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Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect. -
The Empty Mirror
The Empty Mirror "This small and admirable memoir records the experiences of a young Dutch student who spent a year and a half as a novice monk in aJapanese Zen Buddhist monastery. As might be expected, the author shows a deep respect for the teachings of Zen. What makes this account extraordinary, however, is that the book contains none of the convert's irritating certitude, and no suggestion that the reader rush to follow the author's example." Time "The koans, the riddles, the kinhin, the exercises of concentration, the sutra, the sermons, and the rest are only a part of what goes on in these pages. What is accessible is the day-to-day description of life, of the monks themselves and of the others he met, of the jokes they played and the food they ate, of the moments of satori, the explosive moment of an understanding surpassing understanding." Los Angeles Times "Van de W etering still cherishes his Zen experience, and it seems obvious that his eight months in a Kyoto monastery still affect the course of his existence." Boston Globe "A vivid, humourous, and slightly disillusioning account of a Dutch man's frustrating struggle toward enlightenment in aJapanese Zen monastery. Insightful, funny." Carl Rogers "Janwillem van de Wetering has presented a reflective, evenly writ ten account of his experiences, prudently avoiding the potentially sensational aspects of monastic life. What emerges is a work of nonfiction told through the ingenuous persona of van de Wetering, that is as enjoyable to read as a well-crafted novel." East West Journal -
The Girl Who Woke the Moon Zach Bennett Lisabeth Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2019 Shattered: The girl who woke the moon Zach Bennett Lisabeth Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Creative Writing Commons Recommended Citation Lisabeth, Zach Bennett, "Shattered: The girl who woke the moon" (2019). Graduate Theses and Dissertations. 17245. https://lib.dr.iastate.edu/etd/17245 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Shattered: The girl who woke the moon by Zach Lisabeth A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: David Zimmerman, Major Professor Kenneth L. Cook Margaret Holmgren Jeremy Withers The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this thesis the Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred Iowa State University Ames, Iowa 2019 Copyright © Zach Lisabeth, 2019. All rights reserved. TABLE OF CONTENTS CHAPTER 1: THE GIRL WHO WOKE THE MOON 1 CHAPTER 2: FLYSWATTER 18 CHAPTER 3: NYAMURA VILLAGE 33 CHAPTER 4: FULL MOON RITES 55 CHAPTER 5: CETACEAN 77 CHAPTER 6: INCARNATION 100 CHAPTER 7: ANOTHER LIFE 117 CHAPTER 8: THE FUTURE 139 CHAPTER 9: GITA’S PROMISE 153 REFERENCES 178 1 CHAPTER 1: THE GIRL WHO WOKE THE MOON Gita screamed loud enough to wake the Nereids from their millennial sleep at the bottom of the sea. -
A Day in the Life of a Daoist Monk Adeline Herrou
A Day in the Life of a Daoist Monk Adeline Herrou To cite this version: Adeline Herrou. A Day in the Life of a Daoist Monk . Journal of Daoist Studies, Three Pines Press, 2010, pp.117-148. hal-01660017 HAL Id: hal-01660017 https://hal.archives-ouvertes.fr/hal-01660017 Submitted on 12 Jan 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A Day in the Life of Daoist Monk 1 ADELINE HERROU Abstract This article seeks to give an ethnographical description of the everyday life of an ordinary Daoist monk in China today. As it follows Yang Zhixiang from early morning until night, it deals with his current main occupations—in this case, work on the glyphomancical dissection of the Dao 道 character, fate calculation for young fiancés, preparation for a healing ritual, the ascetic practice of self perfecting through refinement, etc. — as well as more basic scenes such as meals, gestures and postures, various domestic tasks, and the reconstruction of the temple. It also relates fragments of his own past life and implicitly outlines the path that led him to the monastery and the vocation that made him become a monk. -
