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RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf
tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has. -
Edition 1 | 2019-2020
2019 SSPA OFFICERS, DIRECTORS, TRUSTEES AND MEMBERS PRESIDENT DIRECTORS TRUSTEES Bruce T. Cameron Jason R. Cameron & MEMBERS Kurt DeVries * Roger Good VICE PRESIDENT John J. Hayes, III Kevin Leddy & CLERK N. Frank Neer Joy P. Schiffmann Richard L. Evans Meg Nelson Thomas D. Shipp Tina Watson TREASURER Brian S. Noble Susan Weisenfluh Robert C. Jordan, Jr. Jeffrey C. Pratt * Elizabeth A. Sullivan Rebecca J. Synnestvedt *Chairmen of Community Trust SOUTH SHORE MUSIC CIRCUS 3 CAPE COD MELODY TENT From The EXECUTIVE PRODUCER… Welcome It’s been almost 70 years of transformation in the live music and recording industries. Technology continues to advance at record speed and we appreciate you taking the time to slow down and smell the roses with us. Thank you for making your memories with us here at the Cape Cod Melody Tent and South Shore Music Circus. It’s because of your loyalty that we continue to do what we do. It is our pleasure to welcome back many performers who consider our venues more than just a stop on tour but a home away from home. They appreciate just as well as we do, the intimate concert setting experience our venues bring with our patrons. Artists like Lee Brice, Brett Eldredge, Chris Botti, and Jim Gaffigan are just a few of the many returning performers under the tents this summer. At the same time, the summer is a time to try new experiences and we invite you to do so by seeing our newcomers at the venue, artist like Brothers Osborne, Foreigner, and Squeeze. We’d like to thank our patrons for keeping their money where their heart is. -
Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept
® The GRAMMY Museum and Delta Air Lines Present Hey! Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept. 16 Linda Ramone, Billy Idol, Seymour Stein, Shepard Fairey, And Monte A. Melnick To Appear At The Museum Opening Night For Special Evening Program LOS ANGELES (Aug. 24, 2016) — Following its debut at the Queens Museum in New York, on Sept. 16, 2016, the GRAMMY Museum® at L.A. LIVE and Delta Air Lines will present the second of the two-part traveling exhibit, Hey! Ho! Let's Go: Ramones and the Birth of Punk. On the evening of the launch, Linda Ramone; British pop/punk icon Billy Idol; Seymour Stein, Vice President of Warner Bros. Records and a co-founder of Sire Records, the label that signed the Ramones to their first record deal; artist Shepard Fairey; and Monte A. Melnick, longtime tour manager for the Ramones, will participate in an intimate program in the Clive Davis Theater at 7:30 p.m. titled "Hey! Ho! Let’s Go: Celebrating 40 Years Of The Ramones." Tickets can be purchased at AXS.com beginning Thursday, Aug. 25 at 10:30 a.m. Co-curated by the GRAMMY Museum and the Queens Museum, in collaboration with Ramones Productions Inc., the exhibit commemorates the 40th anniversary of the release of the Ramones' 1976 self-titled debut album and contextualizes the band in the larger pantheon of music history and pop culture. On display through February 2017, the exhibit is organized under a sequence of themes — places, events, songs, and artists —and includes items by figures such as: Arturo Vega (who, along with the Ramones, -
PRESSBOOK COMPLETO in ITALIANO Di
La matricola Mike Wazowski ha sognato di diventare uno spaventatore sin da quando era un piccolo mostro e sa meglio di chiunque altro che i migliori spaventatori vengono dalla Monsters University (MU). Ma durante il primo semestre proprio alla MU, i suoi piani vengono sconvolti dall’incontro con lo spocchioso James P. Sullivan, detto “Sulley”, uno spaventatore dal talento naturale. Il loro spirito competitivo fuori controllo li farà cacciare dall’esclusivo programma per spaventatori dell’Università e, come se ciò non bastasse, si renderanno conto che l’unico modo per rimettere le cose a posto sarà quello di lavorare insieme, facendo squadra con un gruppo di mostri scapestrati. Ricco di risate e divertimento, il nuovo capolavoro Disney•Pixar Monsters University è diretto da Dan Scanlon (Cars, Mater and the Ghostlight, Tracy), prodotto da Kori Rae (Up, Gli incredibili, Monsters & Co.) e vanta le musiche del compositore premio Oscar® Randy Newman (Monsters & Co., Toy Story 3), che da quest’anno entrerà a far parte della Rock and Roll Hall of Fame, di Axwell & Sebastian Ingrosso, degli Swedish House Mafia e di Mastodon Il film arriverà nelle sale italiane il 21 agosto 2013, in Disney Digital 3D™. BENVENUTI ALLA MU Gli sceneggiatori riportano i personaggi indietro nel tempo “Volevamo che Monsters University fosse la storia di Mike” afferma il regista Dan Scanlon. “La sua sincerità e il suo spirito d’iniziativa sono irresistibili, la sua ricerca è così personale”. Fin dall’inizio Scanlon era attratto dall’idea di un personaggio alla scoperta di sé. “Impostando la storia nel periodo in cui Mike si avventura per la prima volta nel mondo da solo ci ha permesso di esplorare a fondo questo viaggio di autoconsapevolezza, sperimentando insieme a lui il divertimento, gli alti e bassi, le amicizie e le rivelazioni che si susseguono nella crescita. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2. -
