THE LEVANT and EUROPE: SHIPPING and TRADE Networks of People and Knowledge
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ENVIRONMENT of CULTURE and ART in the OTTOMAN EMPIRE in 19Th CENTURY
The Online Journal of Science and Technology - April 2018 Volume 8, Issue 2 ENVIRONMENT OF CULTURE AND ART IN THE OTTOMAN th EMPIRE IN 19 CENTURY Nesli Tuğban YABAN Baskent University, Department of Public Relations and Publicity, Ankara-Turkey [email protected] Abstract: Westernisation and modernisation of the Ottoman Empire began to burgeon in the 17th century; it became evident in the 18th century and the 19th century witnessed the most intense interaction and the exact reconstruction process. New way of living which was originated in Europe and representatives thereof became influential as guides and determinants of reconstruction process in the Ottoman Empire. It is possible to point out that the Ottoman Empire which got closer to France for handling military problems, to England for industrialisation purposes and to Italy for architecture and arts had intense communication and the resulting interaction with European states in the course of reconstruction process. This study aims to give information about the social, cultural and artistic environment in the Ottoman Empire during the reign of Sultan Abdul Hamid II (1876-1909). Key Words: Culture, Art, Ottoman Empire, Sultan Abdul Hamid II. General View of the Environment of Culture and Art in 19th Century in the Ottoman Empire It is clear that sultans had a very important role in the ruling of the country as a part of state system of the Ottoman Empire thus, good or bad functioning of the state and events and actions which might affect the society from various aspects were closely connected to personality, behaviours and mentality of the sultan. -
British Reports on Ottoman Syria in 1821-1823
University of North Florida UNF Digital Commons History Faculty Publications Department of History 2-16-2019 Rebellion, Unrest, Calamity: British Reports on Ottoman Syria in 1821-1823 Theophilus C. Prousis University of North Florida, [email protected] Follow this and additional works at: https://digitalcommons.unf.edu/ahis_facpub Part of the History Commons Recommended Citation Prousis, Theophilus C., "Rebellion, Unrest, Calamity: British Reports on Ottoman Syria in 1821-1823" (2019). History Faculty Publications. 29. https://digitalcommons.unf.edu/ahis_facpub/29 This Article is brought to you for free and open access by the Department of History at UNF Digital Commons. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2-16-2019 All Rights Reserved Chronos- Revue d’Histoire de l’Université de Balamand, is a bi-annual Journal published in three languages (Arabic, English and French). It deals particularly with the History of the ethnic and religious groups of the Arab world. Journal Name: Chronos ISSN: 1608-7526 Title: Rebellion, Unrest, Calamity: British Reports on Ottoman Syria in 1821-1823 Author(s): Theophilus C Prousis To cite this document: Prousis, T. (2019). Rebellion, Unrest, Calamity: British Reports on Ottoman Syria in 1821-1823. Chronos, 29, 185-210. https://doi.org/10.31377/chr.v29i0.357 Permanent link to this document: DOI: https://doi.org/10.31377/chr.v29i0.357 Chronos uses the Creative Commons license CC BY-NC-SA that lets you remix, transform, and build upon the material for non-commercial purposes. -
402022005.Pdf
İSTANBUL TEKNİK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ PERA’DA RESİM ÜRETİM ORTAMI 1844-1916 DOKTORA TEZİ Seza SİNANLAR Anabilim Dalı: SANAT TARİHİ Programı: SANAT TARİHİ TEMMUZ 2008 İSTANBUL TEKNİK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ PERA’DA RESİM ÜRETİM ORTAMI 1844-1916 DOKTORA TEZİ Seza SİNANLAR 402022005 Tezin Enstitüye Verildiği Tarih : 30 Mayıs 2008 Tezin Savunulduğu Tarih : 17 Temmuz 2008 Tez Danışmanı Prof. Dr. Günkut AKIN Diğer Jüri Üyeleri Prof.Dr. Ayla ÖDEKAN Prof.Dr. Semra GERMANER (MSGSÜ) Prof.Dr. Zeynep İNANKUR (MSGSÜ) Prof. Dr. Uşun TÜKEL (İÜ) TEMMUZ 2008 ÖNSÖZ Doktora programına başladığım sırada Pera’da Resim Üretim Ortamı’nın konu edildiği bir araştırma yapma fikri aklımda yoktu. Yurtdışında bulunduğum sırada (2005-2006) Paris’te