February 1947) James Francis Cooke
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The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. -
The a Lis Auth Szt P Hen Pian Ntic No T Cho Trad Opin Diti N an on Nd
THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION GERARD CARTER BEc LL B (Sydney) A Mus A (Piano Performing) WENSLEYDALE PRESS 1 2 THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION 3 4 THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION GERARD CARTER BEc LL B (Sydney) A Mus A (Piano Performing) WENSLEYDALE PRESS 5 Published in 2008 by Wensleydale Press ABN 30 628 090 446 165/137 Victoria Street, Ashfield NSW 2131 Tel +61 2 9799 4226 Email [email protected] Designed and printed in Australia by Wensleydale Press, Ashfield Copyright © Gerard Carter 2008 All rights reserved. This book is copyright. Except as permitted under the Copyright Act 1968 (for example, a fair dealing for the purposes of study, research, criticism or review) no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior permission. Enquiries should be made to the publisher. ISBN 978-0-9805441-2-1 This publication is sold and distributed on the understanding that the publisher and the author cannot guarantee that the contents of this publication are accurate, reliable, complete or up to date; they do not take responsibility for any loss or damage that happens as a result of using or relying on the contents of this publication and they are not giving advice in this publication. 6 7 8 CONTENTS Chapter 1: Introduction ... 11 Chapter 2: Chopin and Liszt as composers ...19 Chapter 3: Chopin and Liszt as pianists and teachers ... 29 Chapter 4: Chopin tradition through Mikuli ... 55 Chapter 5: Liszt tradition through Stavenhagen and Kellermann .. -
Lydia Tang Thesis.Pdf
THE MULTI-FACETED ARTISTRY OF VIOLIST EMANUEL VARDI BY LYDIA M. TANG THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Rudolf Haken, Chair Associate Professor Katherine Syer, Director of Research Associate Professor Scott Schwartz Professor Stephen Taylor Clinical Assistant Professor Elizabeth Freivogel Abstract As a pioneer viola virtuoso of the 20th century, Emanuel “Manny” Vardi (c. 1915-2011) is most widely recognized as the first violist to record all of Paganini’s Caprices. As a passionate advocate for the viola as a solo instrument, Vardi premiered and championed now-standard repertoire, elevated the technique of violists by his virtuosic example, and inspired composers to write more demanding new repertoire for the instrument. However, the details of his long and diverse career have never to date been explored in depth or in a comprehensive manner. This thesis presents the first full biographical narrative of Vardi’s life: highlighting his work with the NBC Symphony under Arturo Toscanini, his activities as a soloist for the United States Navy Band during World War II, his compositional output, visual artwork, an analysis of his playing and teaching techniques, as well as his performing and recording legacies in classical, jazz, and popular music. Appendices include a chronology of his life, discography, lists of compositions written by and for Vardi, registered copyrights, and a list of interviews conducted by the author with family members, former students, and colleagues. -
June 2018 List
