High Fidelity Magazine May 1955
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MJC Media Guide
2021 MEDIA GUIDE 2021 PIMLICO/LAUREL MEDIA GUIDE Table of Contents Staff Directory & Bios . 2-4 Maryland Jockey Club History . 5-22 2020 In Review . 23-27 Trainers . 28-54 Jockeys . 55-74 Graded Stakes Races . 75-92 Maryland Million . 91-92 Credits Racing Dates Editor LAUREL PARK . January 1 - March 21 David Joseph LAUREL PARK . April 8 - May 2 Phil Janack PIMLICO . May 6 - May 31 LAUREL PARK . .. June 4 - August 22 Contributors Clayton Beck LAUREL PARK . .. September 10 - December 31 Photographs Jim McCue Special Events Jim Duley BLACK-EYED SUSAN DAY . Friday, May 14, 2021 Matt Ryb PREAKNESS DAY . Saturday, May 15, 2021 (Cover photo) MARYLAND MILLION DAY . Saturday, October 23, 2021 Racing dates are subject to change . Media Relations Contacts 301-725-0400 Statistics and charts provided by Equibase and The Daily David Joseph, x5461 Racing Form . Copyright © 2017 Vice President of Communications/Media reproduced with permission of copyright owners . Dave Rodman, Track Announcer x5530 Keith Feustle, Handicapper x5541 Jim McCue, Track Photographer x5529 Mission Statement The Maryland Jockey Club is dedicated to presenting the great sport of Thoroughbred racing as the centerpiece of a high-quality entertainment experience providing fun and excitement in an inviting and friendly atmosphere for people of all ages . 1 THE MARYLAND JOCKEY CLUB Laurel Racing Assoc. Inc. • P.O. Box 130 •Laurel, Maryland 20725 301-725-0400 • www.laurelpark.com EXECUTIVE OFFICIALS STATE OF MARYLAND Sal Sinatra President and General Manager Lawrence J. Hogan, Jr., Governor Douglas J. Illig Senior Vice President and Chief Financial Officer Tim Luzius Senior Vice President and Assistant General Manager Boyd K. -
A Comparison of Nick Hornby's High Fidelity and Juliet, Naked
Hugvísindasvið Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Maí 2011 Háskóli Íslands Hugvísindasvið Enska Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Kt.: 230476-4389 Leiðbeinandi: Ingibjörg Ágústsdóttir Maí 2011 Abstract In 1995 Nick Hornby published his first novel, High Fidelity, a story about obsession, love and the complications of modern life. Hornby published Juliet, Naked in 2009, where he tackles similar topics to those in High Fidelity. A key difference between these novels is the presence of the Internet in Juliet, Naked, which is not featured in High Fidelity. A comparison of Juliet, Naked and High Fidelity offers an interesting insight into Hornby‟s vision of life before and after the spread of the Internet, and how it has affected the characters‟ obsessions, communication and their lives in general. This essay is, however, not limited to the changes the Internet has brought, as other topics are discussed in the essay‟s several chapters. The first chapter is a general introduction and is followed by a chapter containing background information on both Hornby and the novels, as well as illustrating how these novels were received by critics. The third chapter tackles a dominant theme in both books, obsession, especially male obsession with popular culture. The ensuing chapter deals with love and its complications, and how it is presented in both novels. The fifth chapter focuses on the Internet and the benefits and limitations it brings to modern life. -
Table of Contents
TABLE OF CONTENTS System Requirements . 3 Installation . 3. Introduction . 5 Signing In . 6 HOYLE® PLAYER SERVICES Making a Face . 8 Starting a Game . 11 Placing a Bet . .11 Bankrolls, Credit Cards, Loans . 12 HOYLE® ROYAL SUITE . 13. HOYLE® PLAYER REWARDS . 14. Trophy Case . 15 Customizing HOYLE® CASINO GAMES Environment . 15. Themes . 16. Playing Cards . 17. Playing Games in Full Screen . 17 Setting Game Rules and Options . 17 Changing Player Setting . 18 Talking Face Creator . 19 HOYLE® Computer Players . 19. Tournament Play . 22. Short cut Keys . 23 Viewing Bet Results and Statistics . 23 Game Help . 24 Quitting the Games . 25 Blackjack . 25. Blackjack Variations . 36. Video Blackjack . 42 1 HOYLE® Card Games 2009 Bridge . 44. SYSTEM REQUIREMENTS Canasta . 50. Windows® XP (Home & Pro) SP3/Vista SP1¹, Catch The Ten . 57 Pentium® IV 2 .4 GHz processor or faster, Crazy Eights . 58. 512 MB (1 GB RAM for Vista), Cribbage . 60. 1024x768 16 bit color display, Euchre . 63 64MB VRAM (Intel GMA chipsets supported), 3 GB Hard Disk Space, Gin Rummy . 66. DVD-ROM drive, Hearts . 69. 33 .6 Kbps modem or faster and internet service provider Knockout Whist . 70 account required for internet access . Broadband internet service Memory Match . 71. recommended .² Minnesota Whist . 73. Macintosh® Old Maid . 74. OS X 10 .4 .10-10 .5 .4 Pinochle . 75. Intel Core Solo processor or better, Pitch . 81 1 .5 GHz or higher processor, Poker . 84. 512 MB RAM, 64MB VRAM (Intel GMA chipsets supported), Video Poker . 86 3 GB hard drive space, President . 96 DVD-ROM drive, Rummy 500 . 97. 33 .6 Kbps modem or faster and internet service provider Skat . -
