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Duncan Campbell Scott - Poems
Classic Poetry Series Duncan Campbell Scott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Duncan Campbell Scott(2 August 1862 – 19 December 1947) Duncan Campbell Scott was a Canadian poet and prose writer. With <a href="http://www.poemhunter.com/charles-g-d-roberts/">Charles G.D. Roberts</a>, <a href="http://www.poemhunter.com/bliss-carman/">Bliss Carman</a> and <a href="http://www.poemhunter.com/archibald- lampman/">Archibald Lampman</a>, he is classed as one of Canada's Confederation Poets. Scott was also a Canadian lifetime civil servant who served as deputy superintendent of the Department of Indian Affairs from 1913 to 1932, and is "best known" today for "advocating the assimilation of Canada’s First Nations peoples" in that capacity. <b>Life</b> Scott was born in Ottawa, Ontario, the son of Rev. William Scott and Janet MacCallum. He was educated at Stanstead Wesleyan Academy. Early in life, he became an accomplished pianist. Scott wanted to be a doctor, but family finances were precarious, so in 1879 he joined the federal civil service. As the story goes, "William Scott might not have money [but] he had connections in high places. Among his acquaintances was the prime minister, Sir John A. Macdonald, who agreed to meet with Duncan. As chance would have it, when Duncan arrived for his interview, the prime minister had a memo on his desk from the Indian Branch of the Department of the Interior asking for a temporary copying clerk. Making a quick decision while the serious young applicant waited in front of him, Macdonald wrote across the request: 'Approved. -
INTERDISCIPLINARY JOURNAL of DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks ISSN: 2515-0073 Date of Acceptance: 1 June 2018 Date of Publication: 21 June 2018 Citation: Rita Dirks, ‘Hierophants of Decadence: Bliss Carman and Arthur Symons’, Volupté: Interdisciplinary Journal of Decadence Studies, 1 (2018), 35-55. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks Ambrose University Canada has never produced a major man of letters whose work gave a violent shock to the sensibilities of Puritans. There was some worry about Carman, who had certain qualities of the fin de siècle poet, but how mildly he expressed his queer longings! (E. K. Brown) Decadence came to Canada softly, almost imperceptibly, in the 1880s, when the Confederation poet Bliss Carman published his first poems and met the English chronicler and leading poet of Decadence, Arthur Symons. The event of Decadence has gone largely unnoticed in Canada; there is no equivalent to David Weir’s Decadent Culture in the United States: Art and Literature Against the American Grain (2008), as perhaps has been the fate of Decadence elsewhere. As a literary movement it has been, until a recent slew of publications on British Decadence, relegated to a transitional or threshold period. As Jason David Hall and Alex Murray write: ‘It is common practice to read [...] decadence as an interstitial moment in literary history, the initial “falling away” from high Victorian literary values and forms before the bona fide novelty of modernism asserted itself’.1 This article is, in part, an attempt to bring Canadian Decadence into focus out of its liminal state/space, and to establish Bliss Carman as the representative Canadian Decadent. -
"A Strange Aesthetic Ferment
"A STRANGE AESTHETIC FERMENT Malcolm Ross w. ONE LOOKS DOWN over Fredericton from the hills where Charles Roberts and Bliss Carman once took their long hikes with George Parkin, one still sees the spire of Bishop Medley's Cathedral rising above a city hidden in elms. Old Frederictonians, whether they be Anglican or Roman, Baptist or Marxist, think first of their Cathedral whenever they think of home. George Goodridge Roberts, the father of Charles and Theodore (and Bliss Carman's uncle) was Canon of the Cathedral and Rector of the parish church of St. Anne's. George Parkin, headmaster of the Collegiate School in Fredericton, was an active Cathedral layman. Something should be said about the coincidence at just the right time of the Tractarian Bishop, his Gothic Cathedral, the great teacher whose classroom had no walls, "the new music, the new colours, the new raptures of Pre-Raphaelite poetry",1 and the young and eager spirits ready to respond to the peculiar genius of this place and this time. "The Fredericton of those days", Charles G. D. Roberts recalls, "was a good place for a poet to be." It was "stirring with a strange aesthetic ferment." Tiny as it was, with no more than six thousand inhabitants, Fredericton was nonetheless a capital city, a university city, a cathedral city : She had little of the commercial spirit, and I fear was hardly as democratic as is nowaday considered the proper thing to be. But she was not stagnant, and she was not smug. Instead of expecting all the people to be cut of one pattern, she seemed to prefer them to be just a little queer... -
