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British and Irish Folk Songs
British and Irish Folk Songs Chorbuch für gemischten Chor a cappella A choral collection for mixed choir a cappella herausgegeben von / edited by Mirjam James Chorleiterband mit CD Choral conductor’s score with CD C_Carus 2.214 Inhalt / Contents Alphabetisches Verzeichnis der Titel / Alphabetical index of titles Titel Komponist Text Besetzung CD Nr. Title Composer Text Scoring CD No. A rosebud by my early walk ............Cedric Thorpe Davie .......Robert Burns. .SATB ............. 1 A round of three country dances in one ...Thomas Ravenscroft ........trad. ...................SATB ............. 2 Ah, Robin, gentle Robin ...............William Cornish (Cornysh) ...Anon. ..................SSATB. .. 3 And I were a maiden .................Anon. ..................Anon. ..................SSATB. .. 4 Ballad of green Broom ................Benjamin Britten ...........Anon. ..................SATB ............. 5 Blow thy horn, hunter .................William Cornish (Cornysh) ...Anon. ..................SATB ............. 6 Come live with me and be my love ......William Sterndale Bennett ...Christopher Marlowe (?). SATB ............. 7 Dashing away with the smoothing iron ...John Rutter. trad.. .SATBarB ......... 1 ... 8 Finnegan’s wake ....................Sebastian Krause ..........trad. aus Irland. .SSATB ........... 2 ... 9 Greensleeves .......................Ralph Vaughan Williams .....trad. aus England ..........SSAATBB .......... .10 I love my love ......................Gustav Holst .............trad. aus Cornwall .........SSATBB ......... -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
New Age, Vol. 18, No. 19, Mar. 9, 1016
NOTES OF THEWEEK . VICTORIA. By Alice Morning . FOREIGNAFFAIRS. By S. Verdad. Views AND REVIEWS : COLLECTIVEPSYCHOLOGY. UNEDITEDOPINIONS : THE CASE FOR GERMANY . By A. E. R. REVIEWS : YOUTH : A PLAY. By Miles Malleson. A PATHOLOGICALVIEW OF THE UNITEDSTATES-I. By E. A. B. THE RUSSIAN CAMPAIGN. By Stanley Washburn . LITTLEEPISTLES-I : To SIR OLIVER LODGE. BY National Guildsman . PASTICHE. By C. E. B., Ruth Pitter, W. Mears, P. Selver . MORE LETTERS TO My NEPHEW. By Anthony Farley . LETTERS TO THE EDITOR from C. S. M., Ernest Kempston, Oscar Levy, A. H. Murray, DRAMA. By John Francis Hope. Sheikh M. H. Kedwai of Gadia, B., BOUDOIR ECONOMY: A DUOLOGUE. By D. Leigh C. E. M. J., M. Bridges Adams, Claude Bennett . Askew, Alfred Willams, Huntly Carter, A. READERS ANDWRITERS. By R. H. C. Hanson . MAN AND MANNERS: AN OCCASIONALDIARY. PRESS CUTTINGS. that it is not only just that our wealthy men should NOTES OF THE WEEK pay for the war in actual loss of their capital, but, sooner or later, it will be necessary. Its justice may THOUGH no one would guess it who has the acquaintance be seen from the following considerations. In the first of daily journalists, and though, it must be said, place, it has always been the defence of private wealth they are modestly sceptical of it themselves, the power (maintained, be it remembered, by the whole constitutional of daily journalism is enormous. By its means authority) that its accumulation in this form (consistinglargely of repetition), not only are lies and half- ensured the nation an ample reserve for precisely such an truths concerning public affairs put and kept in emergency as a great war. -
Green Belt Planning in Edinburgh and Baltimore: a Cross-Site
GREEN BELT PLANNING IN EDINBURGH AND BALTIMORE: A CROSS-SITE COMPARISON A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Erin G. McCarty June 2007 This thesis titled GREEN BELT PLANNING IN EDINBURGH AND BALTIMORE: A CROSS-SITE COMPARISON by ERIN G. MCCARTY has been approved for the Department of Geography and the College of Arts and Sciences by _________________________________________________________ Geoffrey L. Buckley Associate Professor of Geography __________________________________________________________ Benjamin M. Ogles Dean, College of Arts and Sciences Abstract MCCARTY, ERIN G., M.A., June 2007. Geography GREEN BELT PLANNING IN EDINBURGH AND BALTIMORE: A CROSS-SITE COMPARISON (107 pp.) Director of Thesis: Geoffrey L. Buckley Policy makers continue to develop ways to control sprawl, but the problem is growing. Many studies offer evaluations of current planning efforts or suggest new ones; however, few have sought to explain the evolution of sprawl, especially as it affects open space planning. This study compares the creation and current conditions of open space planning in Edinburgh, Scotland and Baltimore, Maryland. The research specifically focuses on the Green Belt around Edinburgh, Scotland and addresses several open space management programs in and around Baltimore. Results show that history, government structure, and adherence to a regional plan achieve open space preservation goal. Additionally, the future of each city’s open space may be dependent upon their approach to planning. This study is part of the ongoing Baltimore Ecosystem Study, a multifaceted, long-term ecological research project devoted to understanding how cities function as ecosystems. -
Geddes, Zoos and the Valley Section
