The Geography of Gandhāran Art
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Buddhist Pilgrimage
Published for free distribution Buddhist Pilgrimage ew Edition 2009 Chan Khoon San ii Sabbadanam dhammadanam jinati. The Gift of Dhamma excels all gifts. The printing of this book for free distribution is sponsored by the generous donations of Dhamma friends and supporters, whose names appear in the donation list at the end of this book. ISB: 983-40876-0-8 © Copyright 2001 Chan Khoon San First Printing, 2002 – 2000 copies Second Printing 2005 – 2000 copies New Edition 2009 − 7200 copies All commercial rights reserved. Any reproduction in whole or part, in any form, for sale, profit or material gain is strictly prohibited. However, permission to print this book, in its entirety , for free distribution as a gift of Dhamma , is allowed after prior notification to the author. ew Cover Design Inset photo shows the famous Reclining Buddha image at Kusinara. Its unique facial expression evokes the bliss of peace ( santisukha ) of the final liberation as the Buddha passes into Mahaparinibbana. Set in the background is the Great Stupa of Sanchi located near Bhopal, an important Buddhist shrine where relics of the Chief Disciples and the Arahants of the Third Buddhist Council were discovered. Printed in Kuala Lumpur, Malaysia by: Majujaya Indah Sdn. Bhd., 68, Jalan 14E, Ampang New Village, 68000 Selangor Darul Ehsan, Malaysia. Tel: 03-42916001, 42916002, Fax: 03-42922053 iii DEDICATIO This book is dedicated to the spiritual advisors who accompanied the pilgrimage groups to India from 1991 to 2008. Their guidance and patience, in helping to create a better understanding and appreciation of the significance of the pilgrimage in Buddhism, have made those journeys of faith more meaningful and beneficial to all the pilgrims concerned. -
Revue D'etudes Tibétaines
Revue d’Etudes Tibétaines Perspectives on Tibetan Culture A Small Garland of Forget-me-nots Offered to Elena De Rossi Filibeck Edited by Michela Clemente, Oscar Nalesini and Federica Venturi numéro cinquante-et-un — Juillet 2019 PERSPECTIVES ON TIBETAN CULTURE PERSPECTIVES ON TIBETAN CULTURE A Small Garland of Forget-me-nots Offered to Elena De Rossi Filibeck Edited by MICHELA CLEMENTE, OSCAR NALESINI AND FEDERICA VENTURI Perspectives on Tibetan Culture. A Small Garland of Forget-me-nots Offered to Elena De Rossi Filibeck Edited by Michela Clemente, Oscar Nalesini and Federica Venturi Copyright © 2019: each author holds the copyright of her/his contribution to this book All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the authors. Elena De Rossi Filibeck in Ladakh, 2005. Photo: Courtesy of Beatrice Filibeck Table of Contents Introduction 1 Tabula Gratulatoria 3 Elena De Rossi Filibeck’s Publications 5 1. Alessandro Boesi “dByar rtswa dgun ’bu is a Marvellous Thing”. Some Notes on the Concept of Ophiocordyceps sinensis among Tibetan People and its Significance in Tibetan Medicine 15 2. John Bray Ladakhi Knowledge and Western Learning: A. H. Francke’s Teachers, Guides and Friends in the Western Himalaya 39 3. Michela Clemente A Condensed Catalogue of 16th Century Tibetan Xylographs from South- Western Tibet 73 4. Mauro Crocenzi The Historical Development of Tibetan “Minzu” Identity through Chinese Eyes: A Preliminary Analysis 99 5. Franz Karl Ehrhard and Marta Sernesi Apropos a Recent Collection of Tibetan Xylographs from the 15th to the 17th Centuries 119 6. -
Preparatory Document
Preparatory document Please notice that we recommend that you read the first ten pages of the first three documents, the last document is optional. • International Holocaust Remembrance Alliance, Recognizing and Countering Holocaust Distortion: Recommendations for Policy and Decision Makers (Berlin: International Holocaust Remembrance Alliance, 2021), read esp. pp. 14-24 • Deborah Lipstadt, "Holocaust Denial: An Antisemitic Fantasy," Modern Judaism 40:1 (2020): 71-86 • Keith Kahn Harris, "Denialism: What Drives People to Reject the Truth," The Guardian, 3 August 2018, as at https://www.theguardian.com/news/2018/aug/03/denialism-what-drives- people-to-reject-the-truth (attached as pdf) • Optional reading: Giorgio Resta and Vincenzo Zeno-Zencovich, "Judicial 'Truth' and Historical 'Truth': The Case of the Ardeatine Caves Massacre," Law and History Review 31:4 (2013): 843- 886 Holocaust Denial: An Antisemitic Fantasy Deborah Lipstadt Modern Judaism, Volume 40, Number 1, February 2020, pp. 71-86 (Article) Published by Oxford University Press For additional information about this article https://muse.jhu.edu/article/750387 [ Access provided at 15 Feb 2021 12:42 GMT from U S Holocaust Memorial Museum ] Deborah Lipstadt HOLOCAUST DENIAL: AN ANTISEMITIC FANTASY* *** When I first began working on the topic of Holocaust deniers, colleagues would frequently tell me I was wasting my time. “These people are dolts. They are the equivalent of flat-earth theorists,” they would insist. “Forget about them.” In truth, I thought the same thing. In fact, when I first heard of Holocaust deniers, I laughed and dismissed them as not worthy of serious analysis. Then I looked more closely and I changed my mind. -