Monks Are Uniled in Lheir Abilily Lo Magically Harness Lhe Energy Lhal Tlows in Lheir Bodies
J Her fists a blur as lhey detlect an incoming hail of arrows, a half-elf springs over a barrieade and lhrows herself into lhe massed ranks of hobgoblins on lhe olher side. She whirls among lhem. knocking lheir blows aside and sending them reeling. unlil allasl she slands alone. Taking a deep breath. a human eovered in tattoos seltles inlo a battle stanee. As lhe tirsl eharging ores reaeh him. he exhales and a blasl of tire roars from his moulh, engulting his foes. Moving wilh lhe silenee of lhe nighl, a blaek-c1ad halfling sleps inlo a shadow benealh an areh and emerges from anolher inky shadow on a balcony a stone's lhrow away. She slides her blade free of ils c1oth- wrapped seabbard and peers lhrough lhe open window aI lhe lyranl prinee. so vulnerable in lhe grip ofsleep. Whalever lheir discipline, monks are uniled in lheir abilily lo magically harness lhe energy lhal tlows in lheir bodies. Whelher ehanneled as a slriking display of eombal prowess or a subI ler foeus of defensive abilily and speed, lhis energy infuses alllhal a monk does. THE MAGIC OF KI Monks make eareful sludy of a magieal energy lhal mos I monaslie lradilions eall ki. This energy is an elemenl of lhe magie lhal suffuses lhe mulliverse-speeitieally, lhe elemenl lhat flows lhrough Iiving bodies. Monks harness this power wilhin lhemsclves lo ereate magieal effeels and exeeed their bodies' physieal eapabililies. and some of lheir special attaeks ean hinder lhe tlow of ki in lheir opponenls. Using lhis energy. -
Book Gordonwise Agreataiminlif
Great Aim Pre Makeup QX4 24/7/06 9:46 am Page iii AGreat Aim in Life An Australian’s Adventure GORDON WISE Great Aim Pre Makeup QX4 24/7/06 9:46 am Page iv © Gordon Wise First published by Caux Books Caux Books Rue du Panorama Caux Switzerland The right of Gordon Wise to be identified as the Author of this Work has been asserted by him in accordance with the United Kingdom Copyright, Designs and Patent Act . First printing All rights reserved ISBN Typesetting and text design in ./ Monotype Bembo by Servis Filmsetting Ltd, Manchester Cover design by Sara Marafini Plate section design, scanning and layout by Dan Newman/PerfectBound Printed and bound by The Bath Press CPI Group, United Kingdom Great Aim Pre Makeup QX4 24/7/06 9:46 am Page v To my Australian family, who may wonder how I spent the past 83 years; To my friends and colleagues, to whom I owe so much; And to those setting out on life’s great adventure. Great Aim Pre Makeup QX4 24/7/06 9:46 am Page vii Contents Acknowledgements xi Introduction . Pineapples, Pearls and Bananas - The Tropical Advisor – The Wises and Hunters of Queensland – Broome Days – Election Results .All Change - A Home in Perth – Family Tales – The Premier’s Son – After the Hockey Game, New Direction – The Civil Servant Signs On .Training and Action - Aircraftsman Second Class Survives – Crossing the Pacific Vertically – A Cable in Brighton – Chosen for Coastal Command – In a London at War – Lakeland Welcome – The Sunderlands of Pembroke Dock – Squadron on Patrol vii Great Aim Pre Makeup QX4 24/7/06 9:46 am Page viii . -
Newsletter Fall, 2002
Fall 2002 • 2545/2546 Newsletter of the Abhayagiri Buddhist Monastery Volume 7, Number 2 FEARLESS MOUNTAIN Welcome to the Inside: Homeless Clan From Monastery by Ajahn Amaro the This article is adapted from a PAGE: 2 talk given on the occasion of the anagarika ordination of Craig Donation of Randolph (pictured here) at Abhayagiri Monastery on Casa Serena October 12, 2002. PAGE: 5 n contemplating the transit Ifrom the home life to the Calendar homeless life, it is helpful to think about enough for us as human beings, but we can what we mean by “leaving home” and what do better than that. At least, this is what PAGE: 8 it symbolizes. These gestures—of taking most spiritual traditions have pointed out refuge and taking on the precepts—are over the millennia. And our own human Interview: Go Forth, designed to help us follow in the fullest intuition tells us that it’s only the coarsest way possible the guidance of the Buddha as level of existence on which “I am most Young Man a wise human being. One’s ordination as important and the rest of the world exists PAGE: 10 an anagarika is really directed toward to gratify me.” The structures within the understanding the nature of self-centered Buddhist tradition—the robes, the pre- thinking, self-centered habits of life where cepts, the routines, the gesture of taking A in “I am the most important person in the refuge—are all tools we can use to pin- Day the Life universe; everything else has to revolve point our self-centered habits and egotisti- around me.” Leaving home is symbolic of cal concerns and drives. -
