, while the spatial artists close Claudine Colin Communication to Lucio Fontana tried out making «artificial forms appear in the sky, Francesca Sabatini spectacular rainbows». Piero Manzoni became committed to the search for téléphone : 00 33 (0)1 42 72 60 01 a limitless space in which «matter becomes pure energy», which responds mél :[email protected] to Klein’s search for immaterial pictorial sensibility and to Otto Piene’s search for art as a sensory and regenerative medium for reconnecting man to the universe. -
Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2012 Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969 Midori Yamamura The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4328 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] YAYOI KUSAMA: BIOGRAPHY AND CULTURAL CONFRONTATION, 1945-1969 by MIDORI YAMAMURA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2012 ©2012 MIDORI YAMAMURA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Anna C. Chave Date Chair of Examining Committee Kevin Murphy Date Executive Officer Mona Hadler Claire Bishop Julie Nelson Davis Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract YAYOI KUSAMA: BIOGRAPHY AND CULTURAL CONFRONTATION, 1945-1969 by Midori Yamamura Adviser: Professor Anna C. Chave Yayoi Kusama (b.1929) was among the first Japanese artists to rise to international prominence after World War II. She emerged when wartime modern nation-state formations and national identity in the former Axis Alliance countries quickly lost ground to U.S.-led Allied control, enforcing a U.S.-centered model of democracy and capitalism. -
HEINZ MACK: the BREATH of LIGHT Curated by Francesca Pola
HEINZ MACK: THE BREATH OF LIGHT Curated by Francesca Pola September 12th – November 15th 2019 Opening: September 11th 2019, from 6 P.M. to 8:30 P.M. Catalogue presentation in the presence of the artist: October 24th 2019, from 6 P.M. to 8:30 P.M. Cortesi Gallery, Corso di Porta Nuova 46/B, 20121 Milan Heinz Mack (Lollar, 1931) is one of the main artists of the second half of the 20th Century: a radical and revolutionary figure, who is continuously renewing expressive essentiality concepts and developing new artistic techniques since the ‘50s. The exhibition at the Cortesi Gallery, curated by Francesca Pola, is the first solo show in Italy dedicated to this artist, with the aim to widely retrace his whole artistic iter. Almost after sixty years of his first Italian exhibition, held in Milan in 1960 at the Azimut Gallery invited by Enrico Castellani and Piero Manzoni, followed by that in 1963 at Galleria Cadario. Made in close collaboration with the artist and his studio, the exhibition collects a series of fundamental examples of his work, concentrating on one of the crucial point of his creative activity: the relationship between light, color, structure and space. The exhibited works, mostly of large dimensions, start from 1959 to 2018 marking the key moments of his creative activity which placed Mack among the figures of the international artistic scenario of the time. The entire Mack’s work has always been focused on the fundamental role played by the light as a constitutive element of vision which he turned into a the key of a poetic language able to radically modify the bases of the modern art. -
3 Men and a Posse, Chasing Newness ‘Zero,’ a Look at a Movement, at the Guggenheim
‘Zero,’ a Look at a Movement, at the Guggenheim - NYTimes.com Seite 1 von 4 ART & DESIGN | ART REVIEW 3 Men and a Posse, Chasing Newness ‘Zero,’ a Look at a Movement, at the Guggenheim By ROBERTA SMITH OCT. 9, 2014 In the wake of World War II, many European artists felt an urgent need to start from scratch, but few summed up the ambition as succinctly as three young German artists who called themselves Zero. The word, denoting a location somewhere behind square one, was selected in 1957 by Heinz Mack and Otto Piene, painters who had met at the Düsseldorf Art Academy. They were shortly joined by Günther Uecker, although he didn’t formally become the third and final member until 1961. Their goal was to sweep aside familiar modes of gestural painting and pictorial sentimentality, most prominently exemplified by Abstract Expressionism and Tachisme. But Zero was not, as Piene would write in 