International Cinemas Full Year | Nottingham Trent University

09/25/21 MCLT12512: International Cinemas Full Year | Nottingham Trent University

MCLT12512: International Cinemas Full View Online Year

Eleftheriotis, Dimitris, Needham, Gary. Asian cinemas: a reader and guide. Edinburgh: Edinburgh University Press; 2006.

Eleftheriotis D. Popular cinemas of Europe: studies of texts, contexts, and frameworks [Internet]. New York: Continuum; 2001. Available from: http://dx.doi.org/10.5040/9781628928860

Badley L, Palmer RB, Schneider SJ, ebrary, Inc. Traditions in world cinema [Internet]. New Brunswick, NJ: Rutgers University Press; 2006. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10435329

Galt R, Schoonover K. Global art cinema: new theories and histories [Internet]. Oxford: Oxford University Press; 2010. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=NottTrent&isbn=978019972629 5

Ezra, Elizabeth. European cinema. Oxford: Oxford University Press; 2003.

1/35 09/25/21 MCLT12512: International Cinemas Full Year | Nottingham Trent University

Fowler, Catherine. The European cinema reader. London: Routledge; 2002.

Hill, John, Gibson, Pamela Church, Dyer, Richard. World cinema: critical approaches. Oxford: Oxford University Press; 2000.

Hunt L, Leung W-F. East Asian cinemas: exploring transnational connections on film [Internet]. London: New York; 2008. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=NottTrent&isbn=978600001200 7

Murphy, David, Williams, Patrick. Postcolonial African cinema: ten directors. Manchester: Manchester University Press; 2007.

10.

Bordwell D. The art cinema as a mode of film practice. Film Criticism. 1979;4(1):56–64.

11.

Neale S. Art cinema as institution. Screen. 1981;22(1):11–40.

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Kovács AB, ebrary, Inc. Screening modernism: European art cinema, 1950-1980 [Internet]. Vol. Cinema and modernity. Chicago: University of Chicago Press; 2007. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10266077

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Betz M, ebrary, Inc. Beyond the subtitle: remapping European art cinema [Internet]. Minneapolis: University of Minnesota Press; 2009. Available from:

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Landy M. Italian Film [Internet]. Vol. National Film Traditions. Cambridge: Cambridge University Press; 2000. Available from: http://dx.doi.org/10.1017/CBO9780511624377

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Sorlin P, ebrary, Inc. Italian national cinema 1896-1996 [Internet]. Vol. National cinemas series. London: Routledge; 1996. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=5004630

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Antonioni M. L’Avventura [Internet]. BoB (Box of Broadcasts) National. London: Cino del Duca (co-production), Produzioni Cinematografiche Europee (P.C.E.), Societé Cinématographique Lyre, 1960.; 1960. Available from: http://bobnational.net/start-session?entityID=https://shib2idp.ntu.ac.uk/idp/shibboleth&tar get=http://bobnational.net/record/84900/media_id/91705

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Armes, Roy. Patterns of realism. Vol. Cinema classics. New York: Garland; 1986.

18.

Bertellini, Giorgio,. The cinema of Italy. London: Wallflower,; 2004.

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Dalle Vacche A. The Body in the Mirror: Shapes of History in Italian Cinema [Internet]. Vol. Princeton Legacy Library. Princeton, United States: Princeton University Press; 2014. Available from: http://site.ebrary.com/lib/nottinghamtrent/detail.action?docID=10898842

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3/35 09/25/21 MCLT12512: International Cinemas Full Year | Nottingham Trent University

De Sica, Vittorio, Biancoli, Oreste, Bartolini, Luigi. Bicycle thieves: a film. London: Faber and Faber; 1994.

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Landy M. Italian Film [Internet]. Vol. National Film Traditions. Cambridge: Cambridge University Press; 2000. Available from: http://dx.doi.org/10.1017/CBO9780511624377

23.

Leprohon, Pierre, Greaves, Roger, Stallybrass, Oliver. The Italian cinema. London: Secker and Warburg; 1972.

24.

