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New Books | January–June 2014 Highlights
ONEWORLD NEW BOOKS | JANUARY–jUNE 2014 HIGHLIGHTS FICTION | 8 FICTION | 11 FICTION | 18 HISTORY | 28 POLITICS | 32 SCIENCE | 40 PSYCHOLOGY | 46 LITERATURE | 54 GIFT | 56 CONTENTS CONTENTS FICTION New 2 New in Paperback 18 NON-FICTION History 22 Philosophy 31 Politics & Current Affairs 32 Business 38 Science 40 Psychology 46 Literature 54 Gift 56 Religion 58 BEGINNER’S GUIDES New 59 Complete List 62 DISTRIBUTORS & REPRESENTATIVES 64 Beads of water sparkled on their brown backs. Even from behind her sunglasses, Janet’s eyes winced at the brightness of their silvery-brown skin. Then her eyes were drawn to the wobbling water that lassoed the sun into strange rings and coils. And there, beneath it all, was the crack. For a moment, she thought that there was no crack. Surely if there were a crack, the water level would have dipped. Surely, she would have noticed if the water level had dipped. Or Solomon would have said something about the water level dropping. Nothing had been said or noticed. Until now. She stood there. Her three little silver darlings shivered in the heat and murmured to one side. She slid her sunglasses onto the top of her head. She stood over the pool, leaning out as far as she dared. Still the water looped and coiled the glinting light. It would take time for the waves to settle. But she had time. Of that commodity she had an abundance. Always that sense of time on her hands. As though time were some sticky substance that clung to her fingers and had to be carefully scoured off. -
Differently Drawn Boundaries of the Permissible in German And
67 Differently Drawn Boundaries of the Permissible in German and Australian Literary Journalism by Beate Josephi, Edith Cowan University, Australia Christine Müller, University of Applied Science, Germany Australian author Anna Funder’s Stasiland serves as a useful study for exploring the differences between German and Australian notions of literary journalism when it comes to claims of verifiability and authenticity. ustralian author Anna Funder’s book Stasiland, which deals with life in Athe former East Germany, is based on a series of interviews. It has been described as “a fresh and highly original close-up of what happens to people in the corrosive atmosphere of a totalitarian state.”1 Stasiland, which came out in 2002, tells the story of ordinary citizens who got caught up in the web of East Germany’s state security [Staatssicherheit or “Stasi”]. Yet, it is more than a history about the Stasi. It is a personal exploration of the reality of psychological terror that, as far as Anna Funder was concerned, had not yet been sufficiently told.2 Stasiland was shortlisted for numerous prizes in Australia and also “received rave notices”3 in Britain, where it won the BBC Four Samuel Johnson Prize in 2004, a substantial award which carries a prize money of £30,000. The prize is an award for nonfiction only, and Stasiland was commended for stretching the boundaries of nonfiction writing.4 The Sunday Times, to quote from the book’s back cover, called it “a masterpiece of investigative analysis, written almost like a novel, with a perfect mix of compassion and distance.”5 It was, then, book-length journalism with a literary ambition. -
Bwf.Org.Au Brisbane Writers Festival 2019 This Way
Thursday, 5 September–Sunday, 8 September 5 September–Sunday, Thursday, BOOK NOW bwf.org.au Brisbane Writers Festival 2019 this way Join the Conversation humanity #bwf19 Contents 1 2 3 4 Thank you to A message from A message Ticket our partners the Minister for from the information the Arts Artistic Director 6 7 8 9 Special Angel's Tirra Lirra Meet the Events Palace by the River Author 10 26 27 28 Program Love YA Free Events BWF in for Families Your Suburb 30 32 34 35 Events for Writers Timetable Getting to BWF Team the Festival and Board Brisbane Writers Festival Thanks its Supporters Government Partners Proudly supported by Major Partner Home of Brisbane Writers Festival Cultural Partner Supporting Partners Media Partners Marketing Partners Hospitality Partners Program Partners Consulate of Canada, Kindred: 12 Queer #LoveOzYA Stories, Queensland Writers Centre, Griffith Review, A Spectrum Connected and Inala Wangarra Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australia Council, its arts funding and advisory body. 1 Brisbane Writers Festival 2019 Welcome to Brisbane Writers Festival Welcome to Brisbane Writers The genuine sharing and receiving Festival 2019, one of Australia’s of our unique stories give us the leading literary events, celebrating tools to unpack information and the power of words through make sense of our ever-changing exceptional experiences that inspire, world. -
