December 2018 P&F Newsletter LONG
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Florence Program Manual
Florence Program Manual Congratulations on your decision to participate in Pepperdine University’s Florence Program! This program manual contains information specific to the Florence Program. You have also been given the International Programs’ Student Handbook with general information, rules and regulations for all International Program participants. We expect you to read all information provided in both handbooks carefully. This program manual provides you with the most updated information and advice available at the time of printing. Changes may occur before your departure or while you are abroad. Your flexibility and willingness to adjust to these changes as they occur will help you in having the best study-abroad experience possible. Our handbooks are revised annually by International Programs in Malibu. Your comments and suggestions for next year’s handbook are welcome. Please direct them to the International Programs Center in Malibu. One of the best ways to prepare for study abroad is to learn as much as possible, prior to departure, about your program’s host country as well as the countries you will visit. Visit the International Programs website, talk with faculty and program alumni, visit the suggested websites included in this program manual and consult books about the area. Your flexibility in adjusting to unanticipated situations and cultural differences will determine, in great part, the kind of experience you will have while abroad. We wish you a successful and rewarding study-abroad experience! 1 (Version Updated: 07.21.15) -
Toskana Kulturrouten
TOSKANA KULTURROUTEN Auf der Entdeckung großer Genies: die schöpferische Geisterkraft von Wissenschaftlern, historische Persönlichkeiten, Dichtern und Musikern toskana KULTURROUTEN Auf der Entdeckung großer Genies: die schöpferische Geisterkraft von Wissenschaftlern, historische Persönlichkeiten, Dichtern und Musikern Ein Reiseführer, der zum ersten Mal dazu einlädt, Dichter und Musiker, Wissen- schaftler und Ordensleute, Politiker und Revolutionäre sowie wichtige histori- sche Persönlichkeiten zu entdecken, die im Lauf der Jahrhunderte in der Toskana geboren wurden oder hier gelebt haben und hier ihre unauslöschlichen Spuren hinterlassen haben, um diese Region in der ganzen Welt berühmt zu machen. Dem Leben und Arbeiten dieser Genies folgend hat der Reisende Seite für Seite die Möglichkeit, durch ihre Erfindungen, ihre Worte und ihre Musik eine etwas andere Toskana zu entdecken, neue Wege, die ihn in Städte und Dörfer, an be- rühmte Orte und in versteckte Nischen entführen. Auch für ihre Bewohner selbst eine neue Form, um die Region wahrzunehmen und mehr über die Werke großer Persönlichkeiten der Geschichte zu erfahren, denen die Plätze und Straßen unse- res Landes gewidmet sind. Die Toskana ist ein Land, das seit jeher als Quelle der Inspiration für große Männer und Frauen fungiert: Über ihre Biografien und die Orte, an denen sie gelebt und gearbeitet haben, sowie mit Hilfe einer Vielzahl an Bildern und Darstellungen ent- decken wir mit diesem Reiseführer einen neuen Weg, um die wahre Seele dieser außerordentlichen Region zu verstehen -
Cultural Heritage Of
® LIFE BIENNIAL BEYOND TOURISM® PUBBLICATION EVENTS 2014 - 2016 MEETING THE WORLD IN FLORENCE Centro Congressi al Duomo Life Beyond Tourism® Events Director | Direttore Carlotta Del Bianco Coordinator | Responsabile Michaela Žáčková Rossi Organizing Secretariat | Segreteria Organizzativa Stefania Macrì Eleonora Catalano Zdenka Skorunkova Dati Chika Arai Publication edited by | Pubblicazione a cura di Centro Congressi al Duomo: Life Beyond Tourism® Events With the collaboration of | Con la collaborazione di Centro Congressi al Duomo: Hotel Laurus al Duomo Hotel Pitti Palace al Ponte Vecchio Design and layout | Progetto grafico e impaginazione Corinna Del Bianco Maria Paz Soffia Contents | Contenuti Life Beyond Tourism® Events Abstracts texts have been sent to Life Beyond Tourism® Events by the Project Leaders of each conference and workshop – promoted by the Fondazione Romualdo Del Bianco® of Florence. I