The Monk, Revised (V2)
The Monk, Revised (v2) The Monk Level Proficiency Bonus Features Martial Arts Ki Points Unarmored Movement 1st +2 Unarmored Defense, Martial Arts 1d4 ─ ─ 2nd +2 Ki, Unarmored Movement 1d4 2 +10 ft. 3rd +2 Monastic Tradition, Deflect Missiles 1d4 3 +10 ft. 4th +2 Ability Score Improvement, Slow Fall 1d4 4 +10 ft. 5th +3 Extra Attack, Stunning Strike 1d6 5 +10 ft. 6th +3 Ki-Empowered Strikes, Monastic Tradition feature 1d6 6 +15 ft. 7th +3 Evasion, Stillness of Mind 1d6 7 +15 ft. 8th +3 Ability Score Improvement 1d6 8 +15 ft. 9th +4 Unarmored Movement improvement 1d6 9 +15 ft. 10th +4 Purity of Body, Ability Score Improvement 1d6 10 +20 ft. 11th +4 Monastic Tradition feature 1d8 11 +20 ft. 12th +4 Ability Score Improvement 1d8 12 +20 ft. 13th +5 Tongue of the Sun and Moon 1d8 13 +20 ft. 14th +5 Diamond Soul 1d8 14 +25 ft. 15th +5 Timeless Body 1d8 15 +25 ft. 16th +5 Ability Score Improvement 1d8 16 +25 ft. 17th +6 Monastic Tradition feature 1d10 17 +25 ft. 18th +6 Empty Body 1d10 18 +30 ft. 19th +6 Ability Score Improvement 1d10 19 +30 ft. 20th +6 Perfect Self 1d10 20 +30 ft. Monk Certain monasteries use specialized forms of the monk Class Features weapons. For example, you might use a club that is two lengths of wood connected by a short chain (called a As a monk, you gain the following class features. nunchaku) or a sickle with a shorter, straighter blade (called a kama). Whatever name you use for a monk weapon, you can Hit Points use the game statistics provided for the weapon on the Hit Dice: 1d10 per monk level Weapons page. -
1554874724524.Pdf
Art Assets This overhaul was made in accordance to Wizards of Listed alphabetically the Coast's Fan Content Policy. This is unofficial Art of Bartlett content made by me, /u/Galiphile, with some collaboration (listed below). AV-6R7 Chris Trevas Cristi Balanescu Dark Dream Credits David Kegg echostain First and foremost, I have to thank the person who got me Eiluvision into D&D: my buddy, Ross. That playgroup was not great, but Fantasy Flight Games it started my journey. Jason Edmiston Second, I have the thank the original guinea pigs of this Joel Hustak conversion: Drew, Eric, and Rickey. It was comically bad, but we had fun with it. Jhomar Soriano Knight of Malta Lastly, while I would love to say that I created everything in this conversion, that wouldn't be entirely true. The following Matt Difa people deserve credit as well: RamArtwork Shout out to the /r/sw5e mod team Sam Wood /u/karbacca for the epic cover and SW5e logo Somarinoa /u/Grelite for the Matukai Order Monk archetype Stu Cunningham /u/Charrmeleon for the entire Scholar class Weasyl /u/MayB_259 for their Human race Whitelight369 /u/SpiketailDrake for the Bloodstorm Approach Berserker William O'Connor archetype /u/TheGentGamer for the Warchief Approach Berserker And of course archetype Star Wars Star Wars: Rebels Star Wars: The Clone Wars Star Wars: The Old Republic If I missed you and you feel you deserve credit please let me know. I've been working on this for years, and I'm fallible. I hope you like it. Chapter 6: Customization Options Preface New multiclassing requirements/proficiencies, and with the This conversion has been a labor of love of mine starting three exception of the spell point variant (discussed in chapter 10), years ago. -
Volume 47 Number 1 Jan Feb March 2021
