DOCSLIB.ORG

CARTA Parking Lot Expansion

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CARTA Parking Lot Expansion CARTA Parking Lot Expansion North Charleston, SC PROJECT SPECIFICATIONS Prepared for: Berkeley-Charleston-Dorchester Council of Governments 5790 Casper Padgett Way North Charleston, SC 29406 Prepared by: Stantec Consulting Services Inc. 4969 Centre Pointe Drive Suite 200 North Charleston, SC 29418-6952 (843) 740-7700 Stantec Project No. 178421026 June 14, 2021 CARTA Parking Lot Expansion North Charleston, SC TABLE OF CONTENTS DIVISION SECTION TITLE DIVISION 0 - BIDDING AND CONTRACT DOCUMENTS 000107 Seals Page 001116 Invitation to Bid 002113 Instructions to Bidders 004100 Bid Form 004101 Unit Price Schedule 004313 Bid Security Form DIVISION 01 – GENERAL REQUIREMENTS 011000 Summary 012200 Unit Prices 012600 Contract Modification Procedures 012900 Payment Procedures 013100 Project Management and Coordination 013200 Construction Progress Documentation 013233 Photographic Documentation 013300 Submittal Procedures 014000 Quality Requirements 014200 References 015000 Temporary Facilities and Controls 015713 Temporary Erosion Control 016000 Product Requirements 017300 Execution 017700 Closeout Procedures 017823 Operation and Maintenance Data 017839 Project Record Documents DIVISION 02 – EXISTING CONDITIONS 024119 Selective Demolition DIVISION 31 – EARTHWORK 311000 Site Clearing 312000 Earth Moving 312500 Erosion and Sedimentation Controls DIVISION 32 – EXTERIOR IMPROVEMENTS 321123 Aggregate Base Course 321313 Concrete Paving 321373 Concrete Paving Joint Sealants 321723 Pavement Markings 329200 Turf and Grasses DIVISION 33 – UTILITIES 334100 Storm Utility and Drainage Piping CARTA Parking Lot Expansion North Charleston, SC SECTION 000107 SEALS PAGE The following design professionals, by affixing their seal and signature on this page, certify that they have personally prepared, or have had prepared under their direct supervision, their respective portions of the Contract Documents, for use in this Project. Stantec Consulting Services Inc. Civil Engineer 04/27/2021 (END OF SECTION) SEALS PAGE 000107-1 CARTA Parking Lot Expansion North Charleston, SC SECTION 001116 INVITATION TO BID Selected Contractors are invited to bid on the “CARTA Parking Lot Expansion, North Charleston, SC” project in City of North Charleston, Charleston County, SC The work involves the installation of a new concrete paved bus parking area and additional pervious paver parking areas. Submit your Bid on the enclosed Bid Form and send or deliver to: Stantec Attention: Bryan Kizer, P.E. 4969 Centre Pointe Drive, Suite 200 N. Charleston, SC 29419 A mandatory on-site pre-bid will be held on June 22, 2021 at 8:00 AM at the CARTA Parking Lot located at 3664 Leeds Ave. North Charleston, SC 29405. Bids must be received no later than 3:00 PM local time on July 23, 2021, at which time, all bids will be publicly opened and read aloud, at the location of bid delivery. The Information for Bidders, Bid Form, Contract Plans, Specifications, Bid Bond, Performance and Payment Bond, and other contract documents have been emailed to each Bidder. Bid documents are listed as follows: • Project Manual titled: “CARTA Parking Lot Expansion, North Charleston, SC” • Drawings titled: “CARTA Parking Lot Expansion, North Charleston, SC” All questions concerning this project shall be submitted before 5:00 PM local time on July 12, 2021, via electronic mail, to Bryan Kizer at [email protected] Any plan holder/bidder that decides not to bid is encouraged to submit a bid form marked “No Bid”. AIA Sample Documents Sample AIA documents and contracts may be viewed at the following: INVITATION TO BID 001116 – 1 CARTA Parking Lot Expansion North Charleston, SC https://www.aiacontracts.org/find