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COMMUNICATIONS AUTHORITY ANNUAL REPORT 2015/16 14 Investment in Broadcasting Industry Included Acquisition of Premium Programming and Content Production
Vision Our vision is that Hong Kong has the world-class communications services to meet the challenges of the information age. MISSION • fostering an environment that supports a vibrant communications sector to enhance Hong Kong’s position as a communications hub in the region; • encouraging innovation and investment in the communications market; • promoting competition and adoption of best practices in the communications market for the benefit of the industry and consumers; and • acting in a manner consistent with the provisions of the Hong Kong Bill of Rights Ordinance (Cap. 383). Contents 1 Chapter 1: Our Vision and Mission 3 Chapter 2: Chairman’s Message 6 Chapter 3: Members of the Communications Authority 7 Chapter 4: Role and Functions of the Communications Authority 10 Chapter 5: Overview of Major Developments in the Communications Market 30 Chapter 6: Review of Communications Authority’s Major Tasks 46 Chapter 7: Acknowledgement 48 Annex 1: Summary of Non-domestic Television Programme Services 50 Annex 2: Breakdown of Types and Numbers of Telecommunications Licences THE COMMUNICATIONS AUTHORITY The Communications Authority serves the people of Hong Kong in its capacity as an independent regulator of broadcasting and telecommunications services. Chapter 2: Chairman’s Message Chapter 2: CHAIRMAN’S MESSAGE It is a pleasure for me to present the fourth annual licence to HK Television Entertainment Company report of the Communications Authority (the Limited (HKTVE). The Authority approved in January Authority) covering the period from April 2015 to 2016 HKTVE’s application to use spectrum, on top March 2016. The year under review was an eventful of a fixed network, as an additional transmission year for the Authority, with new developments means to deliver its free TV service. -
Ofcom Annual Report and Accounts 2020-21
The Office of Communications Annual Report and Accounts For the period 1 April 2020 to 31 March 2021 HC 459 The Office of Communications Annual Report and Accounts For the period 1 April 2020 to 31 March 2021 Presented to Parliament pursuant to Paragraphs 11 and 12 of Schedule 1 of the Office of Communications Act 2002 Ordered by the House of Commons to be printed on 8 July 2021. Laid before the Scottish Parliament by the Scottish Ministers Laid before the Welsh Parliament by the Rt Hon Mark Drakeford MS, the First Minister of Wales HC 459 © Ofcom Copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government- licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/official-documents. Any enquiries related to this publication should be sent to us at [email protected]. ISBN 978-1-5286-2705-4 CCS0521569280 07/21 SG/2021/123 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by Hobbs the Printers on behalf of the Controller of Her Majesty’s Stationery Office. Contents Chair’s Message 4 Chief Executive’s Report 6 Section A: Performance Report 8 Overview 9 Performance Review 11 Principal Risks and Uncertainties 43 Stakeholder Engagement 47 Financial Review 55 Corporate Responsibility 61 Sustainability Report 64 Section B: Accountability Report 66 Governance 67 Our Employees 92 Remuneration Report 96 The Certificate and Report of the Comptroller 103 and Auditor General to the Houses of Parliament Section C: Financial Statements 106 Statement of Income and Expenditure 107 Statement of Comprehensive Net Expenditure 107 Statement of Financial Position 108 Statement of Changes in Equity 109 Statement of Cash Flows 110 Notes to the Accounts 111 Section D: Annexes 148 A1. -
Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross). -
Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
Samuel Beckett and the Reception of Harold Pinter's Early
“Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas Book or Report Section Accepted Version Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110 Available at http://centaur.reading.ac.uk/95305/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: https://webshop.harmattan.hu/? id=aa725cb0e8674da4a9ddf148c5874cdc&p=termeklap&tkod=4605 Publisher: L'Harmattan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online (Published in: Anita Rákóczy, Mariko Hori Tanaka & Nicholas Johnson, eds. Infleuncing Beckett / Beckett Influencing. Budapest & Paris: L’Harmattan, 2020, pp. 61-74). “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas by Jonathan Bignell Abstract This essay analyzes the significance of Samuel Beckett to the British reception of the playwright Harold Pinter’s early work. Pinter’s first professionally produced play was The Birthday Party, performed in London in 1958. Newspaper critics strongly criticized it and its run was immediately cancelled. Beckett played an important role in this story, through the association of Pinter’s name with a Beckett “brand” which was used in reviews of The Birthday Party to sum up what was wrong with Pinter’s play. -
Keffiyeh-Clad Heirs of Streicher
VOLUME 2 No. 9 SEPTEMBER 2002 Keffiyeh-clad heirs of Streicher Ihe atrocities of September 11 drew less slaughter gentile children to make matzos '^nan a unanimous reaction from across the for Passover. Cairo, the intellectual capital *orld. The West was divided between a of the entire Muslim cosmos, boasts Ein horror-struck majority and a minority who Shams University. Here Dr Adel Sadeq, deplored the deed but felt they could President of the Arab Psychiatrists 'understand' the perpetrators. The East Association, recently intoned this paean of •displayed a different sort of division. Some praise to suicide bombers: "As a Muslims, exemplified by the ululating professional psychiatrist, I say that the Women caught on camera in the West height of bliss comes with the end of the "3nk, rejoiced, while others professed to countdown: ten, nine, eight, seven, six, "^tect the hand of the Israeli intelligence September 11 Ground Zero five, four, three, two, one. When the service Mossad behind the atrocity. As martyr reaches 'one' and he explodes, he June 28. The article, permed by ex-editor P''oof, they cited the Saudi-manufactured has a sense of himself flying, because he Harold Evans, talked of a "dehumanisation °^ega-lie that 4,000 Jewish employees of knows for certain that he is not dead. It is a of all Jews manufactured and propagated the World Trade Center were absent from transition to another, more beautiful, throughout the Middle East and south *ork on September 11 because they had world. None in the Western world Asia on a scale and intensity that is utterly •^een tipped off. -
1.3 Cu. Ft. Countertop Microwave Oven User's Manual
1.3 Cu. Ft. Countertop Microwave Oven User's Manual Model MCM1310SB PLEASE READ THIS MANUAL CAREFULLY BEFORE USING YOUR MICROWAVE OVEN AND KEEP IT FOR FUTURE REFERENCE. Product Registration Thank you for purchasing a Magic Chef product. The first step to protect your new product is to complete the product registration on our website: www.mcappliance.com/register. The benefits of registering your product include the following: 1. Registering your product will allow us to contact you regarding a safety notification or product update. 2. Registering your product will allow for more efficient warranty service processing when warranty service is required. 3. Registering your product could act as your proof of purchase in the event of insurance loss. Once again, thank you for purchasing a Magic Chef product. PRECAUTIONS TO AVOID POSSIBLE EXPOSURE TO EXCESSIVE MICROWAVE ENERGY (a) Do not attempt to operate this oven with the door open since open-door operation can result in harmful exposure to microwave energy. It is important not to defeat or tamper with the safety interlocks. (b) Do not place any object between the oven front face and the door or allow soil or cleaner residue to accumulate on sealing surfaces. (c) Do not operate the oven if it is damaged. It is particularly important that the oven door closes properly and that there is no damage to the: (1) door (bent), (2) hinges and latches (broken or loosened), (3) door seals and sealing surfaces. (d) The oven should not be adjusted or repaired by anyone except properly qualified service personnel. EN-1 TABLE OF CONTENTS z PRECAUTIONS TO AVOID POSSIBLE EXPOSURE TO EXCESSIVE MICROWAVE ENERGY………………………. -
