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Reservoir Dogs 1992
04 programação da cinubiteca www.labcom.ubi.pt/cinubiteca universidade da beira interior licenciatura em cinema 23 | março | 04 ciclo { filmes de culto }* reservoir dogs 1992 . EUA . 99’ realização Quentin Tarantino argumento Quentin Tarantino Roger Avary fotografia Andrzej Sekula supervisão musical Karyn Rachtman montagem Sally Menke com Harvey Keitel Tim Roth Michael Madsen Chris Penn Steve Buscemi > Engenho narrativo. Tarantino gosta de contar histórias. Percebemos isso logo neste primeiro filme. E nos filmes seguintes. Ou em qualquer entrevista com o realizador. A arte de narrar não é algo simples, não é uma faculdade democrática. Será um privilégio, > Pop. O filme começa com a exegese de um uma vocação. Tarantino, cinéfilo de hino pop: “Like a Vigin”. Há no filme muito de videoclube, sabe bem que parte da força cultura popular. Tarantino não é um erudito, histórica do cinema lhe vem da sua capacidade não pretende sê-lo. Mas lida com inegável para engendrar ilusões, manipular destreza com imagens, figuras, factos do vasto expectativas, surpreender ou desconcertar (as caldeirão de cores, narrativas, sensações que dedicatórias a Corman ou Godard são, de a cultura urbana do século XX cozinhou. A modo diverso, ilustrativas disso mesmo). vibração é funky, a atitude é cool, alheia à Intrínsecos a toda a boa ficção estão o artifício gravidade do mundo, ao mesmo tempo e o engano: a verdade da mentira. Tarantino próxima da convicção e da presunção. Com a sabe que mais que o conforto, o espectador música dos anos 70 desenha o tom e o ritmo premeia a provocação. “Reservoir Dogs” é um exibição do filme. -
Hana Mae Lee Has Perfect Pitch H&M + Margiela Target + Neiman
NOVEMBER 2012 FREE Hana Mae Lee Has Perfect Pitch H&M + Margiela Target + Neiman Marcus MGM Grand Gambles on Vietnam Happiness From Bai Ling yellowmags.com from t h E E d i t or i N c h i ef Each year, I have the pleasure of making a trip to Beverly Hills to attend the annual Operation Smile gala in support of a charity in which I have strong conviction. Whereas, I usually visit for three or four days, this time was for only two. As is often the case, the less time one has, the more there is to do. I am not complaining, mind you, because it resulted in two wonderful interviews that are included in this issue. We first interviewed Bai Ling several years ago when she was filming Love Ranch with Helen Mirren and Joe Pesci. This year, we were fortunate to have her join us at the Operation Smile gala where she attracted considerable interest on the red carpet as she struck her signature “Bai Ling” poses. The following day, we met for an interview during which Bai offered us some insight into what drives her and counters some of her public persona. If you happen to look at her acting resume on imdb, you cannot help but be impressed by the sheer volume of this actor’s work. Millions of fans have enjoyed the film Pitch Perfect which was released last month. I had not had the opportunity to see it when I received a call from Hana Mae Lee’s publicist asking if I would like to interview her. -
RON SIMONSON Visual Effects Supervisor/Producer/Director of Photography
RON SIMONSON Visual Effects Supervisor/Producer/Director of Photography FILM/DOCS/SHORTS DIRECTOR STUDIO/PRODUCERS “IMMORTAL” HAOLIN SONG EDKO FILMS William Kong “STREETS OF FURY” GARY HYMES BASE MEDIA/WANDA GROUP VFX Supervisor/Camera Operator + VFX Producer Prep/Shoot “THE FOUR” GORDON CHAN ENLIGHT PICTURES Visual Effects Supervisor Paul Au, Abe Kwong “THE CROSSING” JOHN WOO LION ROCK PRODUCTIONS Visual Effects Supervisor (Prep) CHINA FILM GROUP Terence Chang “MURAL” GORDON CHAN ENLIGHT PICTURES Visual Effects Consultant Paul Au, Abe Kwong “CAT RUN” JOHN STOCKWELL PALADIN/LLEJU PRODUCTIONS VFX Supervisor/Producer Ram Bergman 2ND Unit Director of Photography “SMOKIN’ ACES 2: ASSASSINS’ BALL” PJ PESCE UNIVERSAL PICTURES Visual Effects Supervisor (Base FX) Mike Elliot “THE KING OF FIGHTERS” GORDON CHAN DOUBLE EDGE ENTERTAINMENT Visual Effects Supervisor Bobby Sheng “WITH TARTS” (Short) ANDREA MAXWELL Andrea Maxwell, Ron Simonson Director of Photography, Producer “THE BROTHERS BLOOM” RIAN JOHNSON ENDGAME ENTERTAINMENT VFX Supervisor/Producer/VFX DP Ram Bergman “AMERICAN PIE PRESENTS: JOHN PUTCH UNIVERSAL STUDIOS THE BOOK OF LOVE” HOME ENTERTAINMENT Visual Effects Supervisor (Base FX) Simon Abbott, Mike Elliott “AMERICAN VIOLET” TIM DISNEY SAMUEL GOLDWYN COMPANY VFX Supervisor/Producer Mark Donadio “THE FORBIDDEN KINGDOM” ROB MINKOFF LIONSGATE Senior Visual Effects Supervisor Casey Silver, Raffaella DeLaurentiis Visual Effects Director of Photography “MONSTER IN MY PANTS” (Short) ANDREA MAXWELL Kathleen Latlip, Andrea Maxwell Director of -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
The Italian Job Imdb Parents Guide
