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Section: Open Colour 2020/FIP/013/2020
List of Accepted Images Section: Open Colour 2020/FIP/013/2020 Author Club Image Title Award ABHIJEET KUMAR BANERJEE PHOTOGRAPHY CLUB OF ASSAM HOMEBOUND ABHIJEET KUMAR BANERJEE PHOTOGRAPHY CLUB OF ASSAM VICTORIA MEMORIAL ABHIJIT ADURKAR KAP ASSOCIATION MUDD RACE ABHIJIT ADURKAR KAP ASSOCIATION BAGAD FESTIVAL ABHIJIT BOSE PHOTOGRAPHY CLUB OF ASSAM STATUE OF AHOM WARRIOR (6) ABHIJIT DAS PLAAPA LOVING COUPLE ABHIJIT DE DUM DUM FOTO UNIT BUSY WOMAN ABHIJIT DE DUM DUM FOTO UNIT OLD MAN ABHIJIT PAL IRIS PHOTOGRAPHY FOUNDATION BLOSSOM ABHIJIT PAL IRIS PHOTOGRAPHY FOUNDATION VILLAGE LIFE ABHIJIT PAUL SERENITY ABHINANDAN BHADURI DUM DUM FOTO UNIT INDOOR1 ABHINANDAN BHADURI DUM DUM FOTO UNIT LUNCH TIME ABHISHEK BANERJEE LIGHT AND SHADOW END OF THE DAY ABHISHEK BANERJEE LIGHT AND SHADOW EYES OF FEAR ABHISHEK BANERJEE LIGHT AND SHADOW KUSTI ABHISHEK CHAUDHURY IRIS PHOTOGRAPHY FOUNDATION SAPIENCE ABHISHEK PUROHIT RED LINES ABHISHEK PUROHIT BLUE FREEDOM ABHISHEK PUROHIT FRAMES OF JODHPUR ABHISHEK SASMAL DUM DUM FOTO UNIT LOCKED DOWN ABHISHEK SASMAL DUM DUM FOTO UNIT BENARASA PEOPLE 2 ABHISHEK SASMAL DUM DUM FOTO UNIT CLOUD OF THINKING ABHISHEK SHAW DUM DUM FOTO UNIT PRAYER ABHISHEKH CHATTERJEE LPS DIVE FOR THE CATCH ABHISHEKH CHATTERJEE LPS JUMP FOR THE CATCH ABIR DAS ATTENTION ABIR DAS BANJARA GIRL 1 List of Accepted Images Section: Open Colour 2020/FIP/013/2020 Author Club Image Title Award ABIR DAS LEISURE TIME ABIR GHOSH RIYA 3924 ABIR GHOSH MOUMITA 7496 FU HMs ABIR GHOSH SHREYA 8376 ABIR GHOSH SHREYA 8511 ACHINTYA DAN PLAAPA FIGHT ACHINTYA DAN PLAAPA SELFIE ACHINTYA DAN PLAAPA MOTHER ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM HALDI UTSAV ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM HOLI AT NANDGAON ACHINTYA SENGUPTA INSTITUTE OF PHOTO ART, DUM DUM A LEISURE EVENING. -
BA GENERAL DAY.Xlsx
CHAKDAHA COLLEGE FINAL MERIT LIST BA GENERAL DAY (ALL CATEGORY) SL APP NO STUDENT NAME YOP SEX CASTE PH PH (%) SQ AGG REM 1 2096518 TUBAI BISWAS 2021 MALE SC NO NO 484 2 2095525 SARTHAK SAMADDER 2021 MALE GENERAL NO NO 471 3 2095719 SHIVAM SAHA 2020 MALE GENERAL NO NO 466.48 2% LESS 4 2096319 MANODEEP PAUL 2020 MALE OBC B NO NO 466.48 2% LESS 5 2088037 SAGAR SEN 2021 MALE GENERAL NO NO 462 6 2092733 PIYASHA CHANDA 2021 FEMALE OBC B NO NO 461 7 2089818 SHAMIMA KHATUN 2021 FEMALE OBC A NO NO 459 8 2092286 SUVAJIT GHOSH 2021 MALE OBC B NO NO 459 9 2086642 SHRABANI BISWAS 2021 FEMALE GENERAL NO NO 458 10 2096934 SWAGATA CHATTERJEE 2021 FEMALE GENERAL NO NO 458 11 2093559 SANGITA SARKAR 2021 FEMALE GENERAL NO NO 457 12 2098416 RUMA GHOSH 2020 FEMALE GENERAL NO NO 456.68 2% LESS 13 2094750 SAYAK GHOSH 2021 MALE OBC B NO NO 456 14 2093464 BISHAL BISWAS 2021 MALE SC NO NO 455 15 2093853 SUBHRA PRAMANIK 2021 FEMALE OBC B NO NO 454 16 2089452 JEET PAL 2020 MALE GENERAL NO NO 452.76 2% LESS 17 2087323 BARNALI DEBNATH 2021 FEMALE OBC B NO NO 452 18 2093735 TANMOY DAS 2021 MALE GENERAL NO NO 451 19 2095093 ARITRA BISWAS 2021 MALE SC NO NO 451 20 2086350 RAM RAHIM 2021 MALE GENERAL NO NO 450 21 2087059 RAJU DAS 2021 MALE GENERAL NO NO 450 22 2093604 SUDIPA NAG 2021 FEMALE GENERAL NO NO 450 23 2098429 TANMAY RANA 2020 MALE SC NO NO 449.82 2% LESS 24 2097485 SENJUTEE BISWAS 2021 FEMALE GENERAL NO NO 447 25 2097575 DISHA RAY 2021 FEMALE SC NO NO 446 26 2090755 SUPRIYA DUTTA 2021 FEMALE OBC B NO NO 445 27 2097276 NISHA GHOSH 2021 FEMALE GENERAL NO NO 445 -
