The Journey from Gold Mountain: the Asian American Experience
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reenactment Program
T R I A L R E E N A C T M E N T A LIVE VIRTUAL PERFORMANCE The Asian Pacific American Bar Association of South Florida WITH ITS COHOSTS The Asian Pacific American Bar Association of Tampa Bay The Greater Orlando Asian American Bar Association The Jacksonville Asian American Bar Association PRESENT THE MURDER OF VINCENT CHIN ORIGINAL SCRIPT BY THE ASIAN AMERICAN BAR ASSOCIATION OF NEW YORK VISUALS BY JURYGROUP TECHNOLOGY SUPPORT BY GREENBERG TRAURIG, PA WITH MARIA AGUILA ONCHANTHO AM VANESSA L. CHEN BENJAMIN W. DOWERS ZARRA ELIAS TIMOTHY FERGUSON JACQUELINE GARDNER ALLYN GINNS AYERS E.J. HUBBS JAY KIM GREG MAASWINKEL MELISSA LEE MAZZITELLI GUY KAMEALOHA NOA ALICE SUM AND THE HONORABLE JEANETTE BIGNEY THE HONORABLE HOPE THAI CANNON THE HONORABLE ANURAAG SINGHAL ARTISTIC DIRECTION BY DIRECTED BY PRODUCED BY ALLYN GINNS AYERS BERNICE LEE SANDY CHIU ABOUT APABA SOUTH FLORIDA The Asian Pacific American Bar Association of South Florida (APABA) is a non-profit, voluntary bar organization of attorneys in Miami-Dade, Broward, and Palm Beach counties who support APABA’s objectives and are dedicated to ensuring that minority communities are effectively represented in South Florida. APABA of South Florida is an affiliate of the National Asian Pacific American Bar Association (“NAPABA”). All members of APABA are also members of NAPABA. APABA’s goals and objectives coincide with those of NAPABA, including working towards civil rights reform, combating anti-immigrant agendas and hate crimes, increasing diversity in federal, state, and local government, and promoting professional development. The overriding mission of APABA is to combat discrimination against all minorities and to promote diversity in the legal profession. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Indian EXPRESS TRI-STATE Newsline NOVEMBER 16, 2012 L
20 The Indian EXPRESS TRI-STATE Newsline NOVEMBER 16, 2012 L. Subrmaniam, Kavitha to perform in NY on Dec 9 PRAKASH M SWAMY New York Philharmonic Orchestra in London, The Kennedy Center in and Zubin Mehta’s Fantasy of Ve- Washington DC, The Lincoln Center NEW YORK dic Chants, the Swiss Romande Or- in New York, Madison Square Gar- chestra Turbulence, the Kirov Ballet den, Zhongshan Music hall in Bei- nternationally renowned violin Shanti Priya, the Oslo Philharmonic jing, The Esplanade in Singapore, etc. maestro Padma Bhushan Dr. Orchestra the Concerto for Two Vio- Few of her famous songs are IL. Subramaniam and his wife lins, the Berlin Opera Global Sym- from movies 1942: A love Story, Mr Kavita Krishnamurti Subramaniam, phony. His compositions have been India, Bombay, Hum dil de chuke an accomplished Bollywood play- used in various stage presentations sanam, Dil Chahta Hai, Kabhi back and Hindustani classical music including San Jose Ballet Company Khushi Kabhi Gam. singer, will present a grand concert and Alvin Ailey Company. The event will be held at NYU for South Asian Music and Arts As- Kavita Krishnamurti Subrama- Skirball auditorium in Washington sociation on Dec 9 in New York City. niam is a famous playback singer, Square in New York. India’s violin icon is a child trained in Hindustani classical music According to Simmi Bhatia, prodigy and was given the title Vio- and a winner of Padmashri award. executive director SAMAA (South lin Chakravarthy (emperor of the A versatile singer who has sung with Asian Music and Arts Association) is violin), Grammy nominated, win- Indian classical maestros like Pandit a non-profit organization dedicated ner Dr Subramaniam has scored Jasraj and BalaMurali Krishna, while to promoting quality music and arts for films like Salaam Bombay and also worked with music composers from South Asia through live perfor- Mississippi Masala, featured soloist like R. -
What They Say
