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Distribution Agreement in Presenting This
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of -
Cognitive Benefits of Being Bilingual
The Cognitive Benefits of Being Bilingual By Viorica Marian, Ph.D., and Anthony Shook Editor’s note: Today, more of the world’s population is bilingual or multilingual than monolingual. In addition to facilitating cross-cultural communication, this trend also positively affects cognitive abilities. Researchers have shown that the bilingual brain can have better attention and task-switching capacities than the monolingual brain, thanks to its developed ability to inhibit one language while using another. In addition, bilingualism has positive effects at both ends of the age spectrum: Bilingual children as young as seven months can better adjust to environmental changes, while bilingual seniors can experience less cognitive decline. We are surrounded by language during nearly every waking moment of our lives. We use language to communicate our thoughts and feelings, to connect with others and identify with our culture, and to understand the world around us. And for many people, this rich linguistic environment involves not just one language but two or more. In fact, the majority of the world’s population is bilingual or multilingual. In a survey conducted by the European Commission in 2006, 56 percent of respondents reported being able to speak in a language other than their mother tongue. In many countries that percentage is even higher—for instance, 99 percent of Luxembourgers and 95 percent of Latvians speak more than one language.1 Even in the United States, which is widely considered to be monolingual, one-fifth of those over the age of five reported speaking a language other than English at home in 2007, an increase of 140 percent since 1980.2 Millions of Americans use a language other than English in their everyday lives outside of the home, when they are at work or in the classroom. -
Abstracts (PDF)
Abstracts of the Psychonomic Society — Volume 12 — November 2007 48th Annual Meeting — November 15–18, 2007 — Long Beach, California Papers 1–7 Friday Morning Implicit Memory is a widely used experimental procedure that has been modeled in Regency ABC, Friday Morning, 8:00–9:20 order to obtain ostensibly separate measures for explicit memory and implicit memory. Existing models are critiqued here and a new con- Chaired by Neil W. Mulligan fidence process-dissociation (CPD) model is developed for a modi- University of North Carolina, Chapel Hill fied process-dissociation task that uses confidence ratings in con- junction with the usual old/new recognition response. With the new 8:00–8:15 (1) model there are several direct tests for the key assumptions of the stan- Attention and Auditory Implicit Memory. NEIL W. MULLIGAN, dard models for this task. Experimental results are reported here that University of North Carolina, Chapel Hill—Traditional theorizing are contrary to the critical assumptions of the earlier models for the stresses the importance of attentional state during encoding for later process-dissociation task. These results cast doubt on the suitability memory, based primarily on research with explicit memory. Recent re- of the process-dissociation procedure itself for obtaining separate search has investigated the role of attention in implicit memory in the measures for implicit and explicit memory. visual modality. The present experiments examined the effect of divided attention on auditory implicit memory, using auditory perceptual iden- Attentional Selection and Priming tification, word-stem completion, and word-fragment completion. Par- Regency DEFH, Friday Morning, 8:00–10:00 ticipants heard study words under full attention conditions or while si- multaneously carrying out a distractor task. -
Remembering the Father of Cognitive Psychology - Association for Psychological Science 12-05-01 2:20 PM