High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
Annotated Bibliography for the Michigan Global/International Education Resource Center
DOCUMENT RESUME ED 395 835 SO 024 959 AUTHOR Barr, E. Gene TITLE Annotated Bibliography for the Michigan Global/International Education Resource Center. INSTITUTION International Inst. of Flint, MI. Michigan Global/International Education Resource Center. SPONS AGENCY Center for Global Partnership Foundation.; Japanese Society of Detroit Foundation, MI.; United States-Japan Foundation. PUB DATE Jun 94 NOTE 116p. AVAILABLE FROM International Institute of Flint, 515 Stevens, Flint, MI 48502. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Annotated Bibliographies; Area Studies; *Asian History; *Asian Studies; Cultural Background; Elementary Secondary Education; Foreign Countries; *Multicultural Education; *Non Western Civilization; Social Studies; World History IDENTIFIERS Japan; Michigan ABSTRACT This annotated bibliography on Japan serves as a useful compendium and guide to the holdings of the Michigan Global/International Education Resource Center, housed at the International Institute of Flint. The holdings will be disseminated throughout Michigan at workshops, seminars, and institutes. The bibliography includes background and instruction materials designed to foster multicultural, international, and global understandings in Michigan classrooms. The volume includes both print and non-print materials. Print materials include:(I) Background References--Books; (2) Background References--Newspapers, Journals, Maps, Brochures;(3) Exploratory Japanese-Language Instruction and Intensive Japanese Instruction Materials;(4) Curriculum Materials--Teacher and Student; and (5) Children's Literature and Literature Units. Eight appendices contains useful information for further research and reference use. (EH) ************ Reproductions supplied by EDRS are the best that can be made * from the original document. * ************************************************A.***********,-- ,-A Ink a : a° A 9 EWE : was liTangiltall111 1191.1 tin CI) OiC) kr) C- U S DEPARTMENT Or- EDUCATION TO REPRODUCE AND Ed ,c5ton i t no. -
CSUSB Intellectual Life Fund Presentation: "The Alhambra and the Legacy of Al-Andalus"
California State University, San Bernardino CSUSB ScholarWorks CSUSB Video Recordings Arthur E. Nelson University Archives 6-10-2021 CSUSB Intellectual Life Fund Presentation: "The Alhambra and The Legacy of Al-Andalus" Inmaculada Correa Flores Follow this and additional works at: https://scholarworks.lib.csusb.edu/csusb-video-recordings Recommended Citation Correa Flores, Inmaculada, "CSUSB Intellectual Life Fund Presentation: "The Alhambra and The Legacy of Al-Andalus"" (2021). CSUSB Video Recordings. 10. https://scholarworks.lib.csusb.edu/csusb-video-recordings/10 This Video is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in CSUSB Video Recordings by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. CSUSB Intellectual Life Fund Presentation "The Alhambra and The Legacy of Al-Andalus" by Inmaculada Correa Flores (June 10, 2021) START – 00:00:00 Jesus-David Jerez-Gomez: There's people joining now, so I think i'm going to start. Jesus-David Jerez-Gomez: Welcome to everyone who is here now, this is a wonderful day and location to learn about the legacy of Al-Andalus and the through sort of virtual tour of the Alhambra which you can see behind me, I wish I was there, but i'm going to be very soon, once we start. Jesus-David Jerez-Gomez: The presentation and first of all I would like to welcome everybody in in the name of various institutions and organizations mostly the World. Languages Department, they call the College of Arts and Letters. -
The Gaming Table, Its Votaries and Victims Volume #2
The Gaming Table, Its Votaries and Victims Volume #2 Andrew Steinmetz ******The Project Gutenberg Etext of Andrew Steinmetz's******** *********The Gaming Table: Its Votaries and Victims*********** Volume #2 #2 in our series by Andrew Steinmetz Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Gaming Table, Its Votaries and Victims Volume #2 by Andrew Steinmetz May, 1996 [Etext #531] ******The Project Gutenberg Etext of Andrew Steinmetz's******** *********The Gaming Table: Its Votaries and Victims*********** *****This file should be named tgamt210.txt or tgamt210.zip****** Corrected EDITIONS of our etexts get a new NUMBER, tgamt211.txt. VERSIONS based on separate sources get new LETTER, tgamt210a.txt We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. -
Le Comte Ory: C’Est Charmant! C’Est Divine!
