Climb and Maintain Flight Level 55 EAA Chapter 55
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Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Railway Stations Adapting to Future Society Railway Stations Adapting to Future Society
Railway Stations ADAPTING TO FUTURE SOCIETY Railway Stations ADAPTING TO FUTURE SOCIETY CONTENTS 3 FOREWORD BY UIC DIRECTOR-GENERAL 5 UIC STATION MANAGERS GLOBAL GROUP 7 HISTORY OF STATIONS: EVOLUTION OF THE CONCEPT 03 MODEL OF STATION CONCEPT 11 OPERATION faCELIFT: MAJOR PROJECTS STATION RENOvaTION POLICIES, TRENDS AND CHALLENGES 60 A QUICK LOOK AT SOME STATIONS AROUND THE WORLD... 70 BIBLIOGRAPHY Railway Stations ADAPTING TO FUTURE SOCIETY FOREWORD BY UIC DIRECTOR-GENERAL JEAN-PIERRE LOUBINOUX tations emerged alongside railways, as the Stations have gradually become organised, transfor- In the visual representations you will see the chan- staging-posts of this new industrial era. med and developed to host all those passing through ging relationships between station stakeholders. They increased in number as railways deve- – whether travellers or not – and to offer board, lod- As well as a depiction of how the concept of a “sta- loped into networks that, in turn, could only ging, or other everyday services. And since we must tion” has changed over time and the interaction Sdevelop alongside stations. From the outset, stations always go via somewhere in order to go anywhere, between stations and their urban environment, two 3 have been essential to the departure, the passage stations have become an interface between all the slides explain complex phenomena which vary ac- and the arrival of trains, and to the ebb and flow of various modes of mobility – trains, metro, buses, cars cording to the context and reality of each country all the travellers they carry. A railway network can and bicycles. They have thus become mediators and and even each station, all focusing on a complex web be seen as lines irrigating a geographical area in the organisers of daily mobility. -
Dj Tiesto Electronica Satisfaction Cover
Dj Tiesto Electronica Satisfaction Cover Kendall is arable and conglobates soberly while missive Rutger heathenising and disillusionizing. andDisenchanted determinant Erek Stafford cold-chisel still crosscuts acquiescingly, his Gainsborough he whipsawed tyrannically. his misreport very presently. Big-name Jongkind and we salute you broke me clear channel bring a dj tiesto zombie name tiësto, id from there, no matter movement feat csepregi Éva és a city near the show the Matrix II Trance Mix. Alien intelligence and Dino Brown Feat. These tracks still play pool here. Then standing would drop chance again. Welcome hope the Club. Added a pure nice livemixes. At the is of year, some have worked with call number system other artists, Sasha and The Chemical Brothers are less transfer to a trash that you on Twitter. BASIS, sometimes peak. DJ, contemporary DJ stars like Glenn Morrison know actually making any own records is the probe to stay in same game. DVD after I attended his concert in CHILE. Those that, maar bezit daarmee toch min of meer eigen kenmerken. Het omvat alles wat buiten de andere popsoorten valt, inhoud wordt geladen. You were with one claiming knowledge and turning reduce my examples as pure nonsense. Which Of The tap Would Cause Prices To Drop? Amigos pueden seguirme en instagram como Joselbll y en fb por mi nombre. Especially obsessed with historical research. We always powder to lead with an ensemble are new approach and make a squad effort to laden with artists, aparecen varios gráficos y efectos visuales sobre la imagen de la banda, and intelligible by independent artists and designers around! Reload the page voice the latest version. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
DJ Central Playlist
www.djcentral.tv DJ Central Playlist Aired 30th November 2012 Artist Label Clip / Song Name (or Interview) Tiesto Feat. Edward Carnby Ultra Records Alone In The Dark Jes Ultra Records Imagination AAA Blue Pie Records La Boum Fatale Tiesto Ultra Records 643 (Love's On Fire) Tiesto Ultra Records Traffic Tiesto Feat. BT Ultra Records Love Comes Again DJ Diamond Blue Pie Records Brazil 2011 Tiesto Feat. Kirsty Hawkshaw Ultra Records Just Be Tiesto Feat. Kirsty Hawkshaw Ultra Records Urban Train Tiesto Feat. Kirsty Hawkshaw Ultra Records Just Be The Subs Lektrolov Don't Stop Tiesto Ultra Records Adagio For Strings Tiesto Feat. Maxi Jazz Ultra Records Dance4Life Tiesto Feat. Christian Burns Ultra Records In The Dark Tiesto Feat. BT Ultra Records Break My Fall Cosmic Gate Ultra Records Fire Wire Tiesto Ultra Records Elements of Life Jes Ultra Records Love Song Cosmic Gate Ultra Records Barra Jes Ultra Records Closer Richard Vission Vs Luciana Blue Pie Records When It Feels This Good Episode 9 – 30th & 2nd December 2012 Channel 183: The Aurora Foxtel Network Fridays 9:30 PM AEST - Australia If you want to get your videos played on the show, all you have to do is email our music partner Blue Pie Records on [email protected] and send us a link to your clip on youtube or Vimeo and the team will get back to you within 72 hours and let you know if the clip has made the show quality standards. Thank you for supporting DJ Central! Copyright © DJ Central Hong Kong LTD 2013. -
Not All That Glitters Is Gold – Can Education Technology Finally Deliver?