Remembering the Father of Cognitive Psychology - Association for Psychological Science 12-05-01 2:20 PM Remembering the Father of Cognitive Psychology Ulric Neisser (1928-2012) Ulric (Dick) Neisser was the “father of cognitive psychology” and an advocate for ecological approaches to cognitive research. Neisser was a brilliant synthesizer of diverse thoughts and findings. He was an elegant, clear, and persuasive writer. Neisser was also a relentlessly creative researcher, constantly striving to invent methods to explore important questions. Throughout his career, Neisser remained a champion of the underdog and an unrepentant revolutionary — his goal was to push psychology in the right direction. In addition, Dick was a lifelong baseball fan, a challenging mentor, and a good friend. With the publication of Cognitive Psychology (1967), Neisser brought together research concerning perception, pattern recognition, attention, problem solving, and remembering. With his usual elegant prose, he emphasized both information processing and constructive processing. Neisser always described Cognitive Psychology as an assault on behaviorism. He was uncomfortable with behaviorism because he considered behaviorist assumptions wrong and because those assumptions limited what psychologists could study. In Cognitive Psychology, he did not explicitly attack behaviorism, but instead presented a compelling alternative. The book was immediately successful. Researchers working on problems throughout the field saw a unified theory that connected their Ulric Neisser research to this approach. Because Neisser first pulled these areas together, he was frequently referred to and introduced as the “father of cognitive psychology.” As the champion of underdogs and revolutionary approaches, however, Neisser was uncomfortable in such a role. In many ways, Cognitive Psychology was the culmination of Neisser’s own academic journey to that point. -
1 Joan A. Sereno JOAN A. SERENO Linguistics Department Telephone
JOAN A. SERENO Linguistics Department telephone: (785) 864-2619 425 Blake Hall fax: (785) 864-5724 1541 Lilac Lane email: [email protected] University of Kansas Lawrence, KS 66045-3129 EDUCATION 1988 Ph.D. Linguistics Brown University Graphemic, associative, and syntactic priming effects at a brief SOA in lexical decision and naming 1986 M.A. Linguistics Brown University 1982 B.S. Psychology Northern Illinois University 1982 B.A. Philosophy Northern Illinois University PROFESSIONAL APPOINTMENTS 2009-present Professor, Linguistics Department, University of Kansas 2016-present Department Chair, Linguistics Department, University of Kansas 2004-2016 Associate Chair of Linguistics, Linguistics Department, University of Kansas 2002-2009 Associate Professor, Linguistics Department, University of Kansas 2000-2002 Assistant Professor, Linguistics Department, University of Kansas 1999-2000 Assistant Professor (Linguistics Department) and Research Associate (Ermal Garinger Academic Resource Center), University of Kansas. 1997-1999 Visiting Assistant Professor, Dept. of Modern Languages, Cornell University. 1996-1997 Visiting Assistant Professor and Director of Noyes Lodge Language Learning Center, Department of Modern Languages, Cornell University. 1995-1996 Acting Assistant Professor, Department of Modern Languages, Cornell University. 1992-1995 Acting Assistant Professor, Joint Appointment in Department of Psychology and Department of Modern Languages and Linguistics, Cornell University. 1991-1992 Visiting Fellow, Psychology Department and Department -
Rouge (1988) Una Storia D'amore (E Di Fantasmi) Divisa Tra I Fasti Del Passato E La Quotidianità Del Presente
Rouge (1988) Una storia d'amore (e di fantasmi) divisa tra i fasti del passato e la quotidianità del presente. Un film di Stanley Kwan con Anita Mui, Leslie Cheung, Alex Man, Emily Chu, Kara Hui, Chia Yung Liu, Sin Hung Tam, Yin Tse, Irene Wan, Yue Wong. Genere Drammatico durata 93 minuti. Produzione Hong Kong 1988. Emanuele Sacchi - www.mymovies.it Hong Kong, 1987. La tranquilla quotidianità dell'editor Yuan (Alex Man) e della fidanzata Chu (Emily Chu) viene turbata dall'apparizione dello spettro di Fleur (Anita Mui), una cortigiana suicidatasi cinquant'anni prima insieme al suo amante Chen Chen-pang (Leslie Cheung). Essendo rimasta da sola all'Inferno, Fleur torna tra i vivi per scoprire quale sia stata la sorte dell'amato. Il