Ailkura Atiga Atigahara Agratalasaficara Agrapluta Aficita

GLOSSARY OF SELECTED TECHNICAL TERMS

A ailkura pantomiming through gestures atiga major limb, feature; a feature of degIllisya (q.v.) atigahara sequence of dance units; a feature of degillisya (q.v.) agratalasaficara a foot movement agrapluta a degI (q.v.) can (q.v.) aficita a neck movement; an arm movement; a foot movement; a karlll]a (q.v.); an utplutikarafia (q.v.) aficitabhramarI a whirling movement afijana a hand gesture a<;l~ a tlila (q.v.) a<;l<;litli a bhiimican (q.v.) a<;l~talaJl!1Ya a bandha (q.v.) dance adrutlilanrtya same as above anatiga a feature of degIllisya (q.v.) anibaddha loosely constructed in comparison to nibaddha (q.v.)(as applied to a song) anibandha freer composition in comparison to rigidly structured (as applied to a dance) anibandhanrtta a pure dance with scope for improvisation anibandhanrtya a mimetic dance with scope for improvisation anIld a feature of degIllisya (q.v.) anurnlina a feature of degillisya (q.v.) antarlilaga an utplutikarar:ta (q.v.) apasara exit; dance interludes in a play

261 262 GLOSSARY abbinaya acting, mimingj a feature of degiIasya (q.v.) ardhakuiicita a degi~\1ava (q.v.) ardhanikunaka a karatta or dance unit ardhacandra a single-hand gesture ardhasiici a karatta or dance unit aIarnkaragastra the manual on poetics alapallava a single-hand gesture alapadma a single-hand gesture avammasandhi a technical feature of drama avahittha a margasthina or a standing posture of traditional variety uvakrinta a margasthina or a standing posture of traditional variety alaga a leaping movement alita a rnatt4a1a (q.v.)j a marga (q.v.) karatta (q.v.)j a de~ikarlqla (q.v.) aliti a carl (q.v.) aIMagati a feature of degiIisya (q.v.) x

iikjgacarl a carl (q.v.) performed in the air iikuiicita a degitit}4ava (q.v.) aqiptaka a karatta or dance unit angilca related to body icarya a teacher who is conversant with both theory and practice inam a Tamil word for drama iditala a degi (q.v.) tala (q.v.) ibhoga part of a musical composition iyatasthina a degi(q.v.) sthina (q.v.) MOVEMENT AND MIMESIS 263 irabhap a vigorous style of presentation iilapa exposition iilapacan the opening dance in the ddi (q.v.) tradition iilipallava a karat}a or dance-unit aIi«Pla a margasthina or a standing posture of traditional variety avarta a karat}a or dance unit -asmaor a feature of liisya (q.v.) (in the Bharata tradition) ahanga a musical element (1) aharya dress, make-up and stage accessories

u uktapratyukta a feature of lisya (q.v.) (in the Bharata tradition) ugra a ddi (q.v.) angahira (q.v.) ugratara same as above uc;tupa a class of de§i (q.v.) dance( of the bandha (q.v.) variety), same as uriipa (q.v.) uttamottaka a feature of lisya (q.v.) (in the Bharata tradition) utplavana leaping movements utplutikarat}a a de§i (q.v.) karat}a (q.v.) utsahavau a mirganatya (q.v.) (of the ddi (q.v.) variety) utsanditii a can (q.v.) utsmanka a major dramatic type udgraha part of a musical composition uddhata forceful uddhatami§ritmasroanrna a delicate dance mixed with forceful movements upariipaka minor drama upanga minor limb upadhyaya a teacher 264 GWSSARY urudVfUi a bhiimiciri (q.v.) urupa same as u~upa (q.v.) uriipa same as u~upa (q.v.) UI'Ot\g~ a feature of de§iIasya (q.v.) UI'011l8J}

ekajanuka a de§Isthana (q.v.) ekatilinrtYa a bandha (q.v.) dance ekapada a de§Isthana (q.v.) ekapiriva a de§Isthana (q.v.) et}apluta an utplutikaraJ}a (q.v.)

aindra a de§Isthana (q.v.) o

oyaraka a feature of de§iIasya (q.v.) MOVEMENT AND MIMESIS 265

Odissi a classical dance style from Orissa

kakubha a riga (q.v.) kali-echinna a kar~a or dance-unit; a de~i (q.v.) dance, kattari a de~i (q.v.) dance Kathak a classical dance style from North India Kathakali a classical dance style from Kerala kanduka a ~i (q.v.) dance; a similar dance item is found in Mohiniattam of Kerala kamala an anibandha (q.v.) dance kartarlrnukha a single-hand gesture karaiiji a de~i (q.v.) dance kar~ a drum kar~a (rqtta) a basic dance-unit (coordinated movement of the hands and feet) kar~a (hasta) a special movement of the hand kar~aneri a bandhanrtta (q.v.) karul}a rasa, a tala karl}a a minor drama karl}itagolaka a musical mode karma (pida) a special movement of the leg karma (hasta) a special movement of the hand kalua a de~iIisya (q.v.) kalisa a concluding movement kalisakar~a a class of kar~a (q.v.) kalisalisya a ~i lisya (q.v.) kalpa a de~i (q.v.) tala; a ~i (q.v.) dance kalparqtya a bandha (q.v.) dance kalpavalli a minor drama 266 GLOSSARY kalla a musical element(?) kavicara a feature of per~I (q.v.) dance, same as kaivara (q.v.) kanu]ika a ~I (q.v.) ailgahara (q.v.) kavya a poetic composition; a degI (q.v.) dance of prakaranatya (q.v.) variety; a minor drama ka'tha a ~I (q.v.) dance of prakaranatya (q.v.) variety kahala a drum kitikIt:tI ankle bell kittu a feature of degIlasya (q.v.) Kuchipudi a classical dance style from Andhra kuncita a degI~Qava (q.v.), a kar~a or dance-unit kuQupa an anibandha (q.v.) dance kU~Qalavartaka a degI (q.v.) carl (q.v.) kU~QalI a degIIasya (q.v.); same as gu~QalI (q.v.) kutapa musical ensemble kurafijI a degI (q.v.) dance (of prakaranatya (q.v.) variety) kuvaQa a degI (q.v.) dance kn~asaragati a gaitsimulating the gait of a deer kaiSikIVJ1ti a graceful style of presentation kaivrtana an anibandha (q.v.) dance kaivara a feature of pera~i (q.v.), same as kavicara (q.v.) kaivaIa a double-hand gesture komalika a feature of degIlasya kollata a degI (q.v.) dance kolkatika an acrobatic dancer kollatika same as above kolhatika same as above kaulata same as koIlata krlQlirasaka a variety of rasaka (q.v.) kriya keeping the time with hands MOVEMENT AND MIMESIS 267

qetra (hasta) position of the hand

kha"-ga a kaliisa (q.v.) kha"-gabandha a degi (q.v.) can (q.v.) kh~~siici a foot movememt kharjurika a pattern of rhythm

GA gati.giivatar~a a kar~a or dance-unit gajagati a gait simulating the gait of an elephant gajara a musical element (1) gati gait gatistha a feature of de~Ilasya (q.v.) gandharvaraiijaka an entertaining performer garbhasandhi a technical feature of drama garva a folk dance from Gujarat garu"-a a miirgasthana (q.v.) garu"-apluta a karaQa or dance-unit giina a song sung in regional style giindharva (a song) in the classical mode gita vocal music gitakadyabhinayonmukhanrtta a dance that mimes the meaning of a song gitanrtYa a bandha (q.v.) dance gitaprabandha a bandha (q.v.) dance 268 GLOSSARY gItavidyati a feature of de~IIlisya (q.v.) gIyamanariipaka musical play gUl}.~a1I a de~I (q.v.) dance gUl}.

GHA

ghatasa a drum ghapsa same as above gha~asa same as above ghapsanI a de~I (q.v.) dance ghapsi~rI same as above gharghara to stamp on the ground marking the rhythm with anklebel1s gharghari same as above MOVEMENT AND MIMESIS 269

CaDCU a drum cakkar a spinning movement, (a feature of Kathak) cakram3l}~a a kar3l}a or dance-unit cakrabbramarl a spinning movement caccatputa a tala of the older tradition c3l}~a a feature of d~I lasya caturasra a kind of measure; a double-ha..'1d gesture; a standing posture caturura same as above caturasrapada a quartet candraka a hand-gesture candravarta a kar3l}a or dance-unit camatkaranrtta a bandha (q.v.) dance ... carcan a song; a tala or rhythm; a degI (q.v.) dance; a degI (q.v.) dance calavali a feature of degIlasya (q.v.) calli a dance by a female performer playing a drum called hu~ukka (q.v.) cfu:14ikasthana a degI (q.v.) sthana (q.v.) cM3l}a a wandering performer; a musician; an expert in the music of ankle bells; a ~I (q.v.) dance can the movement of one leg caIaka a movement of the arms cali a feature of degIIasya (q.v.); the basic dance of the Manipuri style caliva~ a feature of degIlasya (q.v.) ca,agati a can- ... ci1}tu a degI (q.v.) dance 270 GLOSSARY cindu a bandha (q.v.) dance originating in the land of Drivi"a citra varied; a de§i dance citri a marganitya or mimetic dance of the regional variety citrakalisa concluding movement of a special type citrakivya a minor dramatic type citribhinaya a special mode of presentation cilli same as calli (q.v.) ce,tikfta movements of the entire body cauki the basic standing pose of the Odissi style, a square posture

CHA chalika a song, a mimetic dance chalita same as above chiyanita a musical mode chiyilaga music based on pure form, same as siilaga chilikya same as chalika (q.v.) churita a variety of llisya (q.v.); a deSi (q.v.) dance chau a regional dance from the eastern part of India

J·akkadi • a Persian dance categorized as anibandha (q.v.) dance, a prakliraniitya (q.v.) jakkarl same as above janantika an aside janiti a carl (q.v.) jayadarpa a de§i (q.v.) karaJ)a (q.v.) MOVEMENT AND MIMESIS 271 jayanta a hand-jesture jiika

JHA jhaflka a feature of degiIiisya (q.v.) jhampataIa a degi tala or regional rhythm

TA takka a raga (q.v.)

!heva a feature of degiIiisya (q.v.)

<;tala a feature of degiIiisya (q.v.) <;tima a major dramatic type <;limika a miirganatya (q.v.) <;tillayi a feature of degiIiisya (q.v.); same as dhillayi (q.v.) <;tomika a deginrtta (q.v.) <;tombalika a minor drama, a dance-drama <;tombika same as above <;tombi same as above <;tolapada a karaI)a or dance-unit; same as dolapiida (q.v.) 272 GLOSSARY

~ii1a a feature of de~ilasya (q.v.)

TA tatkar movements of ankle bells ( a feature of Kathak) tarahara a feature of de~iIlisya (q.v.), same as tharahara (q.v.) tala a feature of de~ilasya (q.v.) talapu~paputa a karaJ}.a or dance unit talavillisita a karat}a or dance unit tavaJ}.i a feature of de~iIlisya (q.v.); same as navat}i, lavat}i or namani taQQava nrtta or dance in the Bharata tradition; later taken to mean a vigorous dance tala rhythmic system or cycle taIariipaka an anibandhanrtta (q.v.) tirapabbramarI a revolving movement tiryakaraJ}.a an anibandhanrtta (q.v.) tivap a technical feature of music tiikali a feature of de~iIasya (q.v.) tumbika a de~inrtta (q.v.) trUyaJl!1ya a bandha (q.v.) dance qicani a feature of de~ilasya (q.v.) totaka a minor drama; same as trotaka (q.v.) trigii~aka a feature of llisya (q.v.) (in the Bharata tradition), same as trimii~aka (q.v.) tripataka a single-hand gesture tribhailgi a standing posture in the Odissi style, breaking the line of the body into three trimii~aka same as trigii~aka (q.v.) MOVEMENT AND MIMESIS 273

a hand gesture a minor drama; a deginitya (q.v.), same as to~ (q.v.)

