Arthur Suydam: “Heroes Are What We Aspire to Be”
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Núm. 13 Noviembre, 2018 Publicación Mensual Dirección CCH Naucalpan - Coordinación De Gestión Y Planeación
Núm. 13 Noviembre, 2018 Publicación Mensual Dirección CCH Naucalpan - Coordinación de Gestión y Planeación DIRECTORIO unam Dr. Enrique L. Graue Wiechers Rector Dr. Leonardo Lomelí Vanegas Secretario General Ing. Leopoldo Silva Gutiérrez Secretario Administrativo Editorial Dr. Alberto Ken Oyama Nakagawa Secretario de Desarrollo Institucional Mtro. Javier de la Fuente Hernández Secretario de Atención a la Comunidad Universitaria rden y caos, control y descontrol, estabilidad y Dra. Mónica González Contró desestabilización. Dicotomías con una infinidad de Abogada General posibilidades intermedias, y con claras manifestaciones Mtro. Néstor Enrique Martínez Cristo Oen la naturaleza y la sociedad. En ciencias como Biología, Química, Director General de Comunicación Social Física, Matemáticas, Economía, Meteorología, Geografía, entre muchas otras, se utilizan modelos y teorías que ayudan a identificar cch patrones de comportamiento, predicciones y escenarios en Dr. Benjamín Barajas Sánchez ambientes complejos híper relacionados. Recordemos el tan Director General mencionado “Efecto mariposa” con el que, el matemático y meteorólogo estadounidense Edward Norton Lorenz, al estudiar plantel naucalpan los cambios en el clima y modificar uno de los datos, de manera Mtro. Keshava Quintanar Cano casi imperceptible, dio como resultado un reordenamiento Director completamente diferente y que, al graficarlo en una computadora, Mtro. Ciro Plata Monroy se obtuvo una figura similar a una mariposa. Este descubrimiento Secretario General quedó acuñado en la pregunta: ¿El aleteo de una mariposa en Lic. Moisés Vázquez Tapia Brasil hace aparecer un tornado en Texas?, su posible respuesta Secretario Administrativo implicaría que todo está relacionado y que estamos integrados Ing. Reyes Hugo Torres Merino en un gran sistema que se ordena y desordena de manera natural Secretario Académico y caótica, tal como lo asevera el axioma Sufí: “No puedes tocar Mtra. -
ROY THOMAS Chapter Four
Captain Marvel Jr. TM & © DC Comics DC © & TM Jr. Marvel Captain Introduction by ROY THOMAS Chapter Four Little Boy Blue Ed Herron had come to Fawcett with a successful track record of writing Explosive is the best way to describe this iconic, colorful cover (on opposite page) by and creating comic book characters that had gone on to greater popularity, Mac Raboy, whose renditions of a teen-age super-hero with a realistic physique was noth- including work on the earliest stories of Timely’s colorful Captain America— ing less than perfect. Captain Marvel Jr. #4, (Feb. 19, 1943). Inset bottom is Raboy’s first and his kid sidekick Bucky. It was during the fall of 1941 that Herron came cover for Fawcett and the first of the CMJr origin trilogy, Master Comics #21 (Dec. 1941). Below up with the idea of a new addition to the Fawcett family. With Captain is a vignette derived from Raboy’s cover art for Captain Marvel Jr. #26 (Jan. 1, 1945). Marvel sales increasing dramatically since his debut in