fatto che 'Rouge' si intitoli come il primo film in lingua cantonese (anno 1925) chiarisce quali siano le ambizioni insite in quello che rimane, con ogni probabilità, il film-chiave per comprendere la poetica di Stanley Kwan. Caso emblematico di connubio tra esigenze autoriali, plauso della critica e successo commerciale - a produrre è un inatteso Jackie Chan - Rouge è stato per anni indicato come pietra di paragone per comprendere il cinema di Hong Kong (oltre ad aver acquisito una sinistra fama dopo la morte temporalmente ravvicinata di Cheung e della Mui nel 2003). Senza ricorrere a effetti speciali, infatti, senza stupire né ricorrere a scorciatoie di qualsivoglia natura, Kwan riesce a infondere una fortissima passionalità a una storia di fantasmi sui generis, o meglio a una storia di vivi (ma a tutti gli effetti morti nella speranza) e morti (il cui cuore non pulsa più, ma la cui passione è viva e inestinguibile). -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From -
On Language and Thought: Bilingual Experience Influences Semantic Associations
Journal of Neurolinguistics 56 (2020) 100932 Contents lists available at ScienceDirect Journal of Neurolinguistics journal homepage: www.elsevier.com/locate/jneuroling On language and thought: Bilingual experience influences semantic associations Siqi Ning *, Sayuri Hayakawa , James Bartolotti , Viorica Marian Department of Communication Sciences and Disorders, Northwestern University, 2240 Campus Drive, Evanston, IL, 60208, USA ARTICLE INFO ABSTRACT Keywords: Language can influence cognition in domains as varied as temporal processing, spatial catego- Bilingualism rization, and color perception (Casasanto & Boroditsky, 2008; Levinson & Wilkins, 2006; Language and thought Winawer et al., 2007). Here, we provide converging behavioral and neural evidence that bilingual Semantic associations experience can change semantic associations. In Experiment 1, Spanish- and English-speaking bilinguals rated semantically unrelated picture pairs (e.g., cloud-present) as significantly more related in meaning than English monolinguals. Experiment 2 demonstrated that bilinguals who were highly proficient in Spanish and English rated both semantically related (e.g.,door-window ) and unrelated picture pairs (e.g., dress-snail) as more related than monolinguals and low- proficiency bilinguals. Experiment 3 added ERP measures to provide a more sensitive test of the bilingual effect on semantic ratings, which was assessed through the use of linguistic stimuli (related and unrelated words instead of pictures) and a different bilingual population (Korean- English bilinguals). Bilingualism was associated with a significantly smaller N400 effect (i.e., N400 for unrelated - related), suggesting that bilinguals processed related and unrelated pairs more similarly than monolinguals; this result was coupled with a non-significant behavioral trend of bilinguals judging unrelated words as more related than monolinguals did. Across the three experiments, results show that bilingual experience can influence perceived semantic associa- tions. -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127 -
Program PDF Version
Table of Contents Conference contacts 2 Conference at a Glance 3 Welcome Note 4 Plenary Session 5 International Program Boards 6 - 7 Proceedings 8 General Information 9 Conference Founder, General Chair Emeritus and Parallel Sessions 10 - 104 Scientific Advisor Sunday 19 July 2020, 17:00-21:30 10 - 25 Gavriel Salvendy Purdue University, USA Monday 20 July 2020, 09:00-13:30 26 - 41 Tsinghua University, P.R. China Tuesday 21 July 2020, 10:00-14:30 42 - 57 and University of Central Florida, USA Wednesday 22 July 2020, 11:00-15:30 58 - 72 Thursday 23 July 2020, 14:00- 18:30 73 - 88 General Chair Friday 24 July 2020, 17:00 – 21:30 89 - 104 Constantine Stephanidis University of Crete and ICS-FORTH, Greece Note: The times indicated are in Email: [email protected] “Central European Summer Time - CEST (Copenhagen)” Conference Administration Email: [email protected] Posters Program Administration Email: [email protected] Sunday, 19 July - Friday, 24 July 2020 106 - 126 Registration Administration Email: [email protected] Student Volunteer Administration Email: [email protected] Communications Chair, Exhibition Chair, HCI International News Editor Abbas Moallem Charles W. Davidson College of Engineering San Jose State University, USA Email: [email protected] 2 l HCI International 2013 TABLE OF CONTENTS Conference at a Glance Conference Program Overview The times indicated are in “Central European Summer Time - CEST (Copenhagen)” You can check and calculate your local time, using an online time conversion tool, such as -