THA tharahara a feature of degilisya (q.v.); same as tarahara (q.v.)

a guddha or pure (non-representational) variety of til)~va (q.v.) dat}~pak,a a karatta or dance-unit datt~isa a ~inrtta (q.v.) dat}\falisya a ~iIisya (q.v.) dat}~i same as above dat}~ni a degitqtya (q.v.) disiittam the dance of the devadisis of ramilni<;lu durrnalIl a minor dramatic type of degi (q.v.) variety; a deginrua (q.v.) durmilita a minor dramatic type durrnalliki same as above degi regional degikanari a degi (q.v.) dance degikara a feature of degilisya (q.v.) deginitya a dramatic presentation of the regional variety deginrtta an abstract dance of the regional variety deginrtya a mimetic dance of the regional variety degiIisya graceful dance of regional variety degyanga a feature of ~i (q.v.) dance dvigii

DBA dhammilla a special way of braiding hair Dharu a bandhanrua (q.v.) from Andhra region dhasaka a feature of de§iIllsya (q.v.) dhatu a musical element dhillayi a feature of de§iIasya (q.v.); same as ~llayi (q.v.) dhiiviicJa a §uddha (non-mimetic) dance; a bandhanrtta (q.v.) dhyana§loka pictorial verses presenting anthropomorphic images of the musical modes dhruva a feature of music; a tiila (q.v.); a song-piece dhruvagitarqtya a pure(non-mimetic) nrtta (q.v.) danced to a dhruva (q.v.) song dhruvapadanrua a bandhanrtta (q.v) danced to a dhruvapada song dhruva a raga (q.v.) dhruva~ same as dhiiva~ (q.v.)

nata an actor natana dancing natasiitra guidelines for actors napbhava emotional expression appropriate for women na~aneri an anibandha (q.v) dance MOVEMENT AND MIMESIS 275 natajiinuka an anibandhanrtta (q.v.) nand! a sthiina (q.v.) nandimaIi a variety of bhli1)aka (q.v.) narnani a feature of degillisya (q.v.); same as navaQi, lavaQi or tavaQi nartaka a male dancer nartakabh~li the special language of dancers nartakl a female dancer nartana dancing nartanaka a minor drama navaQi a feature of degillisya (q.v.), same as namani, lava1)i or tavaQi nli!a a rliga (q.v) nli!aka a major dramatic type nlitikli a minor drama; a mlirganlitra (q.v.) nli!! same as above nlitra drama (often used as nrtya (q.v.) in the manuals) nlitranrtYa an expressive dance nlityadharrnI stylized (movement) nlitrarlisaka a degI (q.v.) dance; a minor drama; a degI nlitya (q.v.) nlind! an opening verse nlida sound nlimlivaIl an anibandha (q.v.) dance nikuncita a degitli1)gava (q.v.) nijlipaQa a feature of degillisya (q.v.) nitamba a kara1)a or dance-unit nibaddha rigorously constructed (applied to music) nigumbhita a kara1)a or dance-unit nirlijitapadma a clilaka or a special movement of the hand neri an anibandhanrtta (q.v.) nrtta a non-representational dance 276 GLOSSARY nrttakavya dance-drama nrttacara a fonn of drama nrttapradhanaragakavya musical play with dance as its main feature nrttavara same nrttacara nrttahasta hand gesture for dance nrttatrnakaprabandha dance-drama rqtya a mimetic dance rqtyakavya dance drama rqtyabhava a special expression used by dancers rqtyabheda dance-drama nyaya rules

pataka a single-hand gesture padarthabhinaya miming the meaning of words paryastaka an angahara (q.v.); a non-representational dance• sequence parivrtta a de~Isthana (q.v.) pata syllables uttered with drumming or dancing to keep the rhythm patarnat].i striking the ground with the feet patak~ara syllables of drumming pada footwork padapiita a feature of de~Ilasya (q.v.) piiclvakuiicita a d~Ita1)Qava (q.v.) par~vajanu a kara1)a or dance-unit piiq1)ipIQa a de~Isthana (q.v.) parijataka a minor dramatic type parijatalata same as above MOVEMENT AND MIMESIS 277 pala the movement of one leg, generally known as can (q.v.) piQ

prasthiina a de§I (q.v.) dance; a minor drama prahasana a major dramatic type preqaJ}a a minor drama; same as peklchaJ}a (q.v.), a de~I (q.v.) dance preqaJ}aka same as above preqyaprabandha a composition to be seen pretUchaJ}a a de§I (q.v.) dance, same as peklchaJ}a and prek'aJ}a; a de§Ilisya (q.v.) preraJ}a a de~I (q.v.) dance; a minor drama preraJ}i a de§Ilisya (q.v.) playa a kalisa (q.v.)

baka a kalisa (q.v.) batunrtta an anibandhanrtta (q.v.); a dance item of Odissi style baddha structured, same as nibaddha (q.v.) bandharqtta a set, structured and abstract dance in the de§I (q.v.) tradition bandhanrtYa a set, structured and mimetic dance in the de§I (q.v.) tradition; a dance-piece called bandhanrtya (q.v.) bahurlipa a de§I.(q.v.) dance bihyabhramarl' a revolving movement bindu a structural division in a play; a point marking the sudden development of secondary incidents

BHA

Bharatanatyam a classical dance style from Tamilnad bhadrisana a group dance forming an auspicious figure bhit}a a major dramatic type MOVEMENT AND MIMESIS 279

bha1]aka a minor dramatic type bhfu:1ikli a minor dramatic type bhfu:1I same as above bhfu:1~li a de~I (q.v.) dance bhliva emotion; a feature of de~yaflga (q.v.) bhavaneri an anibandha (q.v.) dance bhlivli~raya dependant on emotional expression, a feature of peraI]i (q.v.) dance; same as bagaQa (q.v.) bhitra a de~I (q.v.) dance bhillukI a de~Inrtta (q.v.); same as ulrnukI (q.v.) bhIma a de~I (q.v.) aflgahara (q.v.) bhujaflgatrasta a kar31)a or dance-unit bhujaflgatrlisita a carl (q.v.) bhujaflgabbrama1]a a ~uddha or non-representational tli1]Qava (q.v.) bhiimicarl a carl (q.v.) performed touching the ground bhedyaka a group dance (a variety of pI1]Q1bandha) (q.v.) bbramari a pirouette; a spinning, revolving or whirling movement

mananrt)'a a bandha (q.v.) dance m3l)ikulyli a mystery story Manipuri a classical dance style from Manipur m31)!hanrtya a bandha (q.v.) dance m31)thaka a tala (q.v.) m31)Qala the combination of carl (q.v.) movements m31)Qalasthana a margas thana or a standing posture of traditional variety m31)Qalarasaka a variety of rasa (q.v.) dance m31)Q1 an anibandhannta (q.v.); a variety of de~I (q.v.) dance 280 GLOSSARY mauavali a prakiranitya (q.v.); a de~initya (q.v.) madhupacarl a de~i (q.v.) carl (q.v.) described by Kohala who is quoted by Kallinitha in the commentary on the Sangltaratpakara madhyama a musical mode mana a feature of de~iIisya (q.v.) manodhanna same as mana (q.v.) mayiiragati a gait simulating the gait of a peacock malliki a minor drama masroati a feature of de~iIisya (q.v.) masrollllWroddhata a vigorous dance mixed with delicate movements mahicarl a forceful carl (q.v.) movement mahodvrtta a karll1}a or dance-unit m.it}~ a de~i (q.v.) dance; same as gut;lc1-ali (q.v.) matra a musical measure marga classical or traditional marganitya a traditional dramatic presentation; a regional variety of dance found in the Sangltaniriy~a and the Sangltasirasamgraha mirganrtta an abstract classical dance marg8J1!1ya a mimetic dance of the classical variety that generates rasa (q.v.) mukula a hand gesture mukha exposition mukhacili the opening dance mukhaja pertaining to facial expression and movement mukharasa a feature of de~iIisya (q.v.) mukharaga colouring of the face according to the character and the mood mu~pa an anibandhanrtta (q.v.); a variety of de~i (q.v.) dance MOVEMENT AND MIMESIS 281

mu~upacan same as madhupacan (q.v.) but quoted by Kumbha as mu~upacan (q.v.) mudra natural grace; hand gesture for religious ritual murat].Qari an anibandhannta (q.v.), a variety of de~i (q.v.) dance murii an anibandhannta (q.v.), a variety of de~i (q.v.) dance mu~ti a hand gesture miirchana the ascent and descent of svara (q.v.) mrga a kalasa (q.v.) mrgigati a gait like a deer mfdailgi a pattern of rhythm meIapaka part of a musical composition motita a margas thana or standing posture of classical variety

yak~aglina a folk-dance from Andhra yati a pattern of rhythm; a tala (q.v.); an anibandha (q.v.) dance yatinrtYa an mimetic dance of the de~I (q.v.) variety yantra an auspicious diagram (7); mechanical device yoni an auspicious diagram from by a group of dancers yauvata a variety of de~i1asya (q.v.) dance

ranamurii an anibandha dance _ T rathacakra a can rasa aesthetic affect rasa~ti a glance generating rasa (q.v.) rasavrtti a feature of de~i1asya (q.v.) 282 GLOSSARY rahasyamudra a mystical hand gesture raga musical mode; melodic pattern ragaUvya musical play ragllCiarlaniya musical play to be seen rajavilasini women of royal court rajaharnsagati a gait simulating the gait of a swan rarnakri~ a minor drama rasa a ded (q.v.) dance; a minor (dance) drama; an anibandharqtta (q.v.) rasaka same as above rasaklitika a play about Ktll].a and Radha in a regional language rasika a deSinrtta (q.v.) rupaka major drama; a bandha (q.v.) dance rekha the imaginary lines described by the body in motion ; a feature of deSilasya (q.v.) rekhlibandha a deSi(q.v.) can (q.v.) recaka a movement that involve streching reva a feature of deSilasya (q.v.)

LA laghu a dance using minor kar3l].as (q.v.); a natya (q.v.) langhita a feature of deSilasya (q.v.) l~ a feature of deSilasya (q.v.) lata a group dance (a variety of pil].cPbandha) (q.v.) latabhr8Jtl.aI)a a pure (non-representational) tal].Qava (q.v.) latavr§cika a kar3l].a or dance-unit laya tempo; a feature of deSilasya (q.v.) lalatatilaka a kar3l].a or dance-unit lali a feature of deSilasya (q.v.) la1ita delicate; a deSi (q.v.) angahara (q.v.) MOVEMENT AND MIMESIS 283 lalitoddhata a mixture of graceful and vigorous movements lavat:li a feature of degIIasya (q.v.); same as navllI}i, namani or tavat:ti laharlcalaia a caIaka (q.v.) laga leaping movements laganrtYa a bandhanrtYa (q.v.) laghava dancing with delicate movements lavat:li an anibandharqtta (q.v.), a variety of degi (q.v.) dance lasika a minor drama; a deginatya (q.v.); a degin!tta (q.v.) lasya originally a dramatic art, later treated as a delicate dance style lasyanga a feature of lasya (q.v.) lina a karat:la or dance-unit lIIabhramat:la a pure (non-representational) taJ:1~ava (q.v.) lokadharmi the realistic convention of performance luthitollalita a degi (q.v.) can (q.v.)

vakrabandha a bhiimican (q.v.) vak,as movement of the chest vatl}am an item in Bharatanatyam which is a combination of mimetic and non-mimetic movements vartana movement of the arms vardhamana a degi (q.v.) sthana (q.v.) vastu subject matter vakyarthabhinaya miming the meaning of an entire sentence vaggeyakara a composer musician vaga~ a feature of perat:ti (q.v.) dance; same as bhavagraya vacika verbal vimabhrllIllat:la a pure (non-representational) taJ:1~ava (q.v.) 284 GLOSSARY

vara a minor dramatic type vika~ comic dance vikala a tldi (q.v.) angahara (q.v.) vi1qta a de§i (q.v.) angahara (q.v.) vikrama a degi (q.v.)angahara (q.v.) vicitra a tldi (q.v.) angahara (q.v.) vicitri a marganitya (q.v.) vicitribhinaya various ways of acting vicyavi a carl (q.v.) vi

