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Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross). -
Savoring the Classical Tradition in Drama
SAVORING THE CLASSICAL TRADITION IN DRAMA MEMORABLE PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION JIM DALE ♦ Friday, January 24 In the 1950s and ’60s JIM DALE was known primarily as a singer and songwriter, with such hits as Oscar nominee “Georgy Girl” to his credit. Meanwhile he was earning plaudits as a film and television comic, with eleven Carry On features that made him a NATIONAL ARTS CLUB household name in Britain. Next came stage roles like 15 Gramercy Park South Autolycus and Bottom with Laurence Olivier’s National Manhattan Theatre Company, and Fagin in Cameron Mackintosh’s PROGRAM AT 6:00 P.M. Oliver. In 1980 he collected a Tony Award for his title Admission Free, But role in Barnum. Since then he has been nominated for Reservations Requested Tony, Drama Desk, and other honors for his work in such plays as Candide, Comedians, Joe Egg, Me and My Girl, and Scapino. As if those accolades were not enough, he also holds two Grammy Awards and ten Audie Awards as the “voice” of Harry Potter. We look forward to a memorable evening with one of the most versatile performers in entertainment history. RON ROSENBAUM ♦ Monday, March 23 Most widely known for Explaining Hitler, a 1998 best-seller that has been translated into ten languages, RON ROSENBAUM is also the author of The Secret Parts of Fortune, Those Who Forget the Past, and How the End Begins: The Road to a Nuclear World War III. -
Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
Samuel Beckett and the Reception of Harold Pinter's Early
“Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas Book or Report Section Accepted Version Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110 Available at http://centaur.reading.ac.uk/95305/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: https://webshop.harmattan.hu/? id=aa725cb0e8674da4a9ddf148c5874cdc&p=termeklap&tkod=4605 Publisher: L'Harmattan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online (Published in: Anita Rákóczy, Mariko Hori Tanaka & Nicholas Johnson, eds. Infleuncing Beckett / Beckett Influencing. Budapest & Paris: L’Harmattan, 2020, pp. 61-74). “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas by Jonathan Bignell Abstract This essay analyzes the significance of Samuel Beckett to the British reception of the playwright Harold Pinter’s early work. Pinter’s first professionally produced play was The Birthday Party, performed in London in 1958. Newspaper critics strongly criticized it and its run was immediately cancelled. Beckett played an important role in this story, through the association of Pinter’s name with a Beckett “brand” which was used in reviews of The Birthday Party to sum up what was wrong with Pinter’s play. -
Keffiyeh-Clad Heirs of Streicher
VOLUME 2 No. 9 SEPTEMBER 2002 Keffiyeh-clad heirs of Streicher Ihe atrocities of September 11 drew less slaughter gentile children to make matzos '^nan a unanimous reaction from across the for Passover. Cairo, the intellectual capital *orld. The West was divided between a of the entire Muslim cosmos, boasts Ein horror-struck majority and a minority who Shams University. Here Dr Adel Sadeq, deplored the deed but felt they could President of the Arab Psychiatrists 'understand' the perpetrators. The East Association, recently intoned this paean of •displayed a different sort of division. Some praise to suicide bombers: "As a Muslims, exemplified by the ululating professional psychiatrist, I say that the Women caught on camera in the West height of bliss comes with the end of the "3nk, rejoiced, while others professed to countdown: ten, nine, eight, seven, six, "^tect the hand of the Israeli intelligence September 11 Ground Zero five, four, three, two, one. When the service Mossad behind the atrocity. As martyr reaches 'one' and he explodes, he June 28. The article, permed by ex-editor P''oof, they cited the Saudi-manufactured has a sense of himself flying, because he Harold Evans, talked of a "dehumanisation °^ega-lie that 4,000 Jewish employees of knows for certain that he is not dead. It is a of all Jews manufactured and propagated the World Trade Center were absent from transition to another, more beautiful, throughout the Middle East and south *ork on September 11 because they had world. None in the Western world Asia on a scale and intensity that is utterly •^een tipped off. -
Brand and the BBC – the Full Expletive-Riddled Truth