June 2018 Catalogue Issue 26 Prices valid until Friday 27 July 2018 unless stated otherwise 0115 982 7500 The Temptation of St Anthony (detail from right hand panel) by Hieronymus Bosch (used as the cover for Stephen Hough’s Dream Album (Hyperion CDA68176). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Welcome to another bumper catalogue! It never ceases to amaze us how quickly our monthly publications get filled, especially when classical music was supposed to be ‘dead’ many years ago. New releases continue to number in their hundreds every month, and it is certainly not difficult to find superb back-catalogues to promote and explore. Our ‘Disc of the Month’ is as good a place as any to start for our new release highlights: Stephen Hough’s recitals for Hyperion never fail to ignite a spark of interest, and his latest compendium features a delightful selection of both romantic and light piano repertoire, many arranged by Hough himself. We have been thoroughly enjoying it in recent days, making it a clear choice for our pick in June - please find more information below. Another pianist we think deserves some attention this month is Kevin Kenner, who has recorded a brand new album of Chopin’s late works for Warner Classics. Kenner has long been associated with Chopin and his interpretations have been compared in the past to the likes of Rubinstein, Michelangeli and Lipatti, so it is pleasing to see him now receiving some long-overdue exposure on a major label in the UK. -
1970-05-23 Milwaukee Radio and Music Scene Page 30
°c Z MAY 23, 1970 $1.00 aQ v N SEVENTY -SIXTH YEAR 3 76 D Z flirt s, The International Music-Record-Tape Newsweekly COIN MACHINE O r PAGES 43 TO 46 Youth Unrest Cuts SPOTLIGHT ON MCA -Decca in Disk Sales, Dates 2 -Coast Thrust By BOB GLASSENBERG NEW YORK - The MCA - Decca was already well- estab- NEW YORK -Many campus at Pop -I's Record Room. "The Decca Records complex will be lished in Nashville. record stores and campus pro- strike has definitely affected our established as a two -Coast corn- In line with this theory, Kapp moters Records is being moved to the across the country are sales. Most of the students have pany, Mike Maitland, MCA Rec- losing sales and revenue because gone to the demonstrations in West Coast as of May 15. Sev- of student political activity. "The the city and don't have new ords president, said last week. eral employees have been students are concerned with records on their minds at the "There are no home bases any- shifted from Kapp's New York other things at the moment," moment. They are deeply moved more for the progressive record operation into the Decca fold according to the manager of the (Continued on page 40) company." He pointed out that and Decca will continue to be a Harvard Co -op record depart- New York -focused firm. The ment in Cambridge, Mass. The shift of Kapp to Los Angeles is record department does much a "rather modest change," business with students in the FCC Probing New Payola Issues Maitland said, as part of the Boston area. -
1 ORGAN WORKS by COMPOSERS from AFRICA and the AFRICAN-DIASPORA BIBLIOGRAPHY: See Also Calvert Johnson, Compi
1 ORGAN WORKS BY COMPOSERS FROM AFRICA AND THE AFRICAN-DIASPORA BIBLIOGRAPHY: see also www.agoatlanta.org Calvert Johnson, compiler (2013) AFRICAN-AMERICAN COMPOSERS Adams, H. Leslie (b. Cleveland, 1932). Infinitas (1999). ______. Offering of Love [Offertory] (1991). Westlake OH: HCM, 1992. In Abbington vol. 1. ______. Prelude & Fugue for Organ (1978). Pullman WA: Vivace Press, 1998. http://www.hleslieadams.com; http://chevalierdesaintgeorges.homestead.com/Adams.html ARCHIVES: Leslie Adams Music Archives, Special Collections, Cleveland Public Library EDUCATION: BME, Oberlin (1955), studying composition with Herbert Elwell and Joseph Wood; further private study with Robert Starer and Vittorio Giannini; MM, California State University-Long Beach (1967) studying composition with Leon Dallin and Robert Tyndall; PhD, Ohio State University (1973), studying with Marshall Barnes. CAREER: Choral director, Stillman College (AL); Pianist for dance companies (1957-62); High School teacher, Soehl Jr High, Linden NJ (1962-63); Associate