AIA A101 Standard Form of Agreement Between Owner and Contractor http://aiad8.prod.acquia-sites.com/sites/default/files/2017-04/A101_2017%20sample.pdf AIA A201 General Conditions of the Contract for Construction http://aiad8.prod.acquia-sites.com/sites/default/files/2017- 04/A201_2017%20sample%20%28002%29.pdf AIA A310 Bid Bond http://aiad8.prod.acquia-sites.com/sites/default/files/2016-09/AIA-A310-2010-Free-Sample- Preview.pdf AIA A312 Performance Bond and Payment Bond http://aiad8.prod.acquia-sites.com/sites/default/files/2016-09/AIA-A312-Performance-and- Payment-Bod-Free-Sample-Preview.pdf A Bid Security, in the form of a surety bid bond and in the amount of 5% of the Total Bid will be required to be included with your Bid. The selected Bidder will be required to furnish a Performance Bond and a Payment Bond, in the amount of 100% of the Total Bid, as defined in the Instructions to Bidders. The cost of the Bond shall be included in the Base Bid. The owner reserves the right to waive any irregularities, or to reject any or all bids. Bidder agrees that he may not withdraw or modify his proposal for a period of one hundred twenty (120) calendar days after the scheduled bid opening. The successful Bidder will be required to obtain all applicable licenses and to comply with all applicable laws, ordinances and codes. Certification of Insurance and Worker’s Compensation Coverage will be required. Refer to “Instructions to Bidders” for additional information regarding the preparation and submission of bids. END OF SECTION 001116 INVITATION TO BID 001116 – 2 CARTA Parking Lot Expansion North Charleston, SC SECTION 002113 INSTRUCTIONS TO BIDDERS PART 1 GENERAL 1.1 DEFINITIONS A. Bidding Documents include the Bidding Requirements and the proposed Contract Documents. The Bidding Requirements consist of the Advertisement or Invitation to Bid, Instructions to Bidders, the bid form, and other sample bidding and contract forms. The proposed Contract Documents consist of the form of Agreement between the Owner and Contractor, Conditions of the Contract (General, Supplementary and other Conditions), Drawings, Specifications and all Addenda issued prior to execution of the Contract. B. Definitions set forth in the General Conditions of the Contract for Construction, AIA Document A201, or in other Contract Documents are applicable to the Bidding Documents. C. Addenda are written or graphic instruments issued by the Architect prior to the execution of the Contract which modify or interpret the Bidding Documents by additions, deletions, clarifications or corrections. D. A Bid is a complete and properly executed proposal to do the work for the sums stipulated therein, submitted in accordance with the Bidding Documents. E. The Base Bid is the sum stated in the Bid for which the Bidder offers to perform the work described in the Bidding Documents as the base, to which work may be added or from which work may be deleted for sums stated in Alternate Bids. F. An Alternate Bid (or Alternate) is an amount stated in the Bid to be added to or deducted from the amount of the Base Bid if the corresponding change in the work, as described in the Bidding Documents, is accepted. G. A Unit Price is an amount stated in the Bid as a price per unit of measurement for materials, equipment or services or a portion of the work as described in the Bidding Documents. H. A Bidder is a person or entity who submits a Bid and who meets the requirements set forth in the Bidding Documents. I. A Sub-bidder is a person or entity who submits a bid to a Bidder for materials, equipment or labor for a portion of the work. INSTRUCTIONS TO BIDDERS 002113 – 1 CARTA Parking Lot Expansion North Charleston, SC 1.2 BIDDER’S REPRESENTATIONS A. The Bidder by making a Bid represents that: 1. The Bidder has read and understands the Bidding Documents or Contract Documents, to the extent that such documentation relates to the work for which the Bid is submitted, and for other portions of the project, if any, being bid concurrently or presently under construction. 