LAWRENCE BLOCK This One’S for Brett Pouliot Contents

Total Page:16

File Type:pdf, Size:1020Kb

LAWRENCE BLOCK This One’S for Brett Pouliot Contents TANNER ON ICE AN EVAN TANNER NOVEL LAWRENCE BLOCK This one’s for Brett Pouliot Contents Chapter 1 I flew from New York to Los Angeles, then nonstop… 1 Chapter 2 It all started . well, who knows when it started? When… 9 Chapter 3 They weren’t crazy about the idea. They’d have liked to… 31 Chapter 4 It took me six months. 46 Chapter 5 “By God. Tanner. All these years I thought you were… 60 Chapter 6 “You Americans,” Suk said. “Hopeless sentimentalists, and so illogical. You… 74 Chapter 7 They were polite at the airport in Rangoon, but surprisingly… 86 Chapter 8 Just about everybody wore the longyis. They looked entirely unremarkable… 100 Chapter 9 No, of course I wasn’t going to kill her. 109 Chapter 10 I had a mini-flashlight in the Kangaroo strapped around my… 121 Chapter 11 One of the things that had struck me during my… 139 Chapter 12 There were four of them, all men, all dressed in… 148 Chapter 13 The cell was a cage built into a corner of… 155 Chapter 14 There was a different clerk behind the desk of the… 167 Chapter 15 “Change money,” the fellow murmured. “Change money.” 181 Chapter 16 “You are truly determined to leave Burma.” 190 Chapter 17 Sunrise and sunset are increasingly abrupt as you approach the… 203 Chapter 18 Day by day, we settled into a routine. Up at… 215 Chapter 19 It was not that bad, she assured me. She had… 223 Chapter 20 It struck me as less than good manners to sneak… 239 Chapter 21 Four days after we poured out a libation at the… 245 Chapter 22 “His name was Stuart,” I said. “If he told me… 252 Chapter 23 We were rolling by sunup. I was in the lead… 257 Chapter 24 “I thought you were dead,” the Chief said. “There were… 266 Afterword Evan Michael Tanner was conceived in the summer of 1956,… 274 Acknowledgments About the Author Praise Other Books by Lawrence Block Cover Copyright About the Publisher Chapter 1 I flew from New York to Los Angeles, then nonstop to Seoul. I had a few hours before my flight to Bangkok, and I rode a shuttle bus into downtown Seoul, walked around, snacked on fried shrimp, drank a beer, and caught a bus back to the airport. Nothing looked remotely familiar, but then it had been quite a while since I’d been in Korea. I hadn’t spent much time in Seoul, but this time around it was noisy and bustling and furiously modern, a far cry from the Korean cities and villages I remembered. This time around, too, nobody was shooting at me. There were no Chinese soldiers blowing bugles, no artillery rounds whistling overhead. I have to say it makes a change. I’d reset my watch in L.A. and in Seoul, and I reset it again a few hours later in Bangkok. By then I’d lost track of what time it was in New York, and, since there was nobody I wanted to phone, I didn’t much care. It was three in the afternoon in Bangkok, and that was all I had to know. It was a half hour earlier in Rangoon, if I remembered correctly, but I would cross that time zone when I came to it. My only luggage was the day pack I’d carried aboard the plane with me, and all it held was a clean shirt and a change of socks and underwear. My toothbrush and razor and such rode in the Kangaroo pouch clasped around my waist, along 2 LAWRENCE BLOCK with my Swiss Army knife. I had some cash in a money belt under my Gap khakis, and once I’d cleared Customs and Im- migration I ducked into a men’s room and slipped my pass- port in there as well. Then I ran a gauntlet of overeager cab drivers, took a train to a spot where I could catch a water taxi, and floated on into Bangkok. I’d been there before, and more recently than I’d been to Seoul. Late sixties, say. Thirty years ago, according to the calendar. Less than a fifth as long by the clock in my head. Overhead, the sun burned in the afternoon sky. I wel- comed it. A breeze off the water had a cooling effect, and of course I had the deep internal chill that was always with me. The sun might give me a burn—I really should have put on sunscreen—but in the meantime it felt good. Other boats kept pulling up alongside my water taxi, full of people who wanted to sell me something. They all spoke some sort of English, though not one of them was ready to hire on as an announcer for the BBC. I got tired of saying no—to opium