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Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Newsletter 09/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/08 DIGITAL EDITION Nr. 229 - Mai 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/08 (Nr. 229) Mai 2008 editorial Hallo Laserdisc- und DVD-Fans, Technik gehuldigt. Und das mit sehr Saga, dem sei gesagt, dass es keinen liebe Filmfreunde! gut erhaltenen Technicolor-Kopien mit entsprechenden Beitrag im Blog geben Wann war es das letzte Mal, dass Sie 4-Kanal stereophonischem Magnetton. wird. Denn leider beschränkt sich der Stars wie Marilyn Monroe oder Erroll Wer die Western, Komödien, Sandalen- deutsche Filmverleiher auf Pressevor- Flynn in voller CinemaScope-Breite auf schinken und Ritterfilme aus dieser führungen in Frankfurt und München. einer riesigen Leinwand bestaunen Zeit nur vom kleinformatigen TV- Und das auch nur in deutscher Syn- durften? Wenn überhaupt, dann dürfte Schirm her kennt, der kann sich hier chronisation. Schade eigentlich. Aber das schon viele, viele Jahre zurücklie- sozusagen “live” ein Bild davon ma- anschauen werden wir uns den Herrn gen. Ein Grund mehr, dass Sie sich jetzt chen, wie intensiver doch das Film- mit Hut und Peitsche natürlich trotz- auf ein Wiedersehen der nostalgischen erlebnis im Kino wirkt. Das komplette dem – in digitaler Projektion und engli- Art freuen dürfen. Denn am 7. und 8. Programm mit allen Details finden Sie scher Originalfassung in der badischen Juni 2008 veranstaltet die Karlsruher ab Seite 3 in diesem Newsletter. Hauptstadt. Schauburg ein ungewöhnliches Filmfe- stival. -
N° 222 Nous Collaborons Avec: Ééditodito 3
dduu 2233 aavrilvril aauu 6 mmaiai ccinéiné mmusiqueusique eexposxpos tthéatrehéatre ddanseanse wwwwww..journalventilo.journalventilo.ffrr ttousous lleses 1155 jjoursours ggratuitratuit N° 222 Nous collaborons avec: ééditodito 3 CContrOleontrOle dd’identité’identité TAPAGE NOCTURNE L’islam a mauvaise presse. Un rappeur avisé met à 2001 dans une ambiance délétère qu’exploitent l’entrée menaçante de la Turquie en Europe. Une profi t ce malheureux désamour en distribuant avec tous les marchands de peur. En 2005, un journal telle bassesse fi nit par échauffer les esprits. Ce son album un T-shirt malicieusement siglé : « I’m danois de droite provoque l’opinion publique week-end, une mosquée a été incendiée. Quinze muslim, don’t panik » (1). L’affl igeante mésaventure des pays musulmans en publiant les médiocres jours avant, c’était un cimetière musulman qui de ce petit garçon prénommé Islam donne encore caricatures du prophète Mahomet. Le Pape fustige était saccagé. Nicolas Sarkozy a dénoncé un acte à réfl échir. Pour le faire participer à son jeu télévisé l’année d’après, dans un discours à l’université relevant du « racisme le plus inadmissible qui soit ». favori sur la chaîne de télévision pour enfants Gulli, de Ratisbonne en Allemagne, un islam violent. Plutôt que d’imaginer un racisme plus admissible, les responsables du programme ont demandé à ses Une élection présidentielle se pointe en 2007 ? on peut légitimement s’inquiéter de l’apparition de parents de changer son prénom à l’antenne car, On voit fl eurir dans les boîtes aux lettres les pires ces actes odieux. Jusqu’où ira la vague anti-islam ? leur a-t-on expliqué, « il faut que vous compreniez slogans sur « l’islamisation de la France » ou Jusqu’à la guerre des civilisations tant redoutée ? que le nom de votre enfant fait référence Dans un discours d’août 2007 aux à une religion que les Français n’aiment Ambassadeurs de France, le président pas beaucoup. -
METOO Movement, Guillotine Justice and the Law of Sexual Harassment