2. The Bid is made in compliance with the Bidding Documents. 3. The Bidder has visited the site, become familiar with local conditions under which the work is to be performed and has correlated the Bidder's personal observations with the requirements of the proposed Contract Documents. 4. The Bid is based upon the materials, equipment and systems required by the Bidding Documents without exception. 1.3 BIDDING DOCUMENTS A. Copies: 1. Bidders may obtain complete sets of the Bidding Documents from the issuing office designated in the Advertisement or Invitation to Bid in the number and for the sum, if any, stated therein. 2. Bidding Documents will not be issued directly to Sub-bidders unless specifically offered in the Advertisement or Invitation to Bid, or in supplementary instructions to bidders. 3. Bidders shall use complete sets of Bidding Documents in preparing Bids; neither the Owner nor Architect assumes responsibility for errors or misinterpretations resulting from the use of incomplete sets of Bidding Documents. 4. The Owner and Architect may make copies of the Bidding Documents available on the above terms for the purpose of obtaining Bids on the work. No license or grant of use is conferred by issuance of copies of the Bidding Documents. B. INTERPRETATION OR CORRECTION OF BIDDING DOCUMENTS 1. The Bidder shall carefully study and compare the Bidding Documents with each other, and with other work being bid concurrently or presently under construction to the extent that it relates to the work for which the Bid is submitted, shall examine the site and local conditions, and shall at once report to the Architect errors, inconsistencies or ambiguities discovered. 2. Bidders and Sub-bidders requiring clarification or interpretation of the Bidding Documents shall make a written request via electronic mail which shall reach the Architect at least fourteen (14) days prior to the date for receipt of Bids. 3. Interpretations, corrections and changes to the Bidding Documents will be made INSTRUCTIONS TO BIDDERS 002113 – 2 CARTA Parking Lot Expansion North Charleston, SC by Addendum. Interpretations, corrections and changes to the Bidding Documents made in any other manner will not be binding, and Bidders shall not rely upon them.
Load more

Recommended publications
  • City Park Phase II Project Manual
    CITY PARK IMPROVEMENTS – PHASE II PROJECT MANUAL ISSUE DATE: 14 APRIL 2020 BID CLOSING DATE 6 MAY 2020 – AND TIME: 2:00 p.m. PREPARED FOR: THE CITY OF VENETA 88184 8TH Street VENETA, OR 97487 PREPARED BY: DLA INC. (DOUGHERTY LANDSCAPE ARCHITECTS) 474 WILLAMETTE ST., SUITE 305 EUGENE, OR 97401 CITY PARK IMPROVEMENTS – Phase II 25192 E. Broadway VENETA, OREGON OWNER AND PROJECT MANAGER CITY OF VENETA 88184 8TH Street Albany, Oregon 97487 Contact: Kyle Schauer, Public Works Director Phone: (541) 935-2191 Email: [email protected] PRIME CONSULTANT AND LANDSCAPE ARCHITECT DLA Inc. Dougherty Landscape Architects 474 Willamette St., Suite 305 Eugene, OR 97401 Contact: David Dougherty Phone: (541) 683-5803 Email: [email protected] CONSULTANTS CIVIL and STRUCTURAL ENGINEERS Branch Engineering, Inc. Springfield, OR 97477 Phone: (541) 746-0637 Contact: Rick Hernandez (Structural) Email: [email protected] Contact: Lane Branch (Civil) Email: [email protected] ELECTRICAL ENGINEERS JLG ENGINEERING, LLC. 31910 Owl Road Eugene, OR 97405 Contact: Jeff Graper Phone: (541) 912-0065 Email: [email protected] ARCHITECTURE Dustrud Architecture 1699 Pearl Street Eugene, OR 97401 Contact: Paul Dustrud Phone: (541) 338-8544 Email: [email protected] CITY OF VENETA CITY PARK IMPROVEMENTS TABLE OF CONTENTS BIDDING REQUIREMENTS AND CONTRACT DOCUMENTS Page 3 Invitation to Bid Page 4 Instructions to Bidders Page 9 Bid Form Page 12 Notice and Acceptance of Award Page 13 Notice to Proceed Page 14 Non-Collusion Affidavit