tanıştığım, Frédéric HITZEL* bana dönemin gazetelerinde resimle ilgili olarak çok fazla veri bulunabileceğini, ancak Fransızca olmaları sebebiyle araştırmacıların ulaşmakta güçlük çektiğini, bu yayınlara göz atmamın fikir verebileceğini söylemişti. Bunun üzerine BNF**’e giderek, Pera’da basılmış, yabancı dildeki gazetelerden biri olan Stamboul gazetesini seçip, incelemeye başladım. Bir ay kadar sonra 1880’lerin gündemini takip eder, gazetede sıkça bahsedilen bazı kişilerin yaşamlarını izler olmuştum. Duyduğum heyecanı hemen danışmanım Prof. Dr. Günkut AKIN ile paylaştım. Durumu birlikte değerlendirdikten sonra tez konusunda değişikliğe gitmeye karar verdik. Böylece bir hayli heyecan dolu, bir o kadar da zorlu geçecek bir süreç başlamış oldu. Gazetelerden sağlanan bilgiler üstüste geldikçe, konunun hatları ortaya çıkıyordu. Ancak malzemenin içerdiği detaylar, bazen bütünü görmeye engel oluyor, konu içinde yönümü şaşırdığım durumlar oluşuyordu. Bu aşamada beni yönlendiren, detayların sınıflandırılmasında yol gösteren, konuya nereden bakmak gerektiğini birlikte irdelediğimiz değerli hocalarım Prof. Dr. Semra GERMANER, Prof. Dr. Ayla ÖDEKAN ve Prof. -
What Do We Recommend?
While travelling, we like feeling the city, wake up early with the sun rise, visit all the cultural and historical places and taste the city’s special flavors. According to that concept, we preapared the “Eat, Love, Pray in Istanbul Guide” which is all about our suggestions with little tips. We hope you could benefit from the hand book. Have a good stay and enjoy the city. Ramada Istanbul Grand Bazaar Family SOPHIA PITA RESTAURANT &TAPAS Offers a fusion of authentic and modern Spanish tapas accompanied by a distinguished selection of Turkish wines and selected international wines and liqours, also open for breakfast and dinner with a relaxing atmosphere at the Aya Sofya’s backyard. Adress;Boutique St. Sophia Alemdar Cad. No.2 34122 Sultanahmet / Istanbul Phone;009 0212 528 09 73-74 PS:How to get there;The nearest tram station is Sultanahmet or Gulhane tram station. BALIKÇI SABAHATTİN “Balıkçı Sabahattin” ( Fisherman Sabahattin) was at first running a traditional restaurant left by his father some streets behind which not everyone knew but those who knew could not give up, before he moved to this 1927 made building restored by Armada... Sabahattin, got two times the cover subject of The New York Times in the first three months in the year 2000… Sabahattin, originally from Trilye (Mudanya, Zeytinbag), of a family which knows the sea, fish and the respect of fish very well, know continues to host his guest in summer as in winter in this wooden house...His sons are helping him... In summer some of the tables overflow the street. -
ISTANBUL - VENICE CONVERGENCE from GENTILE BELLINI to BIENALLES Güler BEK ARAT**
Uluslararası Sosyal Araştırmalar Dergisi The Journal of International Social Research Cilt: 10 Sayı: 50 Volume: 10 Issue: 50 Haziran 2017 June 2017 www.sosyalarastirmalar.com Issn: 1307-9581 • ISTANBUL - VENICE CONVERGENCE FROM GENTILE BELLINI TO BIENALLES Güler BEK ARAT** Abstract The history of Venice & Istanbul convergence in visual arts goes back a long way. The portrait (in oil painting) of Fatih The Conquerer who signed the peace treaty in Venice in 1479 by Gentile Bellini which is exhibited at London National Gallery today is one of the predominant examples of the said convergence. The Ottoman Empire which maintained its business connections and cultural relations with Italy throughout the history always left the door open for its visitors composed of musicians, painters, architects and sculptors. For example; Giuseppe Donizetti who was invited as the Conductor of Empire by Mahmut the 2nd in 1827 was awarded the title of “Pasha” by winning the palace’s affection. Nevertheless, Adolphe Thalasso who is famous with his researches on the Ottoman art of painting and theatre and is of Venetian origin and born in İstanbul; Fausto Zonaro who is the court painter; Giulio Mongeri who is an architect; Gaspare Fossati; Pietro Canonica who is a sculptor are some of the Italian visitors of the Ottoman. The said ongoing relations during the Ottoman period change their course by the Turkish artists participating in the modern art activities held in Italy during the Republican period. Turkey who participated in the Venice Bienalle in 1954 for the first time would participate in the activities again in the 1990s. -
