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BFI STATISTICAL YEARBOOK 2017 Welcome to the 2017 BFI Statistical Yearbook
STATISTICAL YEARBOOK2 017 BFI STATISTICAL YEARBOOK 2017 Welcome to the 2017 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films aboard during 2016. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 BFI STATISTICAL YEARBOOK 2017 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience, development and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: -
Brochures, Props, Advertising Material and Scripts
BUCKLE UP The Italian Job Meets The Fast and Furious 6 PART 50 MIN SERIES Maha FILMS & Red Rock ENTERTAINMENT Starring Michael MADSEN, Tom SIZEMORE, Bai LING, Patrick BERGIN , Robin ASKWITH and Robert LaSARDO Written by Chris NEWMAN, Cinematography by Ross FALL Stunt Co-Ordinator Phil PURDY, Executive Producers Galen WALKER, Maria NORMAN, Produced by Ross FALL Buckle Up 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). BUCKLE UP CONTENTS 4 Concept 5 Synopsis 6 | 7 Series Bible 8 | 15 Cast 16 Director 17 Production 18 | 19 Executive Producers 21 | 22 Perks & Benefits 22 Equity THE CONCEPT The idea came about when brother arranges to buy the Star Like the film The Warriors, Elgar the writer Chris Newman was of Africa on the black market has to make it back from where watching the 1979 film The from an Arab Prince. He sends a he steals the diamond to the Warriors where a New York courier to pick up the diamond younger brother but this time gang had to make it back to necklace. Unknown to him his it’s Cornwall and the destination Coney Island from Manhattan brother has also learned about is London and it’s got to be after a charismatic gang leader the diamond but he doesn’t done in 8 hours. -
A Look Back at the Stats, Facts and Figures from Marche Du Film Online
Sketch by Nesta Morgan Sadly, like thousand of festival goers and market attendees , we have covered the Cannes 2020 edition from a distance. THE REMOTE COVERAGE CAN BE FOUND BELOW WHILE OUR COVERAGE FROM THE CANNES FESTIVAL DAILIES CAN BE FOUND HERE Cannes 2020 playlist on our VIDEO CHANNEL PICTURES from Cannes A look back at the stats, facts and figures from Marche du Film Online Marché du Film Online comes to a close, the Marché du Film – Festival de Cannes announces the numbers of its first virtual edition. Over the course of five days, the Marché du Film Online welcomed 10,002 participants from all around the world. The most important delegation came from the USA (1,500 participants), followed by France (1,400 participants) and the UK (950 participants). More than half of the participants were coming from Europe with 5,900 participan... 03.07.2020 | Cannes Market Dailies's blog Interview with Marché du Film Executive Director Jérôme Paillard Jérôme Paillard in conversation with Bruno Chatelin Facts and figures on the 2020 marchédu Film online, the first edition of its kind. Quite a challenge on many fronts A few figures about attendance trends this year? when is the marchedufilm.online opening, why 5 days only? How many of the Cannes official selection titles will be screening in the virtual Marché do you see a trend ? I see 16 conferences and panels a... 08.06.2020 | Cannes Market Dailies's blog The American Pavilion 2020 Emerging Filmmaker Virtual Showcase opened Please join us for The American Pavilion 2020 Emerging Filmmaker Virtual Showcase! The Showcase will be viewable ONLY from Friday, January 15 to Sunday, January 17. -
ABOUT US RED ROCK ENTERTAINMENT Current & Previous Film and TV Projects DISCLAIMER: the Information Provided Is for Information Purposes Only
2021 ABOUT US RED ROCK ENTERTAINMENT Current & Previous Film and TV Projects DISCLAIMER: The information provided is for information purposes only. The content is not, and should not be deemed to be an offer of, or invitation to engage in any investment activity. This should not be construed as advice, or a personal recommendation by Red Rock Entertainment Ltd. Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). CONTENTS 4 About Us 5-11 What We Do | What we look for in a Film Project 12-13 About Elstree Studios 14-19 Our Films 20-21 Our Television Production 22-23 Our Documentaries 24-25 Distribution 26-31 UK Market 33 Equity 35-41 EIS 42-43 SEIS 44-45 Perks & Benefits of Investing 46 Map 47 Source References About US Red Rock Entertainment works in conjunction with many of the UK’s top production companies to raise equity for film, TV content and film distribution. We offer a full suite of opportunities to investors, including SEIS and EIS tax relief, and private equity and distribution schemes. We work primarily on independent We are a film-finance film and TV projects that are at an advanced stage and are looking for the final company, based at the tranche of financing. -