Brand and the BBC – the Full Expletive-Riddled Truth
Brand and the BBC – the full expletive-riddled truth blogs.lse.ac.uk/polis/2008/11/05/brand-and-the-bbc-the-full-expletive-riddled-truth/ 2008-11-5 Was it a storm in a tea-cup or a symbol of a wider malaise at the BBC? Well Polis has got the full, expletive-riddled story from a senior BBC figure. Caroline Thomson is the BBC’s Chief Operating Officer, second only in importance at the corporation to her namesake, Mark. In a speech to Polis she gave a lengthy and carolinethomson.jpg candid narrative of the whole Brand/Ross prank phone call saga. In it she makes a staunch defence of the BBC’s actions and calls on the corporation to continue taking risk. But she recognised in her speech, and the subsequent exchange we had, that it does raise a wider question: Is the BBC too keen to do too much instead of focusing on what it does best. Here is her speech which I think is well worth reading in full – it will also go up on the main Polis website. The BBC: The Challenge to Appeal to All Audiences Caroline Thomson, Chief Operating Officer, BBC POLIS Media Leadership Dialogues London School of Economics, Tuesday 4 November What a week – when I agreed to do this talk I thought I would focus on transforming the BBC – getting it to be a networked organisation, representing the whole of the UK with London as its hub, not its dominant force, with our plans for our new base in the Manchester region as the central theme. -
Market Analysis of Upcoming Launch of Asianet Data Line Broadband Internet Services in Perumbavoor Region ””
RELATED TITLES Documents Science & Tech Tech Digital & Social Media 187 views 0 0 org study (1) Uploaded by Arjun Sanal Effect of social Building the Asianet News The DIY Guide to media on Gigabit City Channel - Home Wi-Fi asianet satelite cmnctns os Full description Save Embed Share Print ““MARKET ANALYSIS OF UPCOMING LAUNCH OF ASIANET DATA LINE BROADBAND INTERNET SERVICES IN PERUMBAVOOR REGION ”” SUMMER INTERNSHIP PROJECT Submitted to ASIANET SATELLITE COMMUNICATIONS LTD In partial fulfilment of the requirements for the award of the MASTERS DEGREE IN BUSINESS ADMINISTRATION (2013-2015) By Vinu S Reg No: B1308 RELATED TITLES Documents Science & Tech Tech Digital & Social Media 187 views 0 0 org study (1) Uploaded by Arjun Sanal Effect of social Building the Asianet News The DIY Guide to media on Gigabit City Channel - Home Wi-Fi asianet satelite cmnctns os Full description Save Embed Share Print RELATED TITLES Documents Science & Tech Tech Digital & Social Media 187 views 0 0 org study (1) Uploaded by Arjun Sanal Effect of social Building the Asianet News The DIY Guide to media on Gigabit City Channel - Home Wi-Fi asianet satelite cmnctns os Full description Save Embed Share Print Acknowledgement Firstly I express my gratitude to the god Almighty with whose divine guidance I was capable of completing the project. I express my sincere gratitude to the management and staff of RAJAGIRI COLLEGE OF SOCIAL SCIENCES for providing me this opportunity to gain exposure to the corporate world. I thank Prof. Shirley Rita Luis, my faculty guide for guiding me in completing the project successfully. -
C Ntent 17-30 April 2017 L
C NTENT 17-30 April 2017 www.contentasia.tv l www.contentasiasummit.com Telkomsel, CatchPlay roll out in Indonesia 2GB data sweetener for SVOD movie package Indonesian telco Telkomsel has added Taiwan’s CatchPlay SVOD to its Video- MAX entertainment platform, bundling movies with a 2GB data sweetener and the promise of “smooth streaming” on Telkomsel’s 4G mobile network. The package costs Rp66,000/US$5 a month. CatchPlay has also acquired exclusive digital rights for award winning Indo- nesian movie, Solo, Solitude, which will stream on the platform in May. In addition to the monthly subscription option, a multi-layered pricing strategy offers consumers in