weights and ivory carvings, to pictures on rice paper, to rubies that were probably cut glass and lapis that was probably dyed, to bright-eyed offers of male and female companionship. “Very young,” I was assured. “Very clean.” “No,” I kept saying, in English. “No, thank you. I am not interested. No, thanks all the same, but no.” “Maybe you like better to watch,” one thoughtful young man suggested, leaning forward and gripping the side of my water taxi. “Two girls together? Boy and girl? Two boys?” “No, thank you, but—” “Girl and a dog together. Very popular show, all the tour- ists like very much. Japanese businessmen, very wealthy, they all love this show.” “Good for them,” I said. “Oh, yes,” he said. “Is very good for them. Is good for you, too. Girl is seven, eight years old, has never been with a man.” TANNER ON ICE 3 “Just with dogs.” “You like, after show is over, you can have the girl.” “Suppose I’d rather have the dog?” “Girl, dog, whatever you want. Both, if you want.” In Thai I said, “All I want is for you to fuck off and leave me alone.” His eyes widened. My Thai is reasonably fluent, al- though I have a little trouble with the written language, which comes with an alphabet that makes my eyes cross. Thais never expect you to speak their language. (Nobody does, really, except the French, who expect you to speak it badly.) More to the point, they don’t expect you to un- derstand their language, and I have often acquired useful information as a result. I’ve thus learned to keep my lin- guistic ability a secret, and here I’d gone and tipped my hand to a floating pimp. No harm in that, I decided. Who was he going to tell? He drifted off to plague someone else, and an old woman selling horoscopes and teak carvings took his place, and I defended myself once more in English. “No,” I said. “Not today. I don’t want any. Thank you. No.” The teahouse was where it was supposed to be, just across the street from the Swan Hotel and a stone’s throw from the Grand Palace. There was a skanky-looking tobbo shop to its right, a store overflowing with electronic gear to its left. I walked into the teahouse, and at first I thought it was empty save for the tired waitress leaning against the coun- ter. Then my eyes adjusted to the dim lighting, and I saw the sole customer seated at a table against the back wall. He was smoking a cigarette and drinking a Kloster beer, and he raised his eyes at my approach but kept his seat. I said, “Mr. Sukhumvit?” “Yes?” 4 LAWRENCE BLOCK In Thai I said, “Today the Chao Phraya swarms with crocodiles.” In Thai he replied, “Elephants on the highway, crocodiles in the river.” We both smiled, and he got to his feet. He was on the tall side for a Thai, around five-nine, and lean as a sapling. He wore black pants and a shortsleeve khaki shirt, and his fore- arms were wiry and muscular. He had a mustache and goa- tee, the latter consisting of a half-inch band running down the center of his chin. “Tanner,” he said. “Welcome to Bangkok.” We shook hands. “Recognition signals are ridiculous, aren’t they? Crocodiles and elephants. Schoolboy nonsense.” “My sentiments exactly.” “And inadequate in the bargain. Suppose you show me your passport so that I can be confident you are truly yourself.” I went to the men’s room, retrieved the passport from my money belt. When I got back to Sukhumvit’s table there were two fresh bottles of beer on it, and a bowl of peanuts. I gave him my passport and poured myself some beer while he squinted at it, looking at my photo and at me, reading every- thing the passport had to say about me. Then, with a quick smile, he folded it and handed it back to me. “You are enjoying Bangkok, Tanner?” “I just got here.” “You speak the language well.” “Thank you,” I said. “I’m pretty good with languages.” “How’s your Burmese?” “Not as good as my Thai.” “You’ve been to Burma?” “No.” “Fascinating country. Cut off from the world all these years. You’ll find Rangoon very different from Bangkok.” TANNER ON ICE 5 “I can imagine.” “Of course, it’s Yangon now. And the whole country is Myanmar. But no one outside the government calls it that.” “So I understand.” He helped himself to a handful of peanuts, chewed thoughtfully, drank beer.
Recommended publications
  • Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
    Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect.