WHAT THEY SAY What THEY SAY Mrs. Kishori Amonkar 27-02-1999 “It was great performing in the new reconstructed Shanmukhananda Hall. It has improved much from the old one, but still I’ve a few suggestions to improve which I’ll write to the authorities later” Pandit Jasraj 26-03-1999 “My first concert here after the renovation. Beautiful auditorium, excellent acoustics, great atmosphere - what more could I ask for a memorable concert here for me to be remembered for a long long time” Guru Kelucharan Mohapatra 26-03-1999 “It is a great privilege & honour to perform here at Shanmukhananda Auditorium. Seeing the surroundings here, an artiste feeling comes from inside which makes a performer to bring out his best for the art lovers & the audience.” Pandit Birju Maharaj 26-03-1999 “ yengle mece³e kesÀ yeeo Fme ceW efHeÀj DeekeÀj GmekeÀe ve³ee ©He osKekeÀj yengle Deevevo ngDee~ Deeies Yeer Deeles jnW ³en keÀecevee keÀjles ngS~ μegYe keÀecevee meefnle~” Ustad Vilayat Khan 31-03-1999 “It is indeed my pleasure and privilege to play in the beautiful, unique and extremely musical hall - which reconstructed - renovated is almost like a palace for musicians. I am so pleased to be able to play today before such an appreciative audience.” § 34 § Shanmukhananda culture redefined2A-Original.indd 34 02/05/19 9:02 AM Sant Morari Bapu 04-05-1999 “ cesjer ÒemeVelee Deewj ÒeYeg ÒeeLe&vee” Shri L. K. Advani 18-07-1999 “I have come to this Auditorium after 10 years, for the first time after it has been reconstructed. -
Chinese American Transnationalism
P1: IML/FFX P2: IML/FFX QC: IML/FFX T1: IML GRBT072-Chan September 14, 2005 20:25 Preface and Acknowledgments This book is the third volume in a loosely connected trilogy on the Chinese exclusion era. The first volume, Entry Denied,1 published in 1991, contains eight essays, four of which analyze how the exclu- sion laws and the changing ways in which they were enforced affected Chinese communities in the United States. The other four essays docu- ment how members of those communities dealt with the constraints on their lives by relying on a complex institutional structure that enabled them to combat the laws while connecting them to larger developments in both China and the United States. In contrast to the focus on institu- tions in the first volume, the seven chapters in Claiming America,2 the sec- ond volume published in 1998, explore the multidimensional conscious- ness of individuals. They examine how some first- and second-generation Chinese Americans claimed America as their own by forcefully asserting that they, too, believed in democracy and equality. They declared that Chinese were not simply earning a living in the United States as “sojourn- ers,” but were also self-consciously embracing the American creed despite the fact that their presence was not welcomed on American soil. In the present volume, Chinese American Transnationalism, the eight contribu- tors dissect the many ways in which Chinese living in the United States maintained ties to China through a constant transpacific flow of people, economic resources, and political and cultural ideas, the exclusion laws notwithstanding. -
Man 1Ei'vices, Cal Acauj1 Mracism Toward Confirmed What Americans Ofjapanese Ancestry Have Always Womeb'
• c c November?5 19 3 The National Publication of the Japanese American Citizens League Chicago Nikkei hear pledges SENATE BILL S 2216 .. Of support from legislators aDCAOO-1be IIbis Dept. cussioos ClIl bow Asian Matsunaga s .... bmits bill 01 iIunum ftjgbtI held a bear Americans are portrayed in fog at Truriian College 00 media, scbools, ami among av. 9 to hear testimony on labor unions. Former JACL on redress to Senate ~otry and other c:mcerns of Midwest ~ Ross lfa.. the state's 250,000 Asians. raoo warDed the department WASHINGTON-Sen.. Spark M. Matsunaga (l)..Hawaii), with Twenty-tive witnEsses ~ that bigotry agaimt Asian 13 colleagues, introduced S 2116 on Nov. 16. The bill would IeDted statements ClIl immi Americans is 00 the rise implement the reammendations of the Commission on War