Applicant.Pdf
Government of West Bengal Directorate of Medical Education Swasthya Bhawan Salt Lake Kolkata Name of the Applicants for Direct Recruitment 2009 for post of Assistant Professors/Demonstrator/RMO cum Clinical Tutors under WBMES are enlisted. Eligible candidates are informed to contact with Deputy Director or Assistant Director of Medical Education for any confusion. Contact numbers: (033) 23330-503 (033) 23330-504 (033) 23330-621 Candidates must present to the Auditorium Ground Floor N.R.S Medical College, Kolkata as given schedule dated 11.11.2009 (Published in www.wbhealth.gov.in) with all original documents for verification. Without original documents on the day of interview candidature may be cancelled. I. Assistant Professor: Sl No Name Reg. No Discipline Post applied Degree for 1 Dr. Avanish Gupta 58087 Anatomy Assistant MD(Anatomy) professor 2 Dr. Purnendu Datta 56743 Anatomy Assistant MD(Anatomy) professor 3 Dr. Suvalagna 55404 Anatomy Assistant MD(Anatomy) Chatterjee professor 4 Dr. Sudipa Biawas 56360 Anatomy Assistant MD(Anatomy) professor 5 Dr. Anirban Dasgupta 60047 Anatomy Assistant MD(Anatomy) professor 6 Dr. Arindam Banerjee 58973 Anatomy Assistant MD(Anatomy) professor 7 Dr. Ramen Sinha Ray 61566 Anatomy Assistant MBBS professor 8 Dr. Tapati 38820 Anatomy Assistant MD(Anatomy) Bhattacharyya(Das) professor 9 Dr. Anubha Saha 53181 Anatomy Assistant MBBS Professor 10 Dr. Rajarsri Chunder 56172 Anatomy Assistant MD(Anatomy) Professor 11 Dr. Amrita Gupta 62128 Anatomy Assistant MBBS professor 12 Dr. Minakshi Verma 65211 Anatomy Assistant MD(Anatomy) Professor 13 Dr. Anirban Sadhu 58071 Anatomy Assistant MD(Anatomy) Professor 14 Dr Susmita Ghosh 57709 Anatomy Assistant MBBS Professor 15 Dr. -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
Concert | Pangaea | 16 June | 7Pm
Bipannata The Play Bipannata is the story of the helplessness of Sulagna Dutta, a woman in her late 50s, a widow and a single parent. She represents the middle class, who wakes up to a daily routine expecting a more or less secured lifestyle. She is neither a political bigwig nor a celebrity, but one of those you wouldn’t even notice when passing by. She has raised her son Ujaan to be a responsible man and who is now a computer engineer. The only problem is that he has his own well defined opinions. He is sensitive and reacts like a normal human being to events happening around him…events of large scale state generated violence that permeate into our lives and induce a constant state of fear. Sulagna is worried for her son, who goes into bouts of depression and hides at home, refusing to go out and participate in a world he cannot question. She sets up an appointment with a renowned psychoanalyst Dr. Ahana Roy. What follows is a heartrending search into fear psychosis and the resulting helplessness. Are we all trying to hide in our cocoons? Are we afraid to question? How is an individual supposed to negotiate in these circumstances? Do we need help? And who can help? Director’s note Choice of Bipannata – a rationale: The play tries to address the feelings of fear and helplessness that we carry within us in these hard times. How is one supposed to react to the violence that one witnesses daily? To questions of state induced terrorism, rape, capital punishment…….? Is one expected merely to drink it in with his morning cup of coffee? Or can one exercise his basic right of speech and thought? Can one help himself? Is there someone who can help? Can he expect any help at all? The Director Sohini Sengupta is an upcoming director and a leading stage artist and trainer of Nandikar. -