    [Show full text]
  • The Empty Mirror
    The Empty Mirror "This small and admirable memoir records the experiences of a young Dutch student who spent a year and a half as a novice monk in aJapanese Zen Buddhist monastery. As might be expected, the author shows a deep respect for the teachings of Zen. What makes this account extraordinary, however, is that the book contains none of the convert's irritating certitude, and no suggestion that the reader rush to follow the author's example." Time "The koans, the riddles, the kinhin, the exercises of concentration, the sutra, the sermons, and the rest are only a part of what goes on in these pages. What is accessible is the day-to-day description of life, of the monks themselves and of the others he met, of the jokes they played and the food they ate, of the moments of satori, the explosive moment of an understanding surpassing understanding." Los Angeles Times "Van de W etering still cherishes his Zen experience, and it seems obvious that his eight months in a Kyoto monastery still affect the course of his existence." Boston Globe "A vivid, humourous, and slightly disillusioning account of a Dutch­ man's frustrating struggle toward enlightenment in aJapanese Zen monastery. Insightful, funny." Carl Rogers "Janwillem van de Wetering has presented a reflective, evenly writ­ ten account of his experiences, prudently avoiding the potentially sensational aspects of monastic life. What emerges is a work of nonfiction told through the ingenuous persona of van de Wetering, that is as enjoyable to read as a well-crafted novel." East West Journal
    [Show full text]
  • The Girl Who Woke the Moon Zach Bennett Lisabeth Iowa State University
    Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2019 Shattered: The girl who woke the moon Zach Bennett Lisabeth Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Creative Writing Commons Recommended Citation Lisabeth, Zach Bennett, "Shattered: The girl who woke the moon" (2019). Graduate Theses and Dissertations. 17245. https://lib.dr.iastate.edu/etd/17245 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Shattered: The girl who woke the moon by Zach Lisabeth A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: David Zimmerman, Major Professor Kenneth L. Cook Margaret Holmgren Jeremy Withers The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this thesis the Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred Iowa State University Ames, Iowa 2019 Copyright © Zach Lisabeth, 2019. All rights reserved. TABLE OF CONTENTS CHAPTER 1: THE GIRL WHO WOKE THE MOON 1 CHAPTER 2: FLYSWATTER 18 CHAPTER 3: NYAMURA VILLAGE 33 CHAPTER 4: FULL MOON RITES 55 CHAPTER 5: CETACEAN 77 CHAPTER 6: INCARNATION 100 CHAPTER 7: ANOTHER LIFE 117 CHAPTER 8: THE FUTURE 139 CHAPTER 9: GITA’S PROMISE 153 REFERENCES 178 1 CHAPTER 1: THE GIRL WHO WOKE THE MOON Gita screamed loud enough to wake the Nereids from their millennial sleep at the bottom of the sea.
    [Show full text]
  • A Day in the Life of a Daoist Monk Adeline Herrou
    A Day in the Life of a Daoist Monk Adeline Herrou To cite this version: Adeline Herrou. A Day in the Life of a Daoist Monk . Journal of Daoist Studies, Three Pines Press, 2010, pp.117-148. hal-01660017 HAL Id: hal-01660017 https://hal.archives-ouvertes.fr/hal-01660017 Submitted on 12 Jan 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A Day in the Life of Daoist Monk 1 ADELINE HERROU Abstract This article seeks to give an ethnographical description of the everyday life of an ordinary Daoist monk in China today. As it follows Yang Zhixiang from early morning until night, it deals with his current main occupations—in this case, work on the glyphomancical dissection of the Dao 道 character, fate calculation for young fiancés, preparation for a healing ritual, the ascetic practice of self­ perfecting through refinement, etc. — as well as more basic scenes such as meals, gestures and postures, various domestic tasks, and the reconstruction of the temple. It also relates fragments of his own past life and implicitly outlines the path that led him to the monastery and the vocation that made him become a monk.