gration ani ref\Jgee pOlicy, natiooally. time Relocation and Internment of Civilians. employment, educatiOn, • JACL Midwest Director In his remarks, Matsunaga stated that, ''The Commission's censing 01 pn!lewjona1a, Bill Y0I!Ihin0 gave aD histori careful review of wartime records, and its extensive hearings, bealtb and ".man 1eI'Vices, cal acauJ1 mracism toward confirmed what Americans ofJapanese ancestry have always womeb'. __, and care of Asians and drew historic known: 1beevacuationofJapanese Americans from the West the t!IcIerIy. parallels to the current at- Coast and their incarceration in what can only be described as Williani Ware. chief of ~ of tension. In ~ ~ntration camps staff for Mayor Harold Wash cl his statement Yosbi- AmericaJrStyle was not justified by mil iDgton, ~ the bearing no saia tbatprejudice and itary necessity, but was the re;ult of racial prejudice, wartime wftb a statement that diS racism "can be as overt as hysteria, and a historic character failure on the part of our crimination against Asian the killing of Vincent Chin in political leaders .• , Americans or any other Detroit or • subUe as the Matsunaga's speech, delivered late last Thursday evening, group, wWld oot be tolerated denial of a job promotion. -
Filmmusik-Analyse
Hochschule der Medien Elektronische Medien Master WS 2011/2012 FILMMUSIK-ANALYSE von Sebastian Brings und Fabian Borst Komposition und Film Prof. Oliver Curdt Filmmusik-Analyse The Sixth Sense Sebastian Brings / Fabian Borst 17.01.12 Inhaltsverzeichnis Der Film Seite 3 Fakten Seite 4 Regisseur Seite 5 Story Seite 6 Komponist Seite 7 Filmmusik Seite 10 Instrumente Seite 11 Funktionen Seite 12 Leitmotive Seite 13 Einsatz Seite 15 Paraphrasieren Seite 17 Polarisieren Seite 19 Kontrapunktieren Seite 21 Auslassung Seite 22 Fazit Seite 23 Sounddesign Seite 24 Der sechste Sinn Seite 25 Besonderheiten Seite 26 Quellen Seite 28 Filmmusik-Analyse The Sixth Sense Inhaltsverzeichnis Sebastian Brings / Fabian Borst 17.01.12 3 DER FILM Filmmusik-Analyse The Sixth Sense Der Film Sebastian Brings / Fabian Borst 17.01.12 4 Fakten: • Produktion: USA 1999, Philadelphia • Genre: Horror und psychologisches Drama • Regisseur: M. Night Shyamalan • Darsteller: Bruce Willis, Haley Joel Osment Toni Collette, Olivia Williams • Laufzeit: 104 Minuten Der Film wurde zwischen September und November 1998 als dritter Film des Regisseurs M. Night Shyamalan gedreht. Da seine ersten beiden Filme nicht den großen kommerziellen Er- folg erzielten, lastete bei dieser Produktion großer Druck auf dem Regisseur. Das Drehbuch sollte also perfekt sein. Nach- dem „Night“ die ersten beiden Fassungen wieder verworfen hatte, kam er auf die Idee mit dem kleinen Jungen, der tote Menschen sehen kann. Das raffinierte Ende des Films über- zeugte die Studios sofort. Man engagierte Bruce Willis für die Hauptrolle, der bis dato nur als Action-Held augetreten war und den 10-jährigen Ha- ley Joel Osment, der später für seine Leistung einen Oscar als bester Nebendarsteller erhielt. -
Tfm Maldonado.Pdf
Universidad de Sevilla Facultad de Comunicación Máster en Guion, Narrativa y Creatividad Audiovisual La construcción y evolución del personaje a través de las películas de M. Night Shyamalan Autora: Mireia Maldonado Parra Tutora: Inmaculada Gordillo Álvarez Curso Académico 2019/2020 ÍNDICE I. INTRODUCCIÓN Y FUNDAMENTOS TEÓRICOS …………………………….4 1. Introducción ............................................................................................................ 4 2. El director ................................................................................................................ 4 3. Objetivos e hipótesis ............................................................................................... 7 4. Metodología ............................................................................................................. 8 5. Marco teórico .......................................................................................................... 