    [Show full text]
  • Maggie Reilly Biographie
    Artist Management | Label Management | Publishing Inhaber: Stefan Bürger Metzer Strasse 2 · 22049 Hamburg Tel: +49.(0) 40-210 583 24 · Mobil: +49.(0) 176-843 254 65 Maggie Reilly Biographie Es gibt wenige Künstlerinnen, die auf eine so vielseitige und erfolgreiche Karriere zurückblicken können wie Maggie Reilly. Von den durch Soul und Funk beeinflussten Anfängen der Siebziger Jahre mit ihrer Gruppe Cado Belle, über die Weltkarriere als Sängerin und Bühnenattraktion der Mike Oldfield Group bis hin zu einer vielbeachteten Institution als Solokünstlerin ist Maggie Reilly seit fast 40 Jahren ein fester Bestandteil im Showgeschäft. Nachdem Maggie Reilly 1976 ihr erstes Album mit der Formation Cado Belle aufnahm, ein Album, das deutlich von den Soul Einflüssen und des Westcoast beeinflusst war, und gemeinsam mit Größen wie Poco durch die Welt tourte, gelang ihr 1981 als Sängerin der Mike Oldfield Group der weltweite Durchbruch. Ihre Stimme ist es, die Hits wie „Moonlight Shadow“, „FamilyMan“, „To France“ oder „Foreign Affair“ zum persönlichen Soundtrack von Millionen machten. Noch heute zählen diese Lieder zum festen Repertoire der Radiostationen und haben sich ihren festen Platz in der Geschichte der Musik und im Leben der Musikliebhaber erobert. Ende der Achtziger Jahre nahm sich Maggie Reilly Zeit für den Aufbau ihrer Familie. 1992 gelang ihr mit dem ersten Soloalbum „Echoes“ ein beachtliches Comeback. Gleich ihre erste Single „Everytime We Touch“ stürmte an die Spitze der internationalen Charts und bewies, dass die schottische Sängerin auch als Solokünstlerin und eigene Songschreiberin an die Erfolge ihrer Zeit mit Mike Oldfield anknüpfen konnte. www. wild-heart-management.de | [email protected] Seite 2 Biographie Maggie Reilly Es folgten weitere Erfolge mit den Hits „Wait“, „Follow The Midnight Sun“, „Listen ToYour Heart“, „Every Single Heartbeat“ , und „Always You“.
    [Show full text]
  • ·Ƭ§È​²Å°”ž· Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ' & Æ
    麦克·欧è²​ 尔德 音樂專輯 串行 (专辑 & æ—¶é —´è¡¨) Crises https://zh.listvote.com/lists/music/albums/crises-869738/songs Islands https://zh.listvote.com/lists/music/albums/islands-1091268/songs Five Miles Out https://zh.listvote.com/lists/music/albums/five-miles-out-280674/songs Voyager https://zh.listvote.com/lists/music/albums/voyager-765872/songs Discovery https://zh.listvote.com/lists/music/albums/discovery-906197/songs Tubular Bells III https://zh.listvote.com/lists/music/albums/tubular-bells-iii-971320/songs Guitars https://zh.listvote.com/lists/music/albums/guitars-1028638/songs Heaven's Open https://zh.listvote.com/lists/music/albums/heaven%27s-open-1034694/songs Man on the Rocks https://zh.listvote.com/lists/music/albums/man-on-the-rocks-15059199/songs Return to Ommadawn https://zh.listvote.com/lists/music/albums/return-to-ommadawn-27430145/songs Magic Touch https://zh.listvote.com/lists/music/albums/magic-touch-3504545/songs Elements https://zh.listvote.com/lists/music/albums/elements-9252585/songs Tubular Bells 2009 https://zh.listvote.com/lists/music/albums/tubular-bells-2009-4000145/songs Airborn https://zh.listvote.com/lists/music/albums/airborn-48833081/songs Moonlight Shadow – The https://zh.listvote.com/lists/music/albums/moonlight-shadow-%E2%80%93-the-collection- Collection 16998064/songs The 1984 Suite https://zh.listvote.com/lists/music/albums/the-1984-suite-21450438/songs Icon https://zh.listvote.com/lists/music/albums/icon-16994673/songs Platinum https://zh.listvote.com/lists/music/albums/platinum-929074/songs
