DOCSLIB.ORG

Catalog Orders Due October 21St $4.25 Web Orders Due October 22Nd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalog Orders Due October 21St $4.25 Web Orders Due October 22Nd OCT 2020 CATALOG ORDERS DUE OCTOBER 21ST $4.25 WEB ORDERS DUE OCTOBER 22ND BATMAN: BLACK AND WHITE #1 RECKLESS OGN BLACK CAT #1 FOR ITEMS SCHEDULED TO SHIP BEGINNING IN DECEMBER 2020 FIND MORE DESCRIPTIONS, ART AND PRODUCTS AT WWW.WESTFIELDCOMICS.COM FANTASTIC FOUR: ROAD TRIP #1 A trip to the Grand Canyon goes horribly wrong. Find it in Marvel Comics! GENERATIONS SHATTERED #1 Experience the history of the DCU as never before. Find it in DC Comics! Find the Justice League: Endless Winter #1 Winter Endless League: Justice Endless Winter story VAMPIRELLA: THE DARK in these titles: POWERS #1 1) Justice League: Endless Winter #1 Vampi becomes a superhero. 2) The Flash #767 Find it in Dynamite! 3) Superman: Endless Winter Special #1 4) Aquaman #66 POST AMERICANA #1 5) Justice League #58 A Wasteland girl may be the only person who 6) Teen Titans: Endless Winter Special #1 can save us. 7) Justice League Dark #29 Find it in Image Comics! 8) Black Adam: Endless Winter Special #1 9) Justice League: Endless Winter #2 CIMMERIAN: FROST GIANT'S DAUGHTER #1 A Conan classic comes to life in a new way. Find it in Ablaze! Teen Titans: Endless Winter Special #1 Special Endless Winter Titans: Teen Superman: Endless Winter Special #1 Special Winter Endless Superman: (variant cover - Simone Di Meo) - Simone cover (variant EXPANSE #1 Politics and weapons make a lethal paring. Find it in BOOM! Studios! FIND THESE AND ANY OTHER CataLOG LISTINGS AT CATALOGS WESTFIELDCOMICS.COM/SECTION/CataLOG-OCT20-CataLOGS WESTFIELD CATALOG (1ST CLASS USPS) – We will be mailing all our catalogs First Class so we are not offering a separate option for this. (You must order at least once every three months to continue to receive free catalog.) PREVIEWS PACKET - Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise; plus exclusive items available nowhere else. This issue features items scheduled to ship from February 2021 and beyond. Each packet includes Previews, Marvel Previews and a Previews Customer Order Form. $3.99 [20100003] Also available sent Priority Mail, separate from your regular shipment and on the same day that Previews hits the streets - this should What does the Fortress of Solitude have to do with a storm take approximately 2-3 days. $10.50 [20100002] that could kill us all? Who is the Frost King? And what do MARVEL PREVIEWS - Each issue is a comic book-sized, 120-page, full-color guide and preview to Queen Hippolyta, Swamp Thing, the Viking Prince, and Black all of Marvel’s upcoming releases Features items scheduled to ship in February 2021 and beyond. Adam have to do with all this? You'll find all the answers in $1.00 [20100004] the Endless Winter crossover that begins and ends this month! Get it before we freeze. ABOUT OUR COVER Knull, the god of the symbiotes, and his army have reached Earth and the heroes of the Marvel Universe face a struggle like no other in King in Special Endless Winter Black Adam: Justice League: Endless Winter #2 Winter Endless Justice League: Black #1. Hail to the King! TM & (c) Marvel Comics. All rights reserved. I AM LEGEND Note: Comics are 32 pages and full-color unless noted in descriptions. #1 FC = Full Color PC = Partial Color MT = Mature Themes GN = Softcover Graphic Novel SC = Softcover HC = Hardcover/Graphic Novel [A] = Available again COMING UP ... Westfield Comics, October 2020, Vol. 38, No. 10 (Whole No. 459). Published by The Westfield Company of Wisconsin, Inc., 8608 University th Green, P.O. Box 620470, Middleton, WI 53562-0470. ©2020 The Westfield Company of Wisconsin, Inc. Westfield is a registered trademark THE next catalog will be mailed on October 30 , so PLEASE tell us if you of The Westfield Company of Wisconsin, Inc. All