9 5.1. El personaje cinematográfico .......................................................................... 9 5.2. El personaje como persona. Perspectiva fenomenológica .......................... 13 5.3. El personaje como rol. Perspectiva formal .................................................. 16 5.4. El personaje como actante. Perspectiva abstracta ...................................... 18 5.5. Arcos de transformación del personaje ....................................................... 19 II. ANÁLISIS FÍLMICO ............................................................................................ -
History&Perspectives
2012 CHINESE AMERICA History&Perspectives THE JOURNAL OF THE CHINESE HISTORICAL SOCIETY OF AMERICA CHINESE AMERICA HISTORY & PERSPECTIVES The Journal of the Chinese Historical Society of America 2012 CHINESE HISTORICAL SOCIETY OF AMERICA Chinese America: History & Perspectives — The Journal of the Chinese Historical Society of America Chinese Historical Society of America Museum & Learning Center 965 Clay Street San Francisco, California 94108 chsa.org Copyright © 2012 Chinese Historical Society of America. All rights reserved. Copyright of individual articles remains with the author(s). ISBN-13: 978-1-885864-47-5 ISBN-10: 1-885864-47-7 Design by Side By Side Studios, San Francisco. Permission is granted for reproducing up to fifty copies of any one article for Educa- tional Use as defined by the Digital Millennium Copyright Act. To order additional copies or inquire about large-order discounts, see order form at back or email [email protected]. Articles appearing in this journal are indexed in Historical Abstracts and America: History and Life. About the cover image: Lum Ngow with his parents in China, 1925. Photo courtesy of Lee Show Nam. 10 9 8 7 6 5 4 3 2 1 Contents THINGS MATTER Chinese American Culture Work and the Gods of Marysville 1 Jonathan H. X. Lee and Vivian-Lee Nyitray LIFE IN A CHINATOWN COLD WATER TENEMENT BUILDING 7 Lyle Jan HISTORY OF TRADITIONAL CHINESE MEDICINE IN CALIFORNIA A Perspective through the Stories of Four Acupuncturists 11 Emily S. Wu “We WERE REAL, SO THERE waS NO NEED TO BE AFRAID” Lum Ngow’s Long Detention on Angel Island 19 Judy Yung THE TWENTY-FIRST-CENTURY CHINESE AMERICA Growth and Diversity 27 Wei Li and Wan Yu About the Contributors 33 About the Editorial Committee 35 Guidelines for Manuscript Submission 37 Chinese Historical Society of America Membership Form 39 iii Things Matter Chinese American Culture Work and the Gods of Marysville Jonathan H. -
Civil Rights Issues Facing Asian Americans in the 1990S. IYSTITUTION Commission on Civil Rights, Washington, D.C
DOCUMENT RESUME ED 343 979 UD 028 599 AUTHOR Chun, Ki-Taek; Zalokar, Nadja TITLE Civil Rights Issues Facing Asian Americans in the 1990s. IYSTITUTION Commission on Civil Rights, Washington, D.C. PUB DATE Feb 92 NOTE 245p. PUB TYPE Reports - Evaluative/Feasibility (142) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Access to Education; *Asian Americans; *Civil Rights; Educational Discrimination; Elementary Secondary Education; Equal Educetion; *Equal Opportunities (Jobs); Ethnic Discrimination; Higher Education; Immigrants; Minority Groups; *Policy Formation; Public Policy; Racial Bias; *Racial Discrimination; Violence IDENTIFIERS *Commission on Civil Rights ABSTRACT In 1989, the U.S. Commission on Civil Rights held a series of roundtable conferences to learn about the civil rights concerns of Asian Americans within their communities. Using information gathered at these conferences as a point of departure, the Commission undertook this study of the wide-ranging civil rights issues facing Asian Americans in the 1990s. Asian American groups considered in the report are persons having origins in the Far East, Southeast Asia, and the Indian subcontinent. This report presents the results of that investigation. Evidence is presented that Asian Americans face widespread prejudice, discrimination, and