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Portsmouth Redevelopment and Housing Authority Lincoln Park – Phase 2 Demolition
    Portsmouth Redevelopment and Housing Authority Lincoln Park – Phase 2 Demolition TABLE OF CONTENTS: DIVISION 01 - GENERAL REQUIREMENTS 011000 SUMMARY 013300 SUBMITTAL PROCEDURES 017419 CONSTRUCTION WASTE MANAGEMENT AND DISPOSAL 017700 CLOSEOUT PROCEDURES DIVISION 02 - EXISTING CONDITIONS 024116 STRUCTURE DEMOLITION DIVISION 22 - PLUMBING 221113 FACILITY WATER DISTRIBUTION PIPING DIVISION 31 - EARTHWORK 311000 SITE CLEARING 312000 EARTH MOVING 312319 DEWATERING 315000 EXCAVATION SUPPORT AND PROTECTION DIVISION 32 – EXTERIOR IMPROVEMENTS 321313 CONCRETE PAVING 329200 TURF AND GRASSES HAZARDOUS MATERIAL SPECIFICATIONS AND REPORT by APPLIED LABS ASBESTOS SPECIFICATION LEAD IN CONSTRUCTION SPECIFICATION HANDLING OF PCB BALLAST, MERCURY LAMPS AND THERMOSTATS SPECIFICATION HAZARDOUS MATERIALS INSPECTION REPORT END OF TABLE OF CONTENTS TABLE OF CONTENTS TOC - 1 Portsmouth Redevelopment and Housing Authority Lincoln Park – Phase 2 Demolition SECTION 011000 - SUMMARY PART 1 - GENERAL 1.1 RELATED DOCUMENTS A. Drawings and general provisions of the Contract, including General and Supplementary Conditions and other Division 01 Specification Sections, apply to this Section. 1.2 SUMMARY A. This Section includes the following: 1. Work covered by the Contract Documents. 2. Use of premises. 3. Work restrictions. 4. Specification formats and conventions. B. Related Sections include the following: 1. Division 01 Section "Temporary Facilities and Controls" for limitations and procedures governing temporary use of Owner's facilities. 1.3 WORK COVERED BY CONTRACT DOCUMENTS A. Project Identification: Lincoln Park Phase 2 Demolition 1. Project Location: Portsmouth, Virginia. B. Owner: Portsmouth Redevelopment and Housing Authority, 3116 South St., Portsmouth VA 23707. C. Architect: Riddick Fiedler Stern pc, 261 West Bute Street, Norfolk, VA 23510. D. Civil Engineer: Pennoni Associates Inc., 349 Southport Circle, Suite 100, Virginia Beach, VA 23452.
    [Show full text]
  • Oldfieldscapes (Pdf)
    2020 Oldfieldscapes MUSICALBOXED.WORDPRESS.COM JORDI ADELL ÍNDICE Introduction 1 Tubular Bach (1973) 3 Nursery times (1968-1974) 6 Sobre la cresta de Hergest (1974) 10 Los albores de Ommadawn (1975) 14 Crónicas de Oldfield: el león, el cazador y el granero (1976) 18 Los embrujos de Incantations (1976-1978) 23 Enigmations (1978-1984) 26 Cala Pregonda (1978) 28 I believe in Oldfield Christmas (1974-1979) 31 Campanas de boda (1981-1982) 33 En el ojo de Irlanda (1982) 35 Mount Echeyde (1982) 40 Escribiendo a la luz de la luna (1983) 42 Cr11Ses (1982-1983) 46 Descubriendo el lago (1984) 48 Living on radio (1983-1992) 52 Amarok: los sonidos del silente (1990) 57 Sin sueños (1991) 61 Noche monumental (1993) 63 Midnight songs (1994) 67 Canciones distantes (1994) 69 Viajero en Ibiza (1996) 72 Le mont Saint Michel (1996) 75 Campanas bajo la lluvia (1998) 78 Far above the crowd (1999) 81 Pacha mama (1999) 84 I still believe in Oldfield Christmas (1980-1999) 88 A las lunas de Valencia (2002) 89 Un paseo por el arte gráfico oldfiliano (1973-2005) 92 Altas esferas en el Guggenheim (2008) 95 Take 4 (1978-2011) 99 Fadalack turns the clock back (1973-2012) 101 Man on the seas (2014) 104 Top of the rocks (2017) 106 New arrivals (1979-2019) 109 INTRODUCTION El día que nací salió a la venta The Yes Album de Yes y, cuando cumplí 11 años, Mike Oldfield publicó el disco Five Miles Out. Puede verse como dos coincidencias, pero a mí me gusta pensar que estos hechos tuvieron algún tipo de efecto sobre mi temprana afición por la música.