AUGUST 1990 • $4.50 ~ : ■ V;R
J i,1 M iob . sneer journalism - whingeing at women’s success 180 JEW ZEALAND’S FEMIBgT MAGAZINE NINETEENTH YEAR PUBLICATION AUGUST 1990 • $4.50 ~ : ■ v;r-. - •. A JBRARY - AUCKLAND COLLEGE OF EDUCATI 3 AUG 1990 n c a is a r.e killing, u s pesticide plague v ■ ^ 1 1n L.' i kiwi chi • new / . • •* Now you can have your cake and eat it too! So we can all celebrate BROADSHEETs eighteen years of publishing, we have a gift for you: Subscribe to Boradsheet for one year before the end of September and we’ll give you the previous six issues of 1990. Arts Beach Culture Ngahuia Te Awekotuku Motherhood Re-Designing Women Shutting Out Students Housework the Feminine Lesbian Ethics Kaitiaki O Manukau Pain the Treaty Caesarians ManaTiriti Sabbage Blows Farming Feminist Political Spirits and much more ! That‘s 6 issues of BROADSHEETS gutsy journalism for the same price for 10! Post the coupon now and we can all enjoy “Many Happy Returns”. YES ! Please list me as a subscriber and send me six previous 1990 issues of BROADSHEET free. Name Address 1 yr $50 □ 2 yr $95 □ 3yr$140 □ visa □ bankcard □ cheque □ card No. □ □ □ □ □ □ □ □ □ □ □ □ □ □ □ □ expiry date DD In NZ FREEPOST NO 12 SY ST. BROADSHEET PO Box 56 147 AK 3. MAJOR rcEW TfTIFS ANY WOMAN’S BLUES Erica Jong $39.95 rrp In the seventies Erica Jong taught women how to fly... now she shows them howto land. A timely and audacious novel by a remarkable writer. ANY WOMAN'S BLUES will speak to every woman of the I990s. -
Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback
t e x t p u b l i s h i ng melbourne australia Reading Group Notes Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback Praise for Stasiland into East Germany from August 1961 to November ‘Moving and exhilirating, Stasiland is the kind of book 1989. She explores how many people are still walled that makes us love non-fiction.’ Helen Garner emotionally. ‘The author is a not-so-naïve Australian Alice wandering Miriam, a dissenter at sixteen, attempted escape. After around an East German Wonderland that is littered with capture she was imprisoned and treated in ways that the debris from the Stasi.’ Alison Lewis, Age stripped her humanity. Years later, the Stasi took her husband, Charlie, in for questioning. They informed ‘[Funder’s] portraits are by turns funny, heartbreaking Miriam that he had committed suicide; she is still waiting and stirring. She tells the story of the collapse of a way for proof that they killed him. of life with wit, style and sympathy.’ Jose Borghino, marie claire Funder’s journey into Miriam’s story and others like it raises questions about what it means to be human. Why do some people obey orders without question? About Anna Funder Where do some people find the courage to follow their Anna Funder was born in Melbourne in 1966. She has conscience? How does a person hold onto their sense of worked as an international lawyer and documentary self when the state is creating fictions about them? What film-maker. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Daniel J. Ciamarra Candidate for the Degree Doctor of Philosophy ______________________________ Director (Tom S. Poetter) ______________________________ Reader (Richard A. Quantz) ______________________________ Reader (Denise Baszile) _____________________________ Graduate School Representative (Bob Burke) ABSTRACT SPEAKING UP: USING A PEDAGOGY OF LOVE TO DEBUNK TECHNICAL TEACHING AND LEARNING PRACTICES by Daniel J. Ciamarra At present, our students are valued for their capacities to thoughtlessly absorb and regurgitate standardized facts and figures. Meanwhile, the affective facets of schooling, such as love, relationality, compassion, acceptance, integrity, and altruism are overlooked by politicians and educational decision makers, who claim these elements lack academic rigor. In this study, I use the dominant views of the educational elect to accentuate the current push for a more standardized, accountable, and scientific approach to schooling. Then, I employ the counternarrative as a methodological tool for talking back, offering up personal stories and experiences that frame the power of agapic love to demystify the normative views of schooling. More specifically, I employ personal narrative as means for providing teachers a voice, one which aims to debunk confounding generalizations or refute common claims about what education is or ought to be. Finally, I analyze the divergent stories through multiple theoretic and practical lenses in order to make meaning of my experiences. Moreover, the counternarratives in this study focus on how agapic love can be utilized in pedagogical and curricular efforts to transcend the present conditions that hinder many students and teachers from being and becoming who they really are. -