February 1940, Fawcett management figured a teenage version of the “Big Red Cheese” would only increase their profits. Herron liked Raboy’s art very much, and wanted a more illustrative style for the new addition, as opposed to the C. C. Beck or Pete Costanza simplified approach on Captain Marvel. The new boy-hero was ably dubbed Captain Marvel Jr., and it was Mac Raboy who was given the job of visualizing him for the very first time. Jr.’s basic attire was blue, with a red cape. -
Garfield Bizarro Shoe Non Sequitur Stone Soup Wizard
CHRIS BROWNE JAN ELIOT STONE SOUP HAGAR THE HORRIBLE JIM DAVIS JIM BORGMAN & JERRY SCOTT ZITS GARFIELD MORT, GREG & BRIAN WALKER MARK TATULLI LIO BEETLE BAILEY MASTROIANNI & HART RAY BILLINGSLEY B.C. CURTIS DAN PIRARO WILEY BIZARRO NON SEQUITUR RICHARD THOMPSON BRANT PARKER & JOHNNY HART CUL DE SAC WIZARD OF ID CHRIS CASSATT & GARY BROOKINS FRANCESCO MARCIULIANO & CRAIG MACINTOSH SHOE SALLY FORTH JACK ELROD SCRABBLE GRAMS Make a 2- to 7- letter word from the letters in each RACK 1 row. Add points of each word, using scoring directions at right. Finally, MARK TRAIL RACK 2 7-letter words get 50-point bonus. 2nd Letter “Blanks” used as Double any letter have CATHY GUISEWITE RACK 3 no point value. All the words Triple are in the Official Word Score SCRABBLE Play- RACK 4 ers Dictionary, 3rd Edition. PAR SCORE 145-155 FOUR RACK TOTAL BEST SCORE 244 TIME LIMIT: 20 MIN CATHY Wednesday’s Scrabble grams Par score: 195-205 pts. Total: 255 pts. Rack 1: FACTUAL, Rack 3: VANTAGE, 62 points 72 points Rack 2: GRAMMAR, Rack 4: LATERAL, DARRIN BELL 64 points 57 points ©2010 Hasbro. Distributed by Tribune Media Services, Inc. All rights reserved 1/14 CRYPTOQUIP ©2010 by King Features Syndicate, Inc. Wednesday’s Cryptoquip: IF FIXING THINGS UP MAKES YOU EXTREMELY NERVOUS, YOU LIKELY ARE HAVING REPARATION ANXIETY. XKMSIY ZXNR QV IY IXXMBTIOTMY CANDORVILLE MD XBTNYOTXOX LCM IFN XOZRVTYS SCOTT STANTIS TBNQNFSX: “SM LTOC OCN DKMN.” The Cryptoquip is a substitution cipher in which one letter stands for an- other. If you think that X equals O, it will equal O throughout the puzzle. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 6868 1ST NATIONAL DEFENSE TEST DAY PART 1 OF 2 9/12/2024 60 VG+ SYN 6869 1ST NATIONAL DEFENSE TEST DAY PART 2 OF 2 9/12/2024 45 VG+ SYN 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 7169 A CHRISTMAS CAROL WITH LIONEL BARRYMOORE, 15TH YEAR BROADCAST 12/25/1945 MUT 30 VG+ NET 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 6089 A TRIBUTE TO AL JOLSON A STAR STUDDED SHOW HONORING AL JOLSON 10/1/1946 MUT 52 EX NET 6867 A TRIBUTE TO GEORGE GERSHWIN REMEMEBERED 00/00/61 60 EX SYN 6228 A TRIBUTE TO IRVING BERLIN ALEXANDER'S RAGTIME BAND 8/3/1938 CBS 75 VG/EX NET 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Silver Retreat Qualifiers Alicia Sears (USA) Amanda Rummenie (USA) May ’16 – April ’17 Alicia Traver (USA) Amanda Schmidgall (USA)