111011Gemälde 19 Jh Toplots
Top Ergebnisse/Top Lots Gemälde des 19. Jahrhunderts/19 th Century Paintings 11. Oktober 2011/October 11 th , 2011 Kat. Nr./ Beschreibung/Description verkauft für Cat. No. €/ sold for € 18 Franz Ludwig Catel (Berlin 1778 -1856 Rom) 306.300 “Spaziergang in Palermo” - Zarin Alexandra Fjodorowna in der Sänfte, begleitet von Großfürstin Olga Nikolajewna, deren Verlobten Prinz Karl Friedrich Alexander von Württemberg und Großfürst Konstantin Nikolajewitsch zu Pferd, im Hintergrund der Monte Pellegrino, rückseitig befinden sich folgende Etiketten: “O. N. No 216”, “H. V. v. W/G. v. R. 109”, Öl/Leinwand, 133 x 220 cm Franz Ludwig Catel (Berlin 1778–1856 Rome) “A Stroll in Palermo” - Tsarina Alexandra Feodorovna in her sedan chair, accompanied by Grand Duchess Olga Nikolaevna, her fiancé Crown Prince Charles of Württemberg and Grand Duke Konstantin Nikolayevich on Horseback, in the background Monte Pellegrino, the following labels on the reverse: “O. N. No 216”, “H. V. v. W/G. v. R. 109”, oil on canvas, 133 x 220 cm Schätzwert/Estimate € 250.000 – 350.000 104 Fausto Zonaro (Masi di Padua 1854 -1929 San 248.800 Remo) Reges Treiben auf der Galata Brücke in Konstantinopel, signiert F. Zonaro, rückseitig beschriftet, Öl auf Leinwand, 36,5 x 61,5 cm Fausto Zonaro (Masi di Padua 1854–1929 San Remo) Hustle and Bustle on the Galata Bridge in Constantinople, signed F. Zonaro, inscribed on the reverse, oil on canvas, 36.5 x 61.5 cm Schätzwert/Estimate € 80.000 – 120.000 120 Constantin Jegorowitsch Makowsky 237.300 (Moskau 1839-1915 St. Petersburg) Süße Gedanken, kyrillisch signiert, Öl auf Leinwand, 105,5 x 73,5 cm Constantin Jegorowitsch Makowsky (Moscow 1839–1915 St Petersburg) Sweet Thoughts, signed in Cyrillic script, oil on canvas, 105.5 x 73.5 cm Schätzwert/Estimate € 60.000 – 80.000 DOROTHEUM GmbH & Co KG, A-1010 Wien, Dorotheergasse 17 www.dorotheum.com Tel + 43-1-515 60-0 19 Julius Sergius Klever (Dorpat 1850 -1924 St. -
Unit 24: the Ottoman Turks and the Fall of the Eastern Empire
The Artios Home Companion Series Unit 24: The Ottoman Turks and the Fall of the Eastern Empire Teacher Overvie w MUSLIM TURKS conquered Constantinople in the same year that Gutenberg printed the first Latin Bible in Germany. After this conquest, Suleiman the Great marched his Muslim army on into Europe and then out into the Mediterranean. Hagia Sophia in Istanbul, a former Greek Orthodox Christian church, later an imperial mosque, and now a museum Reading and Assignments Based on your student’s age and ability, the reading in this unit may be read aloud to the student and journaling and notebook pages may be completed orally. Likewise, other assignments can be done with an appropriate combination of independent and guided study. Medieval to Renaissance: Elementary Unit 24: The Ottoman Turks and the Fall of the Eastern Empire Page 233 In this unit, students will: Complete two lessons in which they will learn about the fall of Constantinople and the reign of Suleiman the Sublime. Watch a video on the following website: ▪ Fall of Constantinople: http://www.history.com/shows/mankind-the-story-of-all-of- us/videos/fall-of-constantinople Read suggested supplemental readings from The World of Christopher Columbus and Sons. Visit www.ArtiosHCS.com for additional resources. Leading Ideas God orders all things for the ultimate good of His people. And we know that for those who love God all things work together for good, for those who are called according to his purpose — Romans 8:28 The diligence to “keeping faith” is a revelation of an individual’s character. -
The Legality of the Consular Excavations in Ottoman Cyprus