rights reserved. Nothing may be reprinted without permission unless you're really sneaky th about it and we don't find out. All products and artwork pictured herein are TM & © their respective owners. Product descriptions and don't have it by November 10 ! The Westfield web site is scheduled other information is largely taken from publishers’ news releases and distributor catalogs, and is as up-to-date as possible. We cannot be to be updated with NOV20 items on October 23rd. responsible for last minute changes made by publishers. Advisor: Brook Anthony. Content Editor: Roger Ash. Layout: Rosemary Cross. 2 WESTFIELD COMICS CATALOG ITEMS SCHEDULED TO SHIP BEGINNING IN DECEMBER 2020 FIND THESE AND MANY MORE MARVEL COMICS TITLES AT MARVEL COMICS WESTFIELDCOMICS.COM/SECTION/CataLOG-OCT20-MARVEL Marvel Comic Sets A VENGERS #2 MARVEL COMICS SET (53) [OCT20] - This set contains the following 53 titles at #40 TERNALS E an extra reduced price: Amazing Spider-Man #54, #54.LR, #55; Avengers #39 & #40; Black Cat #1; Black Widow #4; Cable #7; Captain America #26; Captain Marvel #24; Classified X-Men Title #1; Daredevil #25; Deadpool #9; Doctor Doom #10; Eternals #2; Excalibur #16; Fantastic Four #27; Fantastic Four: Road Trip #1; Guardians of the Galaxy #9; Hellions #7; Heroes at Home #1; Immortal Hulk #41 & #42; Iron Man #4; Juggernaut #4; King in Black #1 & #2; King in Black: Immortal Hulk #1; King in Black: Iron Man Doom #1; King in Black: Namor #1 & #2; Maestro #5; Magnificent Ms. Marvel #17; Marauders #16; Miles Morales: Spider-Man #21; MODOK: Head Games #1; New Mutants #14; Rise of Ultraman #4; Savage Avengers #15 & #16; Shang-Chi #4; Spider-Woman #7; Strange Academy #6; AVENGERS SET (12) [OCT20] - This set contains the following 12 titles at an extra reduced price: All images TM & © 2020 Marvel Characters, Inc. rights reserved. Symbiote Spider-Man: King in Black #2; Thor #10; U.S.Agent #2; Venom #31; Warhammer Avengers #39 & #40; Captain America #26; Immortal Hulk #41 & #42; Iron Man #4; King in 40K: Marneus Calgar #3; Wolverine #8; Wolverine: Black, White & Blood #2; X-Factor #5; Black: Immortal Hulk #1; King in Black: Iron Man Doom #1; Maestro #5; Savage Avengers X-Force #15; and X-Men #16. $136.27 [S2010001] #15 & #16; and Thor #10. $29.28 [S2010002] N #54 E W M AN -M utants IDER #14 SP ING Z MA A SPIDER-MAN SET (13) [OCT20] - This set contains the following 13 titles at an extra reduced X-MEN SET (14) [OCT20] - This set contains the following 14 titles at an extra reduced price: Cable price: Amazing Spider-Man #54, #54.LR, #55; Black Cat #1; King in Black #1 & #2; King in #7; Classified X-Men Title #1; Deadpool #9; Excalibur #16; Hellions #7; Heroes at Home #1; Black: Immortal Hulk #1; King in Black: Namor #1 & #2; Miles Morales: Spider-Man #21; Juggernaut #4; Marauders #16; New Mutants #14; Wolverine #8; Wolverine: Black, White Spider-Woman #7; Symbiote Spider-Man: King in Black #2; and Venom #31. $33.47 [S2010003] & Blood #2; X-Factor #5; X-Force #15; and X-Men #16. $38.86 [S2010004] FIND MORE DESCRIPTIONS, ART AND PRODUCTS AT WWW.WESTFIELDCOMICS.COM 3 MARVEL COMICS Marvel Heroes CAPTAIN MARVEL AMAZING SPIDER-MAN #54 (LR) - (Spencer/ #24 - (Thompson/ Bagley) Last Remains continues. The punishment Garbett) Captain of Spider-Man at the hands of Kindred continues. Marvel finds new Rated: T Patrick Gleason cover See the Spider- allies in this strange Man Set for art. [20100098] Mark Bagley cover new world - but is she [20100099] Paulo Siqueira Knullified cover sending them to their [20100100] $3.19 (each) deaths? Rated: T+ Jorge Molina cover AMA Z IN G S P I D ER - [20100122] Tradd MAN #54.LR - (Rosenberg Moore Knullified & Spencer/Vicentini) Last cover [20100123] Remains tie-in. The Order $3.19 (each) of the Web faces Sin- Eater. Also, what is Mary Jane Watson’s part in Last Remains? Rated: T Marcelo CHRIS Ferreira cover [20100101] CLAREMONT M a r k B a g l e y c o v e r ANNIVERSARY [20100102] $3.19 (each) SPECIAL #1 - (Chris Claremont/ AMAZING Brett Booth) Dani SPIDER-MAN Moonstar is drafted # 5 5 ( LR ) - for a mission across (Spencer/Gleason) time and space Last Remains ends for an incredible and will make you psychic showdown look at Spider-Man against the Shadow differently. It’ll King-joining forces make Peter look at with characters created and defined by the pen of himself differently. Chris Claremont. 