Jan-Jun 2019 Newsletter
THE NEWS LETTER More About Film Investment January - June 2019 2019 has been an exciting and busy period for all involved at Red Rock Entertainment. You’re receiving our Newsletter by email because you are a valued customer and please remember you can always visit us at our website redrockentertainment.com for more information on all our opportunities, news, projects and much more. Kick starting the year, we were pleased to introduce many new opportunities. Moving through the months, we saw exciting new projects being announced, a set visit for investors to meet the cast and crew and appear as extras, positive feedback from the Cannes Film Festival 2019 and ending in June with promising news on our reality tv series “The Contractors”. We will continue to push forward to ensure that the second half of the year produces the excellent results that we continue to enjoy at Red Rock Entertainment. www.redrockentertainment.com JANUARY FEBRUARY MARCH GENESIS GARY COLLINS STANLEY – A MAN OF VARIETY A sci-fi thriller starring John Hannah, CEO of Red Rock Entertainment, was Starring Timothy Spall, released on released on Netflix. Set in the year 2067 elected as a judge for the 3rd year at the DVD. A black, macabre comedy written AD the last remnants of humanity are 69th International Berlin Film Festival by Stephen Cookson, the film has won divided by a caste system that keeps J.E.T.S Event (Junior Entertainment over 15 awards throughout the world. the politicians and scientists away from Talent Slate). Gary was invited to The DVD designers have put together a the rabble and crowd. -
The Full List of 2020 International Emmy® Award Jurors
2020 INTERNATIONAL EMMY® AWARD JURORS 2020 FINAL ROUND JURORS Jose Mari Abacan Agnes Augustin Roxanne Barcelona First Vice President, Program Man- President/CEO Vice President agement Department Shaw Rocket Fund CMA Network, Inc. GMA Network, Inc. Canada Philippines Philippines Diego Avalos Giacomo Battiato Alexander Akopov Vice President Spain Screenwriter/Director President Netflix 3 On a Bench Cosmos Studio Spain Italy Russia Michal Aviram Brad Beale Cristina Alcelay Screenwriter VP, Worldwide Content Licensing Content Development South Hub Israel Amazon Senior Director United States ViacomCBS Tony Ayres Spain Executive Producer Oliver Berben Tony Ayres Productions Deputy CEO Leonardo Aranguibel Australia Constantin Film AG Head of Production Operations & Germany Strategy Luis Balaguer The Walt Disney Company LatAm CEO Luca Bernabei United States Latin World Entertainment CEO/Producer United States Lux Vide SPA Avi Armoza Italy CEO Alex Balassa Armoza Formats CEO/Producer/Director/Content Liliam Bernal Israel Creator Head of Programming Management Balassa Films RCN Television Adrienne Arsenault Mexico Colombia Co-Host/Senior Correspondent, CBC The National Norbert Balit Loick Berrou CBC CEO Director of Magazines Canada Adamis Production France 24 France France 2020 FINAL ROUND JURORS (CONTINUED) Haluk Bilginer Luis Calle Actor VP Operations, News & Sports Daniel Coronell Oyun Atolyesi Caracol Televisión S.A. President, News Turkey Colombia Univision United States Mark Bishop Georges Campana Co-CEO/Exec Producer President Tom Cox Marblemedia -
MADNESS in the METHOD 1 DISCLAIMER: Red Rock Entertainment Ltd Is Not Authorised and Regulated by the Financial Conduct Authority (FCA)
MADNESS IN THE METHOD 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 MADNESS IN THE METHOD Contents ADNESS M ETHOD 5 Synopsis 6 Director’s Vision 7-10 The Team| Co-Director | Producer | Actor 11 Executive Producer 12-28 Cast 30 Tinsel Town 31 Production| Autumnwood Media 32-33 On Set 34-36 Marketing & Distribution 37 Investments| Equity 38-39 Perks & Benefits of Investing MADNESS IN THE METHOD 3 4 MADNESS IN THE METHOD Synopsis he only way to survive in Hollywood is to toughen Tup. At least that’s the advice Kevin Smith, aka Silent Bob, passes on to his best friend Jason ‘Jay’ Mewes. Only Smith didn’t expect his advice to turn Jay into a psychopathic killer. No longer content being known as Jay, the vocal half of the Jay and Silent Bob stoner duo, and Smith’s sidekick, Jay takes matters into his own hands. He hatches a plan to dethrone Smith, take over his universe and emerge from Silent Bob’s shadow. And it’s a plan that may or may not involve the murder of Danny Trejo… Can Jay pull it off or is it all just the fantastical ‘mewesings’ of an insane ex-drug addict? MADNESS IN THE METHOD 5 Director’s Vision ne of Hollywood’s worst how do you remain relevant? and Silent Bob would be reunited kept secrets is that How do you stay on top? What on screen, playing themselves? Omovie-making isn’t all are you willing to do to continue It’s every fan’s fantasy — and it’s glitz and glamour. -