Proquest Dissertations
R-r.>»* . V •>. SUSS CARMAN From a photographic study by J, Vanderpant, F.R.P S. 082 BLISS CARMAN HIS STATUS IN THE ANNALS OF CANADIAN LITERATURE i <";, * BIBUOTH&UfS # y~^\ \, ^Ottawa LIBRARIES • BT M.S. MCCRACKEN B.A. - 1936 - UMI Number: EC55953 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55953 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONTENTS Chapter Page Preface i 1 Life 1 11 Early Poems 18 111 Transition 49 IV Later Poetry 101 7 Contemporary Comments 112 Bibliography. 119 THE BOOKS OF BLISS CARMAN LOW TIDE ON GRAND PRE A Book of Lyrics 1893. SONGS FROM VAGABONDIA (with Richard Hovey) 1894. BEHIND THE ARRAS A Book of the Unseen 1895. A SEAMARK A Threnody for B..L. Stevenson 1895. MORE SONGS FROM VAGABONDIA (with R. Hovey) 1896. BALLADS OF LOST HAVEN A Book of the Sea 1897. BY THE AURELIAN WALL AND OTHER ELEGIES 1898. A WINTER HOLIDAY 1899. LAST SONGS FROM VAGABONDIA (withR. -
Toward an Editorial Poetics of the Maritime Little Magazine
Old Provinces, New Modernisms: Toward an Editorial Poetics of the Maritime Little Magazine by James William Johnson Bachelor of Arts, St. Thomas University, 2012 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts in the Graduate Academic Unit of English Literature Supervisor: Tony Tremblay, Ph.D., English Literature Demetres Tryphonopoulos, Ph.D., English Literature Examining Board: John Ball, Ph.D., English Literature Gail Campbell, Ph.D., Department of History This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK April, 2015 ©James William Johnson, 2015 ABSTRACT As a territory located on Canada's geopolitical periphery-a territory lacking key points of access to large presses, arts capital, and cultural media-the Maritimes has been disproportionately served by alternative media like little magazines. Nevertheless, while there has been a substantial body of research dedicated to little magazine culture in Canada, its urban beginnings, and its contribution to the emergence of literary modernism, few studies have examined the development and influence of the little magazine in the Maritime Provinces. Taking as representative examples The Fiddlehead (1945- ), Katharsis (1967-1971), The Square Deal (1970-1971), Sand Patterns (1972-8), and The Antigonish Review ( 1970- ) - little magazines which have distinguished themselves in the region for breadth of readership and authorship, editorial leadership, and cultural activism - this thesis examines the literary, cultural, and political functions of Maritime literary magazines from the qi.id-nineteenth century up to the 1980s. Paying close attention to the political, social, and economic environments in which these magazines have emerged and to which they have responded, this thesis sets forth an editorial poetics of the Maritime little magazine. -
Golden Rowan from the Ash Tree)
THE SCOTS CANADIAN Issue XXXIX Newsletter of the Scottish Studies Society: ISSN No. 1491-2759 Fall 2014 Dr. James Fraser appointed University of Guelph’s new Chair of Scottish Studies We are thrilled to announce that Dr. James Iron Age to the ninth Fraser will be leading The University of century. Principal work Guelph's Centre for Scottish Studies in the to date has been in winter semester as the Scottish Studies relation to Adomnán’s Foundation Chair. Vita sancti Columbae, the James comes to us from the Department of circumstances History at the University of Edinburgh where surrounding its he is a Senior Lecturer in Early Scottish composition, and the light History. He is the author of From Caledonia shed by this magnificent to Pictland: Scotland to 795, The Roman text on the monastery of Conquest of Scotland: the Battle of Mons Iona where it was written, Graupius AD 84 and The Battle of on political geography James E. Fraser BA, MA, PhD, FSAScot Dunnichen 685. and activity in early He has extensive teaching experience at medieval Scotland, on the conversion and during this recent one shows just how much I the graduate and undergraduate level. Christianisation of Scotland, and on social have come to care about Scotland. I have Moreover, he is also a graduate of the questions such as the nature of kingship and been very happy here, and have made many University of Guelph, having finished his war. good friends. It won't be easy to leave, but I MA degree here in 1999. James will be Undergraduate teaching has included am really looking forward to my return to coming to Guelph with his wife, Dr. -
Sappho: One Hundred Lyrics