#METOO Movement, Guillotine Justice and the Law of Sexual Harassment Presented by: Soma Ray‐Ellis, Chair Employment Law Group Prepared with the assistance of Madelena Viksne February 6, 2018 CP24 with Nathan Downer 2 We Were Weinsteined… Not just a man, he has become a movement… 3 Since Weinstein… 120 men (and counting) have been accused including… Accused Position # of Accusations Consequence Harvey Weinstein Movie Producer 57 Fired James Toback Screenwriter and producer 300+ None Ben Affleck Actor and director 1 None Chris Savino Nickelodeon animator 12+ Fired Roy Price CEO Amazon 1 Quit after leave Matt Zimmerman NBC News booker Multiple Fired Josh Besh Celebrity chef 25+ Resigned Mark Halperin Journalist 12 Fired Gilbert Rozon Just For Laughs 9 Resigned 4 Since Weinstein… Accused Position # of Accusations Consequence Jeremy Piven Actor 3 None Dustin Hoffman Actor 1 None Kevin Spacey Actor 24 Fired, show & movie dropped, police Brett Ratner Director 6 None Hamilton Fish President, The New Multiple Resigned Republic Nick Carter Backstreet Boys 1 None Richard Dreyfus Actor 1 None Tom Sizemore Actor 1 None 5 Since Weinstein… Accused Position # of Accusations Consequence Louis C.K. Comedian 5 Netflix special & movie cancelled Larry Nassar National Team Doctor US 3+ Pleaded guilty, Gymnastics faces 25 years in prison _ additional criminal charges, 125 civil lawsuits Oliver Stone Director 2 None Danny Masterson Actor 3 None Andrew Kreisberg Showrunner “Arrow” and 19 Suspended “Supergirl” Charlie Rose PBS and CBS host Multiple None Matt Lauer The Today Show Multiple Fired James Franco Actor 5+ None 6 Dirty Politics… Accused Position # of Accusations Consequence Patrick Brown Ex‐head of the Conservative 2Resigned Party George W. -
Print Version (Pdf)
Special Collections and University Archives UMass Amherst Libraries Broadside (Mass.) Collection Digital 1962-1968 1 box (1.5 linear foot) Call no.: MS 1014 About SCUA SCUA home Credo digital Scope Inventory Broadside, vol. 1 Broadside, vol. 2 Broadside, vol. 3 Broadside, vol. 4 Broadside, vol. 5 Broadside, vol. 6 Broadside, vol. 7 Broadside and Free Press, vol. 8 Broadside and Free Press, vol. 9 Admin info Download xml version print version (pdf) Read collection overview When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. Assembled by Folk New England, the Broadside collection contains a nearly complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy. See similar SCUA collections: Folk music Massachusetts (East) Printed materials Background When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. The rapid growth of the folk scene in Boston during the mid- 1950s was propelled in part by the popularity of hootenannies held at the YMCA and local hotels, and by a growing number of live music venues, catching on especially in the city's colleges. -
Brochures, Props, Advertising Material and Scripts
BUCKLE UP The Italian Job Meets The Fast and Furious 6 PART 50 MIN SERIES Maha FILMS & Red Rock ENTERTAINMENT Starring Michael MADSEN, Tom SIZEMORE, Bai LING, Patrick BERGIN , Robin ASKWITH and Robert LaSARDO Written by Chris NEWMAN, Cinematography by Ross FALL Stunt Co-Ordinator Phil PURDY, Executive Producers Galen WALKER, Maria NORMAN, Produced by Ross FALL Buckle Up 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). BUCKLE UP CONTENTS 4 Concept 5 Synopsis 6 | 7 Series Bible 8 | 15 Cast 16 Director 17 Production 18 | 19 Executive Producers 21 | 22 Perks & Benefits 22 Equity THE CONCEPT The idea came about when brother arranges to buy the Star Like the film The Warriors, Elgar the writer Chris Newman was of Africa on the black market has to make it back from where watching the 1979 film The from an Arab Prince. He sends a he steals the diamond to the Warriors where a New York courier to pick up the diamond younger brother but this time gang had to make it back to necklace. Unknown to him his it’s Cornwall and the destination Coney Island from Manhattan brother has also learned about is London and it’s got to be after a charismatic gang leader the diamond but he doesn’t done in 8 hours. -
September CALENDAR of EVENTS