    [Show full text]
  • Reflex-Monk.Pdf
    Her fists a blur as they deflect an incoming hail of arrows, a half-elf springs over a barricade and throws herself into the massed ranks of hobgoblins on the other side. She whirls among them, knocking their blows aside and sending them reeling, until at last she stands alone. Taking a deep breath, a human covered in tattoos settles into a battle stance. As the first charging orcs reach him, he exhales and a blast of fire roars from his mouth, engulfing his foes. Moving with the silence of the night, a black-clad halfling steps into a shadow beneath an arch and emerges from another inky shadow on a balcony a stone's throw away. She slides her blade free of its cloth-wrapped scabbard and peers through the open window at the tyrant prince, so vulnerable in the grip of sleep. Whatever their discipline, monks are united in their ability to magically harness the energy that flows in their bodies. Whether channeled as a striking display of combat prowess or a subtler focus of defensive ability and speed, this energy infuses all that a monk does. Monks make careful study of a magical energy that most monastic traditions call ki. This energy is an element of the magic that suffuses the multiverse—specifically, the element that flows through living bodies. Monks harness this power within themselves to create magical effects and exceed their Those who leave their cloisters take their work seriously, bodies' physical capabilities, and some of their special attacks approaching their adventures as personal tests of their can hinder the flow of ki in their opponents.
    [Show full text]
  • Monks Are Uniled in Lheir Abilily Lo Magically Harness Lhe Energy Lhal Tlows in Lheir Bodies
    J Her fists a blur as lhey detlect an incoming hail of arrows, a half-elf springs over a barrieade and lhrows herself into lhe massed ranks of hobgoblins on lhe olher side. She whirls among lhem. knocking lheir blows aside and sending them reeling. unlil allasl she slands alone. Taking a deep breath. a human eovered in tattoos seltles inlo a battle stanee. As lhe tirsl eharging ores reaeh him. he exhales and a blasl of tire roars from his moulh, engulting his foes. Moving wilh lhe silenee of lhe nighl, a blaek-c1ad halfling sleps inlo a shadow benealh an areh and emerges from anolher inky shadow on a balcony a stone's lhrow away. She slides her blade free of ils c1oth- wrapped seabbard and peers lhrough lhe open window aI lhe lyranl prinee. so vulnerable in lhe grip ofsleep. Whalever lheir discipline, monks are uniled in lheir abilily lo magically harness lhe energy lhal tlows in lheir bodies. Whelher ehanneled as a slriking display of eombal prowess or a subI ler foeus of defensive abilily and speed, lhis energy infuses alllhal a monk does. THE MAGIC OF KI Monks make eareful sludy of a magieal energy lhal mos I monaslie lradilions eall ki. This energy is an elemenl of lhe magie lhal suffuses lhe mulliverse-speeitieally, lhe elemenl lhat flows lhrough Iiving bodies. Monks harness this power wilhin lhemsclves lo ereate magieal effeels and exeeed their bodies' physieal eapabililies. and some of lheir special attaeks ean hinder lhe tlow of ki in lheir opponenls. Using lhis energy.
    [Show full text]
  • Book Gordonwise Agreataiminlif
    Great Aim Pre Makeup QX4 24/7/06 9:46 am Page iii AGreat Aim in Life An Australian’s Adventure GORDON WISE Great Aim Pre Makeup QX4 24/7/06 9:46 am Page iv © Gordon Wise First published by Caux Books Caux Books Rue du Panorama Caux Switzerland The right of Gordon Wise to be identified as the Author of this Work has been asserted by him in accordance with the United Kingdom Copyright, Designs and Patent Act . First printing All rights reserved ISBN Typesetting and text design in ./ Monotype Bembo by Servis Filmsetting Ltd, Manchester Cover design by Sara Marafini Plate section design, scanning and layout by Dan Newman/PerfectBound Printed and bound by The Bath Press CPI Group, United Kingdom Great Aim Pre Makeup QX4 24/7/06 9:46 am Page v To my Australian family, who may wonder how I spent the past 83 years; To my friends and colleagues, to whom I owe so much; And to those setting out on life’s great adventure. Great Aim Pre Makeup QX4 24/7/06 9:46 am Page vii Contents Acknowledgements xi Introduction . Pineapples, Pearls and Bananas - The Tropical Advisor – The Wises and Hunters of Queensland – Broome Days – Election Results .All Change - A Home in Perth – Family Tales – The Premier’s Son – After the Hockey Game, New Direction – The Civil Servant Signs On .Training and Action - Aircraftsman Second Class Survives – Crossing the Pacific Vertically – A Cable in Brighton – Chosen for Coastal Command – In a London at War – Lakeland Welcome – The Sunderlands of Pembroke Dock – Squadron on Patrol vii Great Aim Pre Makeup QX4 24/7/06 9:46 am Page viii .