The italian job imdb parents guide Continue Italian Work - Jagd auf Millionen (2003) Add to the guide Go to: Charlie staubt Millionen AB (1969) Add for a guide go to: Parents Guide items below, can give away important plot points. After a successful robbery, the escape bus is driven at high speed on winding mountain roads. There are no seats on the bus where the seat sits to transport the stolen gold. None of the passengers are restrained and thrown into the bus as it turns tight corners. The intensity is built as the driver takes more and more risks as the recklessness of his driving intensifies. The culmination of the trip is the loss of control of the bus by the driver and dangerous balancing over the edge of the mountain abyss. At the end we see a group of men on the bus hanging on the edge of a cliff, then the film ends (Unknown what's going on with them.) Moderate Few uses the ass One use fuck. One obscene finger gesture. About half a dozen uses shit. One desecration of the use of Jesus Christ. Another misuse of Jesus. One use is damn. At least two use of bastard. Multiple use of other soft profanity (i.e. hell, hell) nomination for 1 Golden Globe. Read more about the awards in the article of the magazine Says Charlie has a job. Having just left prison, he discovers that one of his friends was trying to get a high-risk job in Italy right under the nose of the mafia. -
Walking with Elephants the Ultimate Documentary
WALKING WITH ELEPHANTS THE ULTIMATE DOCUMENTARY WALKING WITH THE ELEPHANTS 1 DISCLAIMER: The information provided is for information purposes only. The content is not, and should not be deemed to be an offer of, or invitation to engage in any investment activity. This should not be construed as advice, or a personal recommendation by Red Rock Entertainment Ltd. Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). WALKING WITH ELEPHANTS CONTENTS 4 OVERVIEW 5 DIRECTORS 6-9 THE STARS 10 PRODUCERS 11 CREW 12-13 INFO 14-15 PRODUCTION 17 EXECUTIVE PRODUCERS 18-19 SEIS Overview Walking With Elephants is about the last great herds of elephants in Africa. With a population of barely 350,000 Savanah elephants left, the biggest of the planet’s land animals face extinction within our life time. Half of these elephants during the dry season are densely populated in northern Botswana as they are protected by the government there. However across the border into Namibia, Angola, Zambia and Zimbabwe - where many of the elephants return to in the wet season, their future is fraught. In Kenya and Tanzania and South Africa, nearly all of the surviving elephants are enclosed in game reserves and no longer roam the wilderness that once saw them travel up to one hundred miles a day. -
Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
The French Connection 12
THE FRENCH CONNECTION TRIP CODE: EEFDLV-9 TOPDECKER, meet Europe WHAT YOU NEED TO KNOW From Paris to Venice, this trip is the perfect European getaway. Try all of the food in Paris, explore the pretty streets of Florence and fall in love with Tuscany and Venice. Sound good? Yeah we 12 thought so. Hostel Plus Nights WORTH NOTING… A Sector trip is part of a larger journey, meaning your new friends might continue on or after you leave, or you might be joining a trip already in progress. Android/iPhone This is a sector app download trip. info HI, and thanks for choosing to holiday with Topdeck You can rest assured that we’ll pull out all the stops to make your trip unforgettable. Now it’s time to get excited about your holiday... ON THE BUCKET LIST (INCLUDED) ABOUT YOUR TRIP NOTES + Visit a traditional perfumery in the French Riviera These Trip Notes contain everything you need to know before + Italian feast in Tuscany your trip departs – including where to meet and what to bring. We recommend that you read these notes thoroughly so you know + Driving tour of Paris and gourmet picnic by what to expect on your trip of a lifetime. Also, you can easily the Eiffel Tower download and print this document off so you can bring it with you + Local guide in Florence when you travel. + Vaporetto ride in Venice Please bear in mind that some points should be taken as a guide only – after all, everyone’s different! For example, daily spending MORE INCLUSIONS money and clothing lists can vary from one person to the next, so + Driving tour of Paris and gourmet picnic by don't be alarmed if you don't expect to spend (or even wear) so the Eiffel Tower much! + Walking tour of Monaco PLEASE NOTE: We strongly urge you to refresh this + Visit a traditional French perfumery document as close to the time of your departure as possible to + Visit Pisa and the famous Leaning Tower ensure you have the most up-to-date accommodation list and information available. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Resisting Hollywood Dominance in Sixties British Cinema : the NFFC/Rank Joint Financing Initiative
This is a repository copy of Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94238/ Version: Published Version Article: Petrie, Duncan James orcid.org/0000-0001-6265-2416 (2016) Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. Historical Journal of Film, Radio and Television. ISSN 1465-3451 https://doi.org/10.1080/01439685.2015.1129708 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative Duncan Petrie To cite this article: Duncan Petrie (2016): Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2015.1129708 To link to this article: http://dx.doi.org/10.1080/01439685.2015.1129708 © 2016 The Author(s).