barriers to equal opportunity. The following chapters highlight specificareas: (1) "Introduction," an overview of the problems;(2) "Bigotry and Violence Against Asian Americans"; (3) "Police Community Relations"; (4) "Access to Educational Opportunity: Asian American Immigrant Children in Primary and Secondary Schools";(5) "Access to Educational Opportunity: Higher Education"; (6) "Employment Discrimination";(7) "Other Civil Rights Issues Confronting Asian AmericansH; and (8) "Conclusions and Recommendations." More than 40 recommendations for legislative, programmatic, and administrative efforts are made. -
ASIAN-AMERICAN TIMELINE (Prepared by Dr
1 ASIAN-AMERICAN TIMELINE (prepared by Dr. Bonnie Khaw-Posthuma) 1521 Portuguese explorer Ferdinand Magellan claims the Phillipines in the name of the Spanish crown; colonial rule begins in 1565; first Filipinos reportedly arrive in California in 1587. 1790 Congress passes the Naturalization Act – granting U.S. citizenship to all “free white” persons. 1834 Afong Moy, the first Chinese woman known to have visited the U.S. is exhibited in a theater in New York. 1839-1842 China signs the Treaty of Nanjing –opening Chinese ports to trade by Western and later Japanese powers. 1843 Japanese citizen Nakahama Manjiro becomes the 1st Japanese individual to land in the U.S. 1848 First Chinese (two men, one woman) immigrate to the U.S. and land in San Francisco; discovery of gold leads to Chinese immigration to America (also known as “Gold Mountain”). 1852 Lured by the gold rush, more than 20,000 Chinese arrive in California (it was a myth that all Chinese wished to get rich quickly and return—only 50% did). 1853 Several hundred years of isolation end as Commodore Matthew Perry of the U.S. forces Japan to open its door to foreign commerce. 1854 People vs. Hall, a California case, rules that Chinese cannot testify for or against white persons in court. 1860 A Californian law bars Chinese-Americans, Indians, and African- Americans from public schools. 1865 Plans for the first transcontinental railroad in the U.S. are developed, and the Central Pacific Railroad begins hiring Chinese laborers. 1870 Congress grants naturalization rights to free whites and people of African descent, omitting mention of Asian (or as they call it “Oriental”) races. -
JOURNEY to GOLD MOUNTAIN: Early Chinese Life & Labour In
JOURNEY TO GOLD MOUNTAIN: Early Chinese Life & Labour in Canada The first recorded Asians in Canada were brought to Vancouver Island in 1788 by the British Captain John Meares to work as shipwrights. About 130 Chinese workers arrived, but shortly thereafter they were cap- tured and imprisoned during the Spanish seizure of Nootka Sound. What happened to them is a mystery, but there are reports that some were taken as forced labourers to Mexico and that some escaped and were captured by the Nootka people or married into their community. GOLD RUSH In 1856, gold was found near the Fraser River in the territory of the Nlaka’pamux First Nations people. Almost immediately, the discovery brought tens of thousands of gold miners to the region, marking the beginnings of white settlement on BC’s mainland. By 1858, Chinese gold miners had also started to arrive, and as word spread about the money to be made, British Columbia became known in China as “Gold Mountain”. By the 1860s, 6000-7000 young Chinese men were living in BC, most intending to return to China with their savings. The Gold Rush brought not only Chinese miners but also the merchants, labour- ers, domestics, gardeners, cooks, launderers and other service industry workers needed to support the large mining communities that sprang up wherever gold was discovered. By 1860, the goldfields of the Fraser canyon were declining and the Gold Rush was redirected into the Cari- boo, where large mining camps sprang up, requiring services that were often provided by the Chinese. These included laundries, restau- rants, vegetable gardens, and fisher- ies.