Press Release 1
Press Release 1. We, the undersigned, strongly protest and denounce the arrest of a Shramik Sangram Committee activist and Krishak Committee organiser Mr. Mithu Ghosh from Gangra area of village Sonachura, Nandigram, in the wee hours of 12th February, 2008, the subsequent arrests of Bhumi Uchched Protirodh Committee organiser Mr. Sudhanshu Das and his son, too, who provided shelter to Mithu on the fateful night, relating them with the same case, implicating them in the same FIR, etc., and the hue and cry raised by the police about what they call the ‘Arrest of a Maoist Organiser from Nandigram (!)’, in spite of the fact in the grasp of any knowledgeable person that Mithu and the aforesaid organisations for which Mithu worked are unrelated to the CPI (Maoist). But, anyway, we would like to add here a separate fact – that the police has perhaps forgotten that having relations with CPI (Maoist) or carrying a copy of the allegedly Maoist literature “Peoples March” was neither ‘illegal’ nor ‘prohibited’ when Mithu was arrested. 2. We find that the police surreptitiously added several documents later in the ‘seizure list’ which Mithu never distributed at any time during his regular visits to Nandigram over almost a year. Rather, Mithu had with him several copies of regular, open and legal publications, like “Sandhikshan” (in publication since 1972), “Shramik Istahaar” (in publication since 1974), “Krishak Path” (in publication since 1978) and Frontline etc.! 3. But the most shocking part of the police game is yet untold — both the FIR and the police report that were later submitted to the SDJM (Haldia) court contain names of some of the editors of the abovementioned publications, almost all being senior-most leaders of Shramik Sangram Committee and Krishak Committee – and not only that, they contain the name of a well-known cultural activist Ms. -
Evolving Humanity, Emerging Worlds IUAES2013, University of Manchester, 5Th-10Th August 2013 Sponsors
The 17th World Congress of the IUAES2013 Evolving Humanity, Emerging Worlds Evolving Humanity, IUAES2013, University of Manchester, 5th-10th August 2013 Sponsors: Evolving Humanity, Emerging Worlds Monday 5th August, Bridgewater Hall (Monday only) 12.00-14.00 Registration 14.00-15.00 Opening Ceremony 15.00-16.30 Inaugural Lecture by Leslie Aiello 16.30-17.00 Coffe/Tea Break 17.00-19.00 Plenary Debate: “Humans have no nature, what they have is history” 19.00-21.00 Reception Tuesday 6th August, University Conference Centre Complex (all remaining days) 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break 11.00-12.30 Panel Sessions 12.30-14.00 Lunch (also ASA AOB meeting and ICSU presentation) 14.00-15.30 Panel Sessions 15.30-16.00 Coffee/Tea Break 16.00-17.30 Firth Lecture by Lourdes Arizpe 18.00-19.00 IUAES Commission Business Meetings and Other meetings 19.00-21.00 Presentation of bids to host future congesses and inter-congresses Wednesday 7th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break Hallsworth Plenary Debate: 11.00-13.00 “Justice for people must come before justice for the environment”. 