    [Show full text]
  • Overdone. About Animals in Prog © 2016/2019
    The Weever Sands – Overdone. About Animals in Prog © 2016/2019 THE WEEVER SANDS – OVERDONE. ABOUT ANIMALS IN PROG A downhill ride (question) All tracks and more information at www.The-Weever-Sands.com © 2016 (revised in 2019). All rights reserved. 1 The Weever Sands – Overdone. About Animals in Prog © 2016/2019 The Weever Sands – Overdone. About Animals in Prog A downhill ride (question) If you ask me what 'The Weever Sands' is all about – well, buggered If I know!1 But maybe it all started because I felt somehow uneasy when Oldfield steered progressive rock (“Prog”) away from the classical rock paradigm in the early 1970s. I mean, what he did was, what was so ingenious, was to create a whole new form of music, not from two turntables, two records, and a microphone2 but from completely de-imagizing the music. Strip it down to the bone, and start just with a small cluster of notes... Take away the lyrics, replace them with vocalise. As if to say3: There, in the chords and melodies, is everything.4 Take away the standard drums, take away the guitar solos and replace them with these incredible singing lines... Indeed, there it is: the whole program to hide behind your music, some fifteen years before Shoegazing and Techno House, some twenty years before Post-Rock. Just repeating patterns that go on and on, moving slightly. No message, no image, no under the lights where we stand tall.5 Mind-boggling, yes – but is there a price to pay?6 If we look at the cultural framework in which Oldfield's musical concept was devised, it`s fair to say
    [Show full text]
  • Overdone. About Animals in Prog © 2016/2019
    The Weever Sands – Overdone. About Animals in Prog © 2016/2019 THE WEEVER SANDS – OVERDONE. ABOUT ANIMALS IN PROG A downhill ride (question) All tracks and more information at www.The-Weever-Sands.com © 2016 (revised in 2019). All rights reserved. 1 The Weever Sands – Overdone. About Animals in Prog © 2016/2019 The Weever Sands – Overdone. About Animals in Prog A downhill ride (question) If you ask me what 'The Weever Sands' is all about – well, buggered If I know!1 But maybe it all started because I felt somehow uneasy when Oldfield steered progressive rock (“Prog”) away from the classical rock paradigm in the early 1970s. I mean, what he did was, what was so ingenious, was to create a whole new form of music, not from two turntables, two records, and a microphone2 but from completely de-imagizing the music. Strip it down to the bone, and start just with a small cluster of notes... Take away the lyrics, replace them with vocalise. As if to say3: There, in the chords and melodies, is everything.4 Take away the standard drums, take away the guitar solos and replace them with these incredible singing lines... Indeed, there it is: the whole program to hide behind your music, some fifteen years before Shoegazing and Techno House, some twenty years before Post-Rock. Just repeating patterns that go on and on, moving slightly. No message, no image, no under the lights where we stand tall.5 Mind-boggling, yes – but is there a price to pay?6 If we look at the cultural framework in which Oldfield's musical concept was devised, it`s fair to say
    [Show full text]
  • Chapter 17 Municipal Code Is Hereby Replaced Follows