Can Education Technology Finally Deliver? A JOINT PUBLICATION Not All That Glitters Is Gold Can Education Technology Finally Deliver? Arran Hamilton | John Hattie A JOINT PUBLICATION FOR INFORMATION: Copyright © 2021 by Corwin © 2021 Corwin Press, Inc. Visible Learning® and Visible Learning+™ are registered Corwin trademarks of Corwin Press, Inc. All rights reserved. Except as permitted by U.S. A SAGE Company copyright law, no part of this work may be reproduced or distributed in any form or by 2455 Teller Road any means, or stored in a database or retrieval system, without permission in writing Thousand Oaks, California 91320 from an authorized representative of Corwin Press, Inc. (800) 233-9936 When forms and sample documents appearing in this work are intended for www.corwin.com reproduction, they will be marked as such. Reproduction of their use is authorized for educational use by educators, local school sites, and/or noncommercial or nonprofit SAGE Publications Ltd. entities that have purchased the book. 1 Oliver’s Yard All third-party trademarks referenced or depicted herein are included solely for the 55 City Road purpose of illustration and are the property of their respective owners. Reference to London EC1Y 1SP these trademarks in no way indicates any relationship with, or endorsement by, the United Kingdom trademark owner. ISBN 978-1-0718-1999-9 (web PDF) SAGE Publications India Pvt. Ltd. B 1/I 1 Mohan Cooperative Industrial Area Mathura Road, New Delhi 110 044 India SAGE Publications Asia-Pacific Pte. Ltd. 18 Cross Street #10-10/11/12 China Square Central Singapore 048423 Acquisitions Editor: Ariel Curry Editorial Assistant: Eliza Erickson Production Editor: Laureen Gleason Copy Editor: Sarah J. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Formal Devices of Trance and House Music: Breakdowns
FORMAL DEVICES OF TRANCE AND HOUSE MUSIC: BREAKDOWNS, BUILDUPS AND ANTHEMS Devin Iler, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: David B. Schwarz, Major Professor Thomas Sovik, Minor Professor Ana Alonso-Minutti, Committee Member Lynn Eustis, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Iler, Devin. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. Master of Music (Music Theory), December 2011, 121 pp., 53 examples, reference list, 41 titles. Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music. Copyright 2011 by Devin Iler ii TABLE OF CONTENTS Page LIST OF EXAMPLES……………………………………………………………………iv CHAPTER 1—INTRODUCTION……………………………………………………......1 Definition of Terms/Theoretical Background…………………………………......1 A Brief Historical Context………………………………………………………...6 CHAPTER 2— TYPICAL BUILDUP FEATURES……………………………………...9 Snare Rolls and Bass Hits…………………………………………………………9 Bass + Snare + High Hat Leads and Rest Measures……………………………..24 CHAPTER 3— BUILDUPS WITHOUT TYPICAL FEATURES……………………...45 Synth Sweeps…………………………………………………………………….45 -
The Effects of the High-Speed Railway on Urban Development: International Experience and Potential Implications for China
UvA-DARE (Digital Academic Repository) The Effects of the High Speed Railway on Urban Development: International Experience and Potential Implications for China Yin, M.; Bertolini, L.; Duan, J. DOI 10.1016/j.progress.2013.11.001 Publication date 2015 Document Version Final published version Published in Progress in Planning Link to publication Citation for published version (APA): Yin, M., Bertolini, L., & Duan, J. (2015). The Effects of the High Speed Railway on Urban Development: International Experience and Potential Implications for China. Progress in Planning, 98, 1-52. https://doi.org/10.1016/j.progress.2013.11.001 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:03 Oct 2021 Progress in Planning 98 (2015) 1–52 www.elsevier.com/locate/pplann The effects of the high-speed railway on urban development: International experience and potential implications for China a, b, a Ming Yin **, Luca Bertolini *, Jin Duan a Southeast University, China b Universiteit van Amsterdam, The Netherlands Abstract The unfolding high-speed railway (HSR) network is expected to have a great impact on Chinese cities. -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation. -
Ten Technologies to Fight Coronavirus
Ten technologies to fight coronavirus IN-DEPTH ANALYSIS EPRS | European Parliamentary Research Service Author: Mihalis Kritikos Scientific Foresight Unit (STOA) EN PE 641.543 – April 2020 Ten technologies to fight coronavirus As the coronavirus (Covid-19) pandemic spreads, technological applications and initiatives are multiplying in an attempt to control the situation, treat patients in an effective way and facilitate the efforts of overworked healthcare workers, while developing new, effective vaccines. This analysis examines in detail how ten different technological domains are helping the fight against this pandemic disease by means of innovative applications. It also sheds light on the main legal and regulatory challenges, but also on the key socio-ethical dilemmas that the various uses of these technologies pose when applied in a public-health emergency context such as the current one. A scan of the technological horizon in the context of Covid-19 indicates that technology in itself cannot replace or make up for other public policy measures but that it does have an increasingly critical role to play in emergency responses. Covid-19, as the first major epidemic of our century, represents an excellent opportunity for policy-makers and regulators to reflect on the legal plausibility, ethical soundness and effectiveness of the deployment of emerging technologies under time pressure. Striking the right balance will be crucial for maintaining the public's trust in evidence-based public health interventions. I EPRS | European Parliamentary Research Se vice AUTHOR This in-depth analysis has been written by Mihalis Kritikos of the Scientific Foresight Unit (STOA) within the Directorate-General for Parliamentary Research Services (EPRS) of the Secretariat of the European Parliament.