Sappho: One Hundred Lyrics Bliss Carman The Project Gutenberg EBook of Sappho: One Hundred Lyrics, by Bliss Carman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Sappho: One Hundred Lyrics Author: Bliss Carman Release Date: May 20, 2004 [EBook #12389] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SAPPHO: ONE HUNDRED LYRICS *** Produced by David Starner, Robert Connal and the Online Distributed Proofreading Team. SAPPHO ONE HUNDRED LYRICS BY BLISS CARMAN 1907 "SAPPHO WHO BROKE OFF A FRAGMENT OF HER SOUL FOR US TO GUESS AT." "SAPPHO, WITH THAT GLORIOLE OF EBON HAIR ON CALMED BROWS-- O POET-WOMAN! NONE FORGOES THE LEAP, ATTAINING THE REPOSE." E.B. BROWNING. INTRODUCTION THE POETRY OF SAPPHO.--If all the poets and all the lovers of poetry should be asked to name the most precious of the priceless things which time has wrung in tribute from the triumphs of human genius, the answer which would rush to every tongue would be "The Lost Poems of Sappho." These we know to have been jewels of a radiance so imperishable that the broken gleams of them still dazzle men's eyes, whether shining from the two small brilliants and the handful of star-dust which alone remain to us, or reflected merely from the adoration of those poets of old time who were so fortunate as to witness their full glory. -
The Honourable Edward D. Bayda, Q.C., LL.D. Former Chief Justice of Saskatchewan, the Honourable E.D
The Honourable Edward D. Bayda, Q.C., LL.D. Former Chief Justice of Saskatchewan, the Honourable E.D. Bayda has provided long and distinguished leadership and service to the people of Saskatchewan and to the broader Canadian community. Mr. Bayda was appointed to the Saskatchewan Court of Queen’s Bench in 1972, served as a judge of that court until December 1974, when he was appointed to the Saskatchewan Court of Appeal. In 1981, he was appointed Chief Justice of Saskatchewan, a post he held for 25 years until retiring in 2006. He was the youngest Chief Justice ever appointed in Canada, the first born in Saskatchewan, the first of Ukrainian descent, and ultimately the longest serving provincial Chief Justice. During his judicial career, he provided meaningful contributions to Canadian public policy, serving as commissioner for the Vancouver Port Grain Handling Industrial Inquiry, and as chair of the Cluff Lake Board of Inquiry which examined the social, economic and ethical implications of the development of Saskatchewan’s uranium deposits. He played an important role in the work of the Canadian Judicial Council and the development of the standard against which the conduct of judges both on and off the bench should be measured. Mr. Bayda served as a bencher of the Law Society of Saskatchewan, as a member of the Law Reform Commission of Saskatchewan, as a former president of the Regina Bar Association, and as past chair of the Civil Justice Section of the Canadian Bar Association. He played an important role in defining the protected fundamental rights of citizens which are enshrined in the Charter of Rights and necessary to sustain our free and democratic society. -
In Search of a Living Literacy: Language, Literature and Ecological Sensibility
UNIVERSITY OF ALBERTA IN SEARCH OF A LIVING LITERACY: LANGUAGE, LITERATURE AND ECOLOGICAL SENSIBILITY By PATRICK G. HOWARD A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES AND RESEARCH IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SECONDARY EDUCATION EDMONTON, ALBERTA WINTER 2006 Abstract The impetus for this study was the result of living with children on the coast of Newfoundland during the culmination of decades of blatant disregard for the marine ecosystem. The ensuing social upheaval underscored the deep interrelatedness of human culture and the living Earth. This research project is born of a belief that education, in its present form, may be an obstacle to a new understanding of our place in the living world. It proposes to see language as a way to re-vision what it means to dwell in place. Our society is in need of a highly ecologically literate citizenry. To achieve this we must move beyond the perspective of science that underlies many environmental education programs and recover an interpretive, moral, and human relationship with place. This study inquires into the pedagogical possibilities for nurturing ecological sensibility in children. The hermeneutic phenomenological methodology and the thematic analysis of children‘s written response to bioregional poetry revealed phenomenological insights of pedagogical value. As the children formed new ecological sensibilities, the interpretive practice was transformative for the researcher, deepening a sense of radical interconnectedness. Guided by the theory of ecological holism, this inquiry elaborates an experiential and embodied dimension of reader response theory. An important goal of the study is to understand literary engagement as nested in a larger web of relations that includes the cognitive, the biological, even the spiritual. -
Washington, DC 22–24 March 2012 Leonardo Da Vinci, Ginevra De’ Benci, Ca