Novel, Suburb, Cosmos
The View from Above from Below: Novel, Suburb, Cosmos Brigid Rooney HROUGH CONVERGENT TECHNOLOGIES OF CAMERA AND FLIGHT, THE VIEW FROM ABOVE directs the opening chapter of The Australian Ugliness (1960), Melbourne- T based Robin Boyd’s famous critique of urban and suburban aesthetic forms. By 1960, such aerial vision was nothing new, but the arrival in 1956 of the Boeing jet meant air-travel was about to eclipse the sea voyage, conquering what Australian historian Geoffrey Blainey famously termed ‘the tyranny of distance’, and ushering in the era of mass tourism. This development naturalised and popularised an aesthetics of panorama that also organises the representation of suburbia. Boyd re-stages the aerial view successively. The visitor’s first approach to Australia is from the north. Moving from Darwin to Bourke, the visitor crosses over country ‘burnt brown and patchy, like a tender sunburnt skin, with sections of darker brown and blood red and blisters of lighter ochre’; his camera-eye view takes in the ‘red backland of Australia’ which ‘looks from the air satisfyingly like its own maps’ (Boyd 18). The arrival of Boyd’s hypothetical visitor, as noted, is staged twice, in the second instance tracking the plane’s approach ‘from across the Pacific’ over 1950s pre- Opera-House Sydney. From the long high view, urban Australia presents a vision of ‘continuity, unity and the promise of comfort in the mushroom roofs and the bright background of tended green’. Momentarily, suburban sprawl figures the ‘love of home’, with ‘great speckled carpets spread wide around every © Australian Humanities Review 60 (November 2016). -
The Romance of the Rose
The Romance of the Rose 179 The Romance of the Rose The Romance of the Rose, an allegorical dream-vision poem stemming from the troubadour tradition of courtly love and written in medieval French, was perhaps the most widely read book in 14th- and 15th-century Europe. During the century of high scholasticism (the 13th), this most influential of all works of medieval romance emerged. It was composed in two stages. Around 1230, Guillaume de Lorris came out with the first 4,058 lines, without quite finishing it. Around 1275 (the year after the death of both Aquinas and Bonaventure), Jean de Meun, a very different personality who studied at the University of Paris and who warred against the mendicant orders, produced a massive amplification of Guillaume’s work, adding 17,724 lines, shifting towards the encyclopedic and dialectic, changing its character from earnest to satiric. C. S. Lewis’s scholarly work The Allegory of Love helped to revive modern interest in the work. Lewis argues for the realism of the allegorical method employed in The Romance: “[This method] was originally forced into existence by a profound moral revolution occurring in the latter days of paganism. For reasons of which we know nothing at all. , men’s gaze was turned inward. But a gaze so turned sees, not the compact ‘character’ of modern fiction, but the contending forces which cannot be described at all except by allegory.” 181 Guillaume de Lorris/Jean de Meun Prologue In the twentieth year of my life, at the time when Love exacts his tribute from young people, I lay down one night, as usual, and slept very soundly. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Senate Submission