G.R.H. WRIGHT THE LEGALITY OF THE CONSULAR EXCAVATIONS IN OTTOMAN CYPRUS To the memory of C.R. Tyser, D.G. Demetriades, Ismail Haqqi, three Kyrenia residents a century ago. Latterly the propriety of archaeological activities has become a matter of everyday interest, particu• larly as concerning activities during the nineteenth century in the Eastern Mediterranean and the Middle East (where discussion is largely motivated by contemporary prejudices about imperialism). Here be it noted virtually all areas of archaeological concern were then under Ottoman rule. In this way much has been and now is said taking seriously to task severally European archaeologists or Ottoman officials. In this debate it is not made explicit that the plane of discussion is a social one, or an ethical one, or an admin• istrative one. Very rarely indeed are the matters discussed questions of law or questions which were referred to the law. No one wishes to say that legality is the be-all and end-all of every (or any) matter. However it is manifestly unsatisfactory to discuss social matters entirely without reference to the law gov• erning them - i.e. whether or not the proceedings under discussion were legal. Accordingly in this prelim• inary notice some attempt will be made to suggest what legal provisions might have been applicable to archaeological activities carried out in Cyprus during the nineteenth century when it was part of Ottoman domains. NB The administrative status of Cyprus under Ottoman rule was changed continually back and forth. From being at first an independent province (vilayet) it passed and repassed variously into a pri• vate (khass) domain (fief, we might say) first of the Lord High Admiral (Kapudan Pasha) and then of the Chief Minister (Vizier). -
The Diaspora of Cypriot Antiquities and The
The Diaspora of Cypriot Antiquities and the British Museum (1860-1900) Submitted by Polina Nikolaou to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Geography in December 2013 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 2 Abstract This thesis examines the invention of Cyprus’ ancient history through the diaspora of Cypriot antiquities in the latter half of nineteenth century and the role of the modern museum in it (1860-1900). It maps the movement of the objects from their excavation sites, to their circulation in metropolitan museums and, finally to their display in museum galleries. In doing so this thesis explores the emergence of archaeology as a field-based discipline in the broader colonial, imperial and geopolitical context. The research of this project was conducted mainly at the Cyprus State Archives, the Greek and Roman Departmental Archives (British Museum), Dartmouth College Archives (NH). The first part of the thesis provides the theoretical framework in which this research is situated. Chapter 1 introduces the project, its research questions, its research questions and outcomes. Chapter 2 discusses the literature providing the main concepts that formed the arguments of this thesis. Chapter 3 contextualizes the diaspora of Cypriot antiquities within the broader history of archaeology and Chapter 4 overviews the methodology followed and the archival sources that were used for this project. -
MONASTIC ECONOMY ACROSS TIME Wealth Management, Patterns, and Trends
CENTRE FOR ADVANCED STUDY MONASTIC ECONOMY SOFIA ACROSS TIME WEALTH MANAGEMENT, PATTERNS, AND TRENDS The Centre for Advanced Study So a (CAS) Roumen Avramov The book aims at a readership of both econo- EDITED BY is an independent non-pro t institution Aleksandar Fotić mists and historians. Beyond the well-known ROUMEN AVRAMOV with strong international and Elias Kolovos Weberian thesis concerning the role of Protes- ALEKSANDAR FOTIĆ multidisciplinary pro le set up Phokion P. Kotzageorgis tantism in the development of capitalism, mo- ELIAS KOLOVOS for the promotion of freedom Dimitrios Kalpakis nastic economies are studied to assess their PHOKION P. KOTZAGEORGIS of research, scholarly excellence Styliani N. Lepida impact on the religious patterns of economic be- and academic cooperation Preston Perluss havior. Those issues are discussed in the frame in the Humanities Gheorghe Lazăr of key economic concepts such as rationality, and Social Sciences. Konstantinos Giakoumis state intervention, networking, agency, and gov- Wealth Management, Patterns, and Trends Patterns, Management, Wealth Lidia Cotovanu ernance. The book includes essays concerning Andreas Bouroutis Byzantine, Ottoman and modern South-Eastern www.cas.bg Brian Heffernan Europe, and early modern and modern Western Antoine Roullet Europe. Survival and continuity of the monastic Michalis N. Michael wealth is considered as an example of success- Daniela Kalkandjieva ful handling of real estate transactions, ows of Isabelle Depret funds, and contacts with nancial institutions. Isabelle Jonveaux Moreover, the book focuses on the economic im- pact of the privileged relations of monasticism with the secular powers. Finally, the question is raised how the monastic economy (still) matters in the contemporary world. -