SYMPOSIUM Moving Borders: Tibet in Interaction with Its Neighbors
SYMPOSIUM Moving Borders: Tibet in Interaction with Its Neighbors Symposium participants and abstracts: Karl Debreczeny is Senior Curator of Collections and Research at the Rubin Museum of Art. He completed his PhD in Art History at the University of Chicago in 2007. He was a Fulbright‐Hays Fellow (2003–2004) and a National Gallery of Art CASVA Ittleson Fellow (2004–2006). His research focuses on exchanges between Tibetan and Chinese artistic traditions. His publications include The Tenth Karmapa and Tibet’s Turbulent Seventeenth Century (ed. with Tuttle, 2016); The All‐Knowing Buddha: A Secret Guide (with Pakhoutova, Luczanits, and van Alphen, 2014); Situ Panchen: Creation and Cultural Engagement in Eighteenth‐Century Tibet (ed., 2013); The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa (2012); and Wutaishan: Pilgrimage to Five Peak Mountain (2011). His current projects include an exhibition which explores the intersection of politics, religion, and art in Tibetan Buddhism across ethnicities and empires from the seventh to nineteenth century. Art, Politics, and Tibet’s Eastern Neighbors Tibetan Buddhism’s dynamic political role was a major catalyst in moving the religion beyond Tibet’s borders east to its Tangut, Mongol, Chinese, and Manchu neighbors. Tibetan Buddhism was especially attractive to conquest dynasties as it offered both a legitimizing model of universal sacral kingship that transcended ethnic and clan divisions—which could unite disparate people—and also promised esoteric means to physical power (ritual magic) that could be harnessed to expand empires. By the twelfth century Tibetan masters became renowned across northern Asia as bestowers of this anointed rule and occult power. -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
Socio-Economic Conditions of Post-Conflict Swat: a Critical Appraisal
TIGAH,,, A JOURNAL OF PEACE AND DEVELOPMENT Volume: II, December 2012, TigahFATA Research Centre, Islamabad Socio-Economic Conditions of Post-Conflict Swat: A Critical Appraisal * Dr. Salman Bangash Background of Conflict in Swat The Pakistani province of Khyber Pakhtunkhwa (KPK), previously known as the North West Frontier Province (NWFP) lies between the Indus River in the east and the Suleiman mountain range in the west, with an area of 74,521 sq. km. It comprises of 18 districts and Provincially Administered Tribal Area (PATA), consisting of Malakand Agency, which is further divided into districts of Upper Dir, Lower Dir, Chitral, Swat, Buner, Shangla and areas of Kala Dhaka. Swat is one of the districts of PATA, Malakand Division. Swat is a mountainous region with varying elevations, ranging from 600 meters to 6000 meters above the sea level, from south to north to the foothills of Hindukush mountain range. The region is blessed with abundance of water in shape of the Swat River. It also has forests, lush green valleys, plains and glaciers. The Swat valley is rich in flora and fauna. It is famous for its variety of fruits, medicinal herbs and botanical plants. The total area of District Swat is 5337 sq. km, divided into two tehsils, namely Matta (683 sq. km) and Swat (4654 sq. km).The total forest cover in Swat is 497,969 acres which consists of varieties of Pine trees. The District Headquarter of Swat is Saidu Sharif, but the main town in the district is Mingora. Saidu Sharif is at a distance of 131 km from Peshawar, the provincial capital, towards the northeast, * The author is a Lecturer at the Department of History, University of Peshawar. -
De-Fragmenting Gandhāran Art: Advancing Analysis Through Digital Imaging and Visualization Ian Haynes, Iwan Peverett, Wannaporn Rienjang with Contributions by Luca M