Rocchio VF. Cinema of anxiety: a psychoanalysis of Italian neorealism [Internet]. Austin, Texas: University of Texas Press; 1999. Available from: https://ebookcentral.proquest.com/lib/ntuuk/detail.action?docID=4825842

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Shiel, Mark. Italian neorealism: rebuilding the cinematic city [Internet]. Vol. Short cuts (London, England). London: Wallflower Press; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=608590&entityid=https://shib2idp.ntu.ac.uk/ idp/shibbolethno copyright message

26.

Sorlin P, ebrary, Inc. Italian national cinema 1896-1996 [Internet]. Vol. National cinemas series. London: Routledge; 1996. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=5004630

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Wood, Mary P. Italian cinema. Oxford: Berg,; 2005.

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C. G. Albert Finney: a working class hero. In: Me Jane: Masculinity, movies and women. Lawrence and Wishart; 1995.

29.

Hill, John. Sex, class and realism: British cinema 1956-1963. London: B.F.I. Publishing; 1986.

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Lay, Samantha. British social realism: from documentary to Brit-grit. Vol. Short cuts. London: Wallflower; 2002.

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33.

Marwick A. Room at the top, Saturday night and Sunday morning, and the ‘cultural revolution’ in Britain. Journal of Contemporary History. 1984;19(1):127–52.

34.

Murphy, Robert, British Film Institute. Sixties British cinema. London: B.F.I.; 1992.

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35.

Murphy, Robert. The British cinema book. 3rd ed. London: British Film Institute; 2009.

36.

Spicer A. Typical men: the representation of masculinity in popular British cinema [Internet]. London: I.B. Tauris; 2001. Available from: http://lib.myilibrary.com/browse/open.asp?id=269502&entityid=https://shib2idp.ntu.a c.uk/idp/shibboleth

37.

Richards, Jeffrey. Films and British national identity: from Dickens to Dad’s Army. Vol. Studies in popular culture. Manchester: Manchester University Press; 1997.

38.

Stead P. Film and the working class: the feature film in British and American society [Internet]. Vol. Routledge library editions. Cinema. London: Taylor and Francis; 2013. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib2idp.ntu.ac.uk /idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstract View/S9781315855684

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Greene, Naomi,. The French New Wave: a new look. Vol. Short cuts. London: Wallflower,; 2007.

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Holmes, Diana, Ingram, Robert. François Truffaut. Vol. French film directors. Manchester: Manchester University Press; 1998.

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MacCabe, Colin, Eaton, Mick, Mulvey, Laura, Godard, Jean-Luc. Godard: images, sounds, politics. Vol. British Film Institute cinema series. [London]: BFI; 1980.

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Monaco, James. The new wave: Truffaut, Godard, Chabrol, Rohmer, Rivette. New York: Oxford University Press; 1976.

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Sterritt D. The films of Jean-Luc Godard: seeing the invisible [Internet]. Vol. Cambridge Film Classics. Cambridge: Cambridge University Press; 1999. Available from: http://dx.doi.org/10.1017/CBO9780511624322

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Crisp, C. G. The classic French cinema, 1930-1960. Bloomington: Indiana University Press,; 1993.

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Neupert RJ, ebrary, Inc. A history of the French new wave cinema [Internet]. 2nd ed. Vol. Wisconsin studies in film. Madison: University of Wisconsin Press; 2007. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10364101

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Truffaut, François, Rabourdin, Dominique. Truffaut by Truffaut. New York: Harry N. Abrams; 1987.

47.

Bergfelder, Tim, Carter, Erica, Göktürk, Deniz. The German cinema book. London: British Film Institute; 2002.

48.

Elsaesser T, Wedel, Michael, British Film Institute. The BFI companion to German cinema. London: British Film Institute; 1999.

7/35 09/25/21 MCLT12512: International Cinemas Full Year | Nottingham Trent University

49.

Elsaesser T. Weimar cinema and after: Germany’s historical imaginary [Internet]. London: Routledge; 2000. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib2idp.ntu.ac.uk /idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstract View/S9780203388334

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Everett W. Screen as threshold: the disorientating topographies of surrealist film. Screen. 1998;39(2):141–52.