Turkish Archival Material in Greek Historiography*
Türkiye Araştırmaları Literatür Dergisi, Cilt 8, Sayı 15, 2010, 755-792 Turkish Archival Material in Greek Historiography* Evangelia BALTA** “L’ histoire est une lutte contre la mort” Jacques Le Goff1 THIS PAPER aims to examine the management of the Turkish archival material apper- taining to “Greek space,” a geographical continuum which functions as the canvas on which the Greek populations were intertwined with time and history. The study describes the place of the Ottoman era in Greek historiography up to 2005. By employing the term “Turkish archives,” this study will focus on the sources written in the Turkish language, thus distinguishing them from the total of the archival material generated in the linguistically and culturally pluralistic Ottoman Empire. This choice was made precisely in order to remove any confusion that the definitive epithet “Ottoman” might cause with regard to the sources produced by other pre-national com- munities of the empire, such as the Greeks, Armenians, Jews, Arabs, etc. This subject imposes a watershed, which is directly articulated with the introduction of Ottoman Studies in Greece and its establishment in the 1980s as a new branch of historical studies, as well as its implications in terms of methods, techniques and the manner in general of approaching the Ottoman past. Consequently, the discussion of this subject will revolve around two axes. First, the fate of the Turkish sources in mod- ern Greek historiography which deal with the Ottoman period, called Tourkokratia (Turkish Domination)2 in the scheme of national history, will be examined. Second, the confrontation and manipulation of these sources by the now international historical dis- * In 2003 several of the author’s articles on Ottoman archives and Ottoman Studies in Greece were published as Evangelia Balta, Ottoman Studies and Archives in Greece, Analecta Isisiana LXX, (Istanbul: The Isis Press, 2003) with relevant bibliography. -
Downloaded from Brill.Com10/10/2021 01:42:53PM Via Free Access 8 Roderick Grierson
Cover Illustration: Lala Mustafa Paşa Visits the Shrine of Jalal al-Din Rumi Nusretnâme, Topkapı Sarayı Müzesi, H. 1365 Istanbul, 1584, fol. 36a Roderick Grierson In his admirable history of Ottoman painting, Ivan Stchoukine describes the Ottoman commander Lala Mustafa Paşa receiving a copy of the Nusret nâme, or ‘Book of Victory’, from the hands of his secretary.1 The book was a history of the campaign that Lala Mustafa Paşa fought in 1578 and 1579 against Safavid forces in the Caucasus. The secretary who wrote it now pre- sents it to his patron while the two of them sit beside the sarcophagus of Jalal al-Din Rumi in the presence of Mevlevi musicians and semazens: Fol. 34. Muṣṭafā ʿAlî remettant son ouvrage à Muṣṭafâ Pâshâ (H. 0,325 x L. 0,198). La présentation a lieu à une réunion de der- viches mevlevîs. On remarquera l’historien vêtu de blanc, assis en face du commandant en chef auquel il vient d’offrir le récit de ses conquêtes.2 Stchoukine was mistaken, however. Lala Mustafa Paşa was already dead when the book was written, and it could not have been presented to him in this way. Furthermore, Stchoukine had not read the account of the incident that the book itself contains.3 The pilgrimage to Konya and its shrines oc- curred not after the campaign but before it. The visit to the Kubbe-i Hadra in particular, the famous ‘Green Dome’ within which the body of Rumi had 1 Similar introductions to the life and career of Mustafa Ali Efendi, along with titles and descriptions of his various writings in poetry and prose, can be found in B.