Movie Museum APRIL 2008 COMING ATTRACTIONS
Movie Museum APRIL 2008 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY SONG OF TIBET INTO THE WILD INTO THE WILD Hawaii Premiere! Hawaii Premiere! aka Yeshe Dolma (2007) (2007) Hindu New Year KHADAK (2000-China) in widescreen in widescreen HANUMAN (2006-Belgium/Germany/ in Mandarin/Tibetan with with Emile Hirsch, Marcia with Emile Hirsch, Marcia (1998-France/India) Netherlands) English subtitles in widescreen Gay Harden, Hal Holbrook, Gay Harden, Hal Holbrook, in French/English w/English in Mongolian with English with Danzengzhuoga, subtitles & in widescreen Jena Malone, Catherine Jena Malone, Catherine subtitles & in widescreen Laqiong, Dawangdui, with Robert Cavanah, Tabu, with Batzul Khayankhyarvaa, Keener, Vince Vaughn, Keener, Vince Vaughn, Renqingdunzhu, Dazhen, Nathalie Auffret, Khalid Tsetsegee Byamba, Cirenduoji, Basang. Kristen Stewart. Kristen Stewart. Tyabji, Sidney Kean. Banzar Damchaa. Directed and Co-Written by Directed and Co-Written by Directed and Co-Written by Directed by Directed & Written by Fei Xie. Sean Penn. Sean Penn. Fred Fougea. Peter Brosens & Jessica Hope Woodworth. 2, 4, 6 & 8pm 12:30, 3, 5:30 & 8pm 12:30, 3, 5:30 & 8pm 2, 4, 6 & 8pm 2, 4, 6 & 8pm 3 4 5 6 7 THERE WILL BE Hawaii Premiere! THERE WILL BE ROUGE JOHNNY STECCHINO BLOOD ANOTHER LIFE BLOOD aka Yin Ji Kau (1991-Italy) (2007) (2001-UK) (2007) (1987-Hong Kong) in Italian with English subtitles in widescreen in widescreen in widescreen in Cantonese with English & in widescreen with Daniel Day-Lewis, Paul with Natasha Little, Nick with Daniel Day-Lewis, Paul subtitles & in widescreen with Roberto Benigni, Dano, Kevin J. O'Connor, Moran, Ioan Gruffudd, Imelda Dano, Kevin J. -
17. Internationales Forum 33 Des Jungen Films Berlin 1987 Flk%S
17. internationales forum 33 des jungen films berlin 1987 %S flk Filme aus Hongkong Aus einem Interview mit Yim Ho HOMECOMING Als ich meinen ersten Film drehte, The Extras, wußte ich, daß das eigentlich nicht meine Art Film war, aber man verführte JUST LIKE WEATHER mich, diesen Film zu drehen. Dann unterschrieb ich einen zwei• jährigen Vertrag mit Golden Harvest für die Produktion von SHANGHAI BLUES ±*±« The Happenings.Dia mußte auch ein kommerzieller Film sein, aber zur gleichen Zeit wollte ich ihn auch persönlicher gestal• PEKING OPERA BLUES DÄI ten. Darum blieb dieser Film irgendwo in der Mitte zwischen beiden Extremen. Dann bedrängte man mich, eine weitere Ko• SOUL mödie zu machen, Wedding bells, wedding belies, die ein tota• ler Reinfall wurde. Ich nahm das als ein Zeichen des Himmels! A BETTER TOMORROW Aber ich brauchte erst noch die traumatische Erfahrung zweier weiterer Jahre, in denen ich versuchte, mich mit dem Tod mei• LOVE UNTO WASTE ifeTIf nes Vaters abzufinden, um etwas genauer darüber nachzudenken, was für einen Film ich eigentlich machen wollte. Ausgehend von dieser Erfahrung kam ich auf Begriffe wie Leben, Tod und Zer• brechlichkeit menschlicher Beziehungen. Die meisten Hongkong- Filme sind sehr dramatisch, haben viele Kamerabewegungen, HOMECOMING (SI SHUI LIU NIAN) <0?KOÎî*É Großaufnahmen und Schwenks. Mein Film hat sehr wenig von all dem. Ich glaube, daß ich von meinen Erfahrungen bei der Die Heimkehr (Wie Wasser fließen die Jahre) Inszenierung eines Theaterstücks beeinflußt wurde - O'Neills 'Desire under the Elms'. Ich versuchte, einen Vergleich zum Theater und zum Theaterpublikum herzustellen. Mit anderen Land Hongkong 1984 Worten, die Kamera sollte sich wie ein Zuschauer verhalten, die ganze Szene betrachten, aber auch die Hauptpersonen oder be• Produktion Bluebird/Target stimmte Momente der Haltung näher ins Auge fassen.