Indonesia free mem- bership and one free CatchPlay movie a month, with a pay-per-view option for lo- cal and library titles at Rp19,500/US$1.50 each or new releases for Rp29,500/ US$2.20 each. CatchPlay CEO, Daphne Yang, de- scribed Indonesia as a market of “huge potential in terms of individuals who use the internet for video streaming”. CatchPlay titles include La La Land, Lion and Lego: Batman Movie. New titles this month are Collateral Beauty, starring Will Smith; Sing with Matthew McConaughey and Reese Witherspoon; and Fences with Denzel Washington and Viola Davis. CatchPlay also has a distribution deal with Indihome in Indonesia. The platform is available in Taiwan, where it launched in 2007, Singapore and Indonesia. www.contentasia.tv C NTENTASIA 17-30 April 2017 Page 2. Korea’s JTBC GMA bets on love triangles in new drama breaks new ground 3 wives, 3 husbands, 3 mistresses drive day-time hopes with Netflix 21 April global debut Philippines’ broadcaster GMA Network global linear network GMA Pinoy TV on has premiered its new afternoon drama, 18 April. -
Oferta Comercial Residencial De Servicios Públicos De
SERVICIOS EMPAQUETADOS Gerencia de Políticas Regulatorias y Competencia OSIPTEL Vigente al 31/01/2012 Servicios Empaquetados para el Segmento Residencial 1. Indicadores del Mercado de Paquetes 1.1 Suscriptores de dos y tres servicios a nivel nacional 2. Oferta Comercial Residencial 2.1 Telefónica: a. Dúos Telefonía más TV Cable b. Dúos Telefonía más Internet c. Dúos TV Cable más Internet (Altas Velocidades) d. Dúos Telefonía más Cable Satelital e. Tríos Telefonía más TV Cable más Internet f. Tríos Telefonía más TV Cable más Internet (Altas Velocidades) g. Tríos Telefonía más Cable Satelital más Internet h. Otras Promociones 2.2 Claro: a. Precio de los servicios empaquetados: Precio que aplica a la contratación de más de 1 servicio (2 ó 3) b. Paquetes 3Play c. Paquetes 3Play - DVR d. Paquetes 3Play – HD e. Otras Promociones 2.3 América Móvil a. Internet más Telefonía Fija Inalámbrica 1. Indicadores del mercado de paquetes 1.1 Suscriptores de paquetes de dos o tres servicios a nivel nacional. Telefónica y Claro - A Junio 2011 Distribución de suscriptores según empresas y paquete contratado 619,752 Total de Dúos 700,000 36,827 Claro 38,149 (6%) 600,000 TDP 582,925 500,000 400,000 242,978 582,925 300,000 (94%) 25,492 (11%) 200,000 217,486 38,234 (89%) 100,000 1,322 (4%) 36,912 (96%) - T y BA T, TV y BA T y TV Nota: T y TV: Dúo telefonía y TV por suscripción. T y BA: Dúo telefonía y Banda Ancha. T, TV y BA: Trío telefonía, TV por suscripción y Banda Ancha. -
The Repellent Mr Ross
THE REPELLENT MR ROSS NOWHERE IS THE TACIT ALLIANCE between vulgarity and legalised corruption in Britain better illustrated than in the career of Jonathan Ross, the radio and television presenter to whom the BBC has seen fit to transfer £18 million of tax- and licence-payers’ money for three years’ activity. The main advantage of such a vast salary, from the BBC’s point of view, or at least that of its directors, is to make its yearly payment to the Director-General, Mark Thompson, of £788,000 in 2007, seem comparatively modest. Let us recall just a couple of highlights of Mr Ross’s career so far. In 2006 he interviewed the leader of the Conservative Party, and possible next Prime Minister of this country, David Cameron (I shall reserve my estimate of Mr Cameron’s part in the proceedings for a little later). In the course of this interview, he asked Mr Cameron whether he had masturbated as a 12-year-old boy while thinking of Mrs Thatcher. His precise words were, ‘But did you or did you not have a wank thinking of Mrs Thatcher?’ This question came as the culmination of a series of questions as follows: Ross: Let me ask you a question which you may consider a little risqué. How old were you when Lady Thatcher, back then just plain Margaret Thatcher, was first elected? Cameron: Twelve, thirteen, something like that. Ross: That is a time in a boy’s life when you begin to look around for women who are attractive. Cameron: This is when I realise why politicians never come on the show.