Musical Director, Karamu House, Cleveland OH (1964-65); Music teacher, New Mexico School for Performing Arts, Raton NM (1966-67);Assistant Professor, Florida A&M University (1968); Associate Professor, Choral director, University of Kansas (1970-78); Composer-in- residence, Karamu House, Cleveland OH (1979-80); Scholar-in –residence, Rockefeller Foundation, Bellagio Italy (1979); Fellowship, Yaddo Artists Colony, Saratoga Springs (1980, 1984); Cleveland Foundation Fellow (1980); Jennings Foundation Fellow (1981); Guest composer, Cuyahoga Community College OH (1980); Composer-in residence, Cleveland Music School Settlement (1981-84, 1991); Founder and President, Accord Associates (1980-1986); Executive Vice-President, Composer-in-Residence, Accord Associates (1986-92); Artist-in-residence, Creative Arts (1997-present); National Association of Negro Musicians Composer Award (2004); Composer Legacy Award, National Opera Association (2006); Distinguished Alumnus Award, California State University, Long Beach (2006); Gems of Cleveland Award (2007). -
String Quintets
ae Bish E fe — a Sar STEREO = 85m 645 MUSICAL HERITAGE SOCIETY —MUSICAL HERITAGE SOCIETY — MUSICAL HERITAGE SOCIETY ~ LUIGI BOCCHERINI. | STRING QUINTETS . : 3 Opus 13, No. 5 in E Major Br Sate see) ey ST TB Opus 20, No. 4 in F Major _ Opus 37, No. 2 in G Minor The STRADIVARI QUINTET Arnold EIDUS, Violin ~~~ David MANKOVITZ, Viola Raoul POLIAKIN, Vzolin George RICCI, Cello Harvey SHAPIRO, Cal Assisting Artist Dr. Michael NAIDA, Musical Director XIAIOOS LIVHH TVOISOW FOVALHIOOS AOV.LIYHHTVOISNW — — SOCIETY HERITAGE MUSICAL MUSICAL HERITAGE SOCIETY ALAIOOS FOVLIGAH TVOISAW— ALAIOOS FOV LAH TVOISOW — A.LHIOOS FOV. .LIGHH TVOISOWN a - Be ‘ ts eg. ne $3, i aad : as 34 J : fin la * phe 2 NERDYTeIe5. ye, MHS 645 | as ‘LUIGI BOCCHERINI _ (1743-1805) STRING QUINTETS Side 1: ae Side 2: Opus 13, No. 5 in E Major Opus 20, No. 4 in F Major Opus 37, No. 2 in G Minor - The STRADIVARI QUINTET Arnold EIDUS, Violin’: Raoul POLIAKIN, Violin David MANKOVITZ, Viola George RICCI, Cello ra Harvey SHAPIRO, Gale Assisting Axtist Dr. Michael NAIDA, Musical Director j The Italian musical conquest of Spain in the last half and concerti, his outstanding compositions are the two of the 18th century is one of the more interesting develop- ARNOLD EIDUS, a native New Yorker, studied -at the hundred odd string quartets and quintets. His annate sense ments of European. musical history. A number of Italy’s Juillard School of Music, and made his debut as a thirteen- | of thematic organization and style greatly contributed to the year old in New York. -
Download the 100Th Anniversary Celebration Booklet
The 100T H ANNIVERSARY CELEBRATION of NAUMBURGthe ORCHESTRAL CONCERTS John Lennon Memorial Service: IN CELEBRATION OF 100 YEARS OF FREE CONCERTS FOR THE PEOPLE OF NEW YORK CITY. THE OLDEST CONTINUOUS FREE OUTDOOR CONCERT SERIES IN THE UNITED STATES Candlelight Vigil Sunday Evening, June 19 2005, at 7:30 The Naumburg Bandshell, Concert Ground, Central Park Admission is free Photo: Andy Freeberg December 14, 1980 The One Hundredth Anniversary Celebration of THE NAUMBURG ORCHESTRAL CONCERTS THE NAUMBURG ORCHESTRAL CONCERTS SUNDAY EVENING, JUNE 19, 2005 AT 7:30PM THE NAUMBURG BANDSHELL, CONCERT GROUND, CENTRAL PARK ADMISSION: FREE OFFICERS BOARD OF DIRECTORS MUSIC DIRECTOR FEATURING Mrs. George W. Naumburg, Jr. Anne Bergeron Stephen Lugosi Chair The Naumburg Orchestra • Christoph Campestrini Conductor • Charles Neidich Clarinetist William L. Bernhard 1985 Winner of the Walter W. Naumburg Foundation International Clarinet Competition Christopher W. London Elizabeth M. Bryden MUSIC DIRECTORS EMERITUS President Vadim Gluzman Violinist Thomas J. Healy, Jr. Jens Nygaard Judith E. Naumburg