    AN ORDINANCE AMENDING THE ZONING CODE ORDINANCE 883 THE COMMON COUNCIL OF THE CITY OF NEW LONDON, OUTAGAMIE AND WAUPACA COUNTIES, WISCONSIN DO ORDER AS FOLLOWS: SECTION 1 THAT CHAPTER 17 MUNICIPAL CODE IS HEREBY REPLACED FOLLOWS: TABLE OF CONTENTS CHAPTER 17 Zoning Ordinance (Amended Ord. 883) 17.00 Introduction 17-1 17.00-1 Authority 17-1 17.00-2 Title 17-1 17.00-3 Jurisdiction 17-1 17.00-4 Purpose 17-1 17.00-5 Intent 17-2 17.00-6 Purposes in View 17-2 17.00-7 Abrogation and Greater Restrictions 17-3 17.00-8 Liberal Construction 17-3 17.00-9 Severability and Non-Liability 17-3 17.00-10 Repeal 17-3 17.00-11 Effective Date 17-4 17.01 Rules and Definitions 17-4 17.01-1 Compliance 17-4 17.01-2 Previously Issued Permits 17-4 17.01-3 Word Use and Measurements 17-4 17.01-4 Definitions 17-5 17.02 Administration and Enforcement 17-5 17.02-1 Organization 17-5 17.02-2 THIS SECTION HAS BEEN INTENTIONALLY LEFT BLANK. 17.02-3 Zoning Administrator 17-6 17.02-4 Zoning Permit & Occupancy Certificate 17-9 17.02-5 Zoning Compliance Statements 17-11 17.02-6 Fees 17-11 17.02-7 Double Fees 17-12 17.02-8 Enforcement and Violations 17-12 17.03 General Provisions 17-15 17.03-1 Introduction 17-15 17.03-2 Use Regulations 17-15 17.03-3 Engineering Regulations 17-17 17.03-4 Locational Regulations 17-19 17.03-5 Lot Regulations 17-24 17.03-6 Structure, Buffers and Landscape Regulations 17-27 17.03-6 (3) Fences and Walls 17-27 17.03-6 (5) Swimming Pools 17-30 17.03-6 (7) Non-Dwelling Use Abutting Residential Use 17-32 17.03-6 (9) General Landscaping Requirements 17-33 17.03-6 (10) Minimum Usable Floor Area 17-33 17.03-7 Farming and Animal Regulations 17-34 17.04 Performance Standards 17-36 17.04-1 Intent 17-36 17.04-2 Compliance 17-36 17.04-3 Procedure 17-36 17.04-4 Point of Measurement 17-38 17.04-5 Performance Standards to be Enforced 17-39 17.04-6 Establishing Requirements for Outdoor Music Events 17-41a 17.05 Site Plan Review 17-42 17.05-9 Design Requirements for Retail Developments exceeding 60,000 sq.
    [Show full text]
  • Aluminum Windows
    DATE: May 18, 2020 FROM: Wight & Company 2500 N. Frontage Road Darien, IL 60561 SUBJECT: ADDENDUM #1 TO THE BIDDING DOCUMENTS FOR: BID GROUP #10 MASTER FACILITY PLAN IMPLEMENTATION COMMUNITY HIGH SCHOOL DISTRICT 99 1436 NORFOLK STREET DOWNERS GROVE, IL 60516 This addendum forms a part of the Bidding Contract Documents, dated May 15th 2020. Bidders must acknowledge receipt of this Addendum in the space provided on the Bid Form. Drawing revisions clouded and tagged with delta 33. I. Specifications: Attached END OF ADDENDUM CHSD 99 Master Facility Implementation 180030 Bid Group 10– Addendum #1 Page 1 Project Manual For: MASTER FACILITY PLAN IMPLEMENTATION ISSUED FOR BID GROUP 10 May 11, 2020 Prepared For COMMUNITY HIGH SCHOOL DISTRICT 99 1436 Norfolk St. Downers Grove, IL 60516 VOLUME 1 – DIVISIONS 1-33 Prepared by: Wight & Company 2500 North Frontage Road Darien, IL 60561 630-969-7000 A/E Project No. 5274-42 Community High School District 99 5274-42 Master Facility Plan Implementation – South ISSUED FOR BID GROUP 10 SPECIFICATIONS PROJECT: Master Facility Plan Implementation Downers Grove South High School 1436 Norfolk Street Downers Grove, Illinois 60516 OWNER: Community High School District 99 6301 Springside Avenue Downers Grove, IL 60516 ISSUED FOR BID GROUP 10 Division Section Title SPECIFICATIONS GROUP General Requirements Subgroup DIVISION 01 – GENERAL REQUIREMENTS 012300 ALTERNATES 013300 SUBMITTALS 014200 REFERENCES 015526 TRAFFIC CONTROL 016000 PRODUCT REQUIREMENTS 016400 SUBSTITUTION REQUEST FORM 017823 OPERATIONS AND MAINTENANCE