September CALENDAR 2014 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Freight 2014 Berkeley Open Old Time The Misner Subdudes & Smith Mic Music Convention New orleans’ poetic folk songwriting, Fall Classes start the ground zero roots rockers gorgeous harmonies of the Workshops & Jams reunion tour hootenany week of September 8 revival Sept 18, 19 & 21 see page 5 for schedule & details 7:30 showtime see page 4 for details $5/$7 September 2 $35/$37 September 5 $22/$24 September 6 Alphabet Bill Monroe Nora Jane Rockers On Struthers & 11am kids show Ensemble Birthday contemporary the Party Line, taiko quartet Tribute Eliza Gilkyson laurie lewis & other bay Area luminaries T Sisters pay tribute to the intelligent americana, w/ Nina Gerber father of bluegrass fun tune weaving album release show $21/$23 September 7 $22/$24 September 11 $16/$18 September 12 $26/$28 September 13 2014 Berkeley Old Time Music Convention Lucy Joseph Decosimo & Ginny Hawker & Eric Wainwright the Bucking Mules, Tracy Schwarz, Catie Bibb Roche, Franklin George The Cliffhangers, Curtis louisiana blues, & Kim Johnson, intrepid and endearing folk, and gospel Barnaby The Onlies folksinger & activist Bright Twice As Nice $25/$27 September 14 $19/$21 September 17 $16/$18 September 18 $16/$18 September 19 $22/$24 September 20 Free Friday Freight Whiskey at the Freight UCLA Open & Women, MAD NOISE Charles Mingus Beoga Mic Emily Bonn American Nomad Elvin popular Ensemble -
Club 47 ® Club 47 ®
Club 47 ® Club 47 ® Honoring the past, Celebrating the future The Club 47 concert series, across the years and around the country, has been a club house for stars of the acoustic music world and a springboard for emerging talent. Most of all, it’s been an extraordinary musical experience for millions of fans of all ages, in concert halls and on radio and television. Here’s how it began. The Club 47 once was a coffee house in Cambridge, Massachusetts. Although it was only open ten years (January, 1958 to April, 1968) and seated only about 80 people, it became the flagship of the Boston area’s coffee house armada and one of the centers of the 1960s folk music revival. It hosted many of the heroes of traditional music: Appalachian dulcimer players, Cowboy singers and storytellers, Delta blues men and women, gospel groups, Celtic artists, jug bands, bluegrass bands... legendary artists from around the globe. You could also hear new voices at the Club 47 ... the young Joan Baez trying out a Child ballad for the first time, or that new kid, Bob Dylan, up from New York, testing the crowd’s reaction to some new lyrics set to an old melody. Judy Collins, Richie Havens, Van Morrison, Eric Anderson, Tom Paxton, John Hammond, Tom Rush and a host of others came to that tiny room, and learned. They learned how to listen, sitting at the feet of giants. They learned songs, and how to sing and play them. And when they took their turns on that stage, they learned how to make those songs their own, and how to build new ones on the firm foundation of tradition, and began.. -
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Touch, Transcendence and Immanence in Film By Andrew Murphie Spring 2009 Issue of KINEMA TAKING OFF THE GLOVES: TOUCH, TRANSCENDENCE AND IMMANENCE IN FILM Beginning with excessive acts of both violence and compassion, as depicted in Martin Scorsese’s Bring out the Dead (1999, USA), I attempt to sketch the play between transcendence and immanence in film. In particular, I am interested in Paul Schrader’s philosophical discussion of ”transcendental style”, as well as his film work, and in the work of Scorsese, Yasujiro Ozu, and Gilles Deleuze concerning the film relations between transcendence and immanence. In the process I hope to foreground the role of touch in film and begin to question an aesthetic syntax in film and in philosophy. In a way the moment of bashing and compassion in Bringing Out the Dead that I shall begin with crystallises a history of ambiguity and anxiety surrounding issues of touch, immanence and transcendence. I shall try and tease out only a few moments in this history. High on a Cocktail of Vitamins A baseball bat to the body or unthinking compassion? Such incompossible worlds live side by side in the Martin Scorsese directed/Paul Schrader written film, Bringing Out the Dead. Parallelling Taxi Driver (1976, USA), this film should perhaps have been called ”Ambulance Driver”. It argues with Taxi Driver’s transcendental nihilism, and at the same time picks up where it left off. In one of many scenes that are difficult to watch, a sociopath of a paramedic, Tom (Tom Sizemore), goes into dark corridor populated by homeless people and takes a baseball bat to Noel (Marc Anthony), one of the more unfortunate street characters in the film.