Randy Newman Stereo Pop Special-72 Mp3, Flac, Wma
Randy Newman Stereo Pop Special-72 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Stereo Pop Special-72 Country: UK Released: 1974 Style: Classic Rock MP3 version RAR size: 1874 mb FLAC version RAR size: 1936 mb WMA version RAR size: 1704 mb Rating: 4.7 Votes: 144 Other Formats: FLAC VQF MPC VOC AC3 MOD MP2 Tracklist A1 –Randy Newman Don’t Send Me Nobody 1:52 A2 –Randy Newman Give Me A Reason To Live 2:33 A3 –Randy Newman Marie 2:28 A4 –Randy Newman Simon Smith And His Amazing Dancing Bear 1:48 A5 –Randy Newman I’ll Be Home 2:30 A6 –Randy Newman Downtown Birmingham 2:13 A7 –Randy Newman Maybe 2:33 A8 –Randy Newman My Old Kentucky Home 1:40 A9 –Randy Newman Let’s Drop The Big One 1:58 A10 –Randy Newman Dayton Ohio 1:40 A11 –Randy Newman I Think It’s Gonna Rain Today 2:30 B1 –Queen Father To Son 6:00 B2 –Queen Son And Daughter 6:40 B3 –Queen Ogre Battle 4:37 B4 –Queen Liar 7:02 Companies, etc. Recorded At – Paris Theatre, London – A1 to A11 Recorded At – Golders Green Hippodrome, London – B1 to B4 Credits Presenter – Alan Black Notes The Randy Newman concert was recorded at the Paris Theatre, London, UK 1973 or 1974 The Queen concert was recorded at the Golders Green Hippodrome, London, UK 1973-September-13 and first broadcast on BBC Radio 1 - 1973-October-20 Side 1: 28:57 min. Side 2: 26:29 min. Barcode and Other Identifiers Matrix / Runout (Side 1): 135600-S Matrix / Runout (Side 2): 135601-S Related Music albums to Stereo Pop Special-72 by Randy Newman Randy Newman - Live Randy Newman & Paul Simon - The Blues Randy Newman - Naked Man Randy Newman / Arno Hintjens - You've Got A Friend In Me / Je Bent Een Vriend Van Mij Randy Newman - A Bug's Life Various - As Favoritas da Disney Pixar Randy Newman And Paul Simon - The Blues Various - To Infinity And Beyond! (Songs From And Inspired By Toy Story 1 & 2) Randy Newman - The Best Of Various - The Princess And The Frog. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
Identify 6 Prospective High Court Nominees WASHINGTON (AP) - a Nent Assignment in This Re- California State Appeals Court Nixon
Cloudy and Mild Mostly cloudy, mild today. THEDAILY Clear, mild tonight; Sunny, pleasant tomorrow and Satur- FINAL day. EDITION Monmouth County's Outstanding Home X«?wspa|»c*r 32 PAGES VOL. 94 NO. 77 BED BANK, IS J. THURSDAY, OCTOBEK M,1971 Draft Cards Rejected In War Moratorium By DOBIS KULMAN "Mr. Dilapo?" he inquired pleasantly as the two men 1 shook hands, "I'm Larry Erickson. I've wanted to meet you." RED BANK — Two young men turned in their draft cards "When you go home tonight, why not think about why you're at the Selective Service Board office on Broad St., here, as doing this?" Mr, prkkson .suggested to the board staff as he* part of 3 Moratorium Day observance yesterday while a group and Mr. Gurniak left to rejoin the demonstrators. of about 150 anti-war, anti-draft demonstrators picketed on the Mr. Erickson also, turned in the draft card of Bic Kcssler, sidewalk below. formerly of Fair Haven, which he said Mr. Kcssler had given The chant of the pickets - "no more Victnams, no more At- him for that purpose. He said Mr. Kessler is believed en route , ticas" -~ was audible through the closed windows of the board here from Boulder, Colo. offices as Lawrence D. Erickson, 22, of Long Branch, arid The draft board wasn't taken by surprise, Mr. Dilapo said. Greg Gurniak, 21, of Red Bank, dropped their draft cards on He said he had read nowspaper reports quoting Mr. Erick- the desk of Joan Dixon, a board secretary, son as saying he would return his own draft card and would j "There are demonstrators outside against the draft," Mr. -
A Narrative Intervention with Oncology Professionals: Stress and Burnout Reduction Through an Interdisciplinary Group Process
University of Pennsylvania ScholarlyCommons Doctorate in Social Work (DSW) Dissertations School of Social Policy and Practice Spring 4-27-2010 A Narrative Intervention with Oncology Professionals: Stress and Burnout Reduction through an Interdisciplinary Group Process Nicole M. Saint-Louis University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations_sp2 Part of the Social Work Commons Recommended Citation Saint-Louis, Nicole M., "A Narrative Intervention with Oncology Professionals: Stress and Burnout Reduction through an Interdisciplinary Group Process" (2010). Doctorate in Social Work (DSW) Dissertations. 4. https://repository.upenn.edu/edissertations_sp2/4 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations_sp2/4 For more information, please contact [email protected]. A Narrative Intervention with Oncology Professionals: Stress and Burnout Reduction through an Interdisciplinary Group Process Abstract The increased prevalence of cancer diagnoses ensures that oncology healthcare professionals will be faced with more challenges than ever before in their work with cancer patients, especially in hospital environments. The literature demonstrates that professional caregivers are at risk for burnout (BO), compassion fatigue/secondary traumatic stress (CF/STS), job stress and job satisfaction and have minimal forums for which they can share their experiences. In an environment of ever-shrinking resources, it is imperative to use -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15).