High Fidelity Magazine May 1955
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High Fidelity MAY THE MAGAZINE FOR MUSIC LISTENERS 50 CENTS www.americanradiohistory.com aUdiataPP now offers you THE MOST COMPLETE LINE of recording tape and accessories O PLASTIC -BASE AUDIOTAPE O TYPE "LR" AUDIOTAPE O TYPE "EP" AUDIOTAPE The finest, professional quality recording Made on lanil Mlylar' polyester film, it Extra Precision magnetic recording tape for tape obtainable - with maximum fidelity, provides .50% more recording time per reel. telemetering, electronic computers and other uniformity, frequency response and freedom The thinner, stronger hase material assures specialized data recording applications. from background noise and distortion. maximum durability and longer storage life ADHESIVE REEL LABELS even under adverse conditions. O O COLORED AUDIOTAPE Provide positive identification of your tapes, Sanie professional quality as above, but on O SELF -TIMING LEADER TAPE right on the reel. blue or green plastic base. 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And the "Duette Portable" in black Duette "Treasure Chest" gives the full leatherette carrying case at only performance of the true two -way system with $7750 net. its special 8 -inch woofer and compression Jensen has been the world's quality stand- driver tweeter in an unusually compact scien- ard in loudspeakers for more than a quarter of a DUETTE PORTABLE tifically designed acoustic enclosure. Ideal for century. JCI14CflMANUFACTURING COMPANY Division of The Muter Company 6601 South Laramie Avenue Chicago 38, Illinois In Canada: COPPER WIRE PRODUCTS, LTD., Licensee www.americanradiohistory.com PICKERING models cartridges .Y/Stes/feer,0 240 4/'e ..9 ioizo- .ß`44d Ireer-O ... they are sold separately for all standard arms or mounted back -to -back to make up the famous PICKERING 260 TURNOVER PICKUP. The 220 and 240 are engineered to maximize performance. By comparison they MODEL 220 -for 78 rem records are without equal diomond or rapphire vyb. ... 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H-7 HIGH FIDELITY MAGAZINE www.americanradiohistory.com High Jidelity T H E M A G A Z I N E F O R M U S I C L I S T E N E R S The Cover. Sergci Rachmaninoff, por- Volume 5 Number 3 May 1955 trayed on this month's by Richard M. Powers, was an admirer and a protégé of Tchaikovsky and, in a way, carried for- ward longest the musical tradition that had reached its peak with Tchaikovsky. It AUTHORitatively Speaking 4 is fitting, thus, that - though we didn't Noted With Interest plan it that way - the last installment of 9 our three-part Tchaikovsky discography, Letters 22 by J. F. Indcox, should run along with our Rachmaninoff discography, by Ray Ericson. As The Editors See It 35 This Issue. Problems . is there really The Silent Partner, by Chuck Gerhardt 36 too much music around us? Dana Andrews Ideally, what enters a recording microphone should be exactly what is somewhat inclined to think so, as he the home -listener hears. But sometimes the listener wouldn't like it. indicates in his "Living With Music" essay (page 41 ). And he has reasons. Jacques See How They Dance, by Rosalyn Krokover 38 Barzun, who will be heard from next in the Everyone's seeing ballet, series, has even keener feelings on the talking ballet, reading ballet, listening to ballet music. Ir'hat is behind it all? matter .... But if there can he too much music in the are air, the Italians to be Living With Music, by Dana Andrews ql envied or pitied, served as they are with the world's biggest single musical budget? Third in a series of essays on the pleasures and hazards of music iu the house. Martin Mayer thinks they're lucky, and explains his stand on page 46 When .... When Beethoven Walked Vienna's Streets, musical congestion rakes the form of a contest in the living room between Haydn by Fred Grunfeld and Dr. Otto Bettmann 43 and the Hit Parade, some classics -loving A picture teatime. fathers bribe their pops -addicted offspring with movie- money, others turn tyrant and Comin' Through the RAI, by Martin Mayer 46 switch the TV set off, Joseph Marshall Where in the world are the airwaves most richly freighted with solves the problem in a different and very music.' ingenious way. He tells how on page 91. Next Issue. Harold C. Schonberg writes Music Makers, by Roland Gelatt 49 to say that the Chopin discography he is finishing will be "long," but we hope to fir Record Section 51 -89 it complete in the June issue. Records in Review; Building Your Record library: Dialing Your Disks; Rachmaninoff: A Discography by Raymond Ericson; The Tchaikovsky Recordings on Microgroove, by J. F. Indco.x, Part III. CHARLES FOWLER, Publisher Nobody Hears It But You, by Joseph Marshall 91 JOHN M. CONLY, Editor Through earphones, you can commune with the masters while the rest of the family hobnob with Sergeant Friday and Mr. Peepers. ROY H. HOOPES. JR., Managing Editor Associate Editors Tested In The Home 95 ROY F. ALLISON FRANK R. WRIGHT Craftsmen Caso Solitaire Amplifier - Flabau Tape Threader -Rek- ROY LINDSTROM, Art Director 0 -Kut Rondine Turntables-Gramercy Needle Brush - Marant: Audio Cousolette Plautenua Lansing 820 -C Speaker Editorial Assistants -The -Altec System - University Adjustable Dividing Networks. Miriam D. Manning, Cora R. Hoopes ROLAND GELATI, New York Editor Music Listener's Bookshelf Contributing Editors C. G. BURKE Audio Forum JAMES G. DEANE JAMES HINTON, JR. Traders' Marketplace MANSFIELD E. PICKETT, Director of Professional Directory Advertising Sales Advertising Index WARREN B. SYER, Business Manager CHRISTINE KORTE, Circulation Manager High Fidelity Magazine is published monthly by Audiorom, Inc.. at Great Barrington, Mua. Telephone Croat Barrington 1300. Editorial. nuldiration. and circulation offices at: The Publishing House, Great Wench Offices (Advertising only): New York: Barrington. Mus. Subarriptlons: 36.00 per year in the United States and Canada. Single copies: 50 cents Room 600. 6 East 39th Street. Telephone: each. Editorial contributions will be welcomed by the editor. Payment for articles accepted will he arranged Murray Hill 5 -6332.