Geddes, Zoos and the Valley Section CATHARINE WARD THOMPSON The development of Edinburgh Zoological Garden was a pioneering example of Catharine Ward Thompson is the modern approach to animal display, placing animals in naturalistic settings that Research Professor in Landscape demanded innovative landscape design. The concept for Edinburgh Zoo, opened in Architecture and Director of 1913, was devised by Patrick Geddes and developed in collaboration with Frank C OPENspace, the research centre Mears and Geddes's daughter, Norah. for inclusive access to outdoor This paper draws on Welter's (2002) important study of Geddes's vision of the environments, at Edinburgh College city and on Geddes biographies, as well as on original archive material, to explore of Art and Heriot-Watt Uni~lersity. aspects of Geddes's vision for landscape architecture in the early twentieth century. She teaches history and theory at The paper discusses Geddes's contribution to contemporary design and planning undergraduate and masters level and theory through the concept of the valley section, which comes to an understanding coordinates the landscape architecture of the global through the local and in turn inspires a vision of the universal. PhD programme in these institutions. Geddes was influenced by Hagenbeck's design for his zoo, near Hamburg, and Catharine Ward Thompson, BSc, by the New York Zoological Park, in developing displays for Edinburgh zoo that DipLA, FLI, FRSA, Edinburgh attempted to show animal behaviour as it would be in its natural habitat. The work College of Art, 79 Grassmarket, of the German evolutionary biologist, Ernst Haeckel, further inspired Geddes to Edinburgh, EH1 2HJ, UK. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
Frank Grace – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’S Message
Société d' Opéra National Capital de la Capitale Nationale Opera Society Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’s Message It is March 15, 2021 and I am starting to feel viding a virtual Ring festival throughout optimistic that our jail sentences are coming March. The four operas, recorded in 2018, to an end. Spring is in the air and we saw a are streamed each weekend free of charge. In high of 16 C last week. The vaccines are on addition they offer a series of one hour pre- their way!! Phew! It is about time. sentations on subjects such as the History of We have postponed the next Brian Law The Ring, Dining on the Rhine, Feminism, Opera Competition until October 2022 and Grace Bumbry breaking the colour barrier at will start the planning in the fall. Also we Bayreuth etc. The fee to watch all 16 presen- decided to waive membership fees for this tations is US$99. As always, big thanks year. So do not worry about your member- for contributions from David Williams and ship. However, if you would like to make a his team for the newsletter and to Jim Bur- donation to the society, it will be gratefully gess for our website. received. I will provide you a receipt for As soon as everyone feels safe, we Income Tax purposes. should plan on a special face-to-face meet- I have some sad news to share, that one ing where we can embrace, watch opera, eat, of our long-time supporters passed away re- drink and be merry! cently, Tom McCool. -
When Cultures Collide: Leading Across Cultures, Third Edition by Richard D
When Cultures Collide: Leading Across Cultures, Third Edition by Richard D. Lewis Nicholas Brealey Publishing. (c) 2006. Copying Prohibited. Reprinted for Kristen Dammers, Sapient [email protected] All rights reserved. Reproduction and/or distribution in whole or in part in electronic,paper or other forms without written permission is prohibited. When Cultures Collide: Leading Across Cultures, Third Edition Chapter 13: Britain Overview For decades the British film industry, enriched by the talents of such actors as Alec Guinness, Peter O'Toole, John Gielgud, Ralph Richardson, Alastair Sim, George Cole and Charles Laughton, has put the typical Englishman on the screen for the world to see. The BBC, in such admirable programs as Upstairs, Downstairs and Yes, Minister, has reinforced the image. The Englishman dresses in tweeds or a three-piece pin-striped suit and a Burberry raincoat on rainy days. He wears a bowler hat, carries a tightly furled, black umbrella with a cane handle and has a pink newspaper tucked under his left armpit. He goes to church on Sunday mornings and eats roast beef with Yorkshire pudding for Sunday lunch. He is a man of principle, insists on fair play for underdogs, does things in a proper manner and shows more affection for horses, cats and dogs than for children, foxes and grouse. He probably went to Eton and Oxford (Cambridge?) and frequents Ascot, Wimbledon, Twickenham, Lord's and Wentworth. He believes in the Monarchy, the Empire and the Conservative Party. When not in his Club (no ladies allowed), he sits in the local pub with gardeners and game wardens, with whom he sips warm beer called real ale. -
HTC AIC Program
Season 2012 AN INSPECTOR CALLS HTC Artspace Exhibition This year the Artspace celebrates the 60th Anniversary of the Heidelberg Theatre Company, featuring archival posters, programmes, photos and newspaper articles, mapping the history of the theatre and highlighting the wonderful plays presented over the years - as well as a display of interesting and beautiful costumes on the Mezzanine. The display, including costumes, for our first play this year has attracted great interest and comment The display for our second play of 2012 covers the third decade of the Company, the 1970s. These documents have been collected by various members of the theatre over many years and we thank them for being aware of the importance of preserving our history. We hope you enjoy the journey with us through the sixty memorable years of Heidelberg Theatre Company HEIDELBERG THEATRE COMPANY (HTC) BOOKINGS 03 9457 4117 ENQUIRIES 03 9455 3039 EMAIL [email protected] WEB www.htc.org.au HTC is a member of the Victorian Drama League. HTC acknowledges financial assistance from the City of Banyule. 2 HEIDELBERG THEATRE COMPANY 3 May - 193 May 2012 About the author J.B. Priestley was born in Bradford, in England’s industrial midlands. He left school at age sixteen to work for a local wool merchant, and in 1914 enlisted in the army. In his subsequent writing, Priestley often drew on his wartime experiences and memories of pre-war England. In 1919, Priestley spent three years at Cambridge, taking honours in English literature, modern history, and political science. As a fiction writer, he became a household name with ‘The Good Companions’ (1929), a comic novel about an itinerant group of music-hall entertainers that sold almost a million copies in hardcover. -
Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990.