testi degli abstract di convegni e workshop – promossi dalla Fondazione Romualdo Del Bianco® – sono stati forniti a Life Beyond Tourism® Events dai Project Leader degli stessi eventi. Translation | Traduzione Eleonora Catalano Masso delle Fate Edizioni Via Cavalcanti 9/D - 50058 Signa (FI) ©Fondazione Romualdo Del Bianco® - Life Beyond Tourism® Masso delle Fate Edizioni ISBN LIFE BIENNIAL BEYOND TOURISM® PUBBLICATION EVENTS 2014 - 2016 Our ability to reach unity in diversity will be the perfect present for the test oF our civilization MAHATMA GANDHI Welcome to Florence! In order to offer the travellers support to their Florence, a personal and professional Florentine journey, the Centro Congressi al Duomo has established an event planning section called Life Beyond Tourism® city frozen in Events, which for years has been organizing in Florence international and intercultural events. -
© 2018 Donata Panizza ALL RIGHTS RESERVED
© 2018 Donata Panizza ALL RIGHTS RESERVED OVEREXPOSING FLORENCE: JOURNEYS THROUGH PHOTOGRAPHY, CINEMA, TOURISM, AND URBAN SPACE by DONATA PANIZZA A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Professor Rhiannon Noel Welch And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey OCTOBER, 2018 ABSTRACT OF THE DISSERTATION Overexposing Florence: Journeys through Photography, Cinema, Tourism, and Urban Space by DONATA PANIZZA Dissertation Director Rhiannon Noel Welch This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work analyzes photographs of Florence’s medieval and Renaissance heritage by the Alinari Brothers atelier (1852- 1890), and then retraces these photographs’ relationship to contemporary visual culture – namely through representations of Florence in international cinema, art photography, and the guidebook – as well as to the city’s actual structure. Unlike previous scholarship, my research places the Alinari Brothers’ photographs in the context of the enigmatic processes of urban modernization that took place in Florence throughout the 19th century, changing its medieval structure into that of a modern city and the capital of newly unified Italy from 1865 to 1871. The Alinari photographs’ tension between the establishment of the myth of Florence as the cradle of the Renaissance and an uneasy attitude towards modernization, both cherished and feared, produced a multi-layered city portrait, which raises questions about crucial issues such as urban heritage preservation, mass tourism, (de)industrialization, social segregation, and real estate speculation. -
Draft Programme the Information in This Programme Is Correct As of 19Th February
The Trollope Society Visit to Florence 1st - 5th April 2020 Draft Programme The information in this programme is correct as of 19th February. For the latest version of the programme visit www.trollopesociety.org/event/trip-florence/ Wednesday 1st April From 5pm Registration and pick up pack Reception, Hotel Ricasoli, Via Delle Mantellate 2, Firenze 6pm – 8pm Welcome to Florence by Dominic Hotel Ricasoli, Via Delle Edwardes, Chair of the Trollope Mantellate 2, Firenze Society Drinks Reception with canapes to include the launch of newly reprinted Fanny Trollope’s The Life and Adventures of Jonathan Jefferson Whitlaw (1836) Thursday 2nd April 10am to 1pm Walking tour of City Centre Meet at the carousel in Piazza della Repubblica, 50123 Firenze 3pm-4pm Talk by Mark Roberts, Consultant to Acton Room, Harold Acton the British Institute on Some 19th- Library, Century Literary Visitors to Florence British Institute, Lungarno Guicciardini, 9, 50125 Firenze See More Information 4.30pm – 6.30pm Visit to the British Institute with The Ferragamo Room, Harold afternoon tea and cake Acton Library, British Institute, Lungarno Guicciardini, 9, 50125 Firenze Friday 3rd April 9.30am Walk to Trollope Villa Trollope Villa, 21 Piazza della Indipendenza 10.15am to 12 Talk by Dominic Edwardes on The noon Life of Fanny Trollope. Talk by Julia Bolton Holloway, Hotel Ricasoli, Via Delle librarian, archivist and custodian of Mantellate 2, Firenze the English Cemetery, on Frances Trollope’s political and social activism The Trollope Society Visit to Florence 2020 – Draft Programme 23rd February 2.00pm Walk to English Cemetery OR English Cemetery, Piazzale 2.30pm Meet at English Cemetery Donatello, 38, 50132 Firenze Followed by refreshments at nearby café 7.00pm Dinner at Gran Caffè San Marco Gran Caffè San Marco, Piazza San Marco, 11/R, 50121 Firenze Included for those who have pre- booked and pre-paid Saturday 4th April 10am - 12 noon Free time or optional visit to the The Stibbert Museum, Via Stibbert Museum. -