    [Show full text]
  • Newsletter Fall, 2002
    Fall 2002 • 2545/2546 Newsletter of the Abhayagiri Buddhist Monastery Volume 7, Number 2 FEARLESS MOUNTAIN Welcome to the Inside: Homeless Clan From Monastery by Ajahn Amaro the This article is adapted from a PAGE: 2 talk given on the occasion of the anagarika ordination of Craig Donation of Randolph (pictured here) at Abhayagiri Monastery on Casa Serena October 12, 2002. PAGE: 5 n contemplating the transit Ifrom the home life to the Calendar homeless life, it is helpful to think about enough for us as human beings, but we can what we mean by “leaving home” and what do better than that. At least, this is what PAGE: 8 it symbolizes. These gestures—of taking most spiritual traditions have pointed out refuge and taking on the precepts—are over the millennia. And our own human Interview: Go Forth, designed to help us follow in the fullest intuition tells us that it’s only the coarsest way possible the guidance of the Buddha as level of existence on which “I am most Young Man a wise human being. One’s ordination as important and the rest of the world exists PAGE: 10 an anagarika is really directed toward to gratify me.” The structures within the understanding the nature of self-centered Buddhist tradition—the robes, the pre- thinking, self-centered habits of life where cepts, the routines, the gesture of taking A in “I am the most important person in the refuge—are all tools we can use to pin- Day the Life universe; everything else has to revolve point our self-centered habits and egotisti- around me.” Leaving home is symbolic of cal concerns and drives.
    [Show full text]
  • The Monk, Revised (V2)
    The Monk, Revised (v2) The Monk Level Proficiency Bonus Features Martial Arts Ki Points Unarmored Movement 1st +2 Unarmored Defense, Martial Arts 1d4 ─ ─ 2nd +2 Ki, Unarmored Movement 1d4 2 +10 ft. 3rd +2 Monastic Tradition, Deflect Missiles 1d4 3 +10 ft. 4th +2 Ability Score Improvement, Slow Fall 1d4 4 +10 ft. 5th +3 Extra Attack, Stunning Strike 1d6 5 +10 ft. 6th +3 Ki-Empowered Strikes, Monastic Tradition feature 1d6 6 +15 ft. 7th +3 Evasion, Stillness of Mind 1d6 7 +15 ft. 8th +3 Ability Score Improvement 1d6 8 +15 ft. 9th +4 Unarmored Movement improvement 1d6 9 +15 ft. 10th +4 Purity of Body, Ability Score Improvement 1d6 10 +20 ft. 11th +4 Monastic Tradition feature 1d8 11 +20 ft. 12th +4 Ability Score Improvement 1d8 12 +20 ft. 13th +5 Tongue of the Sun and Moon 1d8 13 +20 ft. 14th +5 Diamond Soul 1d8 14 +25 ft. 15th +5 Timeless Body 1d8 15 +25 ft. 16th +5 Ability Score Improvement 1d8 16 +25 ft. 17th +6 Monastic Tradition feature 1d10 17 +25 ft. 18th +6 Empty Body 1d10 18 +30 ft. 19th +6 Ability Score Improvement 1d10 19 +30 ft. 20th +6 Perfect Self 1d10 20 +30 ft. Monk Certain monasteries use specialized forms of the monk Class Features weapons. For example, you might use a club that is two lengths of wood connected by a short chain (called a As a monk, you gain the following class features. nunchaku) or a sickle with a shorter, straighter blade (called a kama). Whatever name you use for a monk weapon, you can Hit Points use the game statistics provided for the weapon on the Hit Dice: 1d10 per monk level Weapons page.