Committee Secretary Senate Legal and Constitutional Affairs Committee Jacinda Woodhead Editor, Overland magazine VU – Footscray Park Campus PO Box 14428 Melbourne VIC 8001 17 July 2015 Dear Committee Secretary and Members, I edit one of Australia’s oldest literary magazines, Overland, founded in 1954 by Stephen Murray-Smith. Overland has a long and distinguished history, and it’s list of published authors reads like a catalogue of influential Australian writers, from Patrick White, Frank Hardy and Dorothy Hewett to Peter Carey, Alexis Wright and Christos Tsiolkas. Overland’s mission is to foster new, original and progressive work exploring the relationship between politics and culture, especially literature, and to bring that work to as many people as possible. In its sixty-first year of publication, Overland continues to be artistically vibrant, making significant contributions to Australian cultural life on a daily basis. Much of Overland’s current success has been enabled by the infrastructure the organisation has been able to build over the years through subscriber, philanthropic and government support, including the critical funding the Australia Council has offered the magazine at the various stages of its existence. Overland publishes four print issues of 96 pages a year, each edition consisting of original fiction, poetry, nonfiction and artwork of the highest standard. Recent editions have included work by Germaine Greer, Cate Kennedy, Rodney Hall, Alexis Wright, Christos Tsiolkas and Alison Croggon. Overland is also committed to finding new talent: writers whose early work featured in the journal include Nam Le, Jennifer Mills, Stephen Amsterdam, Ali Alizadeh, Maxine Beneba Clarke, Anwen Crawford (who has started recently writing for the New Yorker) and artist Megan Cope. -
London Book Fair 2019 Black Inc
BLACK INC. LONDON BOOK FAIR 2019 BLACK INC. LONDON BOOK FAIR 2019 Act of Grace 3 The Godmother 5 Melting Moments 7 See What You Made Me Do 8 Solved! 10 Tired of Winning 11 Contest for the Indo-Pacific 12 How to Defend Australia 13 Botany Bay and the First Fleet 14 Salt 15 Murder on Easey Street 16 It’s Your Money 17 Poster Boy 18 The Song Remains the Same 20 Songs 21 Shots 22 On David Malouf 23 On Shirley Hazzard 24 Writers on Writers 25 Deep Time Dreaming 27 The Shortest History of Europe 28 How to Win a Nobel Prize 29 Destination Simple 30 The Motivation Hoax 31 Black Inc. agents 32 Black Inc. contacts 34 Act of Grace Anna Krien The exhilarating debut novel from the award-winning author of Night Games. Toohey, an Australian soldier, returns from Baghdad with shrapnel lodged in his neck and crippled by PTSD. Melbourne teenager Robbie is grappling with her father’s early onset dementia and the silences in her family history that now may never be filled. Nasim, an aspiring Iraqi pianist, witnesses her family’s fall from the graces of Saddam Hussein. Escaping torture at the hands of psychopathic dictator- in-waiting Uday Hussein, she reaches Australia, searching for the music she thought she’d never hear again. Gerry, who grows up under the tyrannical rule of his father Toohey, must find a way to heal from a childhood of violence and damage. OCTOBER 2019 LITERARY FICTION The lives of these four characters intersect over decades, as their stories intertwine in a brilliant ISBN: 9781863959551 meditation on fear and sacrifice, trauma and eISBN: 9781743820339 survival, and what people will do to outrun the Imprint: Black Inc. -
Publications for Brigid Rooney 2020 2019 2018 2017 2016 2015 2014
Publications for Brigid Rooney 2020 Australian Print Cultures and Modernity' by David Carter. Rooney, B. (2020). Stream System, Salient Image and Feeling: Southerly, 27(1), 174-181. Between Barley Patch and Inland. In Anthony Uhlmann (Eds.), Rooney, B., Olubas, B. (2015). Australian Literature / World Gerald Murnane: Another World in This One, (pp. 63-84). Literature: Borders, Skins, Mappings. JASAL, 15(3), 1-5. <a Sydney: Sydney University Press. <a href="http://www.nla.gov.au/openpublish/index.php/jasal/article href="http://dx.doi.org/10.2307/j.ctvx5w926.11">[More /view/4116/4753">[More Information]</a> Information]</a> Rooney, B. (2015). Serial Cities: Australian Literary Cities and 2019 the Rhetoric of Scale. Cultural Studies Review, 21(1), 262-282. <a href="http://dx.doi.org/10.5130/csr.v21i1.4345">[More Rooney, B. (2019). Interior History, Tempered Selves: David Information]</a> Malouf, Modernism, and Imaginative Possession. In Richard Begam,Michael Valdez Moses (Eds.), Modernism, Rooney, B. (2015). Time and Its Fellow Conspirator Space: Postcolonialism, and Globalism: Anglophone Literature, 1950 Patrick White's 'A Fringe of Leaves'. In Ian Henderson, to the Present, (pp. 258-276). New York: Oxford University Anouk Lang (Eds.), Patrick White Beyond the Grave: New Press. <a Critical Perspectives, (pp. 163-177). London: Anthem Press. <a href="http://dx.doi.org/10.1093/oso/9780199980963.003.0013" href="http://www.anthempress.com/patrick-white-beyond-the- >[More Information]</a> grave">[More Information]</a> 2018 2014 Rooney, B. (2018). Suburban Space, the Novel and Australian Rooney, B. (2014). "No-one Had Thought of Looking Close to Modernity.