Brand and the BBC – the full expletive-riddled truth blogs.lse.ac.uk/polis/2008/11/05/brand-and-the-bbc-the-full-expletive-riddled-truth/ 2008-11-5 Was it a storm in a tea-cup or a symbol of a wider malaise at the BBC? Well Polis has got the full, expletive-riddled story from a senior BBC figure. Caroline Thomson is the BBC’s Chief Operating Officer, second only in importance at the corporation to her namesake, Mark. In a speech to Polis she gave a lengthy and carolinethomson.jpg candid narrative of the whole Brand/Ross prank phone call saga. In it she makes a staunch defence of the BBC’s actions and calls on the corporation to continue taking risk. But she recognised in her speech, and the subsequent exchange we had, that it does raise a wider question: Is the BBC too keen to do too much instead of focusing on what it does best. Here is her speech which I think is well worth reading in full – it will also go up on the main Polis website. The BBC: The Challenge to Appeal to All Audiences Caroline Thomson, Chief Operating Officer, BBC POLIS Media Leadership Dialogues London School of Economics, Tuesday 4 November What a week – when I agreed to do this talk I thought I would focus on transforming the BBC – getting it to be a networked organisation, representing the whole of the UK with London as its hub, not its dominant force, with our plans for our new base in the Manchester region as the central theme. -
The Repellent Mr Ross
THE REPELLENT MR ROSS NOWHERE IS THE TACIT ALLIANCE between vulgarity and legalised corruption in Britain better illustrated than in the career of Jonathan Ross, the radio and television presenter to whom the BBC has seen fit to transfer £18 million of tax- and licence-payers’ money for three years’ activity. The main advantage of such a vast salary, from the BBC’s point of view, or at least that of its directors, is to make its yearly payment to the Director-General, Mark Thompson, of £788,000 in 2007, seem comparatively modest. Let us recall just a couple of highlights of Mr Ross’s career so far. In 2006 he interviewed the leader of the Conservative Party, and possible next Prime Minister of this country, David Cameron (I shall reserve my estimate of Mr Cameron’s part in the proceedings for a little later). In the course of this interview, he asked Mr Cameron whether he had masturbated as a 12-year-old boy while thinking of Mrs Thatcher. His precise words were, ‘But did you or did you not have a wank thinking of Mrs Thatcher?’ This question came as the culmination of a series of questions as follows: Ross: Let me ask you a question which you may consider a little risqué. How old were you when Lady Thatcher, back then just plain Margaret Thatcher, was first elected? Cameron: Twelve, thirteen, something like that. Ross: That is a time in a boy’s life when you begin to look around for women who are attractive. Cameron: This is when I realise why politicians never come on the show. -
'Radio': the Audio Afterlife of Television
TV on the ‘Radio’: The Audio Afterlife of Television Paul Reinsch, Texas Tech University The flow of television has always included a stream of sounds as well as images. That these sounds anchor the image and hail the audience has been perhaps relatively, though certainly not completely, neglected by media scholars. The audio address of television facilitates, or may even encourage, the “distracted” viewing explored by various scholars. I am especially interested in the official and unofficial audio recordings of television transmissions and how these texts preserve, transform, and mobilize specific content and television as an idea. Unofficial recordings, in particular, indicate a desire to (re)use a text, and also perhaps to create a bulwark against the (perceived) ephemerality of television, whether live, “live,” or even subject to syndication (and so endlessly looping back around). These works uncover the home as an—audio—archive of television (decades before the DVR became as much of a fixture as lamps and rugs). The transformation of an audio-visual television text into an audio text can be linked not only to sound studies but also discussions of paratexts and “paratextual memory.” Official audio adaptations of television and film texts dot the history of media, and DVD and Blu-ray releases make audio versions of works like Stagecoach available for close study. Less studied (if no less readily available) are releases such as the albums (vinyl, cassette, CD, download) for works such as Fawlty Towers (1975, 1979). As early as 1979, two episodes appeared as audio texts on LP as an offering from BBC Radio, though the texts are not radio adaptations but a transfer of audio content. -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
4 April 2008 Page 1 of 6 SATURDAY 29 MARCH 2008 Dan Freedman and Nick Romero’S Comedy About the First Broadcast on BBC Radio 4 in May 1999