    [Show full text]
  • 1554874724524.Pdf
    Art Assets This overhaul was made in accordance to Wizards of Listed alphabetically the Coast's Fan Content Policy. This is unofficial Art of Bartlett content made by me, /u/Galiphile, with some collaboration (listed below). AV-6R7 Chris Trevas Cristi Balanescu Dark Dream Credits David Kegg echostain First and foremost, I have to thank the person who got me Eiluvision into D&D: my buddy, Ross. That playgroup was not great, but Fantasy Flight Games it started my journey. Jason Edmiston Second, I have the thank the original guinea pigs of this Joel Hustak conversion: Drew, Eric, and Rickey. It was comically bad, but we had fun with it. Jhomar Soriano Knight of Malta Lastly, while I would love to say that I created everything in this conversion, that wouldn't be entirely true. The following Matt Difa people deserve credit as well: RamArtwork Shout out to the /r/sw5e mod team Sam Wood /u/karbacca for the epic cover and SW5e logo Somarinoa /u/Grelite for the Matukai Order Monk archetype Stu Cunningham /u/Charrmeleon for the entire Scholar class Weasyl /u/MayB_259 for their Human race Whitelight369 /u/SpiketailDrake for the Bloodstorm Approach Berserker William O'Connor archetype /u/TheGentGamer for the Warchief Approach Berserker And of course archetype Star Wars Star Wars: Rebels Star Wars: The Clone Wars Star Wars: The Old Republic If I missed you and you feel you deserve credit please let me know. I've been working on this for years, and I'm fallible. I hope you like it. Chapter 6: Customization Options Preface New multiclassing requirements/proficiencies, and with the This conversion has been a labor of love of mine starting three exception of the spell point variant (discussed in chapter 10), years ago.
    [Show full text]
  • Volume 47 Number 1 Jan Feb March 2021
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Volume 47 Number 1 Jan Feb March 2021 MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM september 2018—issue 197 your Free guide to the nyc jaZZ scene nycjaZZrecord.com jUne 2019—issUe 206 yoUr free gUide To THe nyc jaZZ scene nycjaZZrecord.com APRIL 2020—ISSUE 216 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM kris SATOKO davis it was a very FUJII good year SIXTY AND COUNTING DAVE BURRELL in MYRA memoriam tomas DIGITAL WINDWARD Z MELFORD PASSENGER stanko MEDITATION AND ONLY COLLABORATION EDITION PHEEROAN NICKI DOM HASAAN jamie chris rÜdiger cannonball frank joel larry ed MAKOTO MAX HORACEE HAMIET AKLAFF PARROTT SALVADOR IBN ALI baum lightcap carl adderley vignola ross mCkenna blackwell OZONE RAABE ARNOLD BLUIETT EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING ANNUAL SUBSCRIPTIONS AVAILABLE “Simply the hippest journal about jazz in New York that has ever been published” - Joe Lovano “The most comprehensive periodical on the music that I have ever read” - Andrew Cyrille TWITTER: @NYCJAZZRECORD | FACEBOOK/NYCJAZZRECORD | INSTAGRAM .COM/TNYCJR nycjazzrecord.com AVAILABLE FROM Trans-Kalahari Quintet’s THE LONG JOURNEY HOME from Ansonica Records is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world. Regardless of where in the world you call “home,” THE LONG JOURNEY HOME offers the unrivaled contentment of arriving there.
    [Show full text]
  • Pure Inspiration
    Table of Contents Preface .................................................................................................................. i The Life of Ñāṇavimala Thera ......................................................................... 1 Ven. Bhikkhu Bodhi & Ven. Bhikkhu Ñāṇatusita ..................................................1 Inspiring Virtues ................................................................................................ 9 Ven. K. Pemasiri .......................................................................................................9 Slowly-Carefully-Mindfully ............................................................................ 15 Ven. K. Ñāṇananda ................................................................................................ 15 My Spiritual Father ......................................................................................... 23 Ayoma Wickremasinghe ........................................................................................ 23 A Mahākassapa for Our Time ........................................................................ 33 Ven. Bhikkhu Bodhi ............................................................................................... 33 Spending Time with Venerable Ñāṇavimala ................................................ 45 Ven. Hiriko ............................................................................................................. 45 The Best Dhamma Talk I Ever Heard ..........................................................
    [Show full text]