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Volume 47 Number 1 Jan Feb March 2021 MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM september 2018—issue 197 your Free guide to the nyc jaZZ scene nycjaZZrecord.com jUne 2019—issUe 206 yoUr free gUide To THe nyc jaZZ scene nycjaZZrecord.com APRIL 2020—ISSUE 216 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM kris SATOKO davis it was a very FUJII good year SIXTY AND COUNTING DAVE BURRELL in MYRA memoriam tomas DIGITAL WINDWARD Z MELFORD PASSENGER stanko MEDITATION AND ONLY COLLABORATION EDITION PHEEROAN NICKI DOM HASAAN jamie chris rÜdiger cannonball frank joel larry ed MAKOTO MAX HORACEE HAMIET AKLAFF PARROTT SALVADOR IBN ALI baum lightcap carl adderley vignola ross mCkenna blackwell OZONE RAABE ARNOLD BLUIETT EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING ANNUAL SUBSCRIPTIONS AVAILABLE “Simply the hippest journal about jazz in New York that has ever been published” - Joe Lovano “The most comprehensive periodical on the music that I have ever read” - Andrew Cyrille TWITTER: @NYCJAZZRECORD | FACEBOOK/NYCJAZZRECORD | INSTAGRAM .COM/TNYCJR nycjazzrecord.com AVAILABLE FROM Trans-Kalahari Quintet’s THE LONG JOURNEY HOME from Ansonica Records is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world. Regardless of where in the world you call “home,” THE LONG JOURNEY HOME offers the unrivaled contentment of arriving there. -
Pure Inspiration
Table of Contents Preface .................................................................................................................. i The Life of Ñāṇavimala Thera ......................................................................... 1 Ven. Bhikkhu Bodhi & Ven. Bhikkhu Ñāṇatusita ..................................................1 Inspiring Virtues ................................................................................................ 9 Ven. K. Pemasiri .......................................................................................................9 Slowly-Carefully-Mindfully ............................................................................ 15 Ven. K. Ñāṇananda ................................................................................................ 15 My Spiritual Father ......................................................................................... 23 Ayoma Wickremasinghe ........................................................................................ 23 A Mahākassapa for Our Time ........................................................................ 33 Ven. Bhikkhu Bodhi ............................................................................................... 33 Spending Time with Venerable Ñāṇavimala ................................................ 45 Ven. Hiriko ............................................................................................................. 45 The Best Dhamma Talk I Ever Heard .......................................................... -
Jazz EP8 Script
1 JAZZ Episode Eight Risk [1945-1956] FINAL DRAFT A Film by Ken Burns Written by Geoffrey C. Ward Episode Eight 10/19/11 2 A Florentine Films Production [MX: Dizzy Gillespie and Charlie Parker “Salt Peanuts” 1945] JON HENDRICKS (Singer): I was on a troop ship coming home from Bremerhaven Germany to New York harbor in 1946 and I suddenly heard this song over the ship’s radio.... And it was frenetic and exciting and fast and furious and brilliant and I almost bumped my head jumping off my bunk.... So I ran up to the control room and said to the guy, “What was that?” He said, “What?”... I said, “That last song you just played, the one you just played.” He said, “I don’t know.” I said, “Where is it?” He said, “It’s down there on the floor.” I looked down there on the floor, the floor’s covered in records. I said, “Come on. What color was the label?” He said, “It’s a red label.” So I begin to sort out and I would come across red labels and I would ask him, “Was it this one?” And he said, “No.” Finally I found it, it was a Music Craft label and it was called “Salt Peanuts.” And it was Charlie Parker and Dizzy Gillespie. And I gave him thirty dollars and I said, “Play this for the next hour.” JAZZ [MX: Charlie Parker “Dexterity”] NARRATOR: After the second World War, America achieved a level of growth and prosperity unimaginable just a few years earlier.