Storia Di Firenze Secolo XVI
Storia di Firenze Secolo XVI Secolo XVI 1502 giugno 4 P Arezzo si ribella a Firenze su istigazione di Vitellozzo Vitelli 1502 settembre 10 P Piero Soderini è creato Gonfaloniere a vita 1503 dicembre 28 P Piero de’ Medici annega nel Garigliano 1508 luglio 5- 1513 R Cosimo de’ Pazzi arcivescovo di Firenze aprile 9 1509 giugno 8 P Firenze riconquista Pisa 1512 P Istituita una Balìa controllata dai Medici, per controllare l’accesso alle magistrature e operare modifiche istituzionali 1512 febbraio 22 C A Siviglia muore il navigatore fiorentino Amerigo Vespucci 1512 agosto 30 P Il vicerè di Napoli assedia e saccheggia Prato. Piero Soderini abbandona Firenze 1512 settembre 14 P Il cardinale Giovanni de’ Medici entra a Firenze insieme ad altri parenti 1512 settembre 16 P Colpo di stato: il cardinale Giovanni de’ Medici occupa il Palazzo della Signoria con alcuni armati e convoca Parlamento 1513 P Aboliti il consiglio Grande e quello degli Ottanta e istituiti i consigli dei Settanta e del Cento controllati dai Medici 1513 febbraio P Congiura antimedicea di Pietropaolo Boscoli e Agostino Capponi, poi giustiziati. Tra i sospettati Niccolò Machiavelli, confinato a Sant’Andrea in Percussina in Val di Pesa ma liberato dopo pochi mesi 1513 marzo 11 R Giovanni de’ Medici ascende al soglio pontificio con il nome di Leone X 1513 maggio 9 R Giulio de’ Medici arcivescovo di Firenze; il 23 è nominato cardinale 1513 P Da Roma Giulio de’ Medici influenza il governo di Firenze, dove Giuliano, figlio del Magnifico, rappresenta il potere della famiglia 1513 agosto -
Passport to Bronzino: Art and Poetry in Renaissance Florence
passaporto per bronzino: arte e poesia nella firenze rinascimentale passport to bronzino: art and poetry in renaissance florence passaporto per bronzino: arte e poesia nella firenze rinascimentale passport to bronzino: art and poetry in renaissance florence passaporto per bronzino: arte e poesia nella firenze rinascimentale Il Bronzino è il pittore fiorentino per antonomasia e Palazzo Strozzi la sede perfetta per la prima mostra monografica dei suoi dipinti. Figlio di un macellaio, Agnolo di Cosimo, meglio conosciuto come il Bronzino, è uno dei maggiori artisti della storia della pittura italiana, attivo negli anni in cui Cosimo I de’ Medici governa Firenze. I dipinti del Bronzino ritrassero l’elegante corte medicea con una bellezza allo stesso tempo austera e naturalistica, con gelido e aristocratico splendore. Sofisticato pittore, Bronzino fu anche poeta. La sua opera e la sua poesia sono capaci di alternare registri espressivi: dall’aulico stile accademico del Petrarca a versi ironici e satirici come nel Piato, in cui descrive un viaggio immaginario e simbolico attraverso le viscere di un gigante o nella Cipolla, scherzoso ed erotico omaggio alla multiforme natura del carattere femminile. L’eredità del Bronzino viene raccolta da Alessandro Allori, attivo fino al 1607, quando il naturalismo di Caravaggio segna l’inizio di una nuova era in pittura. Tutta l’arte è contemporanea al momento della sua creazione, e sebbene la ‘maniera moderna’ di Bronzino fosse recepita dalle generazioni più giovani come antiquata, a noi appare fresca e contemporanea. James M. Bradburne passport to bronzino: art and poetry in renaissance florence Bronzino is the quintessential Florentine painter, and Palazzo Strozzi the perfect setting for the first ever monographic exhibition of his paintings. -
LDC2018 Classifica Definitiva Toscana.Xlsx