The Renaissance Society of America Annual Meeting Program and Abstract Book Washington, DC 22–24 March 2012 Leonardo da Vinci, Ginevra de’ Benci, ca. 1474/78. Alisa Mellon Bruce Fund. Image courtesy of the National Gallery of Art, Washington. Contents The indexes in this book refer to five-digit panel numbers, not page numbers. Panels on Thursday have panel numbers that begin with the number 1; panels on Friday begin with the number 2; and pan- els on Saturday begin with the number 3. The black tabs on each page of the full program are an additional navigational aid: they pro- vide the date and time of the panels. RSA Executive Board.......................................................................5 Acknowledgments.............................................................................6 Book Exhibition and Registration ...................................................10 Business Meetings...........................................................................11 Plenaries, Awards, and Special Events.............................................12 Program Summary Thursday.................................................................................16 Friday.....................................................................................25 Saturday..................................................................................32 Full program with abstracts Thursday 8:30–10:00.......................................................................41 10:15–11:45.....................................................................74 -
Bliss Carman
.., . ,. '' ·. • , BLISS CARMAN CHARLES G. D. ROBERTS 1T is not my purpose here to attempt anything like an exposition or a critical analysis of Carman's genius. I cannot yet, if ever, stand sufficiently apart from him for such a task. Moreover, the doing of it would be superfluous, for the present. It has just been done by another hand, and done so brilliantly that one might well shrink from risking comparisons. Dr. Cappon's study of "Bliss Carman's Beginnings", in the autumn number of the Queen's Quarterly, covers more ground than its title would seem to imply. It is so adequate and so illuminating that any analysis I might attempt would resolve itself into a kind of running comment, with here and there some additions, perhaps, but no significant dis agreement. When Dr. Cappon says "Carman's tendency is to transcendentalize experience rather than to explore it psychologi cally'', he uncovers for us the very core of Carman's genius. I can not imagine any clearer guidance to the understanding of Carman's poetry as a whole than that one revealing sentence. This poetry is so considerable in bulk, and has appeared in so many small separate volumes, that it is seldom viewed as a whole even by its most convinced admirers. It is so varied, alike in form and mood and matter, so full of complexities masking behind simplicity of expression, that the essential unity underlying all its variety has hitherto, I think, eluded us. Dr. Cappon has dragged it into light. My purpose then, in this article, is to catch and imprison in words, before they fade, some of those impressions of my great kinsman, friend and exemplar which yet linger in my memory, in the hope that they may help to build up such a portrait of the man himself as shall appear not unworthy of the imperishable works which he has left us. -
Tnbr07de17.Pdf
THE NCBIH; THE MTIOMTICN Cf ÏHE MYTH spirits since the weak were likely to perish without ever experiencing its invigorating power: Depuis Wordsworth on aval t 1'habitude de voir dans la nature un bien agréable mente salutaire, ou 1 'on pouvait échapper an soucis de la vie quotidienne. Or, les premiers poetes qui cherchèrent a chanter le Canada avec une voix nouvelle, c'est à dire effectivement à partir de Charles G.D. Roberts, étaient déjà nourris de ce sentiment des leurs premieres études. Et c'est justement cette attitude qui, nous en sommes persuades, est au fond de leur malaise vis-à-vis de la nature canadienne. Car comment peut-on concilier 1 'idee de la nature réparatrice et celle de la nature telle qu'elle est parfois au Canadá, dure, impitoyable, effrayante?. La plupart de poetes ont été poussés à épousser 1 'idee que la nature canadienne est un refuge seulement pour les caracteres forts, car les faibles perissent sans jamáis le gagner.(*8) The writings of the Confederation poets contain enough evidence to support Ross's argument. In his book The Friendship of Nature, Bliss Carman writes: There is in reality a power in Nature to rest and console us but few are so strong as to be able to rely on that lonely beneficence; and we must seek the gentler aid of our fellow beings. Indeed, only those who are humane at heart can rightly hear the obscure word of Nature; while those who have been reared not far from the wild school of the forest make the best citizens and friends.(*9) -289- THE NCtOH; THE MOTCUIATTCN OF THE MYTH This extract condenses the characteristics of Canadian Romanticism as summarized by Ross in the previous quotation.