~cika a karat}a or dance-unit ~cikakuttita a karat}a or dance-unit vaitalika a bard; a general entertainer, a critic who is knowledgeable in music vaipota a degiIqtya (q.v.) of the bandha (q.v.) variety v~ikha a margasthina or standing posture of traditional variety v~ikharecita a karat}a or dance-unit vai~~ava a mirgasthina or standing posture of traditional variety vyaiijana rhetorical expression vyabhicanbhava transitory mood vakyarthabhinaya miming the meaning of a sentence vyayima excercise vyayoga a major dramatic type

a degi (q.v.) dance a bandharqtta of the degi tradition accompanied by the utterance of musical syllables same as above a mimetic degi (q.v.) dance to the utterance of syllables or notes; a bandharqtya (q.v.) gabdaprabandha a mimetic bandha (q.v.) dance of degi (q.v.) variety gamya a time beat; a mimetic group dance where dancers dance with sticks in hands; a dramatic presentation gikha body movement expressing meaning gataka a minor dramatic type; same as sanaka (q.v.) gintija a degi (q.v.) angahira (q.v.) 286 GLOSSARY

the use of body movements; one of the three components of iJ}gikabhinaya (q.v.) gavara a prakiiranatya (q.v.), a variety of degI (q.v.) dance gikhara a hand gesture gmgaka a minor dramatic type, same as ,idgaka gUpaka a minor drama; a deglnitya (q.v.) gilpini a ddlnrtta (q.v.) givapriya a degI (q.v.) dance gukagati a gait simulating the gait of a parrot guddhapaddhati presentation of a pure (traditional) technique gplkhaIa a group dance, a variety of piJ}~bandha (q.v.) ~alika same as above grnga in the context of dance refers to erotic movement grnganatya an erotic dramatic presentation of a regional variety ~gabhinaya a mimetic movement containing erotic elements grngara erotic gravyakivya poetic compositon to be heard gri a musical mode grigadita a minor drama, a deginitya (q.v.)

,idgaka a minor drama, same as gmgaka

sanId'n:ta mixed sanId'n:taneri an anibandha (q. v.) dance sanglta vocal and instrumental music and dance sangltaka a mimetic dance MOVEMENT AND MIMESIS 287 sattaka an upariipaka or minor drama; a de~i (q.v.) natya (q. v.); same as Utaka (q.v.) sattva expression (in the context of dance) sandaIMa a hand gesture sandhi the juncture of a play (structural element of a play) samagaika a double hand gesture samapada a foot movement; a margasthana or standing posture of traditional variety samapada a de~i (q.v.) bhiimicarl (q.v.) sama a pattern of rhythm samprek'lqlacarl a de~i (q.v.) carl (q.v.) sarhlapaka an upariipaka or minor drama; a deg1natya (q.v.) sallapaka same as above sattvika expressive sadhana methods of practice samanyabhinaya natural expression swa a carl (q.v.) saIaga music based on pure form, same as chayaIaga saIat'iganeri an anibandha (q.v.) dance siIbhagati a gait simulating the gait of a lion sukalasa a feature of de~iIasya (q.v.) sukumara delicate sukumaraprayoga the graceful application of dance movements surekhatva a feature of de~iIasya (q.v.) susandhi a feature of de~iIasya (q.v.) siika a feature of de~iIasya (q.v.) sii<.fanrtya a bandha (q.v.) dance _ T suCt a foot movement siilu movement simulating a flame saindhava a feature of lasya (q.v.) (in the Bharata tradition) sau"hava grace; skill; an erect stance; a de~iIasya (q.v.) 288 GLOSSARY skandhaka a metre; a mimetic presentation sthaya atMa sthana posture sthanaka same as above; posture meant for men sthapana a feature of degilasya (q.v.) sthayibhava permanent mood sthitapa!hya a feature of lasya (q.v.) (in the Bharata tradition) sthitavarta a carl (q.v.) sthirahasta an angahara (q.v.) snigdha

halliga a degi (q.v.) natya (q.v.); a degi dance; a minor drama hallisaka same as above hasta hand-gesture hastaneri a de§I (q.v.) dance hastini a ddi (q.v.) J1!1ta (q.v.) harllsa a kalasa or concluding movement hava feminine movements hasika a margana!ya (q.v.) (described as part of the de§I (q.v.) repertoire) hela feminine movements hUQukka a drum BmUOORAPHY

Manuscripts

Damociara. SarlgJtadarp8{Ja, Bodleian Library, Oxford, MS. No. Mill, 47d. Pu1}~a Vinhala Nartananir.{Jaya, India Office Library, London, MS. No. 5197.*** Pu1}~a Vinhala. Nartananir.{Jaya, Asiatic Society Library, Calcutta, MS. No. m.D. 5. Pu1}~a Viuhala. Nartananir.{Jaya, Jaipur Khas Mahal Library, Jaipur, MS. No. 6885.

Texts

Agnipuri{la, eel. Hari Narayan Apte, Anandashrarna Sanskrit Series, No. 41 (poona, 19(0). Ajiiatakartrkal]., N,rttasamgraha, ed. Priyabala Shah, Rajasthan Oriental Research Institute, No. 17 (Jaipur, 1956) AmarasiIhha Cosha, or, Dictionary of the Sanskrit Language, with an interpretation and annotations, ed. H. T. Colebrooke, 2nd ed. (1825). Agokamalla N,rtyadhyaya, A Work on Indian Dancing by A§okamalla, ed. Priyabala Shah, Gaekwad Oriental Series, 141 (Baroda, 1963). Basavaraja Sivatattvaratnakara, ed. S. Narayanasvami Shastri, Vol. I, Oriental Research Institute (Mysore, 1964). Bodhayana. Bhagavadajjuk1yam, A Prahasana, ed. P. Anujan Achan, Jayantamangalam (Trlchur, 1925). Bharatamuni. Nitya§astra of Bharatamuni with the Commentary Abhinavabharatl by Abhinavaguptacirya, ed. Manavalli Ramakrishna Kavi, Oaekwad Oriental Series, I-IV (Baroda, 1934-1964).* 289 290 BffiLiOGRAPHY

Bharatamuni. Natya§astra,. ed. Madhusudan Shastri, Vols. I, II (Varanasi, 1971, 1975). Bharatamuni. Natya§listra, ed. Batuk Nath Sharma and Baldev Upadhyaya, Kashi Sanskrit Series, 60 (Varanasi, 1929). Bharatamuni. TheNatya§listra of Bharatamuni, ed. Pandit Shivdatta and Kashinath Pandurang Parab, Kavyamala, 42 (Bombay, 1894). Bharatamuni. The Na!ya§listra of Bharatamuni, with an introduction and various readings with translations, ed. Manomohan Ghosh, Vols. I-II (Calcutta, 1950). Bhavabhuti. Mlilatlmlidhavam" ed. Ramakrishna Gopala Bhandarkar, Bombay Sanskrit Series, XV (Bombay, 1876). Bhamaha. Klivylilarlklira, ed. Batuk Nath Sharma and Baldev Upadhyaya, Kashi Sanskrit Series, No. 61 (Benaras, 1928). Bhoja. Maharana Bhoja's Shringara Prakasa, ed. G. R. Joysa, Vols. I-IV (Mysore, 1955, 1963, 1969, 1975). Bhoja. Sarasvatlka1JfhlibharJJ{1am, ed. Anandaram Barooah (Gauhati, repro 1979). Catura Damodara. Sarlglta DarpJJ{1am, ed. K. Vasudeva Sastri, Saraswathi Mahal Series, No. 34 (Tanjore 1952) Caturbhli{lI, ed. Moticandra and Vasudevasaran Agarwal, Hindi Grantha Ratnakar (Bombay, 1959) Dal].4in. Klivylidma., ed. Ramacandra Misra, Chowkhamba Vidyabhavan (Varanasi, 1972). Dal].4in. The Klivyadar§a of D;u;uJin, with the commentary of Tarul].avacaspati and also with an anonymous commentary known as Hrdayarilgama, ed. RaJigacarya (Madras, 1910). Dattila. Datdlam, Datdlamuni pra1Jltam, ed. K. Siimbagiva Sastr1, Trivandrum Sanskrit Series, No. 102 (Trivandrum, 1930). Diimodaragupta Ku!!anlmatam. ed. Pandit Durgaprasad and Kashinath Pandurang Parab, Kavyamala, Part. iii (Bombay, 1887). Dhanaiijaya Da§ariipaka, ed. F. E. Hall (Calcutta, 1865). MOVEMENT AND MIMESIS 291

Dhanaiijaya. DaJariipaka, ed. G .C. O. Haas (New York, 1912). Dhanaiijaya. The DaJariipaka, with the commentary Avaloka by Dhanika and the sub-commentary Laghupn by Bhattanrsirilha, ed. T. Venkatacharya, Adyar Library Series, No. 97 (Madras, 1969). Gajapati N"arayat}adeva. Gajapad Niriyapadevaviracital) Sang1taniriyapa (Bhuvanegvar, 1966). Ghanagyimadisa. Sarlgltasira Samgraha of Ghana§yamadasa, ed. Svami Prajnanananda (Calcutta, 1956). HarivaIiJ§a with Bhirata Bhivadv1pa by Nnakaptha, ed. Ramachandra Sastri Kinjawadekar, Citrasala Press edition (poona, 1933). Hernacandra. Kivyinu§isana with alarilkiracii

Matat\ga. Brhaddeil. ed. K. S. Shastri, Trivandrum Sanskrit Series, No. 94 (Trivandrurn, 1928). Manusrrqti, ed. J. Jolly, Trubner Oriental Series (London, 1887). Maharil}i Kumbhi. N.rtyaratnakola, ed. R. C. Parikh, Vol. I,No. 24, Rajasthan Oriental Research Institute (Jaipur, 1957). Maharil}i Kumbhi. N.rtyaratnakola, ed. R. C. Parikh, Vol. II, No. 25, Rajasthan Oriental Research Institute (Jodhpur, 1968). MlmiriJsaJcola, ed. KevalinandasaraswatI, part. iii, Prajiiipitha§i1im~4alagranthami1i (Gangapuri, 1954). Nandike§vara. Abbinayadatpa{la, ed. and tr. by M. Ghosh, 3rd. ed. (Calcutta, 1975). Nandike§vara. BharatiqJava, ed. Vachaspati Gairola, Chowkhamba Amarabharati Prakashan (Varanasi, 1978). ~arada. Sarlg1tamakaranda of Nirada, ed. M. R. Telang, Gaekwad Oriental Series, No. 16 (Baroda, 1920). N"arada. Sarlgltamakaranda, ed. Laksminarayan Garg, Sangeet Karyalaya (Hathras, 1978). Pil}ini. A~!idhyayI, ed. Virajananda Daivakarani, Aqakanyi Gurukula Nareli (Delhi, 1977). par§vadeva. Sarlg1tasamayasira, ed. Acharya Vrihaspati, Kundakundabhirati (Delhi, 1977). Pul].4ar1ka Vitthala. Die Sighrabodhini Nimami1a Des ~{larIka Vighala, ed. A. Schmitt-Rouselle, Indica et Tibetica 7, (Bonn, 1985). Rija§ekhara. KatpiiramaiijarI, ed. M. M. Ghosh (Calcutta, 1939). Rija§ekhara. KatpiiramaiijarI, ed. Sten Konow, Harvard Oriental Series (Boston, 1901). Rija§ekhara. KavyamImidJsa, ed. C. D. Dalal and R. A. Shastri, Gaekwad Oriental Series, No.1, 3rd ed. (Baroda, 1934). Rijinaka Ratnikara. Haravijayam. ed. Goparaju Rama, Ganganath Kendriya Sanskrit Vidyapith, Vots. I-II, No. 17 (Allahabad, 1983). MOVEMENT AND MIMESIS 293