1964, “a Dada-like gag.” It was “the incommensurable zone in which the old state turns into the new.” From 1957 to 1970, the small Zero cohort assiduously expanded this zone of innovation through exhibitions, publication and alliances with other artists across Europe and beyond. Scholars have recently begun calling their fluctuating cast of fellow travelers the Zero network, and its extent is the subject of “Zero: Countdown to Tomorrow, 1950s-60s,” a multimedia sprawl of about 180 artworks, including some motorized sculptures, that currently fills the Guggenheim Museum’s spiral. About half of the pieces are by the Zero nucleus, with the rest by an additional 37 artists, from Europe, Japan, South America and the United States, who at some point partook in the Zero network. -
Press Release Harvard Art Museums Receive Significant Gift of Otto
Press Release Harvard Art Museums Receive Significant Gift of Otto Piene Sketchbooks from Elizabeth Goldring Otto Piene, Sketchbook: Groton, 2012. Mixed media. Harvard Art Museums/Busch-Reisinger Museum, Gift of Elizabeth Goldring Piene, 2019.69. Photo credit: ©2019 Charles Sternaimolo. Cambridge, MA April 15, 2019 The Harvard Art Museums are pleased to announce an extraordinary gift of 70 sketchbooks by internationally renowned artist Otto Piene (1928–2014); the gift was made by poet and author Elizabeth Goldring, the artist’s wife. Dating from 1935 to 2014, the largely unpublished sketchbooks reflect interdisciplinary, cross-media experiments from Piene’s long career in the Boston area and abroad, including both realized and unrealized projects. In keeping with the museums’ history and ongoing commitment to training and research, the next Stefan Engelhorn Curatorial Fellow in the Busch- Reisinger Museum (2019–21) will soon be appointed to study and catalog this new gift. The gift also includes a selection of pens, the primary medium Piene used for his sketches, including the Magic Marker brand; these will be held in the Center for the Technical Study of Modern Art (CTSMA) and will play a key role in the long-term preservation of Piene’s sketchbooks. Part of the museums’ Straus Center for Conservation and Technical Studies, CTSMA is dedicated to the study of materials and issues associated with making and conserving modern works of art. “Elizabeth Goldring’s generosity will greatly benefit students and scholars from around the world,” said Martha Tedeschi, the Elizabeth and John Moors Cabot Director of the Harvard Art Museums. “This significant gift not only opens new research avenues but also broadens the offerings available in our Art Study Center, where both general visitors and scholars can make an appointment to view works of art like these exceptional sketchbooks. -
OTTO PIENE Biography
SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com OTTO PIENE Biography 1928 Born Laasphe, Westphalia, Germany. Lived and worked in Düsseldorf, Cambridge, and Groton, Massachusetts. 2014 Died Berlin, Germany. Education 1948-50 Degree in painting, Blocherer Art School and the Academy of Art, Munich, Germany. 1950-53 Degree in art education, Staatliche Kunstakademie, Düsseldorf, Germany. 1953-57 State Examination in philosophy, University of Cologne, Germany. 1964 Artist-in-residence, Graduate School of Fine Arts, University of Pennsylvania, Philadelphia. Early History (1950s-1960s) 1957 Founds group ZERO with Heinz Mack in Düsseldorf; Günther Uecker joins 1959 First public performance of “Light Ballet” 1964 Produces play “Die Feuerblume” (“The Fire Flower”) at the Theater Diogenes, Berlin, Germany 1966 Group ZERO splits up; final common exhibition with Heinz Mack and Günther Uecker in Bonn, Germany Founded the Black Gate (first electromedia theater) with Aldo Tambellini in New York 1968-1969 Produces “Black Gate Cologne” (first live television production by artists) with Aldo Tambellini at the TV studio WDR III 1969 Coins the term “Sky Art” for large outdoor sky/light projects “Manned Helium Sculpture” for “Electronic Light Ballet,” NET-TV Produces project for “The Medium Is the Medium” television program Appointments and Lectures 1964 Visiting Professor, Graduate School of Art, University of Pennsylvania, Philadelphia Lectures at the Institute of Contemporary Art in London, the Art