MONOGRAFÍA Le comte Ory: C’est charmant! C’est divine! por Ingrid Haas Los comienzos de Le comte Ory lo contrario: solamente el dueto entre el Conde y la Condesa Adèle El 20 de agosto de 1828 Gioachino Rossini estrenó la que sería está tomado del dueto entre Corina y el Cavalier Belfiore deIl su última ópera cómica: Le comte Ory. Basada en un libreto viaggio... El resto de la música es original, compuesta ex profeso de Eugéne Scribe y Charles-Gaspard Delestre-Poirson, narra para Le comte Ory. Tenemos en este acto el famoso y bellísimo las aventuras amorosas de un libidinoso conde medieval en la trío entre Adèle, Isolier y Ory llamado ‘À la faveur de cette nuit época de las Cruzadas y cómo, en su afán por conquistar a la obscure’, tal vez el número más hermoso de esta ópera. condesa Adèle de Formoutiers, acaba disfrazándose de monja para adentrarse en el castillo de la bella joven. Descubierto el El resurgimiento de Le comte Ory plan por su paje, el joven Isolier, que también está enamorado de (1954 - 2003) la condesa, Ory tiene que huir del castillo ante el regreso de los Luego de su estreno en 1828, Le comte Ory permaneció en el caballeros cruzados. repertorio operístico francés por una veintena de años. Hacia mediados del siglo XIX el estilo belcantista había ya cedido su Las aventuras del conde Ory fueron narradas en una balada lugar al romanticismo, y costaba trabajo encontrar cantantes medieval que luego fue adaptada y publicada por Pierre-Antoine que pudieran con la tesitura y coloratura que exigen las óperas de la Place en 1785. -
High Fidelity
Háskóli Íslands Hugvísindadeild Enskuskor True Fidelity? The Adaptation of High Fidelity Ritgerð til B.A.-prófs Eiríkur Stefán Ásgeirsson Kt.: 160777-3709 Leiðbeinandi: Úlfhildur Dagsdóttir Janúar 2009 Eiríkur Stefán Ásgeirsson 2 Summary High Fidelity is a novel written by Nick Hornby and was published in 1995. Five years later, a film with the same title was released world-wide. The film is an adaptation of the novel. I have decided to inspect what changes were made to the original story when it was adapted for the film. There were many changes made that are obvious to those who have both read the story and seen the film, such as the relocation of the setting from London to Chicago. But I found changes such as this one to be merely superficial changes. The changes I wanted to inspect were the ones made to the characters, theme and atmosphere. I found the theory of novel-to-film adaptation is relatively young in many respects. The adaptation process itself is perhaps as old as the cinema itself but the theoretical discussion of the process is by no means as extensive as it perhaps should be, considering how many novels and other literary works have been adapted for films. Critics have many times criticized film adaptations for not being as good as the original work. I found that his criticism can be unfair, as many adapted films are not trying to reproduce the original work but to reinvent it for a new format. This is the approach I wanted to make when inspecting the film adaptation of High Fidelity . -
US Scientific Satellite Program
NSC 5520 Lay, James. S., Jr. NSC 5520. “U.S. Scientific Satellite Program.” Dwight D. Eisenhower Presidential Library and Museum. 20 May 1955. Marshall Institute: National Security Space Project Lay, James. S., Jr. “Memorandum: Implications of the Soviet Earth Satellite for U.S. Security.” Dwight D. Eisenhower Presidential Library and Museum. 11 Oct. 1957. NSC 5520 Marshall Institute: National Security Space Project Hagerty, James C., Press Secretary to the President. “Summary of Important Facts in the Development by the United States of an Earth Satellite.” Dwight D. Eisenhower Presidential Library and Museum. 9 Oct. 1957. NSC 5520 Marshall Institute: National Security Space Project Lay, James. S., Jr. “Note by the Executive Secretary to the National Security Council on U.S. Scientific Satellite Program.” Dwight D. Eisenhower Presidential Library and Museum. 20 May 1955. NSC 5520 National Security Council Planning Board. NSC 5520. “U.S. Scientific Satellite Program Table of Contents.” Dwight D. Eisenhower Presidential Library and Museum. 20 May 1955. Marshall Institute: National Security Space Project National Security Council Planning Board. NSC 5520. “Draft Statement of Policy on U.S. Scientific Satellite Program General Considerations.” Dwight D. Eisenhower Presidential Library and Museum. 20 May 1955. NSC 5520 Marshall Institute: National Security Space Project NSC 5520 Marshall Institute: National Security Space Project NSC 5520 Marshall Institute: National Security Space Project National Security Council Planning Board. NSC 5520. “Financial Appendix.” Dwight D. Eisenhower Presidential Library and Museum. 20 May 1955. NSC 5520 National Security Council Planning Board. NSC 5520. “Annex A- Technical Annex.” Dwight D. Eisenhower Presidential Library and Museum. 20 May 1955. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.