Rimacandra and GU1}acandra. Nityadarpapa of Riimacandra and GU{Jacandra with their own commentary, ed. G. K. Shrigodekar and L. B. Gandhi, Gaekwad Oriental Series, No. 48 ( Baroda, 1929). Sarngadeva. Sangitaratnikara, ed. S. S. Shastri, Adyar Library, Vots. I• IV (Madras, 1943-1953).** Sarngadeva. Sangitaratnikara, tr. Kunjunni Raja and Radha Burnier, Adyar Library, Vol. IV (Madras, 1976). Sarngadeva. Sangitaratnikara of Siirrlgadeva, text and tr. ed. R. K. Shringy and Premlata Sharma, Vol. I (New Delhi, 1978). SubhaDkara. Sarlgftadiimodara, ed. G. Shastri and G. G. Mukhopadhyaya, Sanskrit College Series, No. 11 (Calcutta, 1960). SubhaDkara. The HastamuktavaJI, ed. Mahesvar Neog, Journal of the Music Academy (Madras, 1952-59), 23-30. Siidraka. The M[cchakapka of Siidraka, ed. Hiranand Mularaj Sharma Shastri and Kashinath Pandurang Parab (Bombay, 1910). SrihaIladeva. RatnavalZ ed. Ramnarayan Shastri (Pudukkotai, 1978). SrlhaIl8deva. The RatnavaJf of Srlhadadeva, ed. N. B. Godbole and Kashinath Pandurang Parab (Bombay, 1890). Srlk8l}tita. Rasakaumudl of Srlk8.{Jtha. A Work on Music by Srlk8.{Jtha, ed. A. N. Jani, Gaekwad Oriental Series, No.143 ( Baroda, 1963). Sligaranandin. The Nitakalaqaparatnako§a, ed. Myles Dillon, Vol. I (1937). Sligaranandin. Nitakalak~aparatnako§a, Tr. Myles Dillon, Murray Fowler and V. Raghavan (philadelphia, 1960). Sliradlitanaya. BhavaprakUanam of Siradatanaya, ed. Y. Y. Svami of Melkote and K. S. Ramasvami Shastri Shiromani, Gaekwad Oriental Series, No. 45 (Baroda, 1968). Sudhlikala§a. Sarlgftopani~atsiiroddhira, a work on music and dancing by Vlicanaclirya Sudhikalda, ed. U. P. Shah, Gaekwad Oriental Series, No. 133 (Baroda, 1961). Suttigame, ed. Pupphabhikkhu, part ii (Gurgaon, 1954), pp. 55-56. 294 BIBUOGRAPHY

Somadeva. Kathasantsagara, ed Pandit Durgaprasad and Kashinath Pandurang Parab (Bombay, 1930). Some~vara. Minasollasa, ed. G. K. Shrigondekar, Gaekwad Oriental Series, No. 138 (Baroda, 1961). Udyotana. Kuvalayamila, ed. A. N. Upadhyaye (Bombay, 1959). Vararuci. Ubhayabhiswi, ed. T. Venkatacharya and A. K. Warder (Madras, 1967). Vagbhata. The Kavyanusasana, ed. Pandit Shivadatta and Kashinath Pandurang Parab, Kavyarnala, 43 (Bombay,1894). Vatsyayana. Kimasiitra, ed. Mahesh Pal, revised 2nd ed., Tridivnath Roy (Calcutta, 1980). Vedasiiri. Sarlg1tamakaranda, ed. K. V. Vasudeva Shastri, Journal of the Tanjore SaraswathiMahal Library (Tanjore, 1955-58). Vipradasa. Sarlg1tacandra, ed, P. Sri Rarnacandrudu (Hyderabael, 1982). Vi~vanatha. Sihityadarpll{Ja, eel, P. V. Kane (Bombay, 1923). Vi${Judharmottarapur~a, ed. Dr. Priyabala Shah, Gaekwad Oriental Series, Vols. I and III (Baroda, 1958, 1961).

*All references to the Nityasastra are to the G. O. S edition of the Nityasastra unless otherwise stated. ** All references to the Sarlgltaratnikara are to the Adyar Library edition of the Sarlgltaratnikara unless otherwise stated. *** All references to the NartananirrJaya are to the India Office Library Ms. unless otherwise stated. MOVEMENT AND MIMESIS 295

General Works

Ambrose, Kay. Classical Dances and Costumes of India (London, 1950). Aufrecht, Theodore. Catalogi Codicum Manuscriptorum Bibliothecae Bodleianae pars octava, Codices Sanscriticoes Complectens (Oxford, 1864). Bhatt, G. K. Bharata Nitya Maiijarf. Bhandarkar Oriental Research Instiblte, No. 12 (Poona, 1975). Bhatt, G. K. Theatric Aspects of Sanskrit Drama, Bhandarkar Oriental Research Institute, No. 18 (Poona, 1983). Bharati, Shivaji. The Art of Mohiniyattam (New Delhi, 1986). Bose, Mandakranta. Classical Indian Dancing (Calcutta, 1970). A Critical and Comparative Study of Sanskrit Texts Dealing with Dancing, Ms. B.Litt. Thesis, Dl008, Oxford University, 1964. Bowers, Faubion. The Dance in India (New York, 1953). Burrow, Thomas and M. B. Emeneau. A Dravidian Etymological Dictionary (Oxford, 1961). Byrski, M. Christopher. Concept of Indian Theatre (New Delhi, 1974). Chattopadhyaya,Gayatri. .Bharater Nrityakala (Calcutta, 1978).

Chattopadhyaya, Siddheswar. Ni{kalak~8{Jaratnako§a in the Perspective of Ancient Drama and Dramaturgy (Calcutta, 1974). Classical and Folk Dances of India (Bombay, 1953). Coomarswamy, Ananda. The Dance of Siva, Essays on Indian Art and Culblre (New York, 1985). 296 BIBUOGRAPHY

Coomarswamy, Ananda and Gopala Kristnayya Duggirila. The Mirror of

Gesture, Being the Abhinaya Darp3I,.la of N andike~vara, 2nd ed. (New Delhi, 1970). Dasgupta, S. N. and S. K. De, A History of Sanskrit Literature, Vols. I.-II (Calcutta, 1961). Devi, Ragini, Dance Dialects of India (Delhi, 1972). De Zoete, Beryl. The Other Mind (London, 1953). Gerow, Edwin. "Indian Poetics," A History of Indian Literature, No.5 (Wiesbaden, 1977). Ghosh, M. M. Contributions to the History of Hindu Drama (Calcutta, 1958). Gupta, Manjul. A Study of Abhinavabhliratl on Bharata's Nlityaslistra and Avaloka on Dhanajaya's Dasariipaka (Delhi, 1987). Iyer, K. Bharata, Kathakali: The Sacred Dance-drama of Malabar (London, 1955). Jacob, Colonel G. A. Lauldkanyliiijalil), A Handful of Popular Maxims in Sanskrit Literature (Bombay, 19(0). Janaki, S. S. A Critical Study of the Caturbh~i and An Account of Bh~as in Sanskrit LiteratUre, Ms. D. Phil. Thesis, D5219, Oxford University (1971). Kavi, Ramakrishna. Bharatakosa (Tirupati, 1951). Kane, P.V. History of Sanskrit Poetics (Delhi, 1961). Katz, Jonathan. The Musical Portions of the SangitanaraY3I,.la: a critical edition and commentary, Ms. D. Phil. Thesis, C6899-6900, Oxford University, (1987). Keith, A. B. The Sanskrit Drama (Oxford, 1924). MOVEMENT AND MIMESIS 297

Kendadamath, G. C. Indian Music and Dance, A Select Bibliography (Varanasi, 1986). Khokar, Mohan. Traditions of Indian Classical Dance (Delhi, 1979). Krishnamachariar, M. History of Classical Sanskrit Literature, 3rd ed. (Delhi, 1974). Lath, Mukund, A Study of Dattilam, A Treatise on the Sacred Music of Ancient India (New Delhi, 1978). Levi, Sylvain. Le Theatre Indian (paris, 1890). Mankad, D. R. The Types of Sanskrit Drama (Karachi, 1936). Monier-Williams, Monier. A Sanskrit English Dictionary (Oxford, 1899, repro 1960). Naidu, V. Narayanasvami, Naidu, P. Srinivasulu and Pantulu, V.

Rangayya. 1i{Jc}ava Lak~a{lam (Madras, 1936). Nijenhuis, Emmie Te. "Musicological Literature," A History of Indian Literature, No. 6 (Wiesbaden, 1977). Patnaik, Dhirendranath. Odissi Dance (Bhuvanesvar, 1971). Poddar, Ram Prakash. An Introduction to Karpiiramaiijarl, with text and Hindi tr., Prakrit Jain Institute Research Publications, No. 11 (Vaishali, 1974).

Prajiiininanda, Swami. Sangit 0 SadJslqti, Bharatiya Satigiter ltihas, Vol. I (Calcutta, 1953). -- Historical Development of Indian Music: A Critical Study (Calcutta, 1960). Raghavan,V. Bhoja's Spigara Praki§a (Madras, 1963). -- Abhinavagupta and His Works. Chowkhamba Oriental Research Studies, No. 20 (Varanasi, 1980). 298 BmUOGRAPHY

Rocher, Ludo. "The PuriJ}as," A History of Indian Literature, No. 26 (Wiesbaden, 1986). Scharfe, Hartmut. "Grammatical Literature," A History of Indian Literature, No.5 (Wiesbaden, 1977). Shastri, Ajay Mitra. India As Seen in the KU{ta11Imatam of Dimodaragupta (Delhi, 1975). Shastri, Surendranath. The Laws and Practice of Sanskrit Drama, Chowkhamba Sanskrit Series, No, 14 (Varanasi, 1961). Shekhar, I. Sanskrit Drama: Its Origin and Decline, 2nd ed. (Delhi, 1977). Smith, David James. Ratnakara's Haravijayam, An Introduction to the Sanskrit Court Epic (Delhi, 1985). Srinivasan, Srinivasa Ayya. On the Composition of the Natya§astra, Studien Zur Indologie Und Iranistik, No. 1 (Reinbek, 1980). Subrahmanyarn, Padma. Bharatha's Art: Then and Now, Bhulabhai Memorial Institute, Bombay, and Nrithyodaya, Madras (1979). Sushma Rani, Agama{lambara Na{aka: eka adhyana (Delhi, 1987). Tarlekar, G. H. Studies in the Nitya§istra, with special reference to the Sanskrit drama in performance (Delhi, 1975). Varma, K. M. Na/ya, N,rtta and N,rtya: Their Meaning and Relation (Calcutta, 1957). Vatsyayan, Kapila. Dance Sculpture in Sarangapani Temple (Madras, 1982). -- Dance in Indian Painting (New Delhi, 1982). -- Indian Classical Dance (New Delhi, 1974). -- Classical Indian Dance in Literature and the Arts (New Delhi, 1968). MOVEMENT AND MIMESIS 299

Vogel, Claus. "Indian Lexicography," A History of Indian Literature, No.5 (Wiesbaden, 1974). Warder, A. K. Indian Kavya Literature, vols. I-N (New Delhi, 1972- 83).

Articles

Agarwala, V. S. "The Siva TiJ;l9ava Stotra of Raval}a," Journal of the Oriental Institute, M. S. University of Baroda, no. x (Baroda, 1960), 18-21. Benesh, Rudolph, Joan Benesh and Mariane Balchin. "Notating Indian Dance," Sangeet Natale, no. 9 (New Delhi, 1968),5-24. Bhattacharya, Ashutosh, "Mask Dances of Bengal," Sangeet Natak. no. 7 (1968), 5-12.