13.00-14.30 Lunch (also ERCEA presentation, EASA Mobilities and AMCE meetings) 14.30-16.00 Panel Sessions 16.00-16.30 Coffee/Tea Break 16.30-18.00 Panel Sessions 18.30-19.30 WCAA Ethics Taskforce and WCAA IntDels meetings 19.30-21.00 Open Commissions Meeting Thursday 8th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break 11.00-12.30 Panel Sessions 12.30-14.00 Lunch (also ASA Apply meeting) 14.00-15.30 Panel Sessions 15.30-16.00 Coffee/Tea Break 16.00-17.30 Huxley Lecture by Howard Morphy 18.00-19.00 ALA, VANEASA and WCAA AOA meetings 19.00-21.00 Council of IUAES Commissions Friday 9th August 09.00-10.30 Panel Sessions 10.30-11.00 Coffee/Tea Break Plenary Debate: 11.00-13.00 “The free movement of people around the world would be utopian”. -
Babai,Agnijatak
August Strindberg’s Play: Babai Playwright: August Strindberg Adapter & Director: Ishita Mukhopadhyay Group: Ushneek, Kolkata Language: Bengali Duration: 2 hrs 10 mins The Play Babai is a trans-creation of August Strindberg’s The Father. Taking inspiration from the original, playwright Ishita Mukherjee has adapted the play into an Indian locale and has given it a relevance to the socio-economic reality of today. The play is about an extremely complex relationship between a husband and a wife, which culminates when it comes to the question of the future of their only child. Not wanting to lose her custody over the child, the wife induces suspicion in her husband’s mind about him not being the real father, thus pushing the husband into an abyss of doubts, and taking over the household and making everybody believe that the husband’s sanity is under question. The husband, unable to bear this painful predicament, gradually loses his mind and in the end the family, under the vigilance of his wife, sends him to an asylum. The play talks about the eternal power politics between man and woman, state and religion, and society and individual. Director’s Note Strindberg’s The Father is considered as one of the finest naturalistic psychological drama. Often it is seen as a tragedy of a husband falling into the trap laid by his wife. As a woman director I have a different take on that. To me, Strindberg created sympathetic characters. He created a strong impression of male dominant society of his era which is quite relevant even today. -
Article in Books (2013-18)
Number of books and chapters in edited volumes / books published, and papers in national/international conference-proceedings per teacher during the last five years(2013-18) Affiliating Title of the National / Name of the ISBN/ISSN number of the Institute at the Name of the Sl. No. Name of the teacher Title of the book/chapters published Title of the paper proceedings of internationaYear of publication conference proceeding time of publisher the conference l publication 1 Anindya Dey(Associate Professor ) Bangla natokelokonatyer provab Lokonattye Prosenium Theatre: Ekti Samajtattik Jatra 01-01-2013 ISB N:978-93-80197-72-2 Abhijan 2 Jitendranath Barman (Govt. Approved P.T.T.) Bangla natokelokonatyer provab Uttarbanger Lokonatake Lokonattyer provab 01-01-2013 ISB N:978-93-80197-72-2 Abhijan 3 Dr. Antara Chowdhury(Assistant Professor,Stage-1 ) Sahitto Bicharer Poribesh Kendrik Dristibhongi Robindra Chotogolpe Poribesh Kendrik Dristibhongi Jan-13 ISBN:81-8817-193-4 Granthamitra BangioKala 4 Dr. Antara