9° CENSIMENTO NAZIONALE I LUOGHI DEL CUORE CLASSIFICA REGIONALE TOSCANA POS. POS. REGIONE PROVINCIA COMUNE LUOGO TOTALE VOTI REGIONALE NAZIONALE 1 1 TOSCANA PISA CALCI MONTE PISANO 114.670 2 7 TOSCANA PISA PISA CHIESA DI SAN FRANCESCO A PISA 24.997 3 26 TOSCANA PRATO PRATO ORATORIO DI SAN BARTOLOMEO 14.162 4 35 TOSCANA PISTOIA PISTOIA IL PARTERRE DI PISTOIA 11.030 5 44 TOSCANA PISA SAN GIULIANO TERME ROCCA DI RIPAFRATTA 8.922 6 46 TOSCANA FIRENZE GREVE IN CHIANTI PIEVE DI SAN PIETRO A SILLANO 8.536 LA GUALCHIERA DI COIANO, O MULINO 7 55 TOSCANA PRATO PRATO NALDINI 7.180 GIARDINO ATELIER DI SCULTURA DEL 8 59 TOSCANA PISA SAN GIULIANO TERME MAESTRO SPOSITO 6.838 9 61 TOSCANA FIRENZE VINCI SAN DONATO IN GRETI-VINCI 6.651 10 71 TOSCANA GROSSETO MONTE ARGENTARIO TORRE DI CAPO D'OMO 5.617 11 130 TOSCANA LUCCA CASTELNUOVO DI GARFAGNANA FORTEZZA DI MONTALFONSO 3.573 12 136 TOSCANA PISA CAPANNOLI MARGINETTE, LE VIE DEL CUORE 3.372 13 137 TOSCANA FIRENZE BAGNO A RIPOLI GUALCHIERE DI REMOLE 3.360 14 143 TOSCANA FIRENZE VICCHIO EX STAZIONE DI FORNELLO 3.312 15 183 TOSCANA PISTOIA PESCIA CARTIERA LE CARTE 2.611 16 186 TOSCANA MASSA CARRARA TEATRO POLITEAMA 2.485 17 193 TOSCANA FIRENZE REGGELLO CASTELLO E PARCO DI SAMMEZZANO 2.382 18 208 TOSCANA PISA CALCI CERTOSA DI CALCI 2.001 19 209 TOSCANA GROSSETO ROCCASTRADA CRIPTA DELL'ABBAZIA GIUGNANO 1.982 20 228 TOSCANA FIRENZE FIRENZE GALLERIA RINALDO CARNIELO 1.512 21 230 TOSCANA GROSSETO ARCIDOSSO STRIBUGLIANO 1.486 22 242 TOSCANA LUCCA BAGNI DI LUCCA CHIESA DI SAN CASSIANO IN CONTRONE 1.253 23 245 TOSCANA -
Arte E Botteghe, Santa Croce E Dintorni
SANTA CROCE E DINTORNI Centro Storico di Firenze inscritto nella Lista del Patrimonio Mondiale nel 1982 SOMMARIO / TABLE OF CONTENTS Storia History 4 Itinerario Itinerary 7 Approfondimenti Further Insights 15 Informazioni Information 39 HISTORY In questa visita ti porteremo attraverso il Centro Storico a spasso tra piazza Santa Croce e Borgo degli Albizi e per le vie che li congiungono. Quest’area era anticamente un’isola formata da due bracci dell’Arno che si ricongiungevano all’altezza di via Verdi e di via de’ Benci. Dunque, dal momento che questa era una zona abbastanza isolata, i francescani la scelsero quale loro sede. Piazza Santa Croce venne realizzata circa un secolo dopo l’insediamento dei francescani per accogliere le folle di fedeli. Maestosa si staglia sulla piazza l’imponente basilica di Santa Croce, realizzata anche grazie ai finanziamenti di importanti famiglie del quartiere, come i Bardi, i Peruzzi, i Cerchi e gli Alberti. Le sue vaste dimensioni rispecchiano la popolarità riscossa dai francescani nella zona, grazie alla loro capacità di intessere rapporti fecondi con la popolazione. Così, nel corso del tempo, la basilica è divenuta il tempio di sepoltura di molti artisti, letterati e scienziati italiani, come Michelangelo, Galileo e Machiavelli. L’estrema vicinanza dell’Arno ha fatto sì che l’alluvione del 1966 infliggesse gravissimi danni alla basilica, al convento e al suo patrimonio artistico, tanto da diventare uno dei simboli delle perdite subite dalla città. Nel corso del Rinascimento, tuttavia, data la sua ampiezza e regolarità, la piazza divenne anche il luogo ideale per spettacoli, gare popolari, giostre cavalleresche e feste, come il calcio in costume, che vi si tiene tutt’oggi. -
Giorgio Vasari and Mannerist Architecture: a Marriage of Beauty and Function in Urban Spaces
Journal of Literature and Art Studies, October 2016, Vol. 6, No. 10, 1159-1180 doi: 10.17265/2159-5836/2016.10.007 D DAVID PUBLISHING Giorgio Vasari and Mannerist Architecture: A Marriage of Beauty and Function in Urban Spaces Liana De Girolami Cheney SIELAE, Universidad de Coruña, Coruña, Spain The first part of this essay deals with Giorgio Vasari’s conception of architecture in sixteenth-century Italy, and the second part examines Vasari’s practical application of one of his constructions, the loggia (open gallery or arcade) or corridoio (corridor). The essay also discusses the merits of Vasari’s open gallery (loggia) as a vernacular architectural construct with egalitarian functions and Vasari’s principles of architecture (design, rule, order, and proportion) and beauty (delight and necessity) for the formulation of the theory of art in Mannerism, a sixteenth-century style of art. Keywords: mannerism, fine arts, loggia (open gallery), architectural principles, theory of