Bose, Mandakranta "Nartanan~aya: A Neglected Source of Classical Indian Dancing," South Asian Horizons, vol. I (1984), 52-58. "Sistra and Prayoga: The Use of Abhinayadarp8{Ja," paper read at the American Oriental Society's Conference, Chicago, 1988; in press: The Samskrita Ranga,Jelicitation volume for S.S. Janaki, (Madras, 1991). "The Textual Source of Odissi," unpublished paper read at the American Oriental Society's Conference, Chicago, 1987. Byrski, Christopher. "Is Kudiyattam a Museum piece?" Sangeet Natak, no. 5 (New Delhi, 1967), 45-54. 300 BffiLIOGRAPHY

Chattopadhyaya, Apama. "The Institution of 'Devadasis' according to the Kathasaritsagara,"]oumal of the Oriental Institute, M. S. University of Baroda, no. xvi (Baroda, 1967),216-22. Gode, P. K. "Notes on Indian Chronology," The Poona Orientalist (poona, 1936-37), 26-29, 33-42, 55-64, 47-49. Iyer, E. K. "Bhagavata Mela Dance Drama of Bharatanatya," Sangeet Natak, no. 13 (New Delhi, 1964),46-56. Kalyanpurkar, M. S. "The Technique of Kathak: Nritta," in Classical and Folk Dances of India, part iii (Bombay, 1963). Katz, Jonathan. "Indian Musicological Literature and its context," Purussartha, no. 7 (paris, 1983),57-75. Khokar, Mohan. "Technique and Repertory," inClassical and Folk Dances of India, part iii (Bombay, 1963), 28-31. -- "Natya: Bhagavata Mela and Kuchipudi," inClassical and Folk Dances of India, part i (Bombay, 1963),27-36. -- "The Tradition: A Brief Historical Survey," in Classical and Folk Dances of India, part ii (Bombay, 1963). -- "Dance and Ritual in Manipur," Sangeet Natak, no. 10 (New Delhi, 1968), 35-53. Krishna Chaitanya. "The Aesthetics of Kathakali," Sangeet Natak, no. 8 (New Delhi, 1968), 5-10. Kothari, Sunil. "Bharater Sastriya Nftyakala," Desh Vinodan issue (Calcutta, 1987), 58-65. -- "Sabdaswarapata Dance,"Sangeet Natak, no. 18 (New Delhi, 1970), 31-38. MOVEMENT AND MIMESIS 301

"Gotipua Dancers of Orissa," Sangeet Natale, no. 8 (New Delhi, 1968), 31-43.

I I Menon, Devaki, "The Kuttu of the Kerala Theatre,"Journal of the Music Academy, no. xxv (Madras,1954), 122-29. Misra, Minati. "A Glimpse Into Odissi Dance,"Dances of India (Madras, 1981), 87-92. Patnaik, D. N. "History and Technique of Odissi Dance," Sangeet Natale, no. 5 (New Delhi, 1967), 55-56. Pancal, Govardhan. "Sanskrit Drama of Kerala," Sangeet Natale, no. 8 (New Delhi, 1968), 17-30. -- "Kupyanam and its links with Classical Sanskrit Theatre,"Journal of the Oriental Institute, M. S. University of Baroda, no. xxvi (Baroda, 1977). Pani, Jiwan. "A Comparative Study of Saraikela and Mayurbhanj Forms," Sangeet Natale, no. 13 (New Delhi, 1969), 33-45. Pollock, S. "The Theory of Practice and the Practice of Theory in Indian Intellectual History," Journal of the American Oriental Society, no. 105, iii (New Haven, 1985). Raghavan, V. "Writers Quoted in the AbhinavabharatI," Journal of Oriental Research (Madras, 1932). -- "Natyadharrni and Lokadharrni," Journal of Oriental Research, .no. xxv (Madras, 1933), 359-375. -- "A Note on the name Da§ariipaka," Journal of Oriental Research (Madras, 1933). -- "The HastamuktavaIi of Subhailkara: A Brief Note," Journal of the Music Academy, no. iv (Madras, 1933), 16- 24, 50-84. 302 BmLIOGRAPHY

-- "Bhagavata Mela Nitaka," Journal of the Indian Society of Oriental Art (Calcutta, 1937), 167-70. -- "Sabdas," Journal of the Music Academy, no. xx (Madras, 1949), 160- 62. -- "Upariipakas and NrtYaprabandhas," The Samskrita Ranga Annual, no. xxi (Madras, 1950), 37. "Some Corrections and Emendations to the Text of the Abhinavabharatl," Adyar Library Bulletin. no. 18 (Madras, 1954), 196-209. -- "Some Names in Early Sangita Literature," Bulletin of the Sangit Natale Academy, no. 5 (New Delhi, 1956), 19-28; no. 6 (New Delhi, 1957), 23-30. -- "Later Sangita Literature," Bulletin of the Sangit Natale Academy. no. 17 (New Delhi, 1960), 1-24; no. 18 (New Delhi, 1961), 1-18. -- "Veethi Bhagavatam of Andhra," Sangeet Natale, no. 10 (New Delhi, 1969), 33-36. Ragini Devi. "Indian Dance," Journal of the Music Academy, no. iv (Madras, 1933), 153-54.

Raja, Kunjunni. "Ktl~ulittam," Journal of the Music Academy, no. xxix (Madras, 1958), 121-29. Rajagopalan, L. S. "Damayanti in Nalacharitam," Sangeet Natale, no. 14 (New Delhi, 1969), 30-39. Ramachandran, K. V. "The Grace Notes of Dance," Journal of the Music Academy, no. xxv (Madras, 1933),93-100. -- "Music and Dance in Kalidisa," Journal of Oriental Research" no. xviii (Madras, 1948), 116-35. MOVEMENT AND MIMESIS 303

Rao, Maya. "The Hastas in Kathak," in Classical and Folk Dances of India, part iii (Bombay, 1963),44-47. Raphy, Sabeena. "Chavittu-Nlitaka - Dramatic Opera of Kerala," Sangeet Natale, no. 12 (New Delhi, 1969). Rele, Kanak. "Mohiniaattam," Dances of India (Madras, 1981), 67-71. Rocher, Ludo. "The Textual Tradition of the Bhliratiyanlitya~listra: A Philological Assessment," Wiener Zeitschrift Fur Die Kunde Sudasiens und Archiv Fur Indische Philosophie, Sonderdruck Aus Band, xxv (Wien, 1981), 107-130. Sandesara, B. I. "Cultural Data of Vasudeva Hindi," Journal of the Oriental Institute, M. S. University of Baroda, no. x (Baroda, 1960), 7- 17. Sharma, V. Venkatarama. "Bharata Nlitya," Journal of the Music Academy (Madras, 1930), 32-37. Shastri, K. V. "Literature and Other Sources in Indian Classical Dances,"Journal of the Tanjore Saraswathi Mahal Library, no. xii (Tanjore, 1958), 1-12. Singh, E. Nilkanta, "Classical Tradition of Nata Movements," Sangeet Natale, no. 10 (New Delhi, 1968), 26-34. Upadhyaya, K. S. "Yaksagana Bayalata," Sangeet Natale, no. 11 (New Delhi, 1969), 37-51.

Varadapande, M. L. "Performing Arts and KautHya's Arth~listra," Sangeet Natale, no. 41 (New Delhi, 1976), 45-54. "Theatrical Arts in Iataka Tales," Sangeet Natale, no. 38 (New Delhi, 1975),29-34. 304 BIBUOGRAPHY

Vatsyayan, Kapila "Kathak," Journal of the Music Academy, no. xxvii (Madras, 1956), 74-88. "Sanskrit Drama in Perfonnance," Dance or Movement Techniques of Sanskrit Theatre (Honolulu, 1972). "Is there an Indian Modern Drama?" Sangeet Natale, no. 7 (New Delhi, 1968), 85-91. "The 108 Karlll}as," Sangeet Natale, no. 3 (New Delhi, 1966),51-62. "Classical Indian Sculpture and Dancing," Journal of the Oriental Institute, no. xi (Baroda, 1962),247-59. INDEX

Agnipuri{1a 174, 177, 179-180, anibandha 83, 85-86, 188, 194, 182-184, 186-187, 189-190 197-198,200-201, 210-211, ailkura 127 215,248,250-251,258 anga 14,39,43,45,55-58,61- anibandhanrtta 200-201,203, 62,72,75-76,78,84,89,92, 208-210 96, 101, 104, 133, 137, 145, anibandhanrtya 84, 205, 250- 198,222,227,234,236,246 251 angahara 12, 14, 28, 32,42, 55, anild 236 57,67,70,72,77-78,80,83, anumana 227, 236 87,96,98-99,101, 104, 108, antaralaga 224 110-112, 117, 119-124, 127, apasara 184 136-137, 139, 142, 145, 147- abhimana 41 148, 152,219-221,223,236, abhinaya 13, 16,61,69, 78, 84, 241-243 87,92,98,116-117,119,122, angaharanartana 98 125, 127-129, 145, 154, 165- agratalasaiicara 213 166,171,205,219-220,231, agraplutacan 242 236,256 aiicita 20, 224 Abhijiiana§akuntalii 15, 157 aiijana 79 Abhinayacandrikii 105 agQitacan 243 Abhinaya DaIpa{la 25-34, 58, aggatalan{tya, adrutalan{tya 94, 105-107, 139, 152 248,251 Abhinavagupta 6,8-9, 18-25, anatiga 227, 236 28-29,37,40-41,43-44,47, ananta 98 52,61, 107, 113-114, 117, anibaddha 198-199,210 122-124, 133, 138-140, 142, 145-146, 151-154, 159-160,

305 306 INDEX

163, 166, 172-174, 176-177, Asiatic Society Ms. 213 180-182, 184-191,216,225, Mokamrula 60,75-76, 107, 233,254 149,246 AbhinavabhiratI 15, 18-20, 23, uvalcrintasthina 242 25,34,40,43,44,107,116- ~!idhyiyl7 117,122, 153, 174, 176, 185- ruaga 72, 245 186,191,220,225,233 ruita 67 abhineya 174 aril§agati 237 abbineyartha 159-160, 173 ah~a 41 Abhil~itirthacintima{1i 45 Amarakola 139, 159, 169 AmarasiIhha 28 Amaravatl 8 ruwacan 242 Amftinanada 189 Akbar 84, 202 Ambrose, Kay 5 ikuiicita 244 Artha§itra 6-7, 155 ik,iptaka 99 ardhakuiicita 244 Agamafjambara 20 ardhanikutPka 20 angika 16,61,125-126,128, ardhacandra 204-205 130, 145, 171,225 ardhasiici 67 angikibbinaya 14,23,30,43, ru~a 10,50,64,170,172- 72, 79, 83, 87, 96, 126-128, 173,176,185,192 227 AJariJkirasadJgraha 7, 189 icirya 59,81 ruarilkaruistta 140 ina. inam 130,169 ruparIti 245 itodya 133 ruapallava 214 Ananandasaiijlvana 80,247 ruapadma 27 iditaIa 99,251 avammasandhi 181 ibhoga 250 avatara 27,123 iyatasthina 242 Avaloka 42,44,94,174 arabhapvrW 87, 181, 191 avahitthasthina 242 iryigiti 161 MOVEMENT AND MIMESIS 307 aIapti 199 utsandita carl 243 aIapa 55,91,199,211,226 utslltiDka 150 aIlipacan 32 udgrliha 202,208-209,250 lilipallava 67 Udbhapt 20, 24 lilI