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Fotiade R. The slit eye, the scorpion and the sign of the cross: surrealist film theory and practice revisited. Screen. 39(2):109–23.

52.

Kracauer, Siegfried, Quaresima, Leonardo. From Caligari to Hitler: a psychological history of the German film. Rev. and expanded ed. Oxford: Princeton University Press; 2004.

53.

Manvell, Roger, Fraenkel, Heinrich. The German cinema. London: J. M. Dent & Sons Limited; 1971.

54.

Roberts, Ian. German expressionist cinema: the world of light and shadow. Vol. Short cuts. London: Wallflower,; 2008.

55.

Robinson, David. Das Cabinet des Dr. Caligari. 2nd edition. Vol. BFI film classics. Basingstoke, Hampshire: Palgrave Macmillan; 2013.

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Beumers B. Bronosets Potemkin (Battleship Potemkin). In: European Cinema: an introduction. Palgrave;

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Bordwell, David. The cinema of Eisenstein. Cambridge, Mass: Harvard University Press,; 1993.

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Christie I, Taylor R, ebrary, Inc. Eisenstein rediscovered [Internet]. Vol. Soviet cinema. London: Routledge; 1993. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10100719

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Christie I, Taylor R, ebrary, Inc. Inside the film factory: new approaches to Russian and Soviet cinema [Internet]. Vol. Soviet cinema. London: Routledge; 1994. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10100617

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Gillespie, David C. Early Soviet cinema: innovation, ideology and propaganda. Vol. Short cuts. London: Wallflower; 2000.

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Hicks J, MyiLibrary. Dziga Vertov: defining documentary film [Internet]. London: I. B. Tauris; 2007. Available from: http://lib.myilibrary.com/browse/open.asp?id=258320&entityid=https://shib2idp.ntu.a c.uk/idp/shibboleth

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Lawton A, ebrary, Inc. The red screen: politics, society, art in Soviet cinema [Internet]. London: Routledge; 1992. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10101136

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Spring D, Taylor R, Spring DW. Stalinism and Soviet cinema [Internet]. Vol. Soviet cinema. London: Routledge; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=542550&entityid=https://shib2idp.ntu.a c.uk/idp/shibboleth

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Nesbet, Anne. Savage junctures: Sergei Eisenstein and the shape of thinking [Internet]. Vol. KINO, the Russian cinema series. London: I.B. Tauris; 2003. Available from: http://lib.myilibrary.com/browse/open.asp?id=252925&entityid=https://shib2idp.ntu.ac.uk/ idp/shibboleth

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Widdis E, ebrary, Inc. Visions of a new land: Soviet film from the Revolution to the Second World War [Internet]. New Haven: Yale University Press; 2003. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10170018

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Youngblood, Denise J. Movies for the Masses: Popular Cinema and Soviet Society in the 1920’s. Cambridge: Cambridge University Press; 1992.

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Taylor, Richard. Analysis. In: The Battleship Potemkin: the film companion [Internet]. London: I.B. Tauris; 2000. p. 14–64. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib2idp.ntu.ac.uk /idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstract View/S9786000006150

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O’Shaughnessy, Martin. Jean Renoir. Manchester: Manchester University Press; 2000.

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O’Shaughnessy M, ebrary, Inc. La grande illusion: (Jean Renoir, 1937) [Internet]. Vol. Cine-Files: the French film guides. London: I.B. Tauris; 2009. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10395697

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Renoir J. La règle du jeu [Internet]. BoB (Box of Broadcasts) National. London: Les Grands Films Classiques; 1939. Available from: http://bobnational.net/start-session?entityID=https://shib2idp.ntu.ac.uk/idp/shibboleth&tar get=http://bobnational.net/record/90239/media_id/97378

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Renoir J. La bête humaine ; La grande illusion ; Le crime de Monsieur Lange: 3 films. [S.l.]: Warner Bros. Entertainment; 2004.

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Eleftheriotis D. Popular cinemas of Europe: studies of texts, contexts, and frameworks [Internet]. New York: Continuum; 2001. Available from: http://dx.doi.org/10.5040/9781628928860

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Hjort, Mette, MacKenzie, Scott. Cinema and nation. London: Routledge; 2000.