Christopher W. London Otto K. Radl Treasurer PROGRAM Susan Morgenthau Mrs. Hariett S. Berthoud Anne Bergeron Judith E. Naumburg DARIUS MILHAUD (1892-1974) Secretary Mrs. George W. Naumburg, Jr. Le Creation du Monde Dr. George W. Naumburg, Jr. AARON COPLAND (1900-1990) Erich Vollmer Clarinet Concerto Charles Neidich Clarinet Our four concerts this summer are dedicated to several members of the Naumburg Family, INTERMISSION in recognition of and gratitude for their very generous and thoughtful support of the series: IGOR STRAVINSKY (1882-1971) June 19, 2005 July 26, 2005 Ragtime to the memory of Philip H. Naumburg, to the memory of George W. -
Black Serious Composers Janice Y
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 5-1971 Black serious composers Janice Y. Wilson Follow this and additional works at: http://commons.emich.edu/theses Part of the Art Education Commons Recommended Citation Wilson, Janice Y., "Black serious composers" (1971). Master's Theses and Doctoral Dissertations. 532. http://commons.emich.edu/theses/532 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. 13L•\CK SERlOUS COMPOSEHS by JANICS Y . WILSO"\ An Independent Graduate Study Presented to the Dep<n-tment of 1.·1usic and the Graduate Schoo, Of Eastern Michigan University in Partial Fulfill nwnt of the requ)rcm·-nls for the dcgn~e of Master oi Arts in }.tusic Education !v'f<~, ' 1971 Ypsi.lant i, Michigan TABLE OF CONTENTS ACI<f'JOWLE.DGE~tENTS .....••..••.•. .•. .. ... • ..•.. iii PnEFACE . • ..... v INTHODUCTION •• . 1 I. PRE-FIFTEENTH CENTURY OUHAH, l\1abc·d Ibn ..... 4 I I. EJGHTE'P.NTH cr:~ 'T UH Y SAI:CEO, Ignatius . 5 de SAI~T GEORGES, ChC'valic·1 6 BlUDGETO"~",\ ER, G<'orgc ........ .... •.•...... 8 SNAEH, Samuel ...... ....... • ............. 11 BARES, B? silC' ......... ... •. .. ... ....•. 12 Btii\ LEJC~I, Ha1.·rr . • . 13 COLCRIDGE-TAYLOR, Sat'ltt·l . • • • . • . 16 FH F:El"' \N, B. Lav;rcncc . 20 JENKINS, Eclmund . • . 21 IV . -
Sibelius (1865-1957, Finland)
SCANDINAVIAN, FINNISH & BALTIC CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Jean Sibelius (1865-1957, Finland) Born in Hämeenlinna, Häme Province. Slated for a career in law, he left the University of Helsingfors (now Helsinki) to study music at the Helsingfors Conservatory (now the Sibelius Academy). His teachers were Martin Wegelius for composition and Mitrofan Vasiliev and Hermann Csilag. Sibelius continued his education in Berlin studying counterpoint and fugue with Albert Becker and in Vienna for composition and orchestration with Robert Fuchs and Karl Goldmark. He initially aimed at being a violin virtuoso but composition soon displaced that earlier ambition and he went on to take his place as one of the world's greatest composer who not only had fame in his own time but whose music lives on without any abatement. He composed a vast amount of music in various genres from opera to keyboard pieces, but his orchestral music, especially his Symphonies, Violin Concerto, Tone Poems and Suites, have made his name synonymous with Finnish music. Much speculation and literature revolves around Sibelius so-called "Symphony No. 8." Whether he actually wrote it and destroyed it or never wrote it all seems less important than the fact that no such work now exists. Violin Concerto in D minor, Op. 47 (1903-4, rev. 1905) Salvatore Accardo (violin)/Sir Colin Davis/London Symphony Orchestra ( + Dvorák: Violin Concerto) PHILIPS ELOQUENCE 468144-2 (2000) Salvatore Accardo (violin)/Sir Colin Davis/London Symphony Orchestra ( + 2 Humoresques and 4 Humoresques) AUSTRALIAN ELOQUENCE ELQ4825097 (2016) (original LP release: PHILIPS 9500 675) (1979 Salvatore Accardo (violin)/Mario Rossi/Orchestra Sinfonica di Torino della Radiotelevisione Italiana (rec.