    [Show full text]
  • The Earth-Moon- Sun System
    The Earth-Moon- Sun System Are there tides in a deser t? sections 1 Earth in Space Did you know the Moon exerts gravitational force on Earth? On Earth, the Moon’s gravita- 2 Time and Seasons tional attraction is evidenced as tides in Lab Comparing the Angle of oceans and seas. Even in the desert, the Sunlight to Intensity Moon’s gravity influences the flexing of 3 Earth’s Moon tectonic plates. Lab Identifying the Moon’s Surface Features and Apollo Science Journal Research to discover what landforms Landing Sites or events are affected by the Moon’s gravitational force on Earth. 184 Richard Cummins/CORBIS Start-Up Activities Earth, Sun, and Moon Make the following Foldable to help organize what you learn about Relative Sizes of Earth, the Moon, the Earth-Moon-Sun system. and the Sun Can you picture the relative sizes of Earth, the STEP 1 Fold a sheet of paper vertically from Moon, and the Sun? Earth is about four times side to side. Make larger than the Moon in diameter, but the the front edge about Sun is much larger than either. The Sun’s ᎏ1ᎏ 2 inch longer than diameter is about 100 times that of Earth and the back edge. about 400 times that of the Moon. In this Lab, you’ll investigate the relative sizes of all three STEP 2 Turn lengthwise objects. and fold into thirds. 1. Get permission to draw some circles on a sidewalk or paved area with chalk. You STEP 3 Unfold and cut only the top layer could also use a stick to draw circles on a along both folds to make three tabs.
    [Show full text]
  • Mike Oldfield
    Chart - History Singles All chart-entries in the Top 100 Peak:2 Peak:3 Peak: 7 Germany / United Kindom / U S A Mike Oldfield No. of Titles Positions Michael Gordon Oldfield (born 15 May 1953) is Peak Tot. T10 #1 Tot. T10 #1 an English multi-instrumentalist and composer. 2 12 5 -- 175 41 -- His work blends progressive rock with world, 3 24 4 -- 132 16 -- folk, classical, electronic, ambient, and new- 7 1 1 -- 16 2 -- age music. His biggest commercial success is the 1973 album Tubular Bells – which launched 2--27 9 -- 323 59 Virgin Records and became a hit in America after ist opening was used as the theme for the film The Exorcist. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Mike Oldfield's Single (Theme From "Tubular Bells") 07/1974 31 6 02/1974 7 16 2 2 In Dulci Jubilo / On Horseback 12/1975 4 12 4 3 Portsmouth 11/1976 3 12 6 4 Take Four [EP] 12/1978 72 3 5 Guilty 04/1979 22 8 6 Blue Peter 12/1979 19 9 7 Five Miles Out 03/1982 42 18 03/1982 43 5 8 Family Man 06/1982 45 6 9 Mistake 11/1982 56 7 ► Mike Oldfield Group 10 Moonlight Shadow 06/1983 2 31 1405/1983 4 21 5 ► Mike Oldfield (Vocals by Maggie Reilly) 11 Shadow On The Wall 10/1983 3 20 10 09/1983 95 2 ► Mike Oldfield with Roger Chapman 12 Crime Of Passion 01/1984 17 12 01/1984 61 4 13 To France 07/1984 6 18 7 06/1984 48 7 ► Mike Oldfield (Vocals by Maggie Reilly) 14 Tricks Of The Light 10/1984 46 8 09/1984 91 1 ► M.Oldfield feat.
    [Show full text]