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Dyer, Richard, Vincendeau, Ginette. Popular European cinema [Internet]. London: Routledge; 1992. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=NottTrent&isbn=978020338862 4

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Mathijs, Ernest, Mendik, Xavier. The cult film reader. Maidenhead: Open University Press; 2008.

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Fournier-Lanzoni R. Comedy Italian style: the golden age of Italian film comedies [Internet]. New York: Continuum; 2008. Available from: http://dx.doi.org/10.5040/9781628928600

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Nowell-Smith, Geoffrey, Ricci, Stephen, British Film Institute. Hollywood and Europe: economics, culture, national identity 1945-95. London: British Film Institute; 1998.

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Esposito M. France on film: reflections on popular French cinema [Internet]. London: Wallflower; 2000. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=NottTrent&isbn=978020345347 6

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La ́ zaro-Reboll, Antonio, Willis, Andrew. Spanish popular cinema. Vol. Inside popular film. Manchester: Manchester University Press; 2004.

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Lázaro-Reboll, Antonio. Spanish horror film [Internet]. Edinburgh: Edinburgh University Press; 2012. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib2idp.ntu.ac.uk /idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstract View/S9780748636402

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Fulci L. The house by the cemetery = Quella villa accanto al cimitero [Internet]. BoB (Box of Broadcasts) National. London: Fulvia Film; 1981. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshib2idp.ntu .ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fon demand%2Findex.php%2Fprog%2F01108DDA%3Fbcast%3D52071704

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Bava M. Danger: diabolik. [S.l.]: Paramount Home Entertainment; 2007.

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Cle ́ ment R, Highsmith P. Plein soleil. [S.l.]: StudioCanal; 2013.

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Palmer T, ebrary, Inc. Brutal intimacy: analyzing contemporary French cinema [Internet]. Vol. Wesleyan film. Middletown, Conn: Wesleyan University Press; 2011. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10468446

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Beugnet M. Cinema and Sensation: French Film and the Art of Transgression [Internet]. Edinburgh: Edinburgh University Press; 2013. Available from: http://universitypublishingonline.org/edinburgh/ebook.jsf?bid=CBO9780748629176

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Grnstad A. Screening the unwatchable: spaces of negation in post-millennial art cinema [Internet]. Basingstoke: Palgrave Macmillan; 2012. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=NottTrent&isbn=978023035585 9

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105.

Gens, Xavier, Testa, Karina, Le Bihan, Samuel, Lefe ́ bure, Estelle, Wiik, Aure ́ lien, EuropaCorp, et al. Frontier(s). [UK]: Optimum Releasing; 2008.

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Nygren S, ebrary, Inc. Time frames: Japanese cinema and the unfolding of history [Internet]. Minneapolis: University of Minnesota Press; 2007. Available from: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10173882

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Prince, Stephen. The warrior’s camera: the cinema of Akira Kurosawa. Rev. and expanded ed. Princeton, N.J.: Princeton University Press; 1999.

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Nolletti, Arthur, Desser, David. Reframing Japanese cinema: authorship, genre, history. Bloomington: Indiana University Press; 1992.

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Standish I. A new history of Japanese cinema: a century of narrative film [Internet]. New York: Continuum; 2005. Available from: http://dx.doi.org/10.5040/9781628929195

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Mizoguchi, Kenji, Nagata, Masaichi, Yoda, Yoshikata, Yamada, Isuzu, Umemura, Yo ̂ ko, Okura, Chiyako, et al. Osaka elegy = Naniwa hika. [London]: Artificial Eye; 200AD.

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Naruse, Mikio, Kikushima, Ryuzo, Mayuzumi, Toshirō, Tamai, Masao, Takamine, Hideko. When a woman ascends the stairs = Onna ga kaidan wo agaru toki [Internet]. BoB (Box of Broadcasts) National. London: Toho Company; 1960. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshib2idp.ntu .ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fon demand%2Findex.php%2Fprog%2F00A7D27F

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