Katbak 2, 59, 62, 105, 160, 195- o 196,201-203,205-209,229 Kathakali 63,77,105-106,232 iirdhvajanu 214 Kathisaritsigara 161 iirdhvataqcJava 244 kanduka 63,234,237 kamala 85, 251 kamala 24 B KanakivatImidhava 190 Karnaa, Rani 212 ekajanukasthana 243 karaiiji, kur~jI 95, 103, 252, ekatiUinpya 248,251 254 ekapadasthana 243 kara\1a 101 ekapadvasthana 243 kar~a (rqtta) 13-14, 17, 19-20, e{lapluta 224 32,46,55,57-58,61,63-64, 67-68,70,72,76-78,80,83, AI 85,97-99,102,104,108,110- 11, 119-120, 126-127, 133, aindrasthana 242 135,137-138,145,154,212, 214-215,217,223-225,230, o 233-234,236,241-246,249- 250, 252-253 oyiraka 147-148,238 kar~a (hasta) 80 Odissi 2, 102, 105-106, 195- kar~aneri 214-215 196,210,212-215,217 karJ}a 177, 180 KarJ}ata 232, 246 KA karJ}atagolaka 101 kartarIrnukha 77 kakubha 180 karma (basta) 80 kapechinna 99 Karmakar, R. D. 162 kaprecita 67 karmadhiraya samisa 110, 132 kattari 93 MOVEMENT AND MIMESIS 309

KarpiiramaiijarI 7, 19,53, 140, kavya 6,10,19,50,64,94,117, 162, 188, 190-191 168, 173-174, 177-180-181, karu1]atala 158, 192 karu1]arasa 180, 242 Kavyakautuka 24 kalaga 244 Kavyarna1a edition 25, 131, Kalanidhi 25, 60, 79-80 158, 172 kalasa 77,81,97,232,246-248, Kavyadma 19, 140, 158-159, 258 161,177 kalasakarlU}a 97 Kavyanusasana of Hemacandra kalasalasya 244 24-25,44, 174, 177-178, 182, kalpamla 252 186-187, 190-191 kalpanrtYa 93, 251-252 Kavyanusasana of Viigbha{a kalpavalli 178, 180, 192 174, 177-178, 182, 186-187, Kalyanpurkar, M. S. 208, 229 190-191 kalla 208 KavyaJamkara 157, 159-160, Kallinatha 8,24,60,76-77,79, 177 89 Kagi edition 131, 172 Kalhana 24 ka~!ha 95, 103, 252-254 Kavi, M. R 18,68, 114, 133 kahala 101 kavicara 233 kiliki1]i 31, 207 Ka~ayaverna 161 kittu 227, 235 Katz, Jonathan 29, 56, 71, 93, kinnara 159 102, 164-165, 198 KIrtidhara 20,61 Kane, P. V. 7,13, kirata 239 Kamadatta 186 Kerala 232, 234, 238 Kiimasiitra 6,7,173,177,184 Keliraivataka 191-192 klirul)ika 241-242 Kuchipudi 215, 248 Kalasena 78, kuiicita 99,244 Kalidasa 19,53, 140, 155, 157, Kuyanlmatam 7,19, 140, 155- 161-162, 164 156,163 Kale, M.R. 157 ku<;{upa 86,209,251 310 INDEX kUl}~aliivartakacarl 243 kauliita 234 kUl}~i 244 kriyii 208-209 Kutniirila 173-174, 177, 187 KrIljirasatala 189 Kuruvaiici 189 krl~iiriisaka 188 KuvalayamaJa 162 kraunca 213 kuvii~ 34,204 Kusumapura 164 KJiiiSva 7 ~l}a 87, 156, 161-162, 181, kfetra (hasta) 80 226 Kfemen(Jra 142 Krishnamachariar, M. 7, 18, 25,43,54,60,82,83,90,91, KHA 98, 173 lc:!ll}asaragati 244 kh~gakaliisa 248 kai~i1dvrtti 40,49, 142, 150, kha~gabandhiicarl 243 179, 181-182, 184, 186, 190- kh3J].~amatra 181 192 kh3J].~siici 206 kaivrtana 85, 251 kharjurika 204 kaivara 225, 233 Khokar, M. 106, 212 kaivlila 35-36 GA kokila 213 Kothari, S. 105 Garlgatarangika 184 komalikii 238 gangiivaurr3J].a 97,224 kolliita 63,237,240 gaja 213 kolkiitika, kolliitika, kolhiitika gajagati 244 45,59,70,81,240 Gajapati N"araya1]adeva 93, Kohala 8, 10, 19-20, 33, 54, 60, gajara 208 94,99,103-104,142,144, gaI]achandas 161 151,159,165,172-173,180, . Ganapati Shastri, T. 54 253,258 gati 27,32,62,81,92,98,197, Kauplya 155 244,247 MOVEMENT AND MIMESIS 311 gatistha 237 gulma 114-115,143 gandharva 134 Grhyasiitra 6 gandharvaranjaka 68 Gairola, V. 31 garbhasandhi 181 go 138, garu

Ghan~yamdasa 71, 102, 107, calli, cilli 163 254 citaka 213 gharghara, gharghan 59, 207- cirat}a 45,59,63,70,234,237, 209,225,233 239 Ghosh, M. M. 26, 29, 31, 127, can 14,17,28,32,46,55,57- 58,60-62,67-68,70,72, 76, CA 80,85,87,96-99, 10-102, 104, 111, 122, 126, 145,215, CaDCU 101 222-225, 234, 236, 238-239, cakkar 206, 229 241-244,249-250,253 cakratnal)~ala 99 calaka, calana 60,76,98 cakrabbraman 36, 62, 206 cali 147-148,235 caccatputa 245 caliv~a 147-148 Cakravarti, Narahari 102 ci,agati can 242 Chatterjee, G. 229 cil}tu, cindu 63, 85, 93 Chattopadhyaya, S. 47, 131 citra 111,178,186,226,233 cat}~ana 237 citri 94 cal}daIi 239 citrakalasa 85 cat}gikasthana 242 citrakivya 178,180 caturasra, caturagra 249 Citralekhi 157 caturasrapada 133, 135 citribhinaya 15, 23, 76, 79, 84 CatvirirMacchataraganiriip;qta Cinnasatyam, Vempati 215, 35 229-230 candraka 79 crrantana 123, 142, 174 candrivarta 214 Cidambaram 152 camatkiranrtta 93,251 Cii{lam;qti 182 carcan 19,20, 63, 81, 156, 162, ce'ti1qta 127 163,166,167,183,191,234, Coomarswamy, Anand 5 247,257 Colebrooke, H. T. 169 caryipada 239 cauki 212 calivali 235 Classical Indian Dancing 3 MOVEMENT AND MIMESIS 313

Classical and Folk dances of Janaki, S.S. 186 India 59, 105 Jiiya Seniipati 11, 23, 53-56, 60- 62,64-65,76, 107, 144-146, CHA 149,171,231,234,238-240, 248,255,259 chalika, chalita 19, 141, 156, Jahangir 90 161-162, 166-167,173,177, jugupsitii 94 182 Joshi, N. 204 chiiga 213 Jaina texts 6 chiiyaniita 101 Jainasiitra 22, 52, 113 chiiyalaga 226,233 chalikya 161-162 JHA churita 73, 246 Chau 212-213 jhaJ\kii 227, 236 jhampiitala 214 JA TA jakkaQI, jakkari, j~ 86, 95, 103, 202, 208-209, 251-252, takka 180 254 Types of Sanskrit Drama 5, Jagaddhara 157 janantika 40 janitii carl 243 jayadarpa 67 Thakur, Bhavananda 71 jayanta 79 !hevii 238 J ayantabhana 20 Jayiipi~ 23-24 Jaipur Khasmahal Library 82 jiiti 54 ~ala 235, jiitiyahasta 31 ~ 150 Jam Sattarsal 86 cprnikii 94 314 INDEX

~Uiyi, dhilliiyi 227, 235 Tamilnii~u 130 ~omikii 94 tala 15,32-33,36,51,57,65, ~ombalikii 174 72,84,90-91,93, 119, 140, ~mbikii 1~3-124, 173-174, 145, 147-148, 159-160, 163, 177-178, 182, 192 165,181,187,198,203-205, ~ombi 50, 168, 178 215,221,241,243-244,248- 249 talariipaka 251 talalayii§raya 38 Qhiila 227 talaviidya 188 tirapabhranruui 206-207 TA tiryakar~a 86, 251 tivap 205 T~~u 110,121,132,166 Tura~a 252 tatkar 59,207-208 tiikali 227 Tan~avinita 173, 177 tumbikii 94 tarahara, tharahara 227, 235 qtiyanrtYa 251 tala 236 trkani 235 talapu,paputa 97, 137-138 Telang, M. R. 35 talaviliisita 214 totaka, trotaka 94, 175, 177- tav~i, namani, nav~i, lav~i 179, 182, 192 227,235 trigiiQhaka, trimiiQhaka 133- ~~va 13,21,27-29, 32-33, 134 38-39,46,57,61,66,69, 72, tripatikii 40,42,224 79,84,87,92,95,101,103, tribhangi 212 108, 110, 112, 116, 119-121, Tivandrum Sanskrit Series 54, 123, 125,132, 138-141, 144, 227 146, 151-154, 159, 166-167, tri§iila 27 225,227 ~~vavidhi 13 ti thoi to nim 245 MOVEMENT AND MIMESIS 315

DA disiittam 130 durmalIi 94 Daqa 112 durmiliti 178 dalqittabbramat}a ti1}~va 244 durmalliki 94, 177-179, 187, Dattila 10, 20, 34, 94, 159, 258 192 Dattilam 159 DiitJkarmaprakiJa 83 dance-sequence 223 d!lp 27,89,236,253 dance-unit 223 dpyakivya 64, 141 dwg~pak,a 213-214 De, S. K. 174, dwg4arisa 55-56,81, 158, 183- deva 21, 184,188,191,225-226,234, devastuti 121-124, 137-138, 152 237,247,251-252 devahasta 31, dwg~isya 244 Devi 117, 121, 137-138 dwgcpki 244 DevImahidevam 180 DwgQin 19, 140, 158-159,161, Deverappa, H. 100, 173,177,254 c:tegi 27, 33, 37, 39, 46, 50.54-59, dwgQini 94 61-64,67,70-72,75-78,80, dardiira 213 81,82,91,94,96-97, 102- dadanakarma 21 103, 144-145, 148-150, 188, DaJakUm8racarita 238 194,197-198,201,207,215- DaJariipaka 7, 15, 22, 28, 36- 220,222-234,237-238,240- 40,42,44,46,51,54,78,79, 241,243-247,251,259 94, 107, 123, 140, 151, 155, c:tegikanarl 251 167-168,174,177,216 c:tegikira 235 da§ivawahasta 31 c:tegigitanrtYavidhi 81 Damodara 89-90,98,107,200, c:teginitya 94,97,103,252,254 238,251 c:teg~ 94-95,97,101,188, Damodaragupta 19, 140, 155, 225,253 158 c:teg~a 55,82,93,95,97,225, Das, Ramgopal 71 248,252,254 Dasgupta, S. N. 36, 64 c:teg~avidhi 248 316 INDEX deSlpada 62 dhiiva