40 pg. Rated: T+ Salvador Larroca Rated: T+ Patrick cover [20100124] Variant cover [20100125] Todd Gleason cover Nauck cover [20100126] $3.99 (each) [20100103] Variant cover [20100104] CLASSIFIED X-MEN Ron Lim Lego cover TITLE #1 - Stay tuned, [20100105] $3.19 True Believers! Details (each) to be announced later! 48 pg. [20100127] Cover B [20100128] Cover C AVENGERS #40 - (Aaron/Garron) Enter The Phoenix. [20100129] $3.99 (each) The infamous firebird of cosmic destruction and DAREDEVIL #25 - (Zdarsky/ rebirth known as the Phoenix Force has returned Checchetto) Doing Time starts to Earth to find a new avatar. So now the Avengers here. The Man Without Fear is and some of the most powerful heroes and villains behind bars. But there are no in the Marvel Universe are being called into a conspiracies against Daredevil competition unlike anything they’ve ever seen. AVENGERS #39 - (Aaron/Keown) Enter The Phoenix prologue. In the harsh, primordial world to be found here – just the Rated: T+ Leinil Francis Yu cover See the Avengers of One Million B.C.E., early humans who are different are left in the Burnt Place to die. But truth that his actions led to a Set for art. [20100108] Dustin Weaver Connecting one young girl whose only crime was being born with red hair finds something else entirely in man’s death.
Load more

Recommended publications
  • Núm. 13 Noviembre, 2018 Publicación Mensual Dirección CCH Naucalpan - Coordinación De Gestión Y Planeación
    Núm. 13 Noviembre, 2018 Publicación Mensual Dirección CCH Naucalpan - Coordinación de Gestión y Planeación DIRECTORIO unam Dr. Enrique L. Graue Wiechers Rector Dr. Leonardo Lomelí Vanegas Secretario General Ing. Leopoldo Silva Gutiérrez Secretario Administrativo Editorial Dr. Alberto Ken Oyama Nakagawa Secretario de Desarrollo Institucional Mtro. Javier de la Fuente Hernández Secretario de Atención a la Comunidad Universitaria rden y caos, control y descontrol, estabilidad y Dra. Mónica González Contró desestabilización. Dicotomías con una infinidad de Abogada General posibilidades intermedias, y con claras manifestaciones Mtro. Néstor Enrique Martínez Cristo Oen la naturaleza y la sociedad. En ciencias como Biología, Química, Director General de Comunicación Social Física, Matemáticas, Economía, Meteorología, Geografía, entre muchas otras, se utilizan modelos y teorías que ayudan a identificar cch patrones de comportamiento, predicciones y escenarios en Dr. Benjamín Barajas Sánchez ambientes complejos híper relacionados. Recordemos el tan Director General mencionado “Efecto mariposa” con el que, el matemático y meteorólogo estadounidense Edward Norton Lorenz, al estudiar plantel naucalpan los cambios en el clima y modificar uno de los datos, de manera Mtro. Keshava Quintanar Cano casi imperceptible, dio como resultado un reordenamiento Director completamente diferente y que, al graficarlo en una computadora, Mtro. Ciro Plata Monroy se obtuvo una figura similar a una mariposa. Este descubrimiento Secretario General quedó acuñado en la pregunta: ¿El aleteo de una mariposa en Lic. Moisés Vázquez Tapia Brasil hace aparecer un tornado en Texas?, su posible respuesta Secretario Administrativo implicaría que todo está relacionado y que estamos integrados Ing. Reyes Hugo Torres Merino en un gran sistema que se ordena y desordena de manera natural Secretario Académico y caótica, tal como lo asevera el axioma Sufí: “No puedes tocar Mtra.