Radio 7 Listings for 29 March – 4 April 2008 Page 1 of 6 SATURDAY 29 MARCH 2008 Dan Freedman and Nick Romero’s comedy about the First broadcast on BBC Radio 4 in May 1999. swashbuckling exploits of Lord Zimbabwe, occultist and SAT 13:30 The Men from the Ministry (b007jqfn) SAT 00:00 Simon Bovey - Slipstream (b009mbjn) adventurer. Not on Your Telly Fight for the Future Lord Zimbabwe ...... Nick Romero The bungling bureaucrats spark bedlam during a BBC Jurgen and Kate are desperate to get the weapon away before all Dr Lilac ...... Dan Freedman 'Panorama' probe. is lost... Cletus ...... Owen Oakeshott Stars Richard Murdoch and Deryck Guyler. Conclusion of Simon Bovey's sci-fi adventure series set during Marylou Coyotecock ...... Sophie Aldred With Norma Ronald, Ronald Baddiley and John Graham. the Second World War. Vicar ...... Colin Guthrie Written by Edward Taylor and John Graham. Stars Rory Kinnear as Jurgen Rall, Tim McMullan as Major Theremin ...... Peter Donaldson 'The Men from the Ministry' ran for 14 series between 1962 Barton, Joannah Tincey as Kate Richey, Ben Crowe as Other parts played by the cast. and 1977. Deryck Guyler replaced Wilfrid Hyde-White from Lieutenant Dundas, Rachel Atkins as Trudi Schenk, Peter Producer: Helen Williams 1966. Sadly many episodes didn't survive in the archive, Marinker as Brigadier Erskine and Laura Molyneux as First broadcast on BBC Radio 4 in August 2000. however the BBC's Transcription Service re-recorded 14 shows Slipstream. SAT 05:00 The Barchester Chronicles (b007jpr1) in 1980 - never broadcast in the UK, until the arrival of BBC Other parts played by Simon Treves, Sam Pamphilon, Alex Framley Parsonage Radio 4 Extra. -
Top 3 Reasons British TV Is the Best | Mismatched Pear OCT NOV DEC ⍰ ❎ 1 Capture 05 F 5 Nov 2016 2015 2016 2017 ▾ About This Capture
Top 3 Reasons British TV is the Best | MisMatched Pear OCT NOV DEC 1 capture 05 f 5 Nov 2016 2015 2016 2017 About this capture A picture is worth what? Stuff You Didn't Know! Watch Out or You May End... Origins: The Oldest Use of the... Nearly 2 days ago Nearly 4 days ago STUFF YOU DIDN’T KNOW! ARTS & ENTERTAINMENT A PICTURE IS WORTH WHAT? What Straight People Can Do to Actually Support the LGBT Community Stuff You Didn't Know! Hazel Romano Top 3 Reasons British TV is the Best Vids 1 month ago • Jason Eisenberg https://web.archive.org/web/20161105051857/http://mismatchedpear.com/top-3-reasons-british-tv-is-the-best/[3/3/2018 3:39:58 PM] Top 3 Reasons British TV is the Best | MisMatched Pear 10 YouTube Channels That’s Ousted TV Sketch Shows 5 Cooking Products that Retard Your Ability to Cook http://www.westernsun.us Although statistics tell us that fewer and fewer people are watching TV, much of it is due to the amount of programming now available to us directly. With the rise of online video 5 Feminist YouTube Channels You Should Be Watching services like Netflix, Hulu, and Amazon, we can watch virtually any program we want at any time. You don’t have to be glued to your television at a specific time to watch an episode of your favorite show, and in many cases you don’t even have to set your DVR. If you purchase a season pass for your favorite show on Amazon or through iTunes, you can watch episodes at your leisure or as soon as they air. -
London Cornish Newsletter
Cowethas Kernewek Loundres www.londoncornish.co.uk Included with this newsletter, you will find are endeavouring to get the details to as two flyers. The first is a subscription re- many members as possible. Regular visi- minder and the second provides details on tors to our web page how to make a nomination for the Paul (www.londoncornish.co.uk) will have the Smales Award (Pewis Map Trevethan) details and we have tried to email those This year, the Cornish Gorsedd requires members for whom we have active email nominations for the Paul Smales Award to addresses. In addition, this newsletter will break with tradition as the e-newsletter will St Piran’s Celebration be submitted much earlier than usual. Saturday 4th March Please note that your nomination and mo- be sent out before the hard copy is printed. tivation should be sent to Dr Francis Dun- If this celebration is a success, we would 1.30 - 5pm stan by 10th March. You will find the consider making it a regular on our social criteria for this prestigious Award on the programme. flyer but basically, it recognises the contri- On 18th March we will enjoy our 131st An- 131st Anniversary bution of someone, living outside Cornwall, nual Dining event. After the success of last Dining Event to the enhancement of the common good year, we are, once again, having a lunch. and welfare of the people of Cornwall. This is in response to requests from our Saturday 18th March members who come from further afield and 12 noon Another special award which is made by also those who do not like travelling late at the Gorsedd is the London Cornish night.