~an3nankpaya 2,18,59,82- natyadharmi 15, 92 84,87-88,91-93,96,98,102- natyatqtya 69 103,107,158,160,188,194- natyarasaka 63,81,94, 115, 197,200-208,210-215,229, 163, 173, 177-179, 183, 188, 238,248-253,255,259,260 192,234,237,247 ~an3nasarvasva 32, 105 natyavidhi 22, ~armavati 183 natydMa 95 navagrahahasta 27 Nitya§§saa 2,6-11,13,16-24, Naidu, S. 152 27-28,30-31,34,37,39-41, Naidu, V. 152 43,45,48-49,52,55,57-58, Nigananda 7 61,66-67,69,71-72,74,83, nata 59,101 85,87, 102, 105, 107-108, na~a 45,47,66,131-132,182- 110-113, 117-119, 123-127, 183 130-131, 133, 136, 139-140, na~aparibha,a 48 142-146, 149-155, 158-160, Ni!akalaqll{Jaratnako§a 47 -49, 163-164, 166, 172, 176-177, 107, 146, 151, 160, 174, 177- 179-180, 182-185, 187, 189- 178, 180-182, 184-191 191,197,203,218-225,228, napka 94, 174, 176-179, 185, 234,237,248,256-258,260 190-192 Nitya§§saasarhgraha 105 naii 183 natyaveda 69,94,102,108 natya 16,22-24,27-29,31,37- nada 72,91,93 38,46,51,53,57,61,66,72- nanirthadyotakahasta 27 73, 78, 84, 87, 89, 92-96, 100, lVamalinganu§asana 28 102, 108, 128-130, 134, 136, ninlivafi 85,99,205,250 139, 169-171,225,227,240, ~arada 20,25,34-35,107,139 244,251 NiradIya Sik~§ 34-35 Nityadarpll{Ja 24-25, 43-45, nikuiicita 244 107, 151, 158-159, 162, 169, nijap~a 235 174, 178, 181-186, 189 Nijenhuis, E. T. 25,26,35,37, natyadhara 189 54,56,71,74,77-78,90,102 318 INDEX nitamba 137-138 139, 154-156, 167-172, 175- nibaddha 198-199 176, 180, 193,208,234-236, ni§umbhita 213-214 251,256 rurlijitapadma 98 nrtYaklivya 44 nrtta 13, 16,21-22,28-29, 31, nrtYabhliva 68 37-39,46,51,53,55,57,61, nrtYabheda 40,42,44,48,50, 63,66,69,78,84,85,87,92, 52-53, 81-82, 94, 115, 123, 94-95, 100, 102, 108, 110- 143,169,172,177,247 111,116,118-119, 121, 124- N"nyaratnakosa 60, 63, 75-77, 130, 132, 136, 138-139, 142, 79-82,97, 107, 149, 172,232, 154, 165-166, 169, 171, 197- 239, 246-248, 253 198, 208, 216, 219-220, 225, nrtYavinoda 45, 170 227,251,256 rqtyahasta 79, 127 nrttaklivya 19,21,115,176,182 N"nyadhyaya 28,60,75,77,80, nrttacara,rqttavara 189 97,107,149,232,246-247, nrttapradhlinarligaklivya 176 253 nrttaprayoga 110, 132 Nrsirilha 123 nrttahasta 26, 33, 74, 79, 102, neli 38 111,236 netra 127 rqttitJnakaprabandha 159 Neog,M. 74 N"rttaratnavall 5, 11, 19, 23, 28, neri 85, 249-250 32-33, 53, 58-61, 68, 75-78, nyaya 61,97 81, 104, 107, 114-115, 142, 144-145, 171, 185, 188,207, PA 217-218,223,228-229,234, 236-239,243,246-247,249, Pancamasarasarhhita 35 258-259 Patnaik, D. N. 12, 105 nrtYa 28-29,31,36-39,42,46, patiUkli 27,42,95,249 50-51,53,55,57,61,63,65- padam 189 67,69,72,78,84,87,89,91- 92,94,,102, 108, 129-130, MOVEMENT AND MIMESIS 319 padirthabhinaya 42, SO, 115, pU:tcPbandha 13, 16,22,24,52, 141, 158, 160, 167-171, 176- 108, 110, 112-116, 119, 143- 177,187 144, 154, 160, 183, 188 Pantulu, V.R. 152 pipilika 204 Paramardi 53 pitbamarda 180 paryastaka 43, 119, 220 Pu1}c;tarika ViWtala 2, 32, 59, parivrttasthina 243 82-83,86,89,99,102,107, pata 236 158, 160, 194, 196, 199-200, pa~i 62 210,215,238,248-249,251- patiikfara 237 253,255,259 patbya 78 purimftya 72 PiiI}ini 7 Purandara 164 patta 133 PUI'a1}c;tar1 25 1 pada 28,36,62,66,101,110 Purandaravijaya 164 padapata 237 PuriiI}a 6, 16, 136 ParasIka 202, 208 pu,pag31}c;IU[a 133-134 Pirvan 26, 57, 66, 116-117, pu,panjali 33,87,219-220,223, 120-122, 136-139, 152 231-232,244-245,249 pmvakuncita 244 piirvaranga 48,69,71,96, 111, pmvajanu 214 116, 121-123, 128-129, 165- P-mvadeva 51, 53-56, 58, 76, 166, 107,149,171,222,225-229, mtbottanatalasthana 243 231,233-234,255,259 pekkh31}a 55, 56, 63, 225, 226 pill1}ipi~thana 243 Persia, Persian 202,203,251, parijataka, parijatalati 178, 259 183-184, 188, 192 perll1}a, per31}i, prer31}a 32, 55- pata 55 56,59,63,70,71,81,87,92- Pingree, David 136 93,95,103, 173, 177-178, pir}~ 112-114, 119, 142-143 185,192, 207, 225, 229, 233- 234,237,244-247,251-252, 2S4 320 INDEX

Poddar,R.P. 140 prek'at;laka 161, 177-178, 184, post-rnarga 201 192 prakarat;la 131-132, 184, 192 prek,yaprabandha 42, 115, 158, prakarat}i , prakarat;liki 94, 160, 168, 170, 176-177,187 178,184 prek,yirtha 159, 161, 173 prakiranitra 95, 97, 252 p~a~a 177,184-185,234, praldn:ta 90 237,244 pracira (hasta) 128 p~at;li can 244 pracchedaka 133-134 prerat;li 244, 248 Prajiilinlinanda, Svarni 35 plavakalga 246, 250 Pratijiiajaugandharayana 183 pratitila 248 BA pratimukha 133, 135 pratyanga 30,45,57,61,72,76, bakakalisa 246 79,84,92,96,101,104,222 batu, batunrtta 86, 213-214, 251 pratyilI~asthlina 243 baddha 198, 200 prabandha 57,90,198 bandha 83,85,194,197-201, prabhi 162 210-211,215,258 pr~a 85,92,93,221,227- bandhanrtta 85-86, 102, 107, 228,237,252 200-201, 210-215, 249-251, prayoga 128 253 pravrtti 16 bandhanrtya 83, 93 prastivani 161 Balarima 161 prasthlina 94,168,173,177- Balaramabharatam 105 179,184,192 balivarda 138 prahasana 150 bahurOpa 63,95,103,234,237, Pr~ 75,133, 135, 160, 190 246,252,254 pr~a 87-89,91-93,204,251- blindhavahasta 31 252 bilakr1Qi 186 pnti 89 BaJacarita 184, 191 preqat;la 94,179 MOVEMENT AND MIMESIS 321

Bilivadha 185 Bharata 2,7-10, 13-17, 19-28, Basavarija 100, 102,'107,253 30, 37-39, 41, 45-49, 51-52, babyabbranuui 249 55,57-58,61,63-64,70,72- Bibliotbeque Nationale 90 73,80,81,87,97,99,105, bindu 95 107-113, 115-118, 121-133, Brhadd§i 32,54,79,198 135-136, 139, 144-146, 148- Brhaspati 32, 54 150, 152, 154-155, 165-166, Burnier, Radha 56 168-169, 172, 179, 194, 197, budhagraha 27 203,206,210,217-224,227- Buddhist texts 6 232, 242-243, 245, 255-257, Bodleian Library 90 259-260 Bodhayana 189 Bharatako§a 77 Bose, M. 6,49,68,72,74,77, Bharatanatyam 30,96, 130, 85,90,106,108,194,199, 169,189,195,220,231,235 221, 248-250, 252 BharatiqJava 25-28, 31-34, 77, Bose, N. 196 107,218,223,241-244,246, Bowers, F. 5 249,255 Brabtruqla 6 Bharatirthacandrika 26 Bhavabhiiti 140 bhit}a 38-40, 43, 48-49, 52, 64, BHA 73, 123-124, 131-132, 144, 150-151, 153, 168, 173, 177- Bhaktiratnikara 71 178,185,186 bhagnatala 181 bhit}aka 40, 48-49, 124, 178, BhagavadajjukIya 189 185-186, 192 Bhadramukha 112 bhit}ariipaka 186 bhadrasana 22,52,113 bh~i 49, 123, 173, 177-178, Bhattata1)4u 10 186-187, 192, Bhattatota 10,20,24 bhal}i 49, 168, 177-179, 186- Bhattayantra 20 187,189,192 bhit}4a 110, 133 322 INDEX

Bhandarkar 157 Bhoja 41-42,44,47-48,50,54, bhiQQWki 63,234,237,239 107, 115, 141-142, 156, 158, Bhimaha 157-160, 173, 177, 160-162, 164, 168, 170, 174, 187,254 176-178, 180-181, 183-191, BhiiratavaIla 50 254 "Bhiirater Sistriya NrtYakali" bhramari 28, 36, 55, 58-59, 62, 105 67-68,80,85,89,97,206, bhiirativrtti 184, 186, 191 208-209,229234,236,239, bhiva 18,27,49-51,64,69-70, 241,245-246,249 72, 92, 125, 133, 135, 140, bhrli 127 156, 167, 169, 171,227-228, 235 MA bhivaneri 251 Bhav~raka§ana 25,42,44,48- makaradhvaja 145 49,52-53,94, 107, 123, 142, IlUll}thanrtYa 248 146-147, ISO-lSI, 161, 163, IlUll}thaka 248 177-178, 181-191 IlUll}cJala 14,28,58,61,70,72, bhivibhinaya 76 77,80,87,96-97, 101-102, bhiviSraya 29,38,51,168,171, 104,145,242 233 llUll}cJa1asthana 98 Bhisa 184, 191 IlUll}cJalarisaka 188 bhilluki 94 rnal}cJi 85,251 blllma aAgahiira 241,243 Mata1\ga 10,20,34,54, 198, bhujaAgatrasta 67 258 bhujaAgatrasiti em 249 rnauavaff 95,103,252,254 bhujaAgabhr~a tiQ4ava 244 Madaniradhana 164 bhiimicari, bhaumacm 242-243 Madanikikamuka 188 bhedyaka 112-114,142-143, rnadhupacm, mucJupacm 60, 146 76,80 Bhejjala 160 rnadhyarna 101 mana 147-148 MOVEMENT AND MIMESIS 323

Mankad, D. R. 5,156,165,175, M5.n8so11iis8 45-46, 53, 57-58, 185 107,142,170,216-218,222- Maniipuri 105, 160,211,229, 224, 259-260 235,239 M5.nikyavallikii 180 Manus1J1[ti 7 manu¥a 245 manodharrna 236 Mayakiipiilika 191 Mammata 64, marga 9, 29, 36, 38-39, 46, 50, mayiira 213 54,57,61,63,65,70,77-78, mayiiragati 244 80-81,91-92,94,96-97, 102, Mayurbhanj 212 144,149,194,197,199,201, fiUUlika 178, 187, 192 217-218,237,247,259 masp).ata 236 marganatya 94,103,252,254 masp).amigroddhata 22, 160 marganrtta 101 mahacan 122 marganrtYa 69 Mahapatra, Kelucharan 212, ~arlc8vadha 180 215 MiilatImiidhava 157 Mahapatra, M. 105 Mlilavika 161, 164 Mahara1}a Kumbha 8, 60, 68, Miilavikagnimitra 7, 19, 155, 75,77-78,80-82, 107, 149- 161-162, 164 150,172,239,246 Mirror of Gesture 5 Mahara¥tra 101 Mitra Shastri, A. 163 Mahara¥trl 161 MImiiIiJsakO§8 138 Mahegvara 112, 121, 137 Misra, M. 106 mahodvrtta 67 Migra, Puru~ottama 71,95, 107 ma1}