    [Show full text]
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
    Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there).
    [Show full text]
  • Support Barnsley's Museums
    Cannon Hall is a stunning Georgian country house museum with outstanding fine and decorative art collections, set in Barnsley Museums 70 acres of historic parkland and beautiful landscaped gardens. It is the perfect day out for all the family. is made up of five magnificent Bark House Lane, Cawthorne, Barnsley, S75 4AT [email protected] attractions. All are 01226 772002 • www.cannon-hall.com free to enter and each has its own The Cooper Gallery is a vibrant art gallery in the heart unique identity. of Barnsley town centre. Explore galleries showcasing the beautiful collection of fine art and enjoy our exciting programme of temporary exhibitions, events and arts workshops. Cooper Gallery, Church Street, Barnsley, S70 2AH [email protected] 01226 242905 • www.cooper-gallery.com As well as soaking up the warm, spring as the celebration of one of Barnsley’s sunshine - why not soak up the relaxing influential industries in the exhibition visitors can uncover the incredible Experience Barnsley atmosphere at Barnsley Museums’ five Tins!Tins!Tins! at Experience Barnsley - story of Barnsley told through centuries-old artefacts, fantastic sites. there is something for everyone to enjoy. documents, films and recordings that have been donated by people living and working in the borough. Whether you are hankering after the great So if you are looking for unique outdoors, inspiring local history, a trip out destinations to spend quality time with Town Hall, Church Street, Barnsley, S70 2TA with the family, art exhibitions, fun events, family, friends and loved ones this spring, [email protected] retail therapy or even a bite to eat, then Barnsley’s museums are the perfect place look no further as Barnsley Museums have for you.
    [Show full text]
  • Illustrated Checklist Contemporary Works
    Illustrated Checklist Curated by William Villalongo and Mark Thomas Gibson International Print Center New York Contemporary Works Derrick Adams (American, b.1970) Game Changing (Ace), 2015 Screenprint with gold leaf 30 x 22 inches Published by Lower East Side Printshop, New York. Edition: 16 Courtesy of the Artist and Lower East Side Printshop Image © 2016 Derrick Adams and Lower East Side Printshop Inc. Laylah Ali (American, b.1968) Untitled, from the Bloody Bits Series, 2004 Three mixed media drawings on paper 9 x 6 inches Courtesy of the Artist and Paul Kasmin Gallery Image © 2016 Laylah Ali Laylah Ali (American, b.1968) Untitled, from the Bloody Bits Series, 2004 Mixed media on paper 9 x 6 inches Courtesy of the Artist and Paul Kasmin Gallery Image © 2016 Laylah Ali Laylah Ali (American, b.1968) Untitled, from the Bloody Bits Series, 2004 Mixed media on paper 9 x 6 inches Courtesy of the Artist and Paul Kasmin Gallery Image © 2016 Laylah Ali Firelei Báez (Dominican, b.1980) The Very Eye of the Night, 2013 Pigmented linen on Abaca base sheet 58 x 31 x ¾ inches Courtesy of the Artist, Gallery Wendi Norris, San Francisco, and Dieu Donné, New York Image © 2016 Firelei Báez and Dieu Donné, New York Nayland Blake (American, b.1960) Bunny Group, Happiness, 1996–1997 Suite of four graphite and colored pencil drawings on paper 12 x 9 inches each Courtesy the Artist and Matthew Marks Gallery Image © 2016 Nayland Blake Robert Colescott (American, 1925 – 2009) Lock and Key (State I), 1989 Lithograph 42 x 30 inches Publisher: Tamarind Institute, Albuquerque Edition: 20 Collection of The #menelikwoolcockcollection: Zewditu Menelik, Aron Woolcock,Daniel Woolcock, and Adrian Woolcock Image © 2016 Robert Colescott Renee Cox (Jamaican, b.1960) Chillin with Liberty, 1998 Cibachrome print 60 x 40 x 2 inches Edition: 3 Courtesy of the Artist Image © 2016 Renee Cox William Downs (American, b.1974) The power of fantastic, 2013 Aquatint and etching 24 x 16 inches Published by the Artist.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} Huntress Kindle