art, design, beauty, necessity and functionality Chi non ha disegno e grande invenzione da sé, sarà sempre povero di grazia, di perfezione e di giudizio ne’ componimenti grandi d’architettura. [One that lacks design and great invention [in his art] will always have meager architectural constructions lacking beauty, perfection, and judgment.] —Giorgio Vasari Vite (1550/1568)1 Introduction The renowned Mannerist painter, architect, and writer of Florence, Giorgio Vasari (1511-1574, see Figure 1), considered architecture one of the most important aspects of the fine arts or the sister arts (architecture, painting, and sculpture).2 In the first Florentine publication of the Vite with La Torrentina in 1550, Vasari’s original title lists architecture before the other arts: Le vite de più eccellenti architetti, pittori, et scultori Italiani da Cimabue insino a’ tempi nostri. -
STUDENT HANDBOOK a GUIDE to MAXIMIZE YOUR SACI EXPERIENCE Front and Back Cover Images: Details of Michelangelo’S Sistine Chapel
STUDIO ARTS COLLEGE INTERNATIONAL STUDENT HANDBOOK A GUIDE TO MAXIMIZE YOUR SACI EXPERIENCE Front and back cover images: details of Michelangelo’s Sistine Chapel. SACI STUDENT HANDBOOK A Guide to Maximize Your SACI Experience Studio Arts College International Palazzo dei Cartelloni Via Sant’Antonino 11 50123 Florence - ITALY T (+39) 011 055 289948 F (+39) 011 055 2776408 [email protected] www.saci-florence.edu 4 CONTENTS Welcome..................................................7 SACI Mission Statement............................8 SACI Facilities.............................................9 School Regulations and Policies.............10 Housing................................................14 Other SACI Services..................................17 Visitors...............................................18 SACI Academic Information.....................20 Course Information....................20 Financial Information...............22 SACI Field Trips.........................................24 Florence’s Schedule.................................26 Health and Safety ...................................27 Fitness Facilities.......................27 Medical Information.................28 Safety Information....................31 Communication.....................................35 Telephone...............................35 Faxes, Photocopies, and IDs......37 Email and Internet....................37 Mail.....................................38 Money Transactions.................................39 Getting Around in Florence.....................41 -
January 2019 P&F Newsletter LONG
WELCOME This is the time of year for residents - the halls of galleries and museums are peaceful, making it the ideal moment to linger over attractions that are usually crowded with tourists. Winter is also the season to travel into the hills for skiing and thermal baths, and immersing in the fashion events that take over the city centre. Or if you’d prefer to hide from the cold, then bundle up, light the fire (or a few candles), pour a nice glass of Chianti and snuggle in under a warm blanket. Warmest best wishes for a 2019 filled with joy, laughter, and good health, from SUZANNE, CORSO, BEI, LESLIE, VANNI, ANNA PIA, RAFFAELLA, AND MARISA. PITCHER & FLACCOMIO PICKS FOR JANUARY BEST EVENT FOR JANUARY: LA BEFANA VISITS DURING THE EPIPHANY January 6 On January 6, La Befana arrives in Florence and this is Italy's traditional day of gift giving. In the Christian tradition the name "Befana" is a popular version of the Greek term “Epiphany", which was the festivity following Christmas commemorating the visit of the Magi. According to the legend the three wise men on their journey were stopped by an old woman with a broom who asked them where they were going. They told her that they were following a star that would lead them to a newborn baby, and invited her to come along. But she replied that she was busy sweeping and cleaning and did not go. When she realised her mistake, her regret was so great that she continues to wander about Italy and on the Epiphany (January 6, when the Wise Men finally found the baby Jesus), begins rewarding good children and disappointing those who were bad.