Raganiriip~a 35 rasa 86,159, 161, 187-188,251, RligamanjarI 83 rlisaka 63,81,94, 115, 141, 156, Rligamlilli 71, 83 159-160, 165-168, 173, 177- Rligavibodha 91 179, 181, 183, 186-188, 191- rlig~i 91 193,234,237,247 Raghavan, V. 5, 11, 19,22-26, rasakliDka 160 34,41,47,49,53,60-62,78, rasikli 94 83,90-91,98,101,104,113- rasatala 160,249 115, 145, 156-161, 163, 165, Rlihula 20, 167, 174-176, 182-186, 190, riti 64 192,236-241 Rudra 66 Rlighavabhana 15, 157 Rudrata 20 Rlighavavijaya 180 rudrak,a 238 Raja, Kunjunni 56 rfipaka 38,44,52,64-65,73,94, Raja, Kunhan 78 150, 168-169, 174, 177, 183, RlijataraIlginI 24 190,247 Rlijapra§nlya Siitra 7, 22, 52, rfipakanrtYa 251 113 ~li 70,82,85,89,92-93,230, rlijavilasini 101 235,245,249,252 Rlija~ekhara 19, 53, 140, 162 ~libandhlicarl 243 rijaharimagati 244 recaka 61,70,85,87,101,110- Rlidhli 156,160 112, 116, 136,249 RlidhlivipraIambha 160 Rele, Kanak 106 rlirnlikri

Vi~{1udharmottara Pll1Ti{1a 7, SA 16-18,28,30,45-47,52,107, 129-130, 135-136, 139,216, Satikara,Siva 18, 66, 101, 112, 218,225,228,258 116,120-122,132,136-137, vihasI 147-148,236 166 ~ 16,38,58,69,81,95,181 Sankuka 10, 20 vrndaka 94 Satru~alya 86 vr§cika 99 Sani 27 vr§cikakutPta 99 ~abda 103,253 vega 89 ~abdacili 85,93,99,249,251 Veda 6,108 ~abd~ta 85,93,103,251 Vedasfiri 8,98,107 ~a~a 93,251 Vema 238 ~abdaprabandha 85, 249 Velankar, H. D. 162 ~abdilankira 141 vaitaIika 45,59,70,81 Sharnbhu Maharaj 206 vaipota 93,251 ~arnyi 19, 141, 156, 158-159, vai~akhasthana 212,219,231, 166-167,173,177,188,208, 242 209 vai~akharecita 99 ~avara 254 vail1}avasthana 242-243 ~akhi 127 Vogel,C. 29 ~antarasa 47, 136 vyafijani 64 ~antija, ~antaja ailgahira 241, VYibhicmbhiva 17, 38 243 vakyirthibhinaya 50 SirDgadeva 2,8,54,58-60,65- Vyas, D. J. 207 66,71,76,105,107,127,145, vyayama 14,61,111 148-149, 158, 170-171, 175, vyiyoga 150 194, 228-234, 240, 245-246, 248,255,259 Siraditanaya 25, 42, 44, 47-48, 50-51,81, 107, 142-144, 146, 164, 169-170, 172, 175, 177- MOVEMENT AND MIMESIS 329

178, 181, 183-184, 186-190, ~p\khala, ~p\khalika 112-114, 254 143, 146 ~arlra 127 ~p:'Iga 77 ~avara 95,252 ~p:'Igana~ya 28, 32,242-243 ~avarI 253 ~p:'Igabhinaya 28, 77, 246 Shastri, K. V. 98 ~p:'Igiirarasa 22,39-41,43,46, ~astric 172 49, 88, 121-122, 137-141, ~ikhara 27 147-148, 151, 161-162, 180- ~ilpaka 94, 177-180, 190, 192 181, 187, 189 ~ilpinI 94 ~obha 110,126 SiliUin 7 ~aurasenI 185 Sivatattvaratnakara 59, 100, Saura'tra 101 102,107,253 ~ravyakavya 64 ~ivapriya 63,81,234,237-238, ~rl 101,189 247 Srikat}~a 86-89, 107,251-252 SivaJi 98 ~rlgadita 50,94,171,174-175, SlghrabodhinmamamaJii 83 177-179, 189-190 Spigliraprakiisa 5,22,41,44, ~ruti 93, 248 107, 115, 141-142, 156, 158- 161, 164, 168, 176-178, 181- 182, 186-187, 191 ~ukagati 244 Suklapat}c;lita 68 ,agja 213 ~uddha 21,33,70,80,93,111, ,idgaka, ~iilgaka 173,177-178, 178,186,226,233,244 190, 192 ~uddhapaddhati 59,82,229,231 Subhat\kara 42,44,71-73,97, SA 105, 107, 149, 179-181, 184, 187,189-190,254 sankUva 178, 186 ~iidra 108 sat\kIrt:laneri 251 Siidraka 163 330 INDEX sangita 23,60,91, 159, 163- 198-201, 207-208, 217-218, 164, 169-171, 176, 185 223,228-229,231-234,237, sangitaka 19, 156, 164-165, 167 240,243,245-246,248,258- Sarlglta Kaumum 103, 240 260 Sarlglta Candra 68, 107, 172, SarlgItaraja 77, 103 245-246 Sarlgltavrttaratnakara 83 SarlgItacintam8{li 238 Sarlglta Samayasiira 51, 53-55, SarlgIta Darp8{la 18, 39, 42, 88, 57-59,62-63,67,75, 107, 90-91,93,98-99, 103, 107, 149,171,185,188,217-218, 175,177-178,200,206,238, 222-224,226-229,232,234- 251-253 237,259,259 Sarlglta Damodara 42, 72-74, Sarlgltasarasamgraha 102-104, 94-97, 103-104, 107, 149, 107,240 171, 180-185, 187-191,240, Sarlgitopani§at 65, 68 245-246, 254 Sarlgltopani§atsaroddhara 22, Sangeet Natak. Akademi 93, 65-68,107,113,171,245,254 158 Sadragacandnodaya 83 Sarlglta Naray8{la 71, 93-94, Sadarpakandarpa 71 96-97,103,107,240,252-254 SarasvatIk8{lfhiibhar8{la 141, Sanglta Makaranda of Narada 159-161, 187, 34-37,107,139,198,241 sanaka, ~ataka 94, 176-179, Sarlglta Makaranda of Vedasiiri 190-192 86,98-99,103, lOS, 107,240, sattva 59 253,255 sandatMa 27 SarlgIta Ratnakara 2,9, 19,23- Sanderson, SJ. 131 25,28-30,32-33,35,37,39, sandhi 95,146,180-181 56, 58-60, 62-63,,66-68, 70, sambhoga 236 75-80, 83-85, 87, 90-92, 94- samagaika 35-36 97, 102, 105,107, 127, 142, srunapada 36,205,231,243 145, 147-149, 152, 158-159, srunapada can 242 165, 167, 169, 171, 185, 196, sarna 204 MOVEMENT AND MIMESIS 331

Sarhganasara 73 sukalasa 235 sathprekfat;laCan 242 sukumara 22,66,117,144-145 sarhlapaka, sallapaka 94, 178- sukumaraprayoga 13, 21, 108, 179, 191-192 116-117, 121-122, 137, 142, Sarv~vara 48 152, 154 Sarasvati Mahal Library 90, 98 Sugrlvakelana 181 Sagarnandin 47-48, 107, 146, Suttagame 22 160,169,177-178,180-181, SudhiikalliSa 65-67, 107 183-185, 189,254 Subrahmanyam, Padma 215, Sanchi Stupa 8 220 sattvika 16,59,61, 79, 83, 84, surekhatva 227 125-126, 128 susandhi 237 sattvativrtti 191 siika 147-148, sadhana 203-204 su{ianrtya 63,93 samanyabhinaya 15, 17, 23, 76, sud 224 79 siilu 34, 242, 249 sarika can 242 saindhava 133-134 saIaga 233 Somanatha 91 saIanganeri 250 Somegvara 45-46, 53-54, 57, Sastry, N. 100 107,142,170,194,198,216, Sahaji 98 222,224,228,259-260 Shah,P. 16,22,136 saufthava 14, 61,85,221,227- Sahityadarp8{la 7, 42, 48, 64- 228,249 65, 107, 146, 155, 181-188, skandhaka 156, 160, 166-167, 191-192 173, 177 Sahityasiira 48 staff-dance 163 SitigabhupaIa, Sirilhabhiipala sttlnrtya 149 48,53,75,76 strllasya 140 Singh, Guru Bipin 211 sthana 14, 17,28,46,55,57-58, sirilhagati 244 61-62,66,70,72,76,85,87, siddhi 16 96.98-99,101-102, 111, 126, 332 INDEX

145,213,215,219,222-224, Harivarh§a 161-162, 188, 191 230,234,241-243,245,249- halli§a, halllsaka 94, 141, 159, 250,252 173, 177-179, 187, 191-192 sthfulaka 66,96,104 hasta 27,42,98,204,209,253 sthiipanii 227, 235 HastamuktavalI 74, 105, 107 sthiiyatiila 147-148,232 HastaratnavalI 74 sthiiyibhiiva 17, 38, 59 Hastalalq8IJ.adIpika 105 sthitapiithya 133-134 hastini 94 sthitiivartii can 242 harhsa 246 sthirahasta 42 hiiva 133,135,147-148 sthiratii 89 hiisika 94 Smith, David 119-120 hiisya 180 Smrti§iistra 7 Hemacandra 163, 174, 177, snigdhii~ti 236 182, 184, 186-187, 189, 190- sphurita 95, 103, 191 sruvii 247 helli 133,135,235 srotogata 204 hugukkii 101,239 svara 55,72,93,208-208 Hrdayangama 158, 161 svaranrtya 252 Svapnavasavadatta 238 svaramat}thanrtYa 85,249-251 svarabhinaya 93, 250 svastikasthiina 243

Hanumana 76 Har~a 19,53, 140, 155, 158, 164 Haravijayam 120, 159 haripriya 67 Haribhatta 90 Studies of Classical India

1. P. E. Granoff: Philosophy and Argument in Late Vedanta. Sri Hartja's Khan4tl11alcha'14akJuidya. 1978. ISBN 90-277-0878-9 2. M. Nagatomi, B. K. Matilal, J. M. Masson, and E. C. Dimock, Jr. (eds.): Sanskrit and Indian Studies. Essays in Honour of Daniel H. H. Ingalls. 1980. ISBN 90-277-0991-2 3. J. M. Masson: The Oceanic Feeling. The Origins 0/ Religious Sentiment in Ancient India. 1980. ISBN 90-277-1050-3 4. M. Tachikawa: The Structure o/the World in Udayana's Realism. A Study o/the Lak:jQMvali and the Kira'1Qvali. 1981 ISBN 90-277-1291-3 5. H-L. Cheng: Niigarjuna's Twelve Gate Treatise. Translated, with Introductory Essays, Comments, and Notes. 1982. ISBN 90-277-1380-4 6. J. Bro~khorst: Tradition and Argument in Classical Indian Linguistics. The . Bahiratlga-Paribhii~ in the Paribh~enduSekhara. 1986. ISBN 90-277-2040-1 7. B. K. Matilal and R. D. Evans (eds.): Buddhist Logic and Epistemology. Studies in the Buddhist Analysis of Inference and Language. 1986 ISBN 90-277-2222-6 8. R. Herzberger: Bhartr:hari and the Buddhists. An Essay in the Development of Fifth and Sixth Century Indian Thought. 1986 ISBN 90-277-2250-1 9. R. P. Hayes: Dignaga on the Interpretation o/Signs. 1988 ISBN 90-277-2667-1 10. P. Bilimoria: Sabdapramdf1D: Word and Knowledge. A Doctrine in M"uniimsii• Nyaya Philosophy (with reference to Advaita Vediinta-paribhiisii 'Agama'). Towards a Framework for Sruti-priim~ya. 1988 ISBN 90-277-2675-2 11. P. Fenner: The Ontology o/the Middle Way. 1990 ISBN 0-7923-0667-8 12. M. Bose: Movement and Mimesis. The Idea of Dance in the Sanskritic Tradition. 1991 ISBN 0-7923-1325-9

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