New Adventures of 2
NEW ADVENTURES OF 2 BOATS N’ BIKES2 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 BOATS N’ BIKES2 CONTENTS 5 SYNOPSIS 6 WRITER | PRODUCER | DIRECTOR 7 CREW 8-9 PRESENTERS 11 EXECUTIVE PRODUCERS 12 SALES & DISTRIBUTION |TV NETWORKS| 13 ACCOUNT MANAGEMENT 14-17 SERIES 2 BIBLE BOATS N’ BIKES2 3 4 BOATS N’ BIKES2 SYNOPSIS BOATS N’ BIKES A REAL ADVENTURE Our show is best described as factual entertainment and is full of fun and adventure, with glamorous presenters, stunning locations across the USA and Cuba with great music and fascinating people. There is a liberal sprinkling of comedy zingers throughout! Award winning film director, Sebastian Lyte takes the audience deep into the fabric of the boating and motorcycling community and brings to the screen, a true insight into this fascinating world. Our standout presenters, Joshua Kloss, Jessica Harbour, Adam Brudnicki and Otmara Marrero travel across the USA and Cuba on ultra cool motorcycles, having all sorts of adventures, reviewing standout yachts and motorcycles, going big game fishing, diving deep into the ocean and working with the US Coast Guard. -
Ibizaundead 1
IBIZA UNDEAD 1 CONTENTS 5 - 6 SYNOPSIS 7 DIRECTOR’S & WRITERS 8 - 9 CAST 10 LOCATIONS 11 DIRECTOR OF PHOTOGRAPHY 12 - 13 EXECUTIVE PRODUCERS 15 PRODUCTION Companies 16 SET PHOTO’S 18 - 19 EIS 20 - 21 SEIS 22 - 23 PERKS & BENEFITS OF INVESTMENT 4 IBIZA UNDEAD SYNOPSIS nfortunately, on a dusty road him. A distraught Rupert tries to back streets of San Antonio for some passing not too far from the girls leave the villa to see his friend Todd serious partying. From there, they head Uoutpost, a shipment of zombies and is bitten on the hand by a zombie. to a club with the promise of a dubious bound for Karl’s club have escaped “Live Show”..., where they meet Karl, from an overturned trailer. Being Our story starts in grey, rainy England, the nasty club owner and Maria the zombies, they follow the nearest noise where three teenagers and best friends, attractive promo girl for the club. and light... Alex, Az and Big Jim are looking forward to all the fun in the sun they Unfortunately, it is several zombies who Oblivious to the peril slowly heading their can find, on their first holiday away provide the “live” entertainment and way, the pool party gets hot and heavy. from their parents. The only setback they promptly escape their shackles to Todd, however, isn’t in any state for for Alex is having to stay in the same wreak some zombie havoc. action of that kind due to his excessive villa as his overbearing big sister Liz, her drugs consumption - and wanders off glamorous best-friend Zara, and Alex’s Carnage ensues amid the foam party into the darkness to “chill out” alone. -
Yearbook 2017/2018 Key Trends
YEARBOOK 2017/2018 KEY TRENDS TELEVISION, CINEMA, VIDEO AND ON-DEMAND AUDIOVISUAL SERVICES - THE PAN-EUROPEAN PICTURE → Director of publication Susanne Nikoltchev, Executive Director → Editorial supervision Gilles Fontaine, Head of Department for Market Information → Authors Francisco Cabrera, Gilles Fontaine, Christian Grece, Marta Jimenez Pumares, Martin Kanzler, Ismail Rabie, Agnes Schneeberger, Patrizia Simone, Julio Talavera, Sophie Valais → Contributors Lesya Dymyd, Laura Ene, Marlène Le Kim → Coordination Valérie Haessig → Special thanks to the following for their contribution to the Yearbook Ampere Analysis, Bureau van Dijk Electronic Publishing (BvD), European Broadcasting Union - Media Intelligence Service (EBU-M.I.S.), EPRA, EURODATA-TV, IHS, LyngSat, WARC, and the members of the EFARN and the EPRA networks. → Layout Big Family → Press and public relations Alison Hindhaugh, [email protected] → Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France www.obs.coe.int If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Please note that the European Audiovisual Observatory can only authorise reproduction of tables or graphs sourced as “European Audiovisual Observatory”. All other entries may only be reproduced with the consent of the original source. Opinions expressed in this publication are personal and do not necessarily represent the view of the Observatory, its members or of the Council of Europe. © European Audiovisual Observatory (Council of Europe), Strasbourg 2018 YEARBOOK 2017/2018 KEY TRENDS TELEVISION, CINEMA, VIDEO AND ON-DEMAND AUDIOVISUAL SERVICES - THE PAN-EUROPEAN PICTURE 4 YEARBOOK 2017/2018 - KEY TRENDS TABLE OF CONTENT INTRODUCTION 0 Convergence, disintermediation and uberisation .