Silver Retreat Qualifiers Alicia Sears (USA) Amanda Rummenie (USA) May ’16 – April ’17 Alicia Traver (USA) Amanda Schmidgall (USA) Alifah Luthfia Ya'Cof @ Yaakop (MYS) Amanda Shook (USA) Aaron Lahman & Sara Leoni (USA) Alisa Renee Okamoto (USA) Amanda Smith (USA) Abbey Norris (USA) Alison Cimini (USA) Amanda Smith (USA) Abi Porter (USA) Alison Hopkins (USA) Amanda Taylor (USA) Abigail Berzin (USA) Alison Nobles (USA) Amanda Wagner (CAN) Abigail Burton (USA) Alison Stewart (USA) Amanda Weyrick (USA) Abigail Erickson (USA) Alison Van Horn (USA) Amanda Wilson (USA) Abigail Mcdonald (USA) Allie Phillips (USA) Amber Conradi (USA) Abigail Rigney (USA) Allison Hayes (USA) Amber Davenport (USA) Abundant Living Resources (MYS) Amber La'Rae Clements (USA) Allison Hoffman (USA) Adam Cooper (USA) Allison Summers (AUS) Amber Mcmahon (USA) Adelia Davis (USA) Allyce Cripe (USA) Amber Paris (USA) Adelina Mathews (MYS) Allyce Riemenschneider (USA) Amber Shuey (USA) Adriana Perez (USA) Allyson Cheney (USA) Ambjour Criss (USA) Adrianne Lentine (USA) Alva Chan (HKG) Ambra Brant (USA) Adrienne Smiley (USA) Alvin Lim Yu Choong (MYS) Amelia Chapman (USA) Agustini Wijaya (SGP) Alyce Carter (USA) Amelia Weaver (USA) Ah Moi Goh (MYS) Alyse Wecker (USA) Amie Hill (USA) Ah Mooi Yong (MYS) Alysia Jantzi (CAN) Amira Kalbfleisch (USA) Aibe, Tami (JPN) Alyssa Leroy (CAN) Amiza Fazlina Aminuddin (MYS) Aimee Greenman (USA) Alyssa Nicholas (USA) Amy Amendola (USA) Aimee Mannix (USA) Amy Arrington (USA) Alyssa Peterson (USA) Aina Cheek (USA) Amanda & Thomas Laman (USA) -
Bibliographic Annual in Speech Communication 1973
DOCUMENT RESUME ED 088 129 CS 500 620 AUTHOR Kennicott, Patrick C., Ed. TITLE Bibliographic Annual in Speech Communication 1573. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE 74 NOTE 267p. AVAILABLE FROM Speech. Communication Association, Statler Hiltcn Hotel, New York, N. Y. 10001 ($8.00). EDRS PRICE MF-$0.75 HC-$12.60 DESCRIPTORS *Behavioral Science Research; *Bibliographies; *Communication Skills; Doctoral Theses; Literature Reviews; Mass Media; Masters Theses; Public Speaking; Research Reviews (Publications); Rhetoric; *Speech Skills; *Theater Arts IDENTIFIERS Mass Communication; Stagecraft ABSTRACT This volume contains five subject bibliographies for 1972, and two lists of these and dissertations. The bibliographies are "Studies in Mass Communication," "Behavioral Studies in Communication," "Rhetoric and Public Address," "Oral Interpretation," and "Theatrical Craftsmanship." Abstracts of many of the doctcral disertations produced in 1972 in speech communication are arranged by subject. ALso included in a listing by university of titles and authors of all reported masters theses and doctoral dissertaticns completed in 1972 in the field. (CH) U S Ol l'AerVE NT OF MEAL.TH r DUCA ICON R ,Stl. I, AWE NILIONAt. INST I IUI EOF E DOCA I ION BIBLIOGRAPHIC ANNUAL CO IN CD SPEECH COMMUNICATION 1973 STUDIES IN MASS COMMUNICATION: A SELECTED BIBLIOGRAPHY, 1972 Rolland C. Johnson BEHAVIORAL STUDIES IN COMMUNICATION, 1972 A SELECTED BIBLIOGRAPHY Thomas M. Steinfatt A SELECTED BIBLIOGRAPHY OF RHETORIC AND PUBLIC ADDRESS, 1972 Harold Mixon BIBLIOGRAPHY OF STUDIES IN ORAL INTERPRETATION, 1972 James W. Carlsen A BIBLIOGRAPHY OF THEATRICAL CRAFTSMANSHIP, 1972. r Christian Moe and Jay E. Raphael ABSTRACTS OF DOCTORAL DISSERTATIONS IN THE FIELD OF SPEECH COMMUNICATION, 1972. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.