    HUNTRESS PDF, EPUB, EBOOK Malinda Lo | 384 pages | 05 May 2011 | Little, Brown Book Group | 9781907411090 | English | London, United Kingdom Huntress PDF Book In Lego Batman 2: DC Super Heroes , Huntress is an unlockable character in free play mode and can be found by constructing a Gold Brick archway after collecting the requisite number of gold bricks on the roof of a building in the south east of the top island on the map, south east of the encounter with Ra's al Ghul. In this iteration of the character, she was kidnapped as a child aged 6 and raped by a rival mafia don purely to psychologically torture her father and is a withdrawn girl. After she witnesses the mob-ordered murder of her parents at the age of 19, she crusades to put an end to the Mafia. Arkham Knight. Bruce Wayne. She helps him to take down the enemies including Lyle Bolton and back Felicity. Fictional character. Gardner Fox. Dinah Drake Dinah Laurel Lance. Jones V-Man Wonder Man. During the League's restructuring following the Rock of Ages crisis, Batman sponsors Huntress' membership in the Justice League , [6] hoping that the influence of other heroes will mellow the Huntress, and for some time, Huntress is a respected member of the League. Members Only Merchandise Grow your collection with a wide range of exclusive merchandise—including the all-new Justice League Animated Series action figures —available in our members only store. Batgirl and the Birds of Prey. The stadiums may be empty, but believe it or not, the MLB playoffs have arrived.
    [Show full text]
  • Sandman, Aesthetics and Canonisation Today I Want To
    Sandman, Aesthetics and Canonisation Today I want to examine the ways in which Neil Gaiman’s Sandman has used narrative, format and aesthetic to move ever closer to the notion of the literary text. Particularly going to consider how it exploits the author function and enacts the struggle for cultural worth that comics seem consistently engaged in. Sandman is an epic series rewriting a golden-age superhero into an immortal deity. It is best remembered for its mythological content and literary references, and these elements have allowed it to claim its place as a canonised graphic novel (despite not actually being a singular GN but a maxi-series across multiple trade paperbacks!). Neil Gaiman’s authorship and authority dominate the text and epitomise Michel Foucault’s author function. But Sandman also draws heavily on mixed media and artistic variation and these aspects are less often discussed. Far from supporting a singular author function, Sandman’s visual style is multiple and varied. But despite this, in paratexts the artistic contributions are frequently subsumed into Gaiman’s authorship. However, a closer reading demonstrates that in fact this artistic variety destabilises clear-cut authorship and enacts the particular status struggles of comics as a collaborative medium struggling against the graphic novel branding. SLIDE: literary pix Sandman was launched in 1989 and became the flagship title for DC’s new Vertigo imprint. Vertigo’s publications contributed heavily to the mainstream cultural revaluation of comics as graphic novels, and critics such as Candace West have argued that Sandman in particular was instrumental here due to the attention the series received from mainstream media such as Rolling Stone magazine.