De-fragmenting Gandhāran art: advancing analysis through digital imaging and visualization Ian Haynes, Iwan Peverett, Wannaporn Rienjang with contributions by Luca M. Olivieri The Global Connections of Gandhāran Art Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-695-0 ISBN 978-1-78969-696-7 (e-Pdf) DOI: 10.32028/9781789696950 www.doi.org/10.32028/9781789696950 © Archaeopress and the individual authors 2020 Gandhāran ‘Atlas’ figure in schist; c. second century AD. Los Angeles County Museum of Art, inv. M.71.73.136 (Photo: LACMA Public Domain image.) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ����������������������������������������������������������������������������������������������������������������������������iii Illustrations ����������������������������������������������������������������������������������������������������������������������������������������iii Contributors ��������������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������������ -
Why Services Won't Always Buy Legitimacy
Researching livelihoods and services affected by conflict Why services won’t always buy legitimacy: Everyday experiences of the state in Swat, Pakistan Working Paper 82 Aoife McCullough, Shehryar Toru, with Rubab Syed and Shujaat Ahmed July 2019 Written by Aoife McCullough, Shehryar Toru, with Rubab Syed and Shujaat Ahmed SLRC publications present information, analysis and key policy recommendations on issues relating to livelihoods, basic services and social protection in conflict affected situations. This and other SLRC publications are available from www.securelivelihoods.org. Funded by UK aid from the UK Government, Irish Aid and the EC. Disclaimer: The views presented in this publication are those of the author(s) and do not necessarily reflect the UK Government’s official policies or represent the views of Irish Aid, the EC, SLRC or our partners. ©SLRC 2019. Readers are encouraged to quote or reproduce material from SLRC for their own publications. As copyright holder SLRC requests due acknowledgement. Secure Livelihoods Research Consortium Overseas Development Institute (ODI) 203 Blackfriars Road London SE1 8NJ United Kingdom T +44 (0)20 3817 0031 F +44 (0)20 7922 0399 E [email protected] www.securelivelihoods.org @SLRCtweet Cover photo: Sunset over the Mingora City,Swat Valley, Pakistan. Imranrashid26, Wikimedia Commons, (CC BY-SA 3.0). B Preface The Secure Livelihoods Research Consortium (SLRC) in Pakistan, the Social Scientists Association (SSA) aims to generate a stronger evidence base on in Sri Lanka, Overseas Development Institute (ODI) in statebuilding, service delivery and livelihood recovery in the UK and independent researchers collaborated to fragile and conflict-affected situations. -
The Parinirvana Cycle and the Theory of Multivalence: a Study Of
THE PARINIRVĀṆA CYCLE AND THE THEORY OF MULTIVALENCE: A STUDY OF GANDHĀRAN BUDDHIST NARRATIVE RELIEFS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2017 By Emily Hebert Thesis Committee: Paul Lavy, Chairperson Kate Lingley Jesse Knutson TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... ii INTRODUCTION ......................................................................................................................... 1 CHAPTER 1. BUDDHISM IN GREATER GANDHĀRA ........................................................... 9 Geography of Buddhism in Greater Gandhāra ....................................................................... 10 Buddhist Textual Traditions in Greater Gandhāra .................................................................. 12 Historical Periods of Buddhism in Greater Gandhāra ........................................................... 19 CHAPTER 2. GANDHĀRAN STŪPAS AND NARRATIVE ART ............................................. 28 Gandhāran Stūpas and Narrative Art: Architectural Context ................................................. 35 CHAPTER 3. THE PARINIRVĀṆA CYLCE OF NARRATIVE RELIEFS ................................ 39 CHAPTER 4 .THE THEORY OF MULTIVALENCE AND THE PARINIRVĀṆA CYCLE ...... 44 CHAPTER 5. NARRATIVE RELIEF PANELS FROM THE PARINIRVĀṆA CYCLE ............ 58 Episode -
Buddhist Sculptures of Malakand Collection: Its History, Analysis and Classification
106 Ancient Punjab – Volume 7, 2019 BUDDHIST SCULPTURES OF MALAKAND COLLECTION: ITS HISTORY, ANALYSIS AND CLASSIFICATION Amjad Pervaiz, Nafees Ahmad & Rizwan Nadeem ABSTRACT This study is about the selected sculptures of the Malakand collection, which delineate salient and conspicuous features of the Gandhāra Art. This collection has historical importance and shows diversification of different postures and actions. These sculptures represent the traditions and practices of Buddhism in Gandhāra and they portray the standard of art, the soul and spirit of the followers and artists. Basis of classifying sculptures is established on the confined and distinctive analysis and material of stone used in making the sculptures. To establish the chronology and to specify the exact area of origin, the