Chowdhury(Assistant Professor,Stage-1 ) Robindra-chotogolper ruprekha Chuti May, 2013 ISBN:978-93-80973-21-0 Vidyalaya 5 Dr. Papri Chakrabarty(Assistant Professor,Stage-1 ) Bangla natokelokonatyer provab Manasar Palagaaner Bibortoney Loknatyer Probhab Jan-13 ISB N:978-93-80197-72-2 Abhijan 6 Basudha Biswas(Assistant Professor,Stage-3 ) Bangla natokelokonatyer provab Bangla natoke lokonatyer provab:Bijan Bhattacharyer JionKannya Jan-13 ISB N:978-93-80197-72-2 Abhijan 7 Krishna Mitra(Govt. Approved P.T.T.) Bangla natokelokonatyer provab Nildarpan Natoke loknatyer Probhab Jan-13 ISB N:978-93-80197-72-2 Abhijan 8 Dr. Antara Chowdhury(Assistant Professor,Stage-1 )Bangla Dhonwatok Sobder Ruptattik Bisleson --------- Mar-13 ISBN:978-81-922744-3-0 Books & Books B.M/2 Jangra Ghoshpara,Kol-59 9 Basudha Biswas Analokito Upendrakishor Sardhosotobarsheraloke Bangla lokokataher Itihase Upendra Kishorer Abadan Sep-13 ISBN- 978-93-82623-17-5 Readers Service 10 Dr. -
© 2009 Sarasij Majumder ALL RIGHTS RESERVED “PEASANTS” AGAINST the NANO? NEOLIBERAL INDUSTRIALIZATION and LAND QUESTION in MARXIST-RULED WEST BENGAL, INDIA
© 2009 Sarasij Majumder ALL RIGHTS RESERVED “PEASANTS” AGAINST THE NANO? NEOLIBERAL INDUSTRIALIZATION AND LAND QUESTION IN MARXIST-RULED WEST BENGAL, INDIA. by SARASIJ MAJUMDER A dissertation submitted to the Graduate School - New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Anthropology Written under the direction of Bonnie J. McCay And approved by _________________________ _________________________ _________________________ _________________________ New Brunswick, New Jersey October, 2009 ABSTRACT OF THE DISSERTATION “PEASANTS” AGAINST THE NANO? NEOLIBERAL INDUSTRIALIZATION AND LAND QUESTION IN MARXIST RULED WEST BENGAL, INDIA. BY SARASIJ MAJUMDER DISSERTATION ADVISOR: Dr. BONNIE J. McCAY Why do regimes that have been traditionally and ideologically opposed to liberal policies adopt neoliberal policies of industrialization? Why do these regimes not abandon courting the big private investors to set up industries, in spite of popular protests in the villages against acquisition of land for these industries? This dissertation tries to answer the above questions with respect to recent developments in the Indian province of West Bengal, which has been ruled by a democratically elected Marxist government for the last thirty years. These questions have been addressed in the context of China and other Asian economies, which are ruled by authoritarian regimes. The significance of looking at the West Bengal case is that it has a democratically elected regime with a considerable populist credential, especially in terms of undertaking redistributive land reforms in the villages. Thus external pressures of a global ii and national economy and elitist urge to industrialize are important but inadequate explanations for a parliamentary Marxist regime’s adoption of neoliberal industrialization policies. -
Language: Engish Duration: 1 Hr 20 Min