    [Show full text]
  • Hulk: World War Hulks Vol. 6 Free
    FREE HULK: WORLD WAR HULKS VOL. 6 PDF Jeph Loeb,Ed McGuinness | 112 pages | 29 Apr 2011 | Marvel Comics | 9780785142676 | English | New York, United States Hulk, Volume 6: World War Hulks by Jeph Loeb No recent wiki edits to this page. Who is the Red Hulk? The truth is finally out: The identity of the Red Hulk is revealed! Everything Hulk fans have been waiting for pays off here, but it only whets the appetite for the epic final showdown between Red and Green Hulks - a cataclysmic battle that will settle Hulk: World War Hulks Vol. 6 comes out on top once and for all. This series is collected among the following paperbacks:. This edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size Hulk: World War Hulks Vol. 6 should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live.
    [Show full text]
  • Existentialism of DC Comics' Superman
    Word and Text Vol. VII 151 – 167 A Journal of Literary Studies and Linguistics 2017 Re-theorizing the Problem of Identity and the Onto- Existentialism of DC Comics’ Superman Kwasu David Tembo University of Edinburgh E-mail: [email protected] Abstract One of the central onto-existential tensions at play within the contemporary comic book superhero is the tension between identity and disguise. Contemporary comic book scholarship typically posits this phenomenon as being primarily a problem of dual identity. Like most comic book superheroes, superbeings, and costumed crime fighters who avail themselves of multiple identities as an essential part of their aesthetic and narratological repertoire, DC Comics character Superman is also conventionally aggregated in this analytical framework. While much scholarly attention has been directed toward the thematic and cultural tensions between two of the character’s best-known and most recognizable identities, namely ‘Clark Kent of Kansas’ and ‘Superman of Earth’, the character in question is in fact an identarian multiplicity consisting of three ‘identity-machines’: ‘Clark’, ‘Superman’, and ‘Kal-El of Krypton’. Referring to the schizoanalysis developed by the French theorists Gilles Deleuze and Félix Guattari in Anti- Oedipus. Capitalism and Schizophrenia (orig. 1972), as well as relying on the kind of narratological approach developed in the 1960s, this paper seeks to re-theorize the onto- existential tension between the character’s triplicate identities which the current scholarly interpretation of the character’s relationship with various concepts of identity overlooks. Keywords: Superman, identity, comic books, Deleuze and Guattari, schizoanalysis The Problem of Identity: Fingeroth and Dual Identities Evidenced by the work of contemporary comic book scholars, creators, and commentators, there is a tradition of analysis that typically understands the problem of identity at play in Superman, and most comic book superheroes by extension, as primarily a problem of duality.
    [Show full text]
  • Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
    http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks.
    [Show full text]
  • Annihilation: Conquest Omnibus Free Download
    ANNIHILATION: CONQUEST OMNIBUS FREE DOWNLOAD Dan Abnett,Andy Lanning,Tom Raney | 872 pages | 30 Jun 2015 | Marvel Comics | 9780785192701 | English | New York, United States Verify your identity Any good? When the Phalanx technovirus was removed Annihilation: Conquest Omnibus her body, she felt worse than before and wanted to remain one of the Select because of how 'good' it made her feel inside. See each listing for international shipping options and costs. Stark says that there are other superhumans like him. Nova insists that as Annihilation: Conquest Omnibus of the United Fronthe sent a warning to the Fantastic Four. Mahmud Asrar Klebs Jr. He engages Planetfall, defeating it in one fell swoop, stunning the Turakians. Cory Petit. Can Annihilation: Conquest Omnibus New Mutants' Warlock free Nova? The only problem is, Worldmind cannot detect any signs of life anywhere. After the fight, he shocks them even more when he reveals that he is a the Annihilation: Conquest Omnibus Centurion after the war against Annihilus. I guess they were 'red-shirted' early on by being taken over by the Phalanx like they were. I can't wait to get into Guardians Annihilation: Conquest Omnibus the Galaxy. Cosmo repays Rider by showing him the Continuum Cortex, which can reach anywhere in the universe, even Kvch, home of the Technarchy, the parents of the Phalanx, the only ones who can cure him from the virus. Soon, he discovers that the Kree are in danger and need assistance, so he flies to Hala to aid his former allies. Turns out, he had been fight the Annihilation: Conquest Omnibus virus for years, causing random memory relapses.
    [Show full text]
  • The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
    University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]