sculptures were extensively and exhaustively studied from the viewpoint of Zonal Workshops. While observing the quality and style of the art along with material used for making the sculptures it becomes clear that the artist paid attention to the socio-economic and religious conditions of the time in his mind. Methodology used for research of the present study is based on descriptive as well as analytical approach. The architectural elements like Persepolitan and Corinthian pillars are still present and observed in the villages of Malakand and different parts of Gandhāra region. Keywords: Sculpures of Malakand, Gandhara Art, Buddhism, artists, stylistic analysis, socio-economic, religious condition, carving, architectural. INTRODUCTION Indian Sub-Continent has been the core of rich cultural heritage and the abode of civilization of the Indus valley. The researchers in archaeology, art, anthropology and history have brought out important information about developments that took place over the millennia. -
Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha)
Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Ihsan Ali Muhammad Naeem Qazi Hazara University Mansehra NWFP – Pakistan 2008 Uploaded by [email protected] © Copy Rights reserved in favour of Hazara University, Mansehra, NWFP – Pakistan Editors: Ihsan Ali* Muhammad Naeem Qazi** Price: US $ 20/- Title: Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Frontispiece: Buddha Visiting Kashyapa Printed at: Khyber Printers, Small Industrial Estate, Kohat Road, Peshawar – Pakistan. Tel: (++92-91) 2325196 Fax: (++92-91) 5272407 E-mail: [email protected] Correspondence Address: Hazara University, Mansehra, NWFP – Pakistan Website: hu.edu.pk E-mail: [email protected] * Professor, Department of Archaeology, University of Peshawar, Currently Vice Chancellor, Hazara University, Mansehra, NWFP – Pakistan ** Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan CONTRIBUTORS 1. Prof. Dr. Ihsan Ali, Vice Chancellor Hazara University, Mansehra, Pakistan 2. Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan 3. Ihsanullah Jan, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 4. Muhammad Ashfaq, University Museum, Hazara University 5. Syed Ayaz Ali Shah, Department of Archaeology, University of Peshawar, Pakistan 6. Abdul Hameed Chitrali, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 7. Muhammad Imran Khan, Archaeologist, Charsadda, Pakistan 8. Muhammad Haroon, Archaeologist, Mardan, Pakistan III ABBREVIATIONS A.D.F.C. Archaeology Department, Frontier Circle A.S.I. Archaeological Survery of India A.S.I.A.R. Archaeological Survery of India, Annual Report D.G.A. Director General of Archaeology E.G.A.C. Exhibition of the German Art Council I.G.P. Inspector General Police IsMEO Instituto Italiano Per il Medio ed Estremo Oriente P.M. -
The Japanese Warrior in the Cultural Production of Fascist Italy
Revista de Artes Marciales Asiáticas Volumen 12(2), 82100 ~ JulioDiciembre 2017 DOI: 10.18002/rama.v12i2.5157 RAMA I.S.S.N. 2174‐0747 http://revpubli.unileon.es/ojs/index.php/artesmarciales Bushido as allied: The Japanese warrior in the cultural production of Fascist Italy (19401943) Sergio RAIMONDO*1,2, Valentina DE FORTUNA3, & Giulia CECCARELLI3 1 University of Cassino and South Lazio (Italy) 2 Area Discipline Orientali Unione Italiana Sport per Tutti (Italy) 3 Free Lance Translator (Italy) Recepción: 17/10/2017; Aceptación: 19/12/2017; Publicación: 27/12/2017. ORIGINAL PAPER Abstract Introduction: After the signing of the alliance among Japan, Germany and Italy’s governments in September 1940, several journals arose in order to spread the Japanese culture among people who knew very little about Italy’s new allied. Some documentaries also had the same function. Methods: The numerous textual and iconographical references concerning the Japanese warriors’ anthropology published in some Italian magazines during the 1940s have been compared, as well as to the few Italian monographs on the same theme and to some documentaries by Istituto Nazionale Luce, government propaganda organ. This subject has also been compared to the first Italian cultural production, concerning Japan, which dated back to the first decades of the 20th century. Moreover different intellectuals’ biographies of those times have been deeply analyzed. Results: Comparing to each other the anthropological references about Japan in the Italian cultural production during the Second World War, we can notice a significant ideological homogeneity. This can be explained through their writers’ common sharing of the militaristic, hierarchical and totalitarian doctrine of the Fascist Regime.