31/12/2015 Schedule of 18th Bharat Rang Mahotsav-2016 Date/Day Bahumukh Sammukh LTG Sri Ram Centre Open Lawn Kamani Abhimanch Unconstructed Space 2.00 pm 2.00 pm 5.30 pm 4.00 pm 6.00 pm 7.00 pm 8.30 pm 01/02/2016 Monday Inaugural Function Kamani Auditorium Followed by the performance of MACBETH in Manipuri, Dir: Ratan Thiyam Duration: 1hr 40 min. 02/02/2016 AGNI VARSHAM RAMAYANA ANTIGONE Tuesday Director: Dr. Rammohan (A PUPPET DANCE Director: Koushik Sen Holagundi DRAMA) Group: Sawapna Sandhani, Group: Nishumbita Cultural Director: Shanti Bardhan Kolkata Association, Hyderabad Group: Ranga-Sri Little Ballet Language: Bengali Language: Telugu Troupe, Bhopal Duration: 2 hrs Duration: 2hr 30 min. Language: Hindi Duration: 1hr 45 min. 03/02/2016 ARANYAGATHA AZAD MAULANA BOMA STORIES I WANT TO ARMEN PATHER Wednesday Director: Kanhaiyalal Director: Tripurari Sharma Director: Bratya Basu Director: Ravi Shankar Kemmu TELL YOU IN PERSON Kaithwas Group: India Foundation, New Group: Bratyajon, Kolkata Group: ALG Cultural Society, Director: Group: Madhya Pradesh Delhi Language: Bengali J&K Group: , School of Drama, Bhopal Language: Urdu -Hindi Duration: 2 hrs. 30 min. Australia Language: Kashmiri Language: Hindi Duration: 1hr 30 min. Language: Engish Duration: 2 hrs. 10 min. Duration: 1hr 25 min. Duration: 1 hr 20 min. 04/02/2016 BARRISTER PARVATE BYAGHRAROHAN Amarsingh Rathor (Nautanki) JAB SHEHAR HAMARA Thursday ESHAM Director: Nalini Nihar Nayak Director: Ch. Chhajjan Singh SOTA HAI Director: Shiva Prasad Tumu Group: Newquest Repertory, Group: Director: Ankur Sharma Group: Prayogam Theatre Rourkela, Odisha Language: Group: Yuvaa Theatre, Jalandhar Group, Jaipur Language: Odia Duration: Language: Hindi Language: Hindi Duration: 1hr 20 min. -
Contemporary Theatre of North Bengal: a Silent Contribution in Modern Indian Theatre in Twenty First Century
INTERNATIONAL JOURNAL FOR INNOVATIVE RESEARCH IN MULTIDISCIPLINARY FIELD ISSN: 2455-0620 Volume - 4, Issue - 3, Mar – 2018 Monthly, Peer-Reviewed, Refereed, Indexed Journal with IC Value: 86.87 Impact Factor: 5.60 Publication Date: 31/03/2018 CONTEMPORARY THEATRE OF NORTH BENGAL: A SILENT CONTRIBUTION IN MODERN INDIAN THEATRE IN TWENTY FIRST CENTURY ANAMIKA DEB Researcher Scholar (drama and theatre), Performing Arts Department. Rabindra Bharati University Siliguri,India E.mail [email protected]. Abstract: West Bengal is a state in Eastern India. It does not have any administrative partition named North Bengal or South Bengal, though geographically Northen districts of West Bengal like Darjeeling, Jalpaiguri, Kalimpong, Coochbehar, Alipurduar, Malda, Uttar Dinajpur, DakshinDinajpur are known as North Bengal. The theatre art of North Bengal is nurturing the prosperity of Bengali theatre since 1870. History mentions that Bengali theatre commenced its creative journey with great Russian director Lebedev way back to 1792. But numerous books and research discover that Bengali theatre started even before that at North Bengal with the patronage of honourable Cooch raja Nara Narayan. But it is unfortunate that in India contemporary theatre art of North Bengal does not obtain similar popularity and publicity like theatres of Kolkata. From early 21st century, the theatre art of North Bengal has been exploring new avenues with the proliferation of the internet and advanced technologies; it’s reaching to a wider audience and getting the attention of intelligentsia as well. The work done earlier in the North Bengal has incepted to do more spacious work in the 21st century.The development of theatre culture in north bengal enriching indian theatrical heritage more and more.This paper, thus, aims